Past Seasons Archive

Cantata Singers is known not only for the quality of its performances, but also for the breadth and variety of its musical programming. Enjoy browsing our program history by using the drop-down menus below to view all programs by season, or programs that feature music by a specific composer.

Click on the date of each concert program to access program details and notes.

***This page is a work in progress. We will be adding concert program information gradually for all 53 years of programming. Thank you for your patience.

Browse By: Season Composer

Season:

Composer:

Sunday, November 15, 1964
First Church in Boston; Leo Collins, conductor
J.S. Bach: Cantata BWV 131, “Aus der Tiefe rufe ich, Herr, zu dir”
J.S. Bach: Cantata BWV 82, “Ich habe genug”
J.S. Bach: Cantata BWV 72, “Alles nur nach Gottes Willen”

Sunday, January 16, 1965
First Church in Boston; Leo Collins, conductor
J.S. Bach: Cantata BWV 41, “Jesu, nun sei gepreiset”
J.S. Bach: Cantata BWV 65, “Sie werden aus Saba alle kommen”
J.S. Bach: Cantata BWV 170, “Vergnügte Ruh, beliebte Seelenlust”
J.S. Bach: Cantata BWV 207a, “Auf, schmetternde Töne der muntern Trompeten”

Wednesday, May 19, 1965
Lucy Wheelock Memorial Auditorium, Wheelock College; Leo Collins, conductor
J.S. Bach: Cantata BWV 118, “O Jesu Christ, mein’s Lebens Licht”
J.S. Bach: Cantata BWV 4, “Christ lag in Todesbanden”
J.S. Bach: Cantata BWV 21, “Ich hatte viel Bekümmernis”

Saturday, October 23, 1965
Rapaporte Treasure Hall, Brandeis University; Leo Collins, conductor
J.S. Bach: Cantata BWV 72, “Alles nur nach Gottes Willen”
J.S. Bach: Cantata BWV 78, “Jesu, der du meine Seele”
J.S. Bach: Cantata BWV 93, “Wer nur den lieben Gott lässt walten”

Saturday, November 20, 1965
Sanders Theatre, Harvard University; Leo Collins, conductor
J.S. Bach: Cantata BWV 72, “Alles nur nach Gottes Willen”
J.S. Bach: Cantata BWV 78, “Jesu, der du meine Seele”
J.S. Bach: Cantata BWV 93, “Wer nur den lieben Gott lässt walten”

Saturday, February 12, 1966
Kresge Auditorium, MIT; Leo Collins, conductor
J.S. Bach: Cantata BWV 64, “Sehet, welch eine Liebe”
J.S. Bach: Cantata BWV 70, “Wachet, betet, seid bereit allezeit”
J.S. Bach: Motet BWV 225, “Singet dem Herrn ein neues Lied”

Saturday, March 19, 1966
Sanders Theatre, Harvard University; Leo Collins, conductor
J.S. Bach: Cantata BWV 10, “Meine Seel’ erhebt den Herren”
J.S. Bach: Cantata BWV 12, “Weinen, Klagen, Sorgen, Zagen”
J.S. Bach: Cantata BWV 56, “Ich will den Kreuzstab gerne tragen”

Wednesday, May 25, 1966
Busch-Reisinger Museum, Harvard University; Leo Collins, conductor
J.S. Bach: Cantata BWV 4, “Christ lag in Todesbanden”
J.S. Bach: Motet BWV 225, “Singet dem Herrn ein neues Lied”

Sunday, October 16, 1966
Isabella Stewart Gardner Museum; Leo Collins, conductor
J.S. Bach: Cantata BWV 85, “Ich bin ein guter Hirt”
J.S. Bach: Cantata BWV 132, “Bereitet die Wege, bereitet die Bahn!”
J.S. Bach: Cantata BWV 167, “Ihr Menschen, rühmet Gottes Liebe”

Saturday, November 5, 1966
Sanders Theatre, Harvard University; Leo Collins, conductor
J.S. Bach: Cantata BWV 10, “Meine Seel’ erhebt den Herrn”
J.S. Bach: Cantata BWV 36, “Schwingt freudig euch empor”
J.S. Bach: Cantata BWV 132, “Bereitet die Wege, bereitet die Bahn!”

Sunday, December 11, 1966
Currier Gallery of Art, Manchester, New Hampshire; Leo Collins, conductor
J.S. Bach: Cantata BWV 36, “Schwingt freudig euch empor”
J.S. Bach: Cantata BWV 167, “Ihr Menschen, rühmet Gottes Liebe”

Saturday, February 11, 1967
Sanders Theatre, Harvard University; Leo Collins, conductor
J.S. Bach: Cantata BWV 85, “Ich bin ein guter Hirt”
J.S. Bach: Cantata BWV 167, “Ihr Menschen, rühmet Gottes Liebe”
J.S. Bach: Cantata BWV 196, “Derr Herr denket an uns”
J.S. Bach: Motet BWV 229, “Komm, Jesu, Komm”

Saturday, April 15, 1967
Sanders Theatre, Harvard University; Leo Collins, conductor
J.S. Bach: Cantata BWV 6, “Bleib bei uns, denn es will Abend werden”
J.S. Bach: Cantata BWV 131, “Aus der Tiefe rufe ich, Herr, zu dir”
J.S. Bach: Cantata BWV 140, “Wachet auf, ruft uns die Stimme”

Saturday, November 11, 1967
Rapaporte Treasure Hall, Brandeis University; Leo Collins, conductor
J.S. Bach: Cantata BWV 196, “Derr Herr denket an uns”
J.S. Bach: Cantata BWV 53, “Schlage doch, gewünschte Stunde”
J.S. Bach: Cantata BWV 61, “Nun komm, der Heiden Heiland”

Saturday, November 18, 1967
Sanders Theatre, Harvard University; Leo Collins, conductor
J.S. Bach: Cantata BWV 196, “Derr Herr denket an uns”
J.S. Bach: Cantata BWV 33, “Allein zu dir, Herr Jesu Christ”
J.S. Bach: Cantata BWV 61, “Nun komm, der Heiden Heiland”

Friday, December 8, 1967
deCordova Museum, Lincoln, Massachusetts; Leo Collins, conductor
J.S. Bach: Cantata BWV 196, “Derr Herr denket an uns”
J.S. Bach: Cantata BWV 84, “Ich bin vergnugt”
J.S. Bach: Cantata BWV 82, “Ich habe genug”
J.S. Bach: Cantata BWV 61, “Nun komm, der Heiden Heiland”

Sunday, December 10, 1967
Currier Gallery of Art, Manchester, New Hampshire; Leo Collins, conductor
J.S. Bach: Cantata BWV 196, “Derr Herr denket an uns”
J.S. Bach: Cantata BWV 53, “Schlage doch, gewünschte Stunde”
G.F. Handel: Trio Sonata in G minor, for Two Violins and Continuo, op. 2, no. 8
J.S. Bach: Cantata BWV 61, “Nun komm, der Heiden Heiland”

Friday, February 9, 1968
Sanders Theatre, Harvard University; Leon Kirchner, conductor
J.S. Bach: Cantata BWV 105, “Herr, gehe nicht ins Gericht”
J.S. Bach: Cantata BWV 106, “Gottes Zeit ist die allerbeste Zeit”
J.S. Bach: Cantata BWV 34, “O ewiges Feuer, o Ursprung der Liebe”

Monday, February 12, 1968
Memorial Church, Harvard University; Leon Kirchner, conductor
J.S. Bach: Motet BWV 402, “O Mensch, bewein’ dein’ Sünde gross”
J.S. Bach: Aria from Cantata BWV 6: “Ach bleib bei uns, Herr Jesu Christ”
J.S. Bach: Aria from Cantata BWV 85: “Seht, was die Liebe tut”
J.S. Bach: Aria from Cantata BWV 82: “Schlummert ein, ihr matten Augen”
J.S. Bach: Aria from Cantata BWV 85: “Jesus ist ein guter Hirt”
J.S. Bach: Aria from Cantata BWV 106, “Gottes Zeit ist die allerbeste Zeit”
Johannes Brahms: Chorale Prelude, “Mein Jesu, dir du mich,” op. 122, no. 1

Saturday, May 4, 1968
Sanders Theatre, Harvard University; G. Wallace Woodworth, conductor
J.S. Bach: Cantata BWV 79, “Gott der Herr ist Sonn’ und Schild”
Giovanni Gabrieli: “O Jesu mi dulcissime,” from Symphoniae sacrae II
Claudio Monteverdi: “Ohime, se tanto amate,” from Il quarto libro de madrigali a cinque voci
J.S. Bach: Cantata BWV 11, “Lobet Gott in seinen Reichen” (Ascension Oratorio)

Saturday, November 9, 1968
Sanders Theatre, Harvard University; Richard P. Kapp, conductor
Henry Purcell: Christmas Anthem
J.S. Bach: Cantata BWV 26, “Ach wie flüchtig, ach wie nichtig”
Frank Martin: Ballade for Flute and Orchestra
J.S. Bach: Cantata BWV 80, “Ein feste Burg ist unser Gott”

Friday, February 14, 1969
Sanders Theatre, Harvard University; Richard P. Kapp, conductor
J.S. Bach: Cantata BWV 102, “Herr, deine Augen sehen nach dem Glauben”
Frank Martin: “Le philtre,” from Le vin herbé
J.S. Bach: Lutheran Mass in G minor, BWV 235

Saturday, April 26, 1969
Sanders Theatre, Harvard University; Richard P. Kapp, conductor
J.S. Bach: Cantata BWV 150, “Nach dir, Herr, verlanget mich”
Carlo Gesualdo, completed by Igor Stravinsky: Three Sacred Songs
J.S. Bach: Cantata BWV 147, “Herz und Mund und Tat und Leben”

Monday, August 4, 1969
Sanders Theatre, Harvard University; Leon Kirchner, conductor
Concert by the Boston Philharmonia, joined by Cantata Singers for one piece
J.S. Bach: Cantata BWV 11, “Lobet Gott in seinen Reichen” (Ascension Oratorio)

Saturday, November 15, 1969
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 161, “Komm, du süsse Todesstunde”
J.S. Bach: Cantata BWV 17, “Wer Dank opfert, der preiset mich”
J.S. Bach: Cantata BWV 127, “Herr Jesu Christ, wah’r Mensch und Gott”

Wednesday, February 18, 1970
Sanders Theatre, Harvard University; Joseph Silverstein, conductor
William Byrd: Mass for Four Voices
F.J. Haydn: Concerto No. 1 in C, for Violin and Orchestra
F.J. Haydn: Mass No. 11 in D minor, Missa in Angustiis (“Nelson Mass”)

Sunday, April 12, 1970
Sanders Theatre, Harvard University; Leon Kirchner, conductor
Concert by the Boston Philharmonia, joined by Cantata Singers for two pieces
David del Tredici: Pop-pourri
Igor Stravinsky: Requiem Canticles

Saturday, May 9, 1970
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 116, “Du Friedenfürst, Herr Jesu Christ”
Heinrich Schütz: “Komm, heiliger Geist,” SWV 417, from Symphoniae sacrae III
Heinrich Schütz: “Nun danket alle Gott,” SWV 418, from Symphoniae sacrae III
Anton Webern: Two Goethe Songs, from Drei Lieder, op. 18, and Zwei Lieder, op. 19
J.S. Bach: Cantata BWV 95, “Christus, der ist mein Leben”

Wednesday, October 28, 1970
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 102, “Ihr werdet weinen und heulen”
J.S. Bach: Cantata BWV 115, “Mach dich, mein Geist, bereit”
J.S. Bach: Cantata BWV 67, “Halt im Gedächtnis Jesum Christ!”

Wednesday, January 20, 1971
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 20, “O Ewigkeit, du Donnerwort”
Heinrich Schütz: “Ist nicht Ephraim mein teurer Sohn,” SWV 40, from Psalmen Davids 1619
Heinrich Schütz: “Nich uns, Herr,” SWV 43, from Psalmen Davids 1619
J.S. Bach: Cantata BWV 10, “Meine Seel’ erhebt den Herren”

Wednesday, April 28, 1971
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Motet BWV 229, “Komm, Jesu, komm”
J.S. Bach: Cantata BWV 42, “Am Abend aber desselbigen Sabbats”
John Harbison: Music for Mixed Chorus
Orlando Gibbons: Fair is the Rose
J.S. Bach: Cantata BWV 47, “Wer sich selbst erhöhet der soll erniedriget werden”

Wednesday, November 10, 1971
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 48, “Ich elender Mensch”
J.S. Bach: Cantata BWV 109, “Ich glaube, lieber Herr”
Josquin Desprez: “Nymphes des bois,” La déploration de Johan. Ockeghem
J.S. Bach: Cantata BWV 140, “Wachet auf, ruft uns die Stimme”

Sunday, December 12, 1971
Currier Gallery of Art, Manchester, New Hampshire; John Harbison, conductor
G.F. Handel: Trumpet Voluntary
J.S. Bach: Motet BWV 229, “Komm, Jesu, komm”
John Harbison: Music for Mixed Chorus
Orlando Gibbons: Fair is the Rose
J.S. Bach: Two Christmas Chorales
Josquin Desprez: “Nymphes des bois,” La déploration de Johan. Ockeghem
J.S. Bach: Cantata BWV 157, “Ich lasse dich nicht”
Heinrich Schütz: “Nun danket alle Gott,” SWV 418, from Symphoniae sacrae III

Wednesday, January 26, 1972
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 39, “Brich dem Hungrigen dein Brot”
Heinrich Schütz: “Selig sind die Toten,” SWV 391, from Geistliche Chormusik 1648
Heinrich Schütz: Motet SWV 455, “Die Himmel erzählen die Ehre Gottes”
Arnold Schoenberg: Mond und Menschen, op. 27, no. 3
Heinrich Schütz: “Ich bin ein rechter Weinstock,” SWV 389, from Geistliche Chormusik 1648
J.S. Bach: Cantata BWV 180, “Schmücke dich, o liebe Seele”

Wednesday, April 26, 1972
Sanders Theatre, Harvard University; Earl Kim, conductor
W.A. Mozart: Ave verum corpus, K. 618
W.A. Mozart: Adagio, from Divertimento No. 15, K. 287
W.A. Mozart: Così fan tutte, Quintet (Act I, Scene V)
W.A. Mozart: Caro bell’ idol mio, K. 562
W.A. Mozart: Ach, zu kurz, K. 228
W.A. Mozart: Selig alle, K. 230
W.A. Mozart: Ave Maria, K. 554
W.A. Mozart: Adagio, for Two Clarinets and Bassoon, K. 410
W.A. Mozart: Nascoso è il mio sol, K. 557
W.A. Mozart: Lacrimoso son io, K. 555
W.A. Mozart: Sie ist dahin, K. 229
W.A. Mozart: V’amo di core, K. 348
W.A. Mozart: Così fan tutte, Trio (Act I, Scene VI)
W.A. Mozart: Vesperae solennes de confessore, K. 339

Tuesday, June 13 and Friday, June 16, 1972
The Edward A. Hatch Memorial Shell; Michael Sasson, conductor
Part of Boston Bach Festival
J.S. Bach: Cantata 140, “Wachet auf, ruft uns die Stimme”
J.S. Bach: Cantata 10, “Meine Seel erhebt den Herren”
J.S. Bach: Cantata 79, “Gott der Herr ist Sonn und Schild”

Wednesday, November 15, 1972
Sanders Theatre, Harvard University; John Harbison, conductor
Heinrich Schütz: Muskalisches exequien, op. 7, SWV 279-281
J.S. Bach: Cantata BWV 101, “Nimm von uns, Herr”

Sunday, December 10, 1972
Worcester Art Museum; John Harbison, conductor
Heinrich Schütz: Muskalisches exequien, op. 7, SWV 279-281
Josquin Desprez: “Nymphes des bois,” La déploration de Johan. Ockeghem
Orlando Gibbons: Fair is the Rose
J.S. Bach: Cantata BWV 41, “Jesu, nun sei gepreisit”
J.S. Bach: In dulci jubilo, BWV 729

Wednesday, February 28, 1973
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 44, “Sie werden euch in den Bann thun”
John Harbison: Five Songs of Experience
J.S. Bach: Cantata BWV 7, “Christ unser Herr zum Jordan kam”

Wednesday, May 9, 1973
Sanders Theatre, Harvard University; John Harbison, conductor
Josquin Desprez: De profundis
J.S. Bach: Cantata BWV 105, “Herr, gehe nicht ins Gericht”
Ruth Crawford-Seeger: Chant (1930) J.S. Bach: Cantata BWV 46, “Schauet doch und sehet”
Heinrich Schütz: “Herzlich lieb hab ich dich, o Herr,” SWV 387, from Geistliche Chormusik 1648

Wednesday, July 25, 1973
Jewett Arts Center, Wellesley College; Péter Erdei, conductor
J.S. Bach: Motet BWV 227, “Jesu, meine Freude”
Zoltán Kodály: Szép könyörgés
Antonio Lotti: Crucifixus
Heinrich Schütz: “Selig sind die Toten,” SWV 391, from Geistliche Chormusik 1648

Sunday, October 7, 1973
Boston Center for the Arts; Michael Tilson Thomas, conductor
Performance at Boston Philharmonia Orchestra Gala Benefit Concert
Marc-Antoine Charpentier: Messe pour plusiers instruments au lieu des orgues
Igor Stravinsky: Abraham and Isaac
Ludwig van Beethoven: Elegischer Gesang, op. 118
Ludwig van Beethoven: Meeresstille und glückliche Fahrt, op. 112

Wednesday, December 5, 1973
Sanders Theatre, Harvard University; Philip Kelsey, conductor
J.S. Bach: Cantata BWV 5, “Wo soll ich fliehen hin?”
Heinrich Schütz: Psalm 137, “An den Wassern zu Babel,” SWV 37, from Psalmen Davids 1619
Heinrich Schütz: Psalm 84, “Wie lieblich sind deine Wohnungen,” SWV 29, from Psalmen Davids 1619
J.S. Bach: Cantata BWV 77, “Du sollt Gott, deinen Herren, meine Seele”
Heinrich Schütz: Psalm 103, “Lobe den Herren, meine Seele,” SWV 39, from Psalmen Davids 1619

Wednesday, February 20, 1974
Sanders Theatre, Harvard University; Philip Kelsey, conductor
Jan Pieterszoon Sweelinck: “Entends pourquoi je m’écrie,” from Livre second des Pseaumes de David
J.S. Bach: Cantata BWV 27, “Wer weiss, wie nahe mir mein Ende?”
Arnold Schoenberg: Dreimal tausend Jahre, op. 50a
J.P. Sweelinck: Psalm 135, “Chantez de Dieu le renom”
J.P. Sweelinck: Psalm 75, “O Seigneur loué sera ton renom”
J.P. Sweelinck: Psalm 90, “Tu as été, Seigneur”
J.S. Bach: Cantata BWV 125, “Mit Fried und Freud ich fahr dahin”

Sunday, April 14, 1974
Isabella Stewart Gardner Museum; Philip Kelsey, conductor
Claudio Monteverdi: Gloria a 7
Heinrich Schütz: Psalm 84, “Wie lieblich sind deine”
Heinrich Schütz: Psalm 137, “An den Wassern zu Babel,” SWV 37
Heinrich Schütz: Three Early American Choral Pieces
Arnold Schoenberg: Dreimal tausend Jahre, op. 50a
J.S. Bach: Cantata BWV 77, “Du sollt Gott, deinen Herren, lieben”
Heinrich Schütz: Konzert, “Lobe den Herren, meine Seele,” SWV 30

Wednesday, May 15, 1974
Sanders Theatre, Harvard University; Philip Kelsey, conductor
Claudio Monteverdi: Gloria a 7
Charles Ives: Psalm 90, “Lord, thou hast been our dwelling place”
Eliakim Doolittle: “Exhortation,” from The Psalm-Singer’s Companion, 1806
Justin Morgan: “Amanda,” from Federal Harmony, 1790
Supply Belcher: “Easter Anthem,” from The Harmony of Maine, 1794
J.S. Bach: Cantata BWV 146, “Wir müssen durch viel Trübsal”

Sunday, November 17, and Wednesday, November 20, 1974
Watson Auditorium, Wentworth Institute of Technology; Philip Kelsey, conductor
Sanders Theatre, Harvard University; Philip Kelsey, conductor
Dieterich Buxtehude: Cantata BuxWV 15, “Der Herr ist mit mir”
J.S. Bach: Cantata BWV 1, “Wie schön leuchtet der Morgenstern”
Dieterich Buxtehude: Cantata BuxWV 41, “Herzlich lieb hab ich dich, o Herr”
J.S. Bach: Cantata BWV 3, “Ach Gott, wie manches Herzeleid”

Wednesday, February 12, 1975
Sanders Theatre, Harvard University; Philip Kelsey, conductor
Igor Stravinsky: Anthem, “The dove descending breaks the air”
J.S. Bach: Cantata BWV 23, “Du wahrer Gott und Davids Sohn”
J.S. Bach: Cantata BWV 22, “Jesus nahm zu sich die Zwölfe”
Igor Stravinsky: Cantata

Wednesday, May 7 1975
Sanders Theatre, Harvard University; Philip Kelsey, conductor
J.S. Bach: Cantata BWV 111, “Was mein Gott will, das g’scheh allzeit”
J.S. Bach: Motet BWV 227, “Jesu, meine Freude”
J.S. Bach: Cantata BWV 92, “Ich hab in Gottes Herz und Sinn”

Monday, June 2 1975
Old North Church; Philip Kelsey, conductor
Landmark Concert, Boston Bicentenniel Celebration
Eliakim Doolittle: “Exhortation,” from The Psalm-Singer’s Companion, 1806
Justin Morgan: “Amanda,” from Federal Harmony, 1790
Supply Belcher: “Easter Anthem”, from The Harmony of Maine, 1794
Charles Ives: Psalm 90, “Lord, thou hast been our dwelling place”

Monday, August 18, 1975
Sanders Theatre, Harvard University; Leon Kirchner, conductor
Robert Schumann: Das Paradies und die Peri, op. 50

Wednesday, November 19, and Thursday, November 20, 1975
Sanders Theatre, Harvard University; John Harbison, conductor with St. Paul’s Choir School, Theodore Marier, music director
J.S. Bach: The Passion according to Saint Matthew, BWV 244

Sunday, March 7, and Wednesday, March 10, 1976
Cochran Chapel, Phillips Academy; John Ferris, conductor
Sanders Theatre, Harvard University; John Ferris, conductor
Heinrich Schütz: Psalm 8, “Herr, unser Herrscher,” SWV 28, from Psalmen Davids 1619
Heinrich Schütz: Motet SWV 339, “Ich beschwöre euch”
Heinrich Schütz: Motet SWV 453, “Freue dich des Weibes deiner Jugend”
J.S. Bach: Motet BWV 226, “Der Geist hilft unser Schwachheit auf”
Heinrich Schütz: “Herr, auf dich traue ich,” SWV 377, from Geistliche Chormusik 1648
Heinrich Schütz: “Ich weiss, dass mein Erlöser lebt,” SWV 393, from Geistliche Chormusik 1648
Heinrich Schütz: “Selig sind die Toten,” SWV 391, from Geistliche Chormusik 1648
J.S. Bach: Motet BWV 225, “Singet dem Herrn ein neues Lied”

Wednesday, May 19, 1976
Sanders Theatre, Harvard University; Iva Dee Hiatt, conductor
William Byrd: “Laudibus in Sanctis,” from Cantiones sacrae
William Byrd: “O magnum mysterium,” from Gradualia II
J.S. Bach: Cantata BWV 70, “Wachet, betet, seid bereit allezeit”
Henry Purcell: Hymn: Psalm 3, “Jehova, quam multi sunt hostes,” Z. 135
Henry Purcell: Come Ye Sons of Art, Z. 323
Henry Purcell: Evening Service in G minor, Z. 231

Thursday, December 2, 1976
Sanders Theatre, Harvard University; John Ferris, conductor
Claudio Monteverdi: Magnificat, from Selva morale e spirituale
J.S. Bach: Magnificat in D, BWV 243
J.S. Bach: Motet BWV 228, “Fürchte dich nicht”

Wednesday, February 16, 1977
Sanders Theatre, Harvard University; John Ferris, conductor
Thomas Tallis: Lamentations, Parts I and II
Johannes Brahms: Warum ist das Licht gegeben, op. 74, no. 1
J.S. Bach: Motet BWV 230, “Lobet den Herrn”

Wednesday, May 11, 1977
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Concerto in C minor, for Violin and Oboe, BWV 1060
Billy Jim Layton: Three Dylan Thomas Poems
Felix Mendelssohn: Sechs Lieder im Freien zu singen, op. 59
J.S. Bach: Cantata BWV 21, “Ich hatte viel Bekümmernis”

Tuesday, December 6, 1977
Sanders Theatre, Harvard University; John Ferris, conductor
J.S. Bach: Christmas Oratorio, BWV 248, Parts I, II, III and IV

Saturday, February 18, 1978
Colby-Sawyer College, New London, New Hampshire; John Ferris, conductor
Heinrich Schütz: Motets from Geistliche Chormusik 1648
Adrian Willaert: Missa mente tota
J.S. Bach: Motet BWV 225, “Singet dem Herrn ein neues Lied”
Johannes Brahms: O Heiland, reiss die Himmel auf, op. 74, no. 2
Robert Schumann: Vier doppelchörige Gesänge, op. 141

Wednesday, February 22, 1978
Sanders Theatre, Harvard University; John Ferris, conductor
Adrian Willaert: Missa mente tota
Johannes Brahms: O Heiland, reiss die Himmel auf, op. 74, no. 2
Robert Schumann: Vier doppelchörige Gesänge, op. 141

Wednesday, May 10, 1978
Sanders Theatre, Harvard University; John Ferris, conductor
Sethus Calvisius: Gloria in excelsis Deo
Sethus Calvisius: Unser Leben währet siebzig Jahr
J.H. Schein: “Vater unser im Himmelreich,” from Opella nova
J.H. Schein: “Zion spricht: der Herr hat mich verlassen,” from Israelsbrünnlein
Johann Kuhnau: Suonata quarta
Johann Kuhnau: “Hiskie agonizzante e risanato,” from Biblischer Historien
Johann Kuhnau: Motet, “Tristis est anima mea”
J.H. Schein: “Ein feste Burg ist unser Gott,” from Opella nova
J.H. Schein: “Die mit Tränen säen,” from Israelsbrünnlein
J.H. Schein: Psalm 150, from Jubilate
J.H. Schein: “O Amarilli zart,” from Diletti pastorale, Hirtenlust
J.H. Schein: “Mein Schifflein lief im wilden Meer,” from Diletti pastorale, Hirtenlust
J.S. Bach: Cantata BWV 150, “Nach dir, Herr, verlanget mich”

Saturday, November 18, 1978
Harvard Unitarian Church; John Ferris, conductor
Sethus Calvisius: Unser Leben währet siebzig Jahr
J.H. Schein: “Zion spricht: der Herr hat mich verlassen,” from Israelsbrünnlein
J.H. Schein: “O Amarilli zart,” from Diletti pastorale, Hirtenlust
J.H. Schein: “Mein Schifflein lief im wilden Meer,” from Diletti pastorale, Hirtenlust
J.S. Bach: Motet BWV 229, “Komm, Jesu, komm”
Johannes Brahms: “O Heiland, reiss die Himmel auf,” op. 74, no. 2
Heinrich Schütz: “Magnificat anima mea,” SWV 468

Wednesday, November 29, 1978
Sanders Theatre, Harvard University; John Ferris, conductor
Heinrich Schütz: Magnificat anima mea, SWV 468
J.S. Bach: Motet BWV 229, “Komm, Jesu, komm”
Heinrich Schütz: Weinachtshistorie, SWV 435

Saturday, March 3, and Sunday March 4, 1979
Sanders Theatre, Harvard University; John Ferris, conductor
J.S. Bach: The Passion According to Saint John, BWV 245

Wednesday, May 9, 1979
Sanders Theatre, Harvard University; Benjamin Zander, conductor
Anton Bruckner: Locus iste Anton Webern: Entflieht auf leichten Kähnen, op. 2
Anton Bruckner: Ave Maria
Franz Schubert: Salve Regina, op. 153
W.A. Mozart: Ave verum corpus, K. 618
F.J. Haydn: Mass No. 11 in D minor, Missa in Angustiis (“Nelson Mass”)

Saturday, December 1, and Sunday December 2, 1979
Sanders Theatre, Harvard University; John Ferris, conductor
J.S. Bach: Mass in B minor, BWV 232

Wednesday, February 27, 1980
St. Paul’s Church, Cambridge, MA; John Ferris, conductor
William Byrd: Laudibus in Sanctis
Giovanni da Palestrina: “Tota pulchra es,” from Canticum canticorum
Giovanni da Palestrina: “Vulnerasti cor meum,” from Canticum canticorum
Giovanni da Palestrina: “Vox dilecti mei,” from Canticum canticorum
Giovanni da Palestrina: “Surge, propera amica mea,” from Canticum canticorum
Thomas Tallis: Spem in Alium, motet in forty parts
J.S. Bach: Motet BWV 227, “Jesu, meine Freude”

Thursday, April 17, 1980
Isabella Stewart Gardner Museum, Boston; John Ferris and David Hoose, conductors
William Byrd: Laudibus in Sanctis
Giovanni da Palestrina: “Tota pulchra es,” from Canticum canticorum
Giovanni da Palestrina: “Vulnerasti cor meum,” from Canticum canticorum
Giovanni da Palestrina: “Vox dilecti mei,” from Canticum canticorum
Giovanni da Palestrina: “Surge, propera amica mea,” from Canticum canticorum
Arnold Schoenberg: Schein uns, du liebe Sonne
Hugo Wolf: “Einkehr,” “Resignation,” “Letzte bitte,” and “Ergebung,” from Sechs geistliche Lieder
Heinrich Schütz: SWV 65, “Heu mihi, Domini,” from Cantiones sacrae 1625
Heinrich Schütz: SWV 55, “Deus misereatur nostri,” from Cantiones sacrae 1625
Heinrich Schütz: SWV 81, “Cantate Domino canticum novum,” from Cantiones sacrae 1625

Wednesday, April 30, 1980
Sanders Theatre, Harvard University; David Hoose, conductor
Arnold Schoenberg: Schein uns, du liebe Sonne
Hugo Wolf: “Einkehr,” “Resignation,” “Letzte bitte,” and “Ergebung,” from Sechs geistliche Lieder
Arnold Schoenberg: Dreimal tausend Jahre, op. 50a
Heinrich Schütz: SWV 65, “Heu mihi, Domini,” from Cantiones sacrae 1625
Heinrich Schütz: SWV 55, “Deus misereatur nostri,” from Cantiones sacrae 1625
Heinrich Schütz: SWV 81, “Cantate Domino canticum novum,” from Cantiones sacrae 1625
J.S. Bach: Cantata BWV 76, “Die Himmel erzählen die Ehre Gottes”

Wednesday, November 12, 1980
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 79, “Gott der Herr ist Sonn und Schild”
Heinrich Schütz: Psalm 116, “Das ist mir lieb,” SWV 51
David Chaitkin: Seasons Such as These
J.S. Bach: Cantata BWV 78, “Jesu, der du meine Seele”

Wednesday, February 11, and Sunday, February 15, 1981
Sanders Theatre, Harvard University; Craig Smith, conductor; Peter Sellars, director
G.F. Handel: Saul

Wednesday, April 29, 1981
Sanders Theatre, Harvard University; David Hoose, conductor
Claudio Monteverdi: Laetatus sum
Heinrich Schütz: “Die mit Tränen säen,” SWV 378, from Geistliche Chormusik 1648
Heinrich Schütz: “Auf dem Gebirge hat man ein Geschrei gehöret,” SWV 396, from Geistliche Chormusik 1648
Heinrich Schütz: “So fahr ich hin zu Jesu Christ,” SWV 379, from Geistliche Chormusik 1648
Claudio Monteverdi: Gloria a 7
Igor Stravinsky: Les noces

Wednesday, December 2, 1981
Sanders Theatre, Harvard University; John Harbison, conductor
Giovanni Gabrieli: O Jesu mi dulcissime
Giovanni Gabrieli: “Salvator noster,” from Symphoniae sacrae II
Igor Stravinsky: Mass
Heinrich Schütz: “Seid barmherzig,” SWV 409, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 23, “Du wahrer Gott und Davids Sohn”

Saturday, January 23, 1982
Emmanuel Church; David Hoose, conductor
Mozart Birthday Celebration with Emmanuel Music, Craig Smith, music director
W.A. Mozart: Kyrie in D minor, K. 341 (368a)

Wednesday, February 10, and Friday, February 12, 1982
Sanders Theatre, Harvard University; David Hoose, conductor
F.J. Haydn: Die Schöpfung (The Creation)

Saturday, March 6, 1982
Swedenborgian Church of the New Jerusalem, Cambridge
John Harbison and David Hoose, conductors
Johannes Brahms: Vier Gesänge, op. 17
Franz Schubert: Ellens zweiter Gesang, orch. Johannes Brahms (Anh 17)
Franz Schubert: Nachtgesang im Walde, D. 913
Robert Schumann: Jagdlieder, op. 137
Robert Schumann: Vier doppelchorige Gesänge, op. 141

Wednesday, May 5, 1982
Sanders Theatre, Harvard University; Craig Smith, conductor
Heinrich Schütz: Psalm 6, “Ach, Herr, straf mich nicht,” SWV 24, from Psalmen Davids 1619
Christoph Demantius: Es ward eine Stille in dem Himmel
J.H. Schein: “Maria, gegruessest seist du, Holdselige,” from Opella nova
Max Reger: “Meinem Jesum lass ich nicht,” from Choralkantate, Nr. 4
J.S. Bach: Cantata BWV 37, “Wer da glaubet und getauft wird”
J.S. Bach: Cantata BWV 3, “Ach Gott, wie manches Herzeleid”
J.H. Schein: “Komm, heiliger Geist,” from Opella nova
J.H. Schein: “Da Jacob vollendet hatte,” from Israelsbrünnlein
Heinrich Schütz: Psalm 127, “Wo der Herr nicht das Haus bauet,” SWV 400, from Symphoniae sacrae III
Heinrich Schütz: Psalm 150, “Alleluia! Lobet den Herren,” SWV 38, from Psalmen Davids 1619

Wednesday, November 17, 1982
Sanders Theatre, Harvard University; David Hoose, conductor
Josquin Desprez: “Nymphes des bois,” La déploration de Johan. Ockeghem
Guillaume Dufay: Nuper rosarum flores
Heinrich Isaac: “Vos Michael, Gabriel, Raphael,” from Kaisermotette
Heinrich Schütz: Psalmus 136, “Danket dem Herren,” SWV 45, from Psalmen Davids 1619
J.S. Bach: Cantata BWV 195a, “Dem Gerechten muss das Licht”

Wednesday, February 9, 1983
Sanders Theatre, Harvard University; David Hoose, conductor
Igor Stravinsky: Introitus
Orlando di Lasso: “Carmina Chromatica,” and “Sibylla Persica,” from Prophetiae Sibyllarum
Claudio Monteverdi: “Non havea Febo ancora,” from Madrigali guerrieri ed amorosi
Armand Qualliotine: Proteggemi, for Soprano and Chamber Ensemble
Claudio Monteverdi: “Hor che’l ciel e la terra,” from Madrigali guerrieri ed amorosi
Giuseppe Verdi: “Ave Maria,” from Quattro pezzi sacri
Luigi Dallapiccola: Canti di Prigionia

Wednesday, April 27, 1983
Sanders Theatre, Harvard University; David Hoose, conductor
J.S. Bach: Cantata BWV 179, “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”
Heinrich Schütz: Psalmus 137, “An den Wassern zu Babel,” SWV 37, from Psalmen Davids 1619
Arnold Schoenberg: Psalm 130, De profundis, op. 50b
Heinrich Schütz: “Es ging ein Sämann aus,” SWV 408, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 180, “Schmücke dich, o liebe Seele”

Thursday, November 17, 1983 and Friday, November 18, 1983
(November 17) First Baptist Church; David Hoose, conductor
(November 18) Sanders Theatre, Harvard University; David Hoose, conductor
J.H. Schein: “Von Himmel hoch,” from Opella nova
J.S. Bach: Cantata BWV 77, “Du sollt Gott, deinen Herren lieben”
Heinrich Schütz: Motet SWV 450, “Ach Herr, du Schöpfer aller Ding”
J.S. Bach: Cantata BWV 126, “Erhalt uns, Herr bei deinem Wort”
Heinrich Schütz: “Verleih uns Frieden genädiglich,” SWV 372, from Geistliche Chormusik 1648
J.S. Bach: Cantata BWV 80, “Ein’ feste Burg ist unser Gott”

Wednesday, February 22, 1984
Sanders Theatre, Harvard University; David Hoose, conductor
George Frideric Handel: Israel in Egypt

Wednesday, May 2, 1984
Sanders Theatre, Harvard University; David Hoose, conductor with the Harvard Memorial Church Choir,
John Ferris, music director
Christoph Demantius: Weissagung des Leidens und Sterbens Jesu Christi
J.S. Bach: Cantata BWV 105, “Herr, gehe nicht ins Gericht”
Seymour Shifrin: Cantata to the Text of Sophoclean Choruses

Wednesday, November 7, 1984
Sanders Theatre, Harvard University; David Hoose, conductor
J.S. Bach: Cantata BWV 29, “Wir danken dir, Gott, wir danken dir”
J.S. Bach: Cantata BWV 14, “Wär Gott nicht mit uns diese Zeit”
Arnold Schoenberg: Friede auf Erden, op. 13
J.S. Bach: Cantata BWV 11, “Lobet Gott in seinen Reichen” (Ascension Oratorio)

Friday, February 8, 1985
Sanders Theatre, Harvard University; David Hoose, conductor
Cantiones sacrae, Emmanuel Music, and Cantata Singers Heinrich Schutz Festival, Concert III
Heinrich Schütz: “Die Himmel erzählen die Ehre Gottes,” SWV 386, from Geistliche Chormusik 1648
Heinrich Schütz: “Warum toben die Heiden,” SWV 23, from Psalmen Davids 1619
J.H. Schein: “Die mit Tranen säen,” from Israelsbrünnlein
Heinrich Schütz: “Die mit Tränen säen,” SWV 42, from Psalmen Davids 1648
Heinrich Schütz: “Herr, wie lang,” SWV 416, from Symphoniae sacrae III
Claudio Monteverdi: “Beatus vir,” from Selva Morale e Spirituale
Heinrich Schütz: “Saul, Saul, was verfolgst du mich?” SWV 415, from Symphoniae sacrae III
Giovanni Gabrieli: “Suscipe, clementissime Deus,” from Symphoniae sacrae
Heinrich Schütz: “Siehe, wie fein und lieblich,” SWV 412, from Symphoniae sacrae III
Heinrich Schütz: “Herr, auf dich traue ich,” SWV 377,” from Geistliche Chormusik 1648
Heinrich Schütz: “Alleluia! Lobet den Herren,” SWV 38, from Psalmen Davids 1619

Friday, May 3, 1985
Sanders Theatre, Harvard University; David Hoose, conductor
F.J. Haydn: Die Jahreszeiten (The Seasons)

Wednesday, November 20, 1985
Sanders Theatre, Harvard University; David Hoose, conductor
George Frideric Handel: Jephtha

Tuesday, December 31, 1985
Trinity Church, Boston; David Hoose, conductor
First-Night Boston (two performances)
W.A. Mozart: Requiem, K. 626

Wednesday, March 5, 1986
Sanders Theatre, Harvard University; David Hoose, conductor
J.S. Bach: Motet BWV 229, “Komm, Jesu, komm”
Anton Webern: Kantate Nr. 1, op. 29
J.S. Bach: Cantata BWV 93, “Wer nur den lieben Gott lässt walten”
J.S. Bach, orch. Anton Webern: “Fuga (Ricercata a 6 voci),” from The Musical Offering, BWV 1079
Anton Webern: Kantate Nr. 1, op. 29
J.S. Bach: Cantata BWV 60, “O Ewigkeit, du Donnerwort”

Saturday, May 3, 1986
Jordan Hall at NEC; David Hoose, conductor
Robert Schumann: Scenes from Goethe’s “Faust”

Friday, November 21, 1986
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 140, “Wachet auf, ruft uns die Stimme”
John Harbison: The Flight Into Egypt
Heinrich Schütz: “Siehe, es erschein der Engel des Herren,” SWV 403, from Symphoniae sacrae III
Heinrich Schütz: “Auf dem Gebirge hat man ein Geschrei gehöret,” SWV 396, from Geistliche Chormusik 1648
Heinrich Schütz: “Das ist je gewisslich wahr,” SWV 388, from Geistliche Chormusik 1648
Heinrich Schütz: “Mein Sohn, warum hast du uns das getan?” SWV 401, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 64, “Sehet, welch eine Liebe”

Wednesday, December 31, 1986
Trinity Church, Boston; David Hoose, conductor
First Night Boston (two performances)
F.J. Haydn: Mass No. 10 in C, Missa in tempore belli (Mass in Time of War)

Friday, February 20, 1987
Jordan Hall at NEC; David Hoose, conductor
Igor Stravinsky: Threni: id est Lamentationes Jeremiae Prophetiae
Gabriel Fauré: Requiem, op. 48

Wednesday, April 15, and Friday, April 17, 1987
Jordan Hall at NEC; David Hoose, conductor with Youth pro Musica, Roberta Humez, artistic director
J.S. Bach: The Passion According to Saint Matthew, BWV 244

Saturday, November 21, 1987
Jordan Hall at NEC; David Hoose, conductor
Felix Mendelssohn: Sechs Lieder, op. 48
Andrew Imbrie: On the Beach at Night
Irving Fine: Serious Song
Irving Fine: The Hour-Glass
Eliott Carter: Elegy, for String Orchestra
Robert Schumann, orch. David Hoose: Vier doppelchörige Gesänge, op. 141

Thursday, December 31, 1987
Trinity Church, Boston; David Hoose, conductor
First Night Boston (two performances)
Gabriel Fauré: Requiem, op. 48

Friday, January 22, 1988
Jordan Hall at NEC; Blanche Honegger Moyse, conductor
J.S. Bach: Cantata BWV 137, “Lobe den Herren, den mächtigen König der Ehren”
J.S. Bach: Cantata BWV 23, “Du wahrer Gott und Davids Sohn”
J.S. Bach: Cantata BWV 42, “Am abend aber desselbigen Sabbaths,” Sinfonia
J.S. Bach: Cantata BWV 34, “O ewiges Feuer, o ursprung der Liebe”

Friday, March 11, 1988
Jordan Hall at NEC; David Hoose, conductor
Giovanni Gabrieli: “Vox Domini,” from Sacrae symphoniae
Igor Stravinsky: Canticum sacrum ad honorem Sancti Marci nominis
Heinrich Schütz: Musikalische exequien, op. 7, SWV 279-281

Friday, May 6, 1988
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Mass in B minor, BWV 232

Saturday, November 12, 1988
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 39, “Brich dem Hungrigen dein Brot”
Peter Child: Estrella: The Assassination of Augusto César Sandino
J.S. Bach: Cantata BWV 21, “Ich hatte viel Bekümmernis”

Saturday, December 31, 1988
Trinity Church, Boston; David Hoose, conductor
First Night Boston (two performances)
J.S. Bach: Cantata BWV 21, “Ich hatte viel Bekümmernis”

Saturday, January 21, 1989
Jordan Hall at NEC; David Hoose, conductor
G.F. Handel: Belshazzar

Friday, March 31, 1989
Jordan Hall at NEC; David Hoose, conductor
Claude Debussy: En blanc et noir – I. Avec emportement
Clément Jannequin: “Las, povre coeur,” from Chansons polyphoniques
Claude Debussy: “Dieu! qu’il la fait bon regarder,” from Trois chansons de Charles d’Orléans
Claude Debussy: “Quant j’ay ouy le tambourin,” from Trois chansons de Charles d’Orléans
Clément Jannequin: “D’un seul soleil,” from Chansons polyphoniques
Claude Debussy: En blanc et noir – II. Lent. Sombre
Claude Debussy: “Yver, vous n’estes qu’un villain,” from Trois chansons de Charles d’Orléans
Clément Jannequin: “Amour, ayant de ma grand passion,” from Chansons polyphoniques
Clément Jannequin: “Toutez les nuictz,” from Chansons polyphoniques
Claude Debussy: En blanc et noir – III. Scherzando
Igor Stravinsky: Les noces

Saturday, May 13, 1989
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Concerto in A, for Oboe d’amore and Orchestra, BWV 1055b
J.S. Bach: Cantata BWV 170, “Vergnügte Ruh, beliebte Seelenlust”
J.S. Bach: Lutheran Mass in A, BWV 234

Friday, November 10, 1989
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 26, “Ach wie flüchtig, ach wie nichtig”
John Harbison: The Flight Into Egypt
Robert Schumann: Requiem in D-flat, op. 148

Sunday, December 31, 1989
Trinity Church, Boston; David Hoose, conductor
First Night Boston (two performances)
J.S. Bach: Concerto in A, for Oboe d’amore and Orchestra, BWV 1055b
J.S. Bach: Magnificat in D, BWV 243

Monday, January 29, 1990
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: The Passion According to Saint John, BWV 245

Friday, March 23, 1990
Symphony Hall, Boston; David Hoose, conductor
Donald Sur: Slavery Documents

Friday, May 11, and Saturday, May 12, 1990
Jordan Hall at NEC; David Hoose, conductor
F.J. Haydn: Die Schöpfung (The Creation)

Friday, November 9, 1990
Jordan Hall at NEC; David Hoose, conductor
Arnold Schoenberg: Schein uns, du liebe Sonne
Max Reger: Morgengesang
Max Reger: “Nachtlied,” from Acht geistliche Gesänge, op. 138
Arnold Schoenberg: Dreimal tausend Jahre, op. 50a
Max Reger: O Tod, wie bitter bist du, op. 110, no. 3
W.A. Mozart: Requiem, K. 626

Friday, January 18, 1991
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 33, “Allein zu dir, Herr Jesu Christ”
Heinrich Schütz: “Wohl dem, der nicht wandelt im Rat der Gottlosen,” SWV 290, from Kleine geistliche Konzerte
Heinrich Schütz: “Erhöre mich, wenn ich rufe,” SWV 289, from Kleine geistliche Konzerte
Heinrich Schütz: “Wie ein Rubin in feinem Golde leuchtet,” SWV 357, from Symphoniae sacrae II
Heinrich Schütz: “Wohl dem, der nicht wandelt im Rat der Gottlosen,” SWV 28, from Psalmen Davids 1619
Arnold Schoenberg: Friede auf Erden, op. 13 (presented twice)
J.S. Bach: Cantata BWV 1, “Wie schön leuchtet der Morgenstern”

Friday, March 22, 1991
Jordan Hall at NEC; David Hoose, conductor
J.H. Schein: “Da Jakob vollendet hatte,” from Israelsbrünnlein
J.H. Schein: “Zion spricht: der Herr hat mich verlassen,” from Israelsbrünnlein
Arnold Schoenberg: Psalm 130, De profundis, op. 50b
Anton Bruckner: Mass in E minor

Friday, May 10, 1991
Jordan Hall at NEC; David Hoose, conductor
Arnold Schoenberg: Kammersymphonie, op. 9
Johannes Brahms: Ein deutches Requiem, op. 45

Saturday, November 2, 1991
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 38, “Aus tiefer Not schrei’ich zu dir”
Heinrich Isaac: “Vos Michael, Gabriel, Raphael,” from Kaisermotette
Igor Stravinsky: Mass
J.S. Bach: Cantata BWV 197, “Gott ist unsre Zuversicht”

Tuesday, December 31, 1991
Converse Hall at Tremont Temple Baptist Church;
Lan Shui and David Hoose, conductors
First Night Boston (two performances)
W.A. Mozart: Divertimento No. 7 in D, K. 205
W.A. Mozart: Mass in C, “Coronation,” K. 317

Saturday, January 25, 1992
Jordan Hall at NEC; David Hoose, conductor
Heinrich Schütz: “So fahr ich hin zu Jesu Christ,” SWV 379, from Geistliche Chormusik 1648
Heinrich Schütz: “Sehet an den Feigenbaum,” SWV 394, from Geistliche Chormusik 1648
Heinrich Schütz: “Herr, auf dich traue ich,” SWV 377, from Geistliche Chormusik 1648
John Harbison: Elegiac Songs
W.A. Mozart: Mass in C minor, K. 427 (417a)

Saturday, March 14, 1992
Jordan Hall at NEC; David Hoose, conductor
J.H. Schein: Psalm 116, “Daß ist mir lieb,” SWV 51
George Frideric Handel: Chandos Anthem, “As Pants the Hart for Cooling Streams”
J.S. Bach: Trauerode BWV 198, “Lass, Fürstin, lass noch einen Strahl”

Friday, May 1, 1992
Jordan Hall at NEC; David Hoose, conductor
Claudio Monteverdi: Vespro della Beata Vergine 1610

Friday, November 6, and Sunday, November 8, 1992
Jordan Hall at NEC; David Hoose, conductor
George Frideric Handel: Israel in Egypt

Friday, January 22, 1993
Jordan Hall at NEC; David Hoose, conductor
Franz Joseph Haydn: Mass No. 11 in D minor, Missa in Angustiis (“Lord Nelson“)
Charles Fussell: Specimen Days
Ludwig van Beethoven: Elegischer Gesang, op. 118

Friday, March 19, and Sunday, March 21, 1993
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Mass in B minor, BWV 232

Friday, May 14, 1993
Jordan Hall at NEC; David Hoose, conductor
Ludwig van Beethoven: Mass in C, op. 86
Richard Strauss: Metamorphosen, for 23 Solo Strings
Robert Schumann: Nachtlied, op. 108
Ludwig van Beethoven: Opferlied, op. 121b

Friday, November 12, and Sunday, November 14, 1993
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 77, “Du sollt Gott, deinen Herren lieben”
Heinrich Schütz: “Seid barmherzig, wie auch euer Vater barmherzig ist,” SWV 409, from Symphoniae sacrae III
Benjamin Britten: Cantata misericordium
Heinrich Schütz: “Nun danket alle Gott,” SWV 418, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 147, “Herz und Mund und Tat und Leben”

Friday, January 21, 1994
Jordan Hall at NEC; David Hoose, conductor
Irving Fine: The Choral New Yorker
Seymour Shifrin: The Odes of Shang
Earl Kim: Some Thoughts on Keats and Coleridge
John Harbison: The Flower-Fed Buffaloes
Aaron Copland, arr. Irving Fine: from Old American Songs
“The Boatmen’s Dance”
“The Dodger”
“Simple Gifts”
“I Bought Me a Cat, Long Time Ago”
Aaron Copland, arr. David Hoose: “At the River,” from Old American Songs

Friday, March 18, and Sunday, March 20, 1994
Jordan Hall at NEC; David Hoose, conductor with Youth pro Musica, Roberta Humez, music director
J.S. Bach: The Passion According to Saint Matthew, BWV 244

Friday, May 6, 1994
Jordan Hall at NEC; David Hoose, conductor
Carl Nielsen: Three Motets, op. 55
Donald Sur: Lacrimosa, for Chamber Orchestra
Donald Sur: Khumdori Tansaeng (Birth of the Dream-Elf), for Violin, Chorus and Orchestra
Robert Schumann: Mass in C minor, op. 147

Friday, November 4, and Sunday, November 6, 1994
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 50, “Nun ist das Heil und die Kraft”
Andrew Imbrie: Adam
J.S. Bach: Cantata BWV 149, “Man singet mit Freuden vom Sieg”

Friday, January 20, and Sunday, January 22, 1995
Jordan Hall at NEC; David Hoose, conductor
Ludwig van Beethoven: Missa solemnis, op. 123

Friday, March 17, and Sunday, March 19, 1995
Jordan Hall at NEC; David Hoose, conductor
Henry Purcell, arr. Benjamin Britten: Chacony in G minor, for String Orchestra
W.A. Mozart: Vesperae solennes de confessore, KV 339
Charles Fussell: Specimen Days

Friday, May 12, and Sunday, May 14, 1995
All Saints Parish, Brookline; David Hoose, conductor with the Lydian String Quartet
Ralph Vaughan Williams: “We’ll to the woods no more,” from Along The Field
Edward Elgar: “How calmly the evening”
Edward Elgar: “There is sweet music”
Ralph Vaughan Williams: Merciless Beauty
Edward Elgar: “My love dwelt in a Northern land”
Ralph Vaughan Williams: “The sky above the roof”
Frank Bridge: Cherry Ripe
Edward Elgar: “Owls (An Epitaph)”
Frank Bridge: Sally in her Alley
Edward Elgar: “O wild West Wind!”
Edward Elgar: “Serenade”
Ralph Vaughan Williams: “Menelaus”
Ralph Vaughan Williams: “Procris”
Ralph Vaughan Williams: “The Unquiet Grave”
Edward Elgar: “Go, song of mine”
Frank Bridge: An Irish Melody – The Londonderry Air
Ralph Vaughan Williams: “A Clear Midnight”
Edward Elgar: “Weary wind of the West”

Friday, November 12, and Sunday, November 14, 1995
Jordan Hall at NEC; David Hoose, conductor
F.J. Haydn: Die Jahreszeiten (The Seasons)

Friday, January 19, and Sunday, January 21, 1996
Jordan Hall at NEC; David Hoose, conductor
Francis Poulenc: Quatre motets pour un temps de Pénitence
Earl Kim: Scenes from a Movie, Part 3: The 26th Dream
Luigi Dallapiccola: Canti di Prigionia

Friday, March 15, and Sunday, March 17, 1996
Jordan Hall at NEC; David Hoose, conductor
Igor Stravinsky: Oedipus rex
Igor Stravinsky: Symphony of Psalms

Friday, May 10, and Sunday, May 12, 1996
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 72, “Alles nur nach Gottes Willen”
J.S. Bach: Cantata BWV 78, “Jesu, der du meine Seele”
Heinrich Schütz: “Komm, heiliger Geist, Herre Gott,” SWV 417, from Symphoniae sacrae III
Heinrich Schütz: “Siehe, wie fein und lieblich,” SWV 412, from Symphoniaes sacrae III
Heinrich Schütz: Motet SWV 450, “Ach Herr, du Schöpfer aller Ding”
J.S. Bach: Cantata BWV 8, “Liebster Gott, wann werd’ ich sterben?”

Friday, November 8, and Sunday, November 10, 1996
Jordan Hall at NEC; David Hoose, conductor
Heinrich Schütz: “Paratum cor meum, Deus,” SWV 257, from Symphoniae sacrae I
J.S. Bach: Motet BWV 230, “Lobet den Herrn, alle Heiden”
Heinrich Schütz: “Lasset uns doch den Herren, unsern Gott, loben,” SWV 407, from Symphoniae sacrae III
Heinrich Schütz: “Saul, Saul, was verfolgst du mich?” SWV 415, from Symphoniae sacrae III
John Harbison: Emerson (presented twice)
J.S. Bach: Motet BWV 225, “Singet dem Herrn ein neues Lied”

Friday, January 24, and Sunday, January 26, 1997
Jordan Hall at NEC; David Hoose, conductor
Franz Schubert: Mass No. 5 in A-flat, D. 678
Arnold Schoenberg: Verklärte Nacht, op. 4
Anton Bruckner: Virga Jesse floruit
Anton Bruckner: Ave Maria

Sunday, March 2, 1997
Cantata Singers Chamber Series, Kayo Iwama, music director
Harvard-Epworth Church, Harvard University
Franz Schubert: “Nur wer die Senhsucht kennt”
Johannes Brahms: “In der Fremde”
Robert Schumann: “Sehnsucht”
Franz Schubert: “Wandrers Nachtlied,” “Der Wanderer”
Johannes Brahms: “Sehnsucht”
Franz Schubert: “Der Strom”
Robert Schumann: “Erstes Grün”
Franz Schubert: “Frühlingsglaube”
Johannes Brahms: “Verzagen,” “Wehe, so willst du mich wieder”
Franz Schubert: “Schwanesgesang”
Robert Schumann: “Abendlied”
Robert Schumann: “In der Nacht,” “Liebesgram,” from Spanisches Liederspiel, op. 74
Johannes Brahms: “Schwermut,” “Nächtens”
Robert Schumann: “Wehmut,” “Aus der Hebräischen Gesängen”
Johannes Brahms: “An eine Äolsharfe”
Franz Schubert: “An die Musik”

Friday, March 21, and Sunday, March 23, 1997
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: The Passion According to Saint John, BWV 245

Sunday, April 13, 1997
Cantata Singers Chamber Series, Kayo Iwama, music director
Isabella Stewart Gardner Museum, Boston
Aaron Copland: “Nature, the gentlest mother”
Charles Ives: “Evening”
William Roy: “This Little Rose”
Charles Ives: “Nature’s Way,” “The Housatonic at Stockbridge,” “Walking”
Arthur Farwell: “I’m Nobody! Who are you?” “Aristocracy”
Charles Ives: “The Innate”
Robert Baksa: “The soul selects her own society”
Andy Vores: Haunted
Charles Ives: “Religion”
Lee Hoiby: “The Saints”
Aaron Copland: “Going to Heaven”
Charles Ives: “Serenity,” “General William Booth Enters Into Heaven”

Friday, May 9, and Sunday, May 11, 1997
Jordan Hall at NEC; David Hoose, conductor
Felix Mendelssohn: Die Hebriden (“Fingal’s Cave”)
Marjorie Merryman: Jonah
Franz Joseph Haydn: Mass No. 13 in B-flat, “Schöpfungsmesse”

Friday, October 17, 1997
Trinity Church, Boston; David Hoose, conductor

American Guild of Organists Festival Weekend Opening Concert
Gabriel Fauré: Requiem, op. 48

Friday, November 7, and Sunday, November 9, 1997
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 30, “Freue dich, erlöste schar”
Heinrich Schütz: “Wo der Herr nicht das haus bauet,” SWV 400, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 109, “Ich glaube, lieber herr, hilf meinem Unglauben”
Heinrich Schütz: “Vater unser,” SWV 411, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 116, “Du Friedefürst, Herr Jesu Christ”

Sunday, December 14, 1997
Cantata Singers Chamber Series, Kayo Iwama, music director
Isabella Stewart Gardner Museum, Boston
Claude Debussy: “Clair de Lune”
Albert Roussel: “Le Jardin Mouillé”
Jules Massenet: “Chères fleurs”
Gabriel Fauré: “Les Roses d’Ispahan”
Claude Debussy: “Dans le Jardin”
Gabriel Fauré: “A Clymène”
Ernest Chausson: “Hébé”
Lili Boulanger: “Le Retour”
Gabriel Fauré: “La mer est infinie”
Vincent d’Indy: “Lied Maritime”
Georges Bizet: “Douce Mer”
Claude Debussy “Le mer est plus belle”
Manuel de Falla: “Séguidille”
Léo Delibes: “Les Filles de Cadix”
Camille Saint-Saëns: “El Desdichado”
Gabriel Fauré: “Danseuse”
Maurice Ravel: “Pièce en forme de habanera”
Gabriel Fauré: “Tarantelle”

Friday, January 23, and Sunday, January 25, 1998
Jordan Hall at NEC; David Hoose, conductor
Kurt Weill: Symphony No. 1, “Berliner Sinfonie”
Johannes Brahms: Ein deutches Requiem, op. 45

Friday, March 20, and Sunday, March 22, 1998
Jordan Hall at NEC; David Hoose, conductor
G.F. Handel: Jephtha

Sunday, April 5, 1998
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Georg Böhm: “Wie! Schlaft ihr noch?”
Hugo Wolf: “Die ihr schwebet,” “Auf ein altes Bild,” “Ach, des Knaben Augen”
Johann Crüger: “Auf, auf mein Herz”
Heinrich Schütz: “Erhöre mich, wenn ich rufe”
C. P. E. Bach: “Jesus in Gethsemane”
Hugo Wolf: “Seufzer,” “Verborgenheit,” “Mühvoll komm’ich”
Heinrich Schütz: “Der Herr ist gross”
Henry Purcell: “Sound the trumpet,” “The Blessed Virgin’s Expostulation”
Benjamin Britten: “Angel,” “Since she whom I loved”
Henry Purcell: “Turn then thine eyes”
Benjamin Britten: “O might these sighs and tears,” “Batter my heart,” “Before Life and After”
Henry Purcell: “We sing to him”

Friday, May 8, and Sunday, May 10, 1998
Jordan Hall at NEC; David Hoose, conductor
Ralph Vaughan Williams: Mass in G minor
Paul Hindemith: Apparebit repentina dies
David Diamond: Elegy: In Memory of Maurice Ravel
Charles Ives, orch. David Hoose: Psalm 90

Friday, November 6, and Sunday, November 8, 1998
Jordan Hall at NEC; David Hoose, conductor
Robert Schumann: Beim Abscheid zu singen, op. 84b
Robert Schumann, orch. Claude Debussy: Studien für den Pedal-Flügel, op. 56, Nos. 1-3, 6
Max Reger: Drei Chörige, op. 6
Robert Schumann: Sehnsucht nach der Waldgegend, op. 35, no. 5
Robert Schumann: Requiem, op. 90, no. 7
Johannes Brahms: Funf Gesänge, op. 104
Robert Schumann: Melancholie, op. 74, no. 6
Johannes Brahms, orch. David Hoose: Geistliches Lied, op. 30
Robert Schumann: Andante and Variations, op. 46(a), for Two Pianos, Two Cellos, and Horn
Max Reger: Vier Marienlieder, op. 61f
Max Reger, orch. David Hoose: Canzone, op. 65, no.9, for Woodwinds and Horns
Robert Schumann: Talismane, op. 25, no. 8
Robert Schumann, orch. David Hoose: Vier doppelchörige Gesänge, op. 141
Robert Schumann: Nachtlied, op. 96, no. 1
Robert Schumann: Beim Abscheid zu singen, op. 84a

Sunday, November 22, 1998
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Hugo Wolf: from Spanishes Liederbuch
“Mögen alle bösen Zungen”
“In dem Schatten meiner Locken”
“Sagt, seid ihr es, feiner Herr”
“Köpfchen, Köpfchen, nicht gewimmert”
“Bitt’ ihn, o Mutter”
“Tief im Herzen trag’ ich Pein”
“Ob auch finstre Blicke”
“Bedeckt mich mit Blumen”
“Sie blasen zum Abmarsch”
“Wer tat deinem Füsslein weh”
“Geh, Geliebter, geh”
Robert Schumann: Spanisches Liederspiel, op. 74

Friday, January 29, and Sunday, January 31, 1999
Jordan Hall at NEC; David Hoose, conductor
Frank Bridge: Lament, for String Orchestra
Peter Child : Estrella: The Assassination of Augusto César Sandino
W.A. Mozart: Mass in C minor, K. 427 (417A)

Friday, March 19, and Sunday, March 21, 1999
Jordan Hall at NEC; David Hoose, conductor
George Frideric Handel: Messiah

Sunday, April 11, 1999
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Jules Massenet: “O bon printemps”
Camille Saint-Saëns: “Chanson de grand-père,” “Pastorale”
Ernest Chausson: “Les Papillons,” “La Nuit”
Jules Massenet: “Oiseau des bois”
Reynaldo Hahn: “A Chloris”
Gabriel Fauré: “La rose”
Jules Massenet: “Chères fleurs”
Reynaldo Hahn: “A Phidylé”
Henri Duparc: “Phidylé”
Claude Debussy: “Pour invoquer Pan, dieu du vent d’été,” “La flûte de Pan,” “Pour que la nuit soit propice,” “Pour remercier la pluie au matin”
Jules Massenet: “O ruisseau”
Henri Duparc: “Chanson triste”
Reynaldo Hahn: “Quand je fus pris au pavillion”
Gabriel Fauré: “Puisqu’ici-bas toute âme”
Jules Massenet: “Chantez!”

Friday, May 7, and Sunday, May 9, 1999
Jordan Hall at NEC; David Hoose, conductor
Donald Sur: Sonnet 97
George Gershwin: “Who Cares?” for Piano
George Gershwin: “Feeling I’m Falling”
George Gershwin: “Feeling Sentimental”
George Gershwin: “I Don’t Think I’ll Fall in Love Today”
Thomas Oboe Lee, after George Gershwin: “He Loves and She Loves,” for Two Pianos
George Gershwin: “Soon,” for Piano
George Gershwin: “Delishious”
George Gershwin: “The Half of It Dearie Blues”
Edward Cohen, after George Gershwin: “Nice Work If You Can Get It,” for Two Pianos
George Gershwin: “Do It Again,” for Piano
George Gershwin: “Do It Again”
Andy Vores, after George Gershwin: “Foggy Day” (Bad Weather No. 1), for Two Pianos
George Gershwin: “Mine”
George Gershwin: “Someone to Watch over Me”
George Gershwin: “Let’s Kiss and Make Up”
George Gershwin: “The Man I Love”
John Harbison, after George Gershwin: “Fascinating Rhythm” (David’s Fascinating Rhythm Method), for Two Pianos
Igor Stravinsky: Les noces

Friday, November 12, and Saturday, November 13, 1999
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Mass in B minor, BWV 232

Friday, January 21, and Sunday, January 23, 2000
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 1, “Wie schön leuchtet der Morgenstern”
Andy Vores: World Wheel

Sunday, January 30, 2000
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
William Billings: “Chester,” “Modern Music”
Arthur Foote: “The Voice of Spring,” “The Swallow”
George W. Chadwick: “Allah,” “Joshua”
Edward MacDowell: “The Sea,” “To a Wild Rose”
Mrs. H. H Beach: “Take, o Take those Lips Away,” “Ah, Love but a Day,” “The Night Sea”
Andy Vores: Welsh Songs
Andy Vores: “Haunted”

Friday, March 17, and Sunday, March 19, 2000
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Motet BWV 118, “O Jesu Christ, mein Lebens Licht”
Franz Schreker: Chamber Symphony for 23 Solo Instruments
W.A. Mozart: Requiem, K. 626

Sunday, April 16, 2000
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Eric Satie: from Trois Morceaux en forme de poire, “Manière de commencement,” “Prolongation du même”
Arthur Honegger: Trois Chansons, from La Petite Sirène d’Anderson, “Chanson des Sirènes,” “Berceuse de la Sirène,” “Chanson de la Poire”
Louis Durey: from Le Bestiaire, ou cortège d’Orphée, “Le chat,” “La Mèduse,” “Le boeuf”
Germaine Tailleferne: from Jeux en plein air, “La Tirelitentaine”
Francis Poulenc: from Le Bestiaire, ou cortège d’Orphée, “Le Dromadaire,” “La Chèvre du Thibet,” “La Sauterelle,” “Le Dauphin,” “L’Ecrevisse,”
“La Carpe”
Francis Poulenc: from Sept chansons, “La blanche neige,” “Belle et ressemblante,” “Luire”
Francis Poulenc: “Le disparu,” “Fêtes galantes,” “Priez pour paix,” “C”
Darius Milhaud: “Vif,” from Scaramouche
Eric Satie: “Je te veux”
Georges Auric: “Polka”
Erik Satie: “La diva de l’empire”
Francis Poulenc: “Les chemins de l’amour”

Friday, May 5, and Sunday, May 7, 2000
Jordan Hall at NEC; David Hoose, conductor
Francis Poulenc: Quatre motets pour un temps de Pénitence
Frank Martin: Et la vie l’emporta
J.S. Bach: Magnificat in D, BWV 243

Friday, November 10, and Sunday, November 12, 2000
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 21, “Ich hatte viel Bekümmernis”
John Harbison: Four Psalms

Sunday, December 10, 2000
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
George Gershwin: “They can’t take that away from me”
Aaron Copland: Vocalise
Arnold Schoenberg: “Der genüngsamer Liebhaber”
Kurt Weill: “Je ne t’aime pas,” ”Schickelgrüber”
Marc Blitzstein: “Displaced”
Arnold Schoenberg: “Gigerlette”
Kurt Weill: “Surabaya Johnny”
Marc Blitstein: “The New Suit (Zipperfly),” “Jimmy’s Got a Goil”
George Gershwin: “Our love is here to stay”
Leonard Bernstein: Arias and Barcarolles, I-VIII

Friday, January 19, and Sunday, January 21, 2001
Jordan Hall at NEC; David Hoose, conductor with The Spectrum Singers, John Erhlich, music director
Darius Milhaud: La Création du monde
Kurt Weill, orch. David Hoose: Three Scenes from Der Weg der Verheissung
Arnold Schoenberg: Psalm 130, De profundis, op. 50b
Arthur Honegger: Le Roi David – Psaume symphonique (original version)

Friday, March 16, and Sunday, March 18, 2001
Jordan Hall at NEC; David Hoose, conductor with PALS Children’s Chorus, Johanna Hill Simpson, artistic director
J.S. Bach: The Passion According to Saint Matthew

Sunday, April 1, 2001
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Liza Lehmann: “How doth the little crocodile”
Franz Schubert: “Die Forelle”
Samuel Barber: “The monk and his cat”
Maurice Ravel: “Le paon”
John Duke: “Bee! I’m expecting you”
Lee Hoiby: “The Serpent”
Liza Lehmann: “Will you walk a little faster”
Aaron Copland: “I bought me a cat”
Francis Poulenc: The Story of Babar, the Little Elephant

Friday, May 11, and Sunday, May 13, 2001
First Church Congregational, Cambridge; David Hoose, conductor
Benjamin Britten: A Cradle Song: Sleep, Beauty Bright
Benjamin Britten: Hymn to Saint Cecilia
Frank Martin: “Ja, Ich glaub: solches hat er vollbracht,” “O, ewiger Gott! o göttliches Gesicht!” from Sechs Monologue aus Jedermann
Arnold Schoenberg: Psalm 130, De profundis, op. 50b
Arnold Schoenberg: Zwei Lieder, op. 14
Frank Martin: Messe pour double choeur a cappella
Benjamin Britten: “Before Life and After,” from Winter Words

Friday, November 9, and Sunday, November 11, 2001
Jordan Hall at NEC; David Hoose, conductor
Ludwig van Beethoven: Missa solemnis, op. 123

Sunday, December 2, 2001
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Benjamin Britten: “Let the Florid Music Praise,” “At the Railway Station, Upway”
Samuel Barber: “Solitary Hotel”
Jean Berger: “Lonely People”
Franz Schubert: “Der Einsame”
Noel Coward: “If Love Were All”
Johannes Brahms: “O wüsst’ich doch den Weg zurück”
Ralph Vaughan Williams: “Whither Must I Wander?”
Johannes Brahms: “Volkslied”
Franz Schubert: “Der Lindenbaum”
Johannes Brahms: Spätherbst,” “Der Abend”
Franz Schubert: “Abendstern”
Samuel Barber: “Boundless, Boundless Evening”
Johannes Brahms: “Abenddämerung”
Robert Baksa: “The soul selects her own society”
William Bolcom: “Waitin’”
Charles Ives: Hymn
Benjamin Britten: “At Day-Close in November,” “Nocturne”
trad. “Amazing Grace”

Friday, January 25, and Sunday, January 27, 2002
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 39, “Brich dem Hungrigen dein Brot”
Benjamin Britten: Cantata misericordium, op. 69
J.S. Bach: Cantata BWV 75, “Die Elenden sollen essen”

Sunday, February 24, 2002
Cantata Singers Chamber Series, Kayo Iwama, music director
Mainstage Auditorium, Roxbury Community College
trad. “He Never Said a Mumberlin’ Word”
trad. “In the Mornin’”
Coleridge-Taylor Perkinson: “A Child’s Grace,” “Melancholy”
trad. “Boatman’s Dance”
Margaret Bonds: Three Dream Portraits, “Minstrel Man,” “Dream Variation,” “I, Too”
trad. “Deep River”
trad. “Zion’s Walls”
trad. “Little Horses”
Elie Siegmeister: “Madam and the Census Man,” “Madam and the Minister,” “Madam and the Rent Man,” from Madam to You
William Grant Still: “Grief”
trad. “Steal Away”
trad. “De Gospel Train”
trad. “Free At Last”

Sunday, March 17, 2002
Symphony Hall; David Hoose, conductor
Donald Sur: Slavery Documents
T.J. Anderson: Slavery Documents 2

Sunday, April 14, 2002
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Gerald Finzi: “Farewell to Arms”
Ludwig van Beethoven: “Die Liebe des Nächsten”
Robert Schumann: “Die beiden Grenadiere”
Hugo Wolf: “Nun lass uns Frieden schliessen”
Ludwig van Beethoven: “Der freie Mann”
Hugo Wolf: “Ihr junge Leute”
Gustav Mahler: “Der Tambourg’sell”
Robert Schumann: “Requiem”
trad. “The Minstrel Boy”
trad. “Dear Harp of my Country”
trad. “The Bonney Earl o’Moray”
trad. “Avenging and Bright”
Stephen Foster: “We Are Coming, Father Abraham”
Lee Hoiby: “I Was There”
Charles Ives: “Duty/Vita”
Lee Hoiby: “Willie Has Gone to the War”
Songs of Charles Ives
“Joy, Shipmate, Joy”
“Ilmenau”
“In Flanders fields”
“Where the Eagle”
“Tom Sails Away”
“Autumn”
“He is there!”

Friday, May 10, and Sunday, May 12, 2002
Jordan Hall at NEC; David Hoose, conductor
Johannes Brahms: O Heiland reiss die Himmel auf, op. 74, no. 2
John Harbison: Emerson
Heinrich Schütz: “Es ging ein Sämann aus, zu säen seinen Samen,” SWV 408, from Symphoniae Sacrae III
J.S. Bach: Cantata BWV 80, “Ein feste Burg ist unser Gott”

Friday, November 8, and Sunday, November 10, 2002
Jordan Hall at NEC; David Hoose, conductor
F.J. Joseph Haydn: Die Schöpfung (The Creation)

Sunday, December 8, 2002
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Ludwig van Beethoven: “Sweet Power of Song”
W.A. Mozart: “Komm, liebe Zither, komm”
F.J. Haydn: “O Tuneful Voice,” “The Sailor’s Song,” “The Mermaid’s Song,” “Arianna a Naxos”
W.A. Mozart: “Abendempfindung”
Ludwig van Beethoven: “Vom Tode”
F.J. Haydn: “Abendlied zu Gott”
W.A. Mozart: “Als Luise die Briefe”
Ludwig van Beethoven: “Constancy”
W.A. Mozart: “An Chloë”
Ludwig van Beethoven: “Der Kuss”
F.J. Haydn: “Alles hat seine Zeit”
Ludwig van Beethoven: “Wonne der Wehmut”
F.J. Haydn: “Lob der Faulheit”
Ludwig van Beethoven: “Aus Goethes Faust”
F.J. Haydn: “Der Beredsamkeit”

Friday, January 24, and Sunday, January 26, 2003
Jordan Hall at NEC; David Hoose, conductor
Igor Stravinsky: The Rake’s Progress
Lynn Torgove, director

Sunday, February 9, 2003
Cantata Singers Chamber Series, Kayo Iwama, music director
Media Arts Center, Roxbury Community College
Franz Schubert: “Das Wandern”
trad. “O Waly, Waly”
Ernest Chausson: “Sérénade Italienne”
Robert Schumann: “Im Rhein, im heiligen Strome”
Ned Rorem: “The Lordly Hudson”
Franz Schubert: Marche Militaire, in D Major
Ralph Vaughan Williams: “The Vagabond”
Paul Bowles: “Heavenly Grass”
Samuel Barber: “St. Patrick’s Purgatory”
Charles Ives: “The World’s Highway”
Richard Hundley: “Will There Really Be a Morning?”
Lee Hoiby: “The Saints”
Douglas Townsend: Fantasy on “Follow the Drinking Gourd”
John Andrew Ross: “Give Me the Wings of Faith”
Aaron Copland: “Simple Gifts,” “At the River,” “Ching-A-Ring-Chaw”

Friday, March 21, 2003
Jordan Hall at NEC; James Olesen and David Hoose, conductors
Edward Cohen: Invocation
Guiseppe Verdi: “Ave Maria,” from Quatro pezzi sacri
Franz Liszt, orch. David Hoose: Via Crucis – the 14 Stations of the Cross
Olivier Messaien: Trois petites liturgies de la Présence Divine

Sunday, April 6, 2003
Cantata Singers Chamber Concert Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Henry Purcell: "Come, All Ye Songsters," "If Music Be the Food of Love," "Sound the Trumpet"
Benjamin Britten: "Mother Comfort," "Underneath the Abject Willow" Two Ballads for Two Voices and Piano
Camille Saint-Saëns: "Pastorale"
Jules Massenet: "L'éventail elégie," "Oh! ne finis jamais"
Georges Bizet: "Chanson d'avril," "Adieux de l'hôtesse arabe"
Camille Saint-Saëns: El desdichado
Vincenzo Bellini: "Il fervido desiderio," "Per pietà, bell'idol mio"
Guiseppe Verdi: "La seduzione," "Non t'accostare all'urna"
Gioachino Puccini: "Moirire," "El l'uccellino," "Sole e amore,"
"Vexilla Regis prodeunt," "Adieux à la vie," "Duetto buffo di due gatti"

Friday, May 9, and Sunday, May 11, 2003
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Mass in B minor, BWV 232

Friday, November 7, and Sunday, November 9, 2003
Jordan Hall at NEC; David Hoose, conductor
Marjorie Merryman: One Blood
W.A. Mozart: Requiem, K. 626

Sunday, November 23, 2003
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Songs of Hugo Wolf
"Anakreons Grab"
"Gleich und Gleich"
"Blumengruss"
"Der Schäfer"
"Die Spröde"
"Die Bekehrte"
"Frühling übers Jahr"
"Ganymed"
"Phänomen," from Westöstlicher Divan
"Ob der Koran von Ewigkeit sei?" from Westöstlicher Divan
"Was in der Schenke waren heute," from Westöstlicher Divan
Harfenspieler III- "Wer nie sein Brot mit Tränen ass," from Wilhelm Meister
Harfenspieler I- "Wer sich der Einsamkeit ergibt," from Wilhelm Meister
Mignon II - "Nur wer die Sehnsucht kennt," from Wilhelm Meister
"Spottlied," from Wilhelm Meister
"Philine," from Wilhelm Meister
Harfenspiler II- "An die Türen will ich schleichen," from Wilhelm Meister
Mignon I - "Heiss mich nicht reden," from Wilhelm Meister
Mignon III- "So lasst mich scheinen," from Wilhelm Meister
Kennst du das Land," from Wilhelm Meister

Friday, January 23, 2004
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 76, "Die Himmel erzählen die Ehre Gottes"
James Primosch: Matins
J.S. Bach: Cantata BWV 187, "Es wartet alles auf dich"

Sunday, February 29, 2004
Cantata Singers Chamber Series, Allison Voth, music director
Mainstage Auditorium, Roxbury Community College
Benjamin Britten: The Little Sweep: A Children's Opera
Lynn Torgove, director

Friday, March 19, 2004
Jordan Hall at NEC; David Hoose, conductor
with PALS Children's Chorus, Johanna Hill Simpson, artistic director
J.S. Bach: The Passion according to Saint Matthew, BWV 244

Sunday, April 18, 2004
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Elliott Carter: "The Rose Family," "Dust of Snow"
Donald Martino: "All Day I Hear the Noise of Waters," from Separate Songs
John Harbison: "The Flute of Interior Time," from The AIDS Quilt Songbook
John Harbison: "Why Mira Can't Go Back to Her Old House," from Mirabai Songs
John Harbison: "Late Air," from North and South
Daniel Pinkham: "My Grandmother's Ghost," from When Love was Gone
Donald Martino: "The Frog," from The Bad Child's Book of Beasts
Irving Fine: "The Frog and the Snake," from Childhood Fables for Grown-Ups
Scott Wheeler: "Oriole," "Keeping the Sabbath," from Sunday Songs
Martin Amlin: "Orpheus," from A Lasting Spring
Irving Fine: "Jubilation," from Mutability
Charles Turner: "Beauty is a Shell"
Robert Ceely: "The Diver," "Love and Solitude"
Daniel Pinkham: "Stars, I Have Seen Them Fall"
Scott Wheeler: "Mozart, 1935"
Martin Amlin: Three Madrigals

Friday, May 7, and Saturday, May 8, 2004
First Church Congregational, Cambridge; David Hoose, conductor
Anton Bruckner: Mass in E minor
Paul Hindemith: Apparebit repentina dies
Heinrich Schütz: "Alleluia! Löbet den Herren," SWV 38, from Psalmen Davids 1619

Friday, November 5, and Saturday, November 7, 2004
Jordan Hall at NEC; David Hoose, conductor
Robert Schumann: Scenes from Goethe's "Faust"

Sunday, November 14, 2004
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
Carl Friedrich Zelter: "Der König in Thule"
Hugo Wolf: "Erstes Liebeslied eines Mädchens"
Ferruccio Busoni: "Lied des Brander"
Franz Schubert: "Die Spinnerin," "Gretchen am Spinnrade"
Ludwig van Beethoven: "Wonne der Wehmut"
Hugo Wolf: "Das verlassene Mägdlein"
Richard Wagner: Melodram Gretchens"
Carl Loewe: "Scene aus Faust"
Franz Schubert: "Scene aus Faust," "Die Mutter Erde"
Ludwig van Beethoven: "Busslied"
Hugo Wolf: "Seufzer"
Franz Schubert: "Verklärung"
Ludwig van Beethoven: "Aus Goethes Faust"
Feliz Mendelssohn: "Hexenlied"
Carl Loewe: "Wenn der Blüthen Frühlingsregen"
Franz Schubert: "Wandrers Nachtlied"

Friday, January 14, and Sunday, January 16, 2005
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 47, "Wer sich selbst erhöhet, der soll erniedriget werden"
Heinrich Shütz: Psalm 137, "An den Wassern zu Babel," from Psalmen Davids 1619
Arnold Schoenberg: Friede auf Erden, op.13
J.S. Bach: Cantata BWV 179, "Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei"

Sunday, February 6, 2005
Cantata Singers Chamber Series, Kayo Iwama, music director
Mainstage Auditorium, Roxbury Community College
Robert Schumann: "Von fremden Ländern und Menschen"
Johannes Brahms: "Der bucklichte Fiedler"
Charles Wakefield Cadman: "Far Off I Hear the Lover's Flute"
Manuel de Falla: "Asturiana"
Joaquín Rodrigo: "De los álamos vengo, madre"
Ralph Vaughan Williams: "Sprig of Thyme"
Ralph Vaughan Williams: "Whither Must I Wander?"
Benjamin Britten: "O Waly, Waly"
George Chadwick: "The Lark that Sang"
trad: "The little horses"
trad: "Steal away"
trad: "I got shoes"
Maurice Ravel: Chanson hébraïque
M. Warshawsky: "Oifn pripitchok"
trad: "Tumbalalaika"

Friday, March 11, and Sunday, March 13, 2005
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: The Passion according to Saint John, BWV 245

Sunday, April 10, 2005
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Johannes Brahms: Waltzes, op.39
Johannes Brahms: Neue Liebeslieder Walzer, op. 65
Francis Poulenc: "Les chemins de l'amour" (Valse chantée)
Francis Poulenc: Waltz in C
Cole Porter: "Just one of those things"
John Greer: "Liebesleid-Lieder"

Friday, May 13, and Saturday, May 14, 2005
All Saints Parish, Brookline; David Hoose, conductor
William Cutter: To See a World
Charles Fussell, orch. David Hoose: Invocation
Irving Fine: The Hour-Glass
Donald Sur: Sonnet 97
Marjorie Merryman: The Garland
John Harbison: The Flower-Fed Buffaloes

Friday, November 11, and Sunday, November 13, 2005
Jordan Hall at NEC; David Hoose, conductor
Giuseppe Verdi: "Messa da Requiem"

Sunday, December 11, 2005
Cantata Singers Chamber Series; Kayo Iwama, music director
Isabella Stewart Gardner Museum, Boston
Benjamin Britten: "At Day-Close in November"
Johannes Brahms: "Spätherbst," "Auf dem Kirchhofe"
Ralph Vaughan Williams: "When Icicles Hang by the Wall"
Roger Quilter: "Blow, blow thou Winter Wind"
Hugo Wolf: "Schlafendes Jesuskind," "Auf ein altes Bild"
Peter Warlock: "Balulalow"
Johannes Brahms: Zwei Gesänge, for Alto, Viola, and Piano
Hugo Wolf: "Nun wandre, Maria"
Johannes Brahms: "Maria ging aus wandern"
Hugo Wolf: "Führ mich, Kind, nach Bethlehem," "Epiphanias"
Hugo Wolf: "Auf eine Christblume" I and II
Ralph Vaughan Williams: from Folk Songs of the Four Seasons "Children's Christmas Song" "Wassail Song" "In Bethlehem City" "God Bless the Master"
John Rutter: "What Sweeter Music"

Friday, January 20, 2006
Jordan Hall at NEC; David Hoose, conductor
Francis Poulenc: Un soir de neige
Pierre Boulez: Sur incises
Igor Stravinsky: Les noces

Sunday, March 19, 2006
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Motet BWV 227, "Jesu, meine Freude"
Heinrich Schütz: "Komm, heiliger Geist, Herre Gott," SWV 417, from Symphoniae sacrae III
Heinrich Schütz: "Mein Sohn, warum hast du uns das getan?" SWV 401, from Symphoniae sacrae III
John Harbison: But Mary Stood: Sacred Symphony for Soprano, Chorus, and Strings
Heinrich Schütz: "Siehe, dieser wird gesetzt zu einem Fall," from Symphoniae sacrae III
J.S. Bach: Motet BWV 230, "Lobet den Herrn"

Sunday, April 23, and Monday April 24, 2006
Cantata Singers Chamber Series; Kayo Iwama, music director
Mainstage Auditorium, Roxbury Community College
Leventhal- Sidman Jewish Community Center
trad: "Eliyahu Ha- Navi"
Victor Ullmann: Brezulinka: Three Songs for Voice and Piano
Gideon Klein: "Ukolèbavka"
trad: "Du Maydele, du fayns"
Hans Kráza: "Victory Song," from Brundibár
Hans Kráza: Brundibár, A Children's Opera Lynn Torgove, director

Friday, May 12, 2006
Jordan Hall at NEC; David Hoose, conductor
George Frideric Handel: Belshazzar

Friday, November 10, 2006
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 105, “Herr, gehe nicht ins Gericht mit deinem Knecht”
Adam Imbrie: Adam
J.S. Bach: Cantata BWV 34, “O ewiges Feuer, o Ursprung der Liebe”

Sunday, December 10, 2006
Cantata Singers Chamber Series; Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
George F. Root: “The Battle Cry of Freedom”
Anon: “The Why and the Wherefore”
George F. Root: “The Vacant Chair”
Robert Schumann: “Die Beiden Grenadiere,” op. 49, no. 1,”Die Hochländer-Witwe,” op. 25, no. 14
Johannes Brahms: “Auf dem Kirchhofe,” op. 105, no. 4
Modest Mussorgsky: “Commander-in-Chief”
Sergei Rachmaninoff: “The Little Island,” op. 14, no. 12
Joseph Ness: “Linie Wie,” “Vi Asoy”
trad: “Eli, Eli”
Ivor Gurney: “Black Stitchel”
Denis W. Browne and W. Denis: “The Isle of Lost Dreams”
Ivor Gurney: “Blaweary”
Denis W. Browne and W. Denis: “To Gratiana Dancing and Singing”
Gerald Finzi: “Farewell to Arms,” op. 9
Hughie Prince: “Boogie Woogie Bugle Boy”
Sam H. Stept and Charlie Tobias: “Don't Sit Under the Apple Tree”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
Francis Poulenc: “C,” “Bleuet,” “Le Disparu,” “Priez pour paix”
Kurt Weill: “Beat! Beat! Drums!” “O Captain! My Captain!”
Paul Hindemith: “Sing on there in the Swamp”
Ned Rorem: “An Incident,” “Inauguration Ball”
Lee Hoiby: “Private First Class Jesse Givens”
Francis Poulenc: “Lune”

Friday, January 19, 2007
Jordan Hall at NEC; David Hoose, conductor
John Harbison: The Flight Into Egypt
J.S. Bach: Cantata BWV 101, “Nimm von uns, Herr, du treuer Gott“
J.S. Bach: Orchestral Suite No. 1 in C, BWV 1066
John Harbison: But Mary Stood: Sacred Symphony for Soprano, Chorus, and Strings

Sunday, March 4, 2007
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
Songs by Ivor Gurney
“Walking Song”
“Severn Meadows”
“Twa Corbies”
“The Night of Trafalgar”
“Thou Didst Delight My Eyes”
“Cathleen ni Houlihan”
“Most Holy Night”
Songs by Virgil Thomson
“My Shepherd Will Supply My Need”
“The Divine Image”
“Tiger! Tiger!”
“A Prayer to Saint Catherine”
“The Owl and the Pussy Cat”
Songs by Ned Rorem
“The Subway,” from Four Dialogues
“Absalom”
“I am Rose”
“Early in the Morning”
“I Am He That Aches with Love”
“Love Cannot Fill”
“How Do I Love Thee?”
“Life in a Love”
Songs by Paul Bowles
“Creole Song”
“Farther from the Heart”
“My Sister's Hand in Mine”
“It's Sunday,” “The Sunday Paper,” “This Other Man,” “Birds, Birds, Birds,” “Good-Bye,” from Picnic Cantata

Friday, March 16, and Sunday, March 18, 2007
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Mass in B minor, BWV 232

Friday, May 11, 2007
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Concerto in C minor for Oboe and Violin
Stephen Hartke: Precepts
J.S. Bach: Cantata BWV 161, “Komm, du süsse Todesstunde”
Stephen Hartke: Precepts
J.S. Bach: Cantata BWV 11, “Lobet Gott in seinen Reichen” (Ascension Oratorio)

Sunday, September 23, 2007
Collings Foundation Aviation Museum, Stow, Massachusetts; David Hoose, conductor
Kurt Weill: The Lindbergh Flight
Pre-concert songs by Kurt Weill:
“September Song,” There's Nowhere to Go But Up,” from Knickerbocker Holiday
“Girl of the Moment,” “One Life to Live,” “Tchaikowsky (And Other Russians),” “My Ship,” from Lady in the Dark
“Here I'll Stay,” from Love Life

Friday, November 9, 2007
Jordan Hall at NEC; David Hoose, conductor
with PALS Children’s Chorus, Alysoun Kegel, artistic director
Kurt Weill: Die Legende vom toten Soldaten
Luigi Dallapiccola: Canti di Prigionia
Carl Orff: Carmina burana – cantiones profanae
Pre-concert and intermission songs by Kurt Weill:
“Ballad of the Lily of Hell,” from Happy End
“Dirge for a Soldier,” “To War!” from Knickerbocker Holiday
“Here I'll Stay,” from Love Life
“Lonely House,” from Street Scene
“O Captain! My Captain!”

Saturday, December 15, 2007
Cantata Singers Chamber Series, Allison Voth, music director
Isabella Stewart Gardner Museum, Boston
trad. (English): “Here We Come A-Wassailing”
trad. (German): “Lo, How a Rose E're Blooming”
trad.: Coventry Carol, from The Pageant of Shearmen and Tailors trad. (English): “I Saw Three Ships”
Tomás Luis de Victoria: O magnum mysterium
Heinrich Schütz: “Die Hirten auf dem Felde,” from Weihnachtshistorie
trad. (English): “God Rest Ye Merry Gentlemen”
Franz Gruber: “Silent Night”
trad. (Catalonian): “Foom! Foom! Foom!”
trad. (Hannakah), arr. Joseph Ness: “Mi Ze Hidlik, Mi Y'malel,” “Oy Chanukah, S'vivon”
Javier Busto: “Kuttun Kantak”
Fr. St. Jean Brefeuf: The Huron Carol
trad. (Hungarian): Sleigh Song
James Lord Pierpont: “Jingle Bells”
Ralph Blane: “Have Yourself a Merry Little Christmas”
trad. (French melody): “Ding Dong Merrily on High”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
trad. (English): “We Wish You a Merry Christmas”

Friday, January 18, and Sunday, January 20, 2008
Jordan Hall at NEC; David Hoose, conductor
with The Spectrum Singers, John Ehrlich, music director
Lior Navok: And the Trains Kept Coming... Slavery Documents 3
Kurt Weill: “The Prophets,” from The Eternal Road
Pre-concert and intermission songs by Kurt Weill:
“Dance Around the Golden Calf,” “Song of Ruth,” and “The Promise,” from The Eternal Road
“There'll be life, love, and laughter,” from Firebrand of Florence
“Here I'll Stay,” from Love Life
“Thousands of miles,” from Lost in the Stars
“Will you remember me,” from Knickerbocker Holiday

Friday, March 14, and Sunday, March 16, 2008
Jordan Hall at NEC; David Hoose, conductor
Ferruccio Busoni: Berceuse élégiaque
Kurt Weill: Concerto for Violin and Wind Instruments, op. 12
Johannes Brahms: Ein deutches Requiem, op. 45

Sunday, April 6, 2008
Cantata Singers Chamber Series, Allison Voth, music director
Leventhal-Sidman Jewish Community Center
Lynn Torgove, director
A Kurt Weill Cabaret
“Berlin im Licht”
“Song of Mandalay,” and “Surabaya Johnny,” from Happy End
“Alabama Song,” from Rise and Fall of the City of Mahagonny
“Cannon Song,” from The Threepenny Opera
“Fennimore's Song,” from Der Silbersee
Jealousy Duet and Tango Ballad, from The Threepenny Opera
“Fennimore's Rome Song,” from Der Silbersee
“Big shot,” from Happy End
Crane Duet, from Rise and Fall of the City of Mahagonny
“Mack the Knife,” from The Threepenny Opera
“Berlin im Licht” – Instrumental Interlude
“Complainte de la Seine,” from Marie Galante
“Pride,” from The Seven Deadly Sins
“J'attends un navire,” “Les filles de Bordeaux,” Le roi d’Aquitaine,” and “Le train du ciel,” from Marie Galante
“Der Abscheidsbrief”
“Youkali”
“Scene au dancing,” from Marie Galante – Instrumental Interlude
“Hymn to Peace,” from Johnny Johnson
“My ship/J'attends un navire,” from Lady in the Dark/Marie Galante
“I'm a stranger here myself,” from One Touch of Venus
“Wouldn't you like to be on Broadway?” and “We’ll Go Away Together,” from Street Scene
“Psychiatry Song,” from Johnny Johnson
“Lost in the stars,” from Lost in the Stars
“The trouble with women,” from One Touch of Venus
“The saga of Jenny,” and “One life to live,” from Lady in the Dark

Friday, May 9, 2008
Jordan Hall at NEC; David Hoose, conductor
Kurt Weill: Symphony No. 2
Charles Fussell: High Bridge – A Choral Symphony after Poems of Hart Crane
Pre-concert and intermission songs by Kurt Weill:
“Ich bin eine arme Verwandte,” from Der Silbersee
“Here I'll stay,” from Love Life
“Lost in the stars,” from Lost in the Stars
“My ship,” from Lady in the Dark
Psychiatry Song, from Johnny Johnson
“The trouble with women,” from One Touch of Venus
“Wouldn't you like to be on Broadway?” from Street Scene

Friday, September 19, 2008
Institute of Contemporary Art, Boston; David Hoose, conductor
with Collage New Music, David Hoose, music director
Donald Sur: Sonnet 97
Donald Sur: Catena III
Donald Sur: Satori on Park Avenue
Yehudi Wyner: On This Most Voluptuous Night
Dalit Warshaw: Sonate française
David Rakowski: Imaginary Dances
Irving Fine: “O Know to End as to Begin,” from The Hour-Glass
Irving Fine, orch. David Hoose: “Design for October,” from The Choral New Yorker

Friday, November 7, 2008
Jordan Hall at NEC; David Hoose, conductor
Benjamin Britten: A Hymn to the Virgin
Nicholas Maw, orch. David Hoose: One Foot in Eden Still, I Stand
Benjamin Britten: Cantata misericordium, op. 69
Gabriel Fauré: Requiem, op. 48

Sunday, November 23, 2008
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
Benjamin Britten: Fanfare & Prologue, from The Heart of the Matter
Frank Bridge: Three Songs
Songs of Benjamin Britten:
“The Birds,” “Vigil,” “The Ship of Rio”
Proverb II, “The Chimney Sweeper,” from Songs and Proverbs of William Blake, op. 74
Proverb III, “A Poison Tree,” from Songs and Proverbs of William Blake, op. 74
Proverb IV, “Tyger! Tyger!” from Songs and Proverbs of William Blake, op. 74
“O the Sight Entrancing” (Irish Melody)
“The Ash Grove” (Welsh Melody)
“The Deaf Woman's Courtship” (Appalachian Folksong)
“The Last Rose of Summer” (Irish Melody)
“Oliver Cromwell” (Suffolk Nursery Rhyme)
“At the round earth's imagined corners”
“O might those sighes and teares,” from The Holy Sonnets of John Donne, op. 35
“Proud Songsters”
“Before Life and After,” from Winter Words, op. 52
Henry Purcell: “Sound the trumpet,” “Lost is my quiet”
Songs of Benjamin Britten:
“When you're feeling like expressing your affection”
“Fish in the unruffled lakes”
“Funeral Blues”
“Under the abject willow”
“Night covers up the rigid land”
“Calypso”
Canticle II – “Abraham and Isaac,” op. 51

Friday, January 16, 2009
Jordan Hall at NEC; David Hoose, conductor
Benjamin Britten: Lachrymae, op. 48a
Benjamin Britten: Five Flower Songs, op. 47
Benjamin Britten: Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten: Now Sleeps the Crimson Petal
Benjamin Britten: Phaedra, op. 93
Benjamin Britten, orch. Imogen Holst: Rejoice in the Lamb, op. 30

Sunday, February 7, 2009
All Saints Parish, Brookline; David Hoose, conductor
with members of PALS Childrens’ Chorus, Alysoun Kegel, artistic director;
students from Community Music Center of Boston, Willliam Fickes, artistic director;
and members of Massachusetts Youth Wind Ensemble, Michael Mucci, director
Benjamin Britten: Noye's Fludde, op. 59
Lynn Torgove, director

Friday, March 13, 2009
Jordan Hall at NEC; David Hoose, conductor
Ludwig van Beethoven: Mass in C, op. 86
Benjamin Britten: Suite from Death in Venice, op. 88a
Gerald Finzi: Lo, the Full, Final Sacrifice, op. 26

Sunday, April 26, 2009
Cantata Singers Chamber Series, Allison Voth, music director
Media Arts Center, Roxbury Community College
Benjamin Britten: The Little Sweep
Lynn Torgove, director

Friday, May 8, 2009
Jordan Hall at NEC; David Hoose and Anthony Trecek-King, conductors
with Boston Children’s Chorus, Anthony Trecek-King, music director
Benjamin Britten: The Company of Heaven
Neighborhood House Charter School: Wrens and Robins
Neighborhood House Charter School: The Caterpillar
Andy Vores: Natural Selection
Benjamin Britten: Psalm 150
J.S. Bach: Cantata BWV 50, “Nun ist das Heil und die Kraft”

Friday, November 6, 2009
Jordan Hall at NEC; David Hoose, conductor
Heinrich Schütz: Musikalische exequien, op. 7, SWV 279-281
Hugo Distler: “Singet dem Herrn ein neues Lied,” op. 12, no. 1
J.S. Bach: Cantata BWV 8, “Liebster Gott, wenn werd ich sterben?”
Arnold Schoenberg: Friede auf Erden, op. 13

Friday, January 15, 2010
First Church Congregational, Cambridge; David Hoose, conductor
Heinrich Schütz: “So fahr ich hin zu Jesu Christ,” SWV 379, from Geistliche Chormusik 1648
John Harbison: We Do Not Live to Ourselves
John Harbison: My Little Children, Let Us Not Love in Word
Heinrich Schütz: Psalm 116, “Das ist mir lieb,” SWV 51
Maurice Duruflé: Requiem, op. 9

Friday, March 12, 2010
Jordan Hall at NEC ; David Hoose, conductor
Claudio Monteverdi: Laetatus sum
Heinrich Schütz: “Domine, non est exaltatum cor meum,” SWV 78, from Cantiones sacrae
Heinrich Schütz: “Si non humiliter sentiebam,” SWV 79, from Cantiones sacrae
Heinrich Schütz: “Speret Israel in domino,” SWV 80, from Cantiones sacrae
Igor Stravinsky: Mass
Francis Poulenc: Mass in G
Heinrich Schütz: “Wo der Herr nicht das Haus bauet,” SWV 400, from Symphoniae sacrae III
Heinrich Schütz: “Saul, Saul, was verfolgst du mich?,” SWV 415, from Symphoniae sacrae III
Heinrich Schütz: “Nun danket alle Gott,” SWV 418, from Symphoniae sacrae III
Claudio Monteverdi: Gloria a 7

Friday, May 14, 2010
Jordan Hall at NEC; David Hoose, conductor
Heinrich Schütz: Schwanesgesang (Opus ultimum), SWV 482-494

Programs that have included the works of J.S. Bach:

Friday, February 24th, 2017 & Sunday, February 26th, 2017
Jordan Hall at NEC; David Hoose, conductor
Cary Hall, Lexington; David Hoose, conductor
J.S. Bach: Mass in B Minor, BWV 232
Program Notes

Saturday, October 15th, 2016
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 109, "Ich glaube, lieber Herr, hilf meinen Unglauben"
J.D. Zelenka: Laetatus sum, ZWV 90 First American Performance
J.D. Zelenka: "Tenebrae factae sunt" from Responsoria pro hebdomada sancta, ZWV 55 First Boston Performance
J.S. Bach: Cantata BWV 147, "Herz und Mund und Tat und Leben"
Program Notes

Friday, May 20, 2016
First Church in Cambridge; David Hoose, conductor
J.S. Bach: Komm, Jesu, komm
Arvo Pärt: Adam’s Lament Boston Premiere
J.S. Bach: Lutheran Mass in A
Program Notes

Friday, April 1, 2016
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Ricercar, from the Musical Offering, orch. by Anton Webern
J.S. Bach: Cantata BWV 60, “O Ewigkeit, du Donnerwort”—Dialogue between Hope and Fear
Anton Webern: Five Movements for String Orchestra, op. 5
Johannes Brahms: Ein deutsches Requiem
Program Notes

Sunday, May 10, 2015
Jordan Hall at NEC; David Hoose, conductor
J.D. Zelenka: Grave—Allegro—Grave from Ouverture a 7 in F, ZWV 188
J.S. Bach: Magnificat in D, BWV 243
J.S. Bach: Sinfonia from Cantata BWV 42, "Am Abend aber desslbigen Sabbaths"
J.D. Zelenka: Te Deum in D, a due cori, ZWV 146 Boston Premiere
Program Notes

Saturday, November 10, 2014
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 77, "Du sollt Gott, deinen Herren, lieben"
Elena Ruehr: Eve World Premiere
J.S. Bach: Cantata BWV 195, "Dem gerechten muss das Licht immer wieder aufgehen"
Program Notes

Friday, May 9, 2014
Jordan Hall at NEC; David Hoose, conductor
Jan Dismas Zelenka: Miserere in C minor, ZWV 57
John Harbison: The Supper at Emmaus
Jan Dismas Zelenka: “Recessit pastor noster” from Responsoria pro Hebdomada Sancta, ZWV 55
J.S. Bach: Cantata BWV 6, “Bleib bei uns, den es will Abend werden”

Friday, September 20, 2013
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 131, “Aus der Tiefen rufe ich, Herr, zu dir”
J.S. Bach: Cantata BWV 82, “Ich habe genug”
J.S. Bach: Cantata BWV 72, “Alles nur nach Gottes Willen”

Friday, November 9, 2012
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 114, “Ach, lieben Christen, seid getrost”
Frank Martin: Et la vie l'emporta
Jan Dismas Zelenka: Motets from Responsoria pro Hebdomada Sancta, ZWV 55
J.S. Bach: Cantata BWV 3, “Ach Gott, wie manches Herzeleid"

Sunday, March 18, 2012
Jordan Hall at NEC; David Hoose, conductor
Johannes Brahms: Warum ist das Licht gegeben dem Mühseligen, op. 74, no. 1
Franz Liszt, orch. David Hoose: Via crucis – The 14 Stations of the Cross
Christoph Demantius: Weissagung des Leidens und Sterbens Jesu Christi
J.S. Bach: Cantata BWV 4, “Christ lag in Todesbanden”

Friday, November 4, 2011
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Brandenburg Concerto No. 1 in F, BWV 1046
Stephen Hartke: Precepts
Stephen Hartke: A Brandenburg Autumn
J.S. Bach: Lutheran Mass in F, BWV 233

Friday, March 18, and Sunday, March 20, 2011
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Mass in B minor, BWV 232

Friday, November 6, 2009
Jordan Hall at NEC; David Hoose, conductor
Heinrich Schütz: Musikalische exequien, op. 7, SWV 279-281
Hugo Distler: “Singet dem Herrn ein neues Lied,” op. 12, no. 1
J.S. Bach: Cantata BWV 8, “Liebster Gott, wenn werd ich sterben?”
Arnold Schoenberg: Friede auf Erden, op. 13

Friday, May 8, 2009
Jordan Hall at NEC; David Hoose and Anthony Trecek-King, conductors
with Boston Children’s Chorus, Anthony Trecek-King, music director
Benjamin Britten: The Company of Heaven
Neighborhood House Charter School: Wrens and Robins
Neighborhood House Charter School: The Caterpillar
Andy Vores: Natural Selection
Benjamin Britten: Psalm 150
J.S. Bach: Cantata BWV 50, “Nun ist das Heil und die Kraft”

Friday, May 11, 2007
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Concerto in C minor for Oboe and Violin
Stephen Hartke: Precepts
J.S. Bach: Cantata BWV 161, “Komm, du süsse Todesstunde”
Stephen Hartke: Precepts
J.S. Bach: Cantata BWV 11, “Lobet Gott in seinen Reichen” (Ascension Oratorio)

Friday, March 16, and Sunday, March 18, 2007
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Mass in B minor, BWV 232

Friday, January 19, 2007
Jordan Hall at NEC; David Hoose, conductor
John Harbison: The Flight Into Egypt
J.S. Bach: Cantata BWV 101, “Nimm von uns, Herr, du treuer Gott“
J.S. Bach: Orchestral Suite No. 1 in C, BWV 1066
John Harbison: But Mary Stood: Sacred Symphony for Soprano, Chorus, and Strings

Friday, November 10, 2006
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 105, “Herr, gehe nicht ins Gericht mit deinem Knecht”
Adam Imbrie: Adam
J.S. Bach: Cantata BWV 34, “O ewiges Feuer, o Ursprung der Liebe”

Sunday, March 19, 2006
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Motet BWV 227, "Jesu, meine Freude"
Heinrich Schütz: "Komm, heiliger Geist, Herre Gott," SWV 417, from Symphoniae sacrae III
Heinrich Schütz: "Mein Sohn, warum hast du uns das getan?" SWV 401, from Symphoniae sacrae III
John Harbison: But Mary Stood: Sacred Symphony for Soprano, Chorus, and Strings
Heinrich Schütz: "Siehe, dieser wird gesetzt zu einem Fall," from Symphoniae sacrae III
J.S. Bach: Motet BWV 230, "Lobet den Herrn"

Friday, March 11, and Sunday, March 13, 2005
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: The Passion according to Saint John, BWV 245

Friday, January 14, and Sunday, January 16, 2005
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 47, "Wer sich selbst erhöhet, der soll erniedriget werden"
Heinrich Shütz: Psalm 137, "An den Wassern zu Babel," from Psalmen Davids 1619
Arnold Schoenberg: Friede auf Erden, op.13
J.S. Bach: Cantata BWV 179, "Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei"

Friday, March 19, 2004<
Jordan Hall at NEC; David Hoose, conductor
with PALS Children's Chorus, Johanna Hill Simpson, artistic director
J.S. Bach: The Passion according to Saint Matthew, BWV 244

Friday, January 23, 2004
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 76, "Die Himmel erzählen die Ehre Gottes"
James Primosch: Matins
J.S. Bach: Cantata BWV 187, "Es wartet alles auf dich"

Friday, May 9, and Sunday, May 11, 2003
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Mass in B minor, BWV 232

Friday, May 10, and Sunday, May 12, 2002
Jordan Hall at NEC; David Hoose, conductor
Johannes Brahms: O Heiland reiss die Himmel auf, op. 74, no. 2
John Harbison: Emerson
Heinrich Schütz: “Es ging ein Sämann aus, zu säen seinen Samen,” SWV 408, from Symphoniae Sacrae III
J.S. Bach: Cantata BWV 80, “Ein feste Burg ist unser Gott”

Friday, January 25, and Sunday, January 27, 2002
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 39, “Brich dem Hungrigen dein Brot”
Benjamin Britten: Cantata misericordium, op. 69
J.S. Bach: Cantata BWV 75, “Die Elenden sollen essen”

Friday, March 16, and Sunday, March 18, 2001
Jordan Hall at NEC; David Hoose, conductor with PALS Children’s Chorus, Johanna Hill Simpson, artistic director
J.S. Bach: The Passion According to Saint Matthew

Friday, November 10, and Sunday, November 12, 2000
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 21, “Ich hatte viel Bekümmernis”
John Harbison: Four Psalms

Friday, May 5, and Sunday, May 7, 2000
Jordan Hall at NEC; David Hoose, conductor
Francis Poulenc: Quatre motets pour un temps de Pénitence
Frank Martin: Et la vie l’emporta
J.S. Bach: Magnificat in D, BWV 243

Friday, March 17, and Sunday, March 19, 2000
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Motet BWV 118, “O Jesu Christ, mein Lebens Licht”
Franz Schreker: Chamber Symphony for 23 Solo Instruments
W.A. Mozart: Requiem, K. 626

Friday, January 21, and Sunday, January 23, 2000
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 1, “Wie schön leuchtet der Morgenstern”
Andy Vores: World Wheel

Friday, November 12, and Saturday, November 13, 1999
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Mass in B minor, BWV 232

Sunday, April 5, 1998
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Georg Böhm: “Wie! Schlaft ihr noch?”
Hugo Wolf: “Die ihr schwebet,” “Auf ein altes Bild,” “Ach, des Knaben Augen”
Johann Crüger: “Auf, auf mein Herz”
Heinrich Schütz: “Erhöre mich, wenn ich rufe”
C. P. E. Bach: “Jesus in Gethsemane”
Hugo Wolf: “Seufzer,” “Verborgenheit,” “Mühvoll komm’ich”
Heinrich Schütz: “Der Herr ist gross”
Henry Purcell: “Sound the trumpet,” “The Blessed Virgin’s Expostulation”
Benjamin Britten: “Angel,” “Since she whom I loved”
Henry Purcell: “Turn then thine eyes”
Benjamin Britten: “O might these sighs and tears,” “Batter my heart,” “Before Life and After”
Henry Purcell: “We sing to him”

Friday, November 7, and Sunday, November 9, 1997
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 30, “Freue dich, erlöste schar”
Heinrich Schütz: “Wo der Herr nicht das haus bauet,” SWV 400, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 109, “Ich glaube, lieber herr, hilf meinem Unglauben”
Heinrich Schütz: “Vater unser,” SWV 411, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 116, “Du Friedefürst, Herr Jesu Christ”

Friday, March 21, and Sunday, March 23, 1997
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: The Passion According to Saint John, BWV 245

Friday, November 8, and Sunday, November 10, 1996
Jordan Hall at NEC; David Hoose, conductor
Heinrich Schütz: “Paratum cor meum, Deus,” SWV 257, from Symphoniae sacrae I
J.S. Bach: Motet BWV 230, “Lobet den Herrn, alle Heiden”
Heinrich Schütz: “Lasset uns doch den Herren, unsern Gott, loben,” SWV 407, from Symphoniae sacrae III
Heinrich Schütz: “Saul, Saul, was verfolgst du mich?” SWV 415, from Symphoniae sacrae III
John Harbison: Emerson (presented twice)
J.S. Bach: Motet BWV 225, “Singet dem Herrn ein neues Lied”

Friday, May 10, and Sunday, May 12, 1996
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 72, “Alles nur nach Gottes Willen”
J.S. Bach: Cantata BWV 78, “Jesu, der du meine Seele”
Heinrich Schütz: “Komm, heiliger Geist, Herre Gott,” SWV 417, from Symphoniae sacrae III
Heinrich Schütz: “Siehe, wie fein und lieblich,” SWV 412, from Symphoniaes sacrae III
Heinrich Schütz: Motet SWV 450, “Ach Herr, du Schöpfer aller Ding”
J.S. Bach: Cantata BWV 8, “Liebster Gott, wann werd’ ich sterben?”

Friday, November 4, and Sunday, November 6, 1994
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 50, “Nun ist das Heil und die Kraft”
Andrew Imbrie: Adam
J.S. Bach: Cantata BWV 149, “Man singet mit Freuden vom Sieg”

Friday, March 18, and Sunday, March 20, 1994
Jordan Hall at NEC; David Hoose, conductor with Youth pro Musica, Roberta Humez, music director
J.S. Bach: The Passion According to Saint Matthew, BWV 244

Friday, November 12, and Sunday, November 14, 1993
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 77, “Du sollt Gott, deinen Herren lieben”
Heinrich Schütz: “Seid barmherzig, wie auch euer Vater barmherzig ist,” SWV 409, from Symphoniae sacrae III
Benjamin Britten: Cantata misericordium
Heinrich Schütz: “Nun danket alle Gott,” SWV 418, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 147, “Herz und Mund und Tat und Leben”

Friday, March 19, and Sunday, March 21, 1993
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Mass in B minor, BWV 232

Saturday, March 14, 1992
Jordan Hall at NEC; David Hoose, conductor
J.H. Schein: Psalm 116, “Daß ist mir lieb,” SWV 51
George Frideric Handel: Chandos Anthem, “As Pants the Hart for Cooling Streams”
J.S. Bach: Trauerode BWV 198, “Lass, Fürstin, lass noch einen Strahl”

Saturday, November 2, 1991
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 38, “Aus tiefer Not schrei’ich zu dir”
Heinrich Isaac: “Vos Michael, Gabriel, Raphael,” from Kaisermotette
Igor Stravinsky: Mass
J.S. Bach: Cantata BWV 197, “Gott ist unsre Zuversicht”

Friday, January 18, 1991
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 33, “Allein zu dir, Herr Jesu Christ”
Heinrich Schütz: “Wohl dem, der nicht wandelt im Rat der Gottlosen,” SWV 290, from Kleine geistliche Konzerte
Heinrich Schütz: “Erhöre mich, wenn ich rufe,” SWV 289, from Kleine geistliche Konzerte
Heinrich Schütz: “Wie ein Rubin in feinem Golde leuchtet,” SWV 357, from Symphoniae sacrae II
Heinrich Schütz: “Wohl dem, der nicht wandelt im Rat der Gottlosen,” SWV 28, from Psalmen Davids 1619
Arnold Schoenberg: Friede auf Erden, op. 13 (presented twice)
J.S. Bach: Cantata BWV 1, “Wie schön leuchtet der Morgenstern”

Monday, January 29, 1990
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: The Passion According to Saint John, BWV 245

Sunday, December 31, 1989
Trinity Church, Boston; David Hoose, conductor
First Night Boston (two performances)
J.S. Bach: Concerto in A, for Oboe d’amore and Orchestra, BWV 1055b
J.S. Bach: Magnificat in D, BWV 243

Friday, November 10, 1989
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 26, “Ach wie flüchtig, ach wie nichtig”
John Harbison: The Flight Into Egypt
Robert Schumann: Requiem in D-flat, op. 148

Saturday, May 13, 1989
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Concerto in A, for Oboe d’amore and Orchestra, BWV 1055b
J.S. Bach: Cantata BWV 170, “Vergnügte Ruh, beliebte Seelenlust”
J.S. Bach: Lutheran Mass in A, BWV 234

Saturday, December 31, 1988
Trinity Church, Boston; David Hoose, conductor
First Night Boston (two performances)
J.S. Bach: Cantata BWV 21, “Ich hatte viel Bekümmernis”

Saturday, November 12, 1988
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 39, “Brich dem Hungrigen dein Brot”
Peter Child: Estrella: The Assassination of Augusto César Sandino
J.S. Bach: Cantata BWV 21, “Ich hatte viel Bekümmernis”

Friday, May 6, 1988
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Mass in B minor, BWV 232

Friday, January 22, 1988
Jordan Hall at NEC; Blanche Honegger Moyse, conductor
J.S. Bach: Cantata BWV 137, “Lobe den Herren, den mächtigen König der Ehren”
J.S. Bach: Cantata BWV 23, “Du wahrer Gott und Davids Sohn”
J.S. Bach: Cantata BWV 42, “Am abend aber desselbigen Sabbaths,” Sinfonia
J.S. Bach: Cantata BWV 34, “O ewiges Feuer, o ursprung der Liebe”

Wednesday, April 15, and Friday, April 17, 1987
Jordan Hall at NEC; David Hoose, conductor with Youth pro Musica, Roberta Humez, artistic director
J.S. Bach: The Passion According to Saint Matthew, BWV 244

Friday, November 21, 1986
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 140, “Wachet auf, ruft uns die Stimme”
John Harbison: The Flight Into Egypt
Heinrich Schütz: “Siehe, es erschein der Engel des Herren,” SWV 403, from Symphoniae sacrae III
Heinrich Schütz: “Auf dem Gebirge hat man ein Geschrei gehöret,” SWV 396, from Geistliche Chormusik 1648
Heinrich Schütz: “Das ist je gewisslich wahr,” SWV 388, from Geistliche Chormusik 1648
Heinrich Schütz: “Mein Sohn, warum hast du uns das getan?” SWV 401, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 64, “Sehet, welch eine Liebe”

Wednesday, March 5, 1986
Sanders Theatre, Harvard University; David Hoose, conductor
J.S. Bach: Motet BWV 229, “Komm, Jesu, komm”
Anton Webern: Kantate Nr. 1, op. 29
J.S. Bach: Cantata BWV 93, “Wer nur den lieben Gott lässt walten”
J.S. Bach, orch. Anton Webern: “Fuga (Ricercata a 6 voci),” from The Musical Offering, BWV 1079
Anton Webern: Kantate Nr. 1, op. 29
J.S. Bach: Cantata BWV 60, “O Ewigkeit, du Donnerwort”

Wednesday, November 7, 1984
Sanders Theatre, Harvard University; David Hoose, conductor
J.S. Bach: Cantata BWV 29, “Wir danken dir, Gott, wir danken dir”
J.S. Bach: Cantata BWV 14, “Wär Gott nicht mit uns diese Zeit”
Arnold Schoenberg: Friede auf Erden, op. 13
J.S. Bach: Cantata BWV 11, “Lobet Gott in seinen Reichen” (Ascension Oratorio)

Wednesday, May 2, 1984
Sanders Theatre, Harvard University; David Hoose, conductor with the Harvard Memorial Church Choir,
John Ferris, music director Christoph Demantius: Weissagung des Leidens und Sterbens Jesu Christi J.S. Bach: Cantata BWV 105, “Herr, gehe nicht ins Gericht” Seymour Shifrin: Cantata to the Text of Sophoclean Choruses

Thursday, November 17, 1983 and Friday, November 18, 1983
(November 17) First Baptist Church; David Hoose, conductor
(November 18) Sanders Theatre, Harvard University; David Hoose, conductor
J.H. Schein: “Von Himmel hoch,” from Opella nova
J.S. Bach: Cantata BWV 77, “Du sollt Gott, deinen Herren lieben”
Heinrich Schütz: Motet SWV 450, “Ach Herr, du Schöpfer aller Ding”
J.S. Bach: Cantata BWV 126, “Erhalt uns, Herr bei deinem Wort”
Heinrich Schütz: “Verleih uns Frieden genädiglich,” SWV 372, from Geistliche Chormusik 1648
J.S. Bach: Cantata BWV 80, “Ein’ feste Burg ist unser Gott”

Wednesday, April 27, 1983
Sanders Theatre, Harvard University; David Hoose, conductor
J.S. Bach: Cantata BWV 179, “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”
Heinrich Schütz: Psalmus 137, “An den Wassern zu Babel,” SWV 37, from Psalmen Davids 1619
Arnold Schoenberg: Psalm 130, De profundis, op. 50b
Heinrich Schütz: “Es ging ein Sämann aus,” SWV 408, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 180, “Schmücke dich, o liebe Seele”

Wednesday, November 17, 1982
Sanders Theatre, Harvard University; David Hoose, conductor
Josquin Desprez: “Nymphes des bois,” La déploration de Johan. Ockeghem
Guillaume Dufay: Nuper rosarum flores
Heinrich Isaac: “Vos Michael, Gabriel, Raphael,” from Kaisermotette
Heinrich Schütz: Psalmus 136, “Danket dem Herren,” SWV 45, from Psalmen Davids 1619
J.S. Bach: Cantata BWV 195a, “Dem Gerechten muss das Licht”

Wednesday, May 5, 1982
Sanders Theatre, Harvard University; Craig Smith, conductor
Heinrich Schütz: Psalm 6, “Ach, Herr, straf mich nicht,” SWV 24, from Psalmen Davids 1619
Christoph Demantius: Es ward eine Stille in dem Himmel
J.H. Schein: “Maria, gegruessest seist du, Holdselige,” from Opella nova
Max Reger: “Meinem Jesum lass ich nicht,” from Choralkantate, Nr. 4
J.S. Bach: Cantata BWV 37, “Wer da glaubet und getauft wird”
J.S. Bach: Cantata BWV 3, “Ach Gott, wie manches Herzeleid”
J.H. Schein: “Komm, heiliger Geist,” from Opella nova
J.H. Schein: “Da Jacob vollendet hatte,” from Israelsbrünnlein
Heinrich Schütz: Psalm 127, “Wo der Herr nicht das Haus bauet,” SWV 400, from Symphoniae sacrae III
Heinrich Schütz: Psalm 150, “Alleluia! Lobet den Herren,” SWV 38, from Psalmen Davids 1619

Wednesday, December 2, 1981
Sanders Theatre, Harvard University; John Harbison, conductor
Giovanni Gabrieli: O Jesu mi dulcissime
Giovanni Gabrieli: “Salvator noster,” from Symphoniae sacrae II
Igor Stravinsky: Mass
Heinrich Schütz: “Seid barmherzig,” SWV 409, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 23, “Du wahrer Gott und Davids Sohn”

Wednesday, November 12, 1980
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 79, “Gott der Herr ist Sonn und Schild”
Heinrich Schütz: Psalm 116, “Das ist mir lieb,” SWV 51
David Chaitkin: Seasons Such as These
J.S. Bach: Cantata BWV 78, “Jesu, der du meine Seele”

Wednesday, April 30, 1980
Sanders Theatre, Harvard University; David Hoose, conductor
Arnold Schoenberg: Schein uns, du liebe Sonne
Hugo Wolf: “Einkehr,” “Resignation,” “Letzte bitte,” and “Ergebung,” from Sechs geistliche Lieder
Arnold Schoenberg: Dreimal tausend Jahre, op. 50a
Heinrich Schütz: SWV 65, “Heu mihi, Domini,” from Cantiones sacrae 1625
Heinrich Schütz: SWV 55, “Deus misereatur nostri,” from Cantiones sacrae 1625
Heinrich Schütz: SWV 81, “Cantate Domino canticum novum,” from Cantiones sacrae 1625
J.S. Bach: Cantata BWV 76, “Die Himmel erzählen die Ehre Gottes

Wednesday, February 27, 1980
St. Paul’s Church, Cambridge, MA; John Ferris, conductor
William Byrd: Laudibus in Sanctis
Giovanni da Palestrina: “Tota pulchra es,” from Canticum canticorum
Giovanni da Palestrina: “Vulnerasti cor meum,” from Canticum canticorum
Giovanni da Palestrina: “Vox dilecti mei,” from Canticum canticorum
Giovanni da Palestrina: “Surge, propera amica mea,” from Canticum canticorum
Thomas Tallis: Spem in Alium, motet in forty parts
J.S. Bach: Motet BWV 227, “Jesu, meine Freude”

Saturday, December 1, and Sunday December 2, 1979 J.S. Bach: Mass in B minor, BWV 232

Saturday, March 3, and Sunday March 4, 1979
Sanders Theatre, Harvard University; John Ferris, conductor
J.S. Bach: The Passion According to Saint John, BWV 245

Wednesday, November 29, 1978
Sanders Theatre, Harvard University; John Ferris, conductor
Heinrich Schütz: Magnificat anima mea, SWV 468
J.S. Bach: Motet BWV 229, “Komm, Jesu, komm”
Heinrich Schütz: Weinachtshistorie, SWV 435

Saturday, November 18, 1978
Harvard Unitarian Church; John Ferris, conductor
Sethus Calvisius: Unser Leben währet siebzig Jahr
J.H. Schein: “Zion spricht: der Herr hat mich verlassen,” from Israelsbrünnlein
J.H. Schein: “O Amarilli zart,” from Diletti pastorale, Hirtenlust
J.H. Schein: “Mein Schifflein lief im wilden Meer,” from Diletti pastorale, Hirtenlust
J.S. Bach: Motet BWV 229, “Komm, Jesu, komm”
Johannes Brahms: “O Heiland, reiss die Himmel auf,” op. 74, no. 2
Heinrich Schütz: “Magnificat anima mea,” SWV 468

Wednesday, May 10, 1978
Sanders Theatre, Harvard University; John Ferris, conductor
Sethus Calvisius: Gloria in excelsis Deo
Sethus Calvisius: Unser Leben währet siebzig Jahr
J.H. Schein: “Vater unser im Himmelreich,” from Opella nova
J.H. Schein: “Zion spricht: der Herr hat mich verlassen,” from Israelsbrünnlein
Johann Kuhnau: Suonata quarta
Johann Kuhnau: “Hiskie agonizzante e risanato,” from Biblischer Historien
Johann Kuhnau: Motet, “Tristis est anima mea”
J.H. Schein: “Ein feste Burg ist unser Gott,” from Opella nova
J.H. Schein: “Die mit Tränen säen,” from Israelsbrünnlein
J.H. Schein: Psalm 150, from Jubilate
J.H. Schein: “O Amarilli zart,” from Diletti pastorale, Hirtenlust
J.H. Schein: “Mein Schifflein lief im wilden Meer,” from Diletti pastorale, Hirtenlust
J.S. Bach: Cantata BWV 150, “Nach dir, Herr, verlanget mich”

Saturday, February 18, 1978
Colby-Sawyer College, New London, New Hampshire; John Ferris, conductor
Heinrich Schütz: Motets from Geistliche Chormusik 1648
Adrian Willaert: Missa mente tota
J.S. Bach: Motet BWV 225, “Singet dem Herrn ein neues Lied”
Johannes Brahms: O Heiland, reiss die Himmel auf, op. 74, no. 2
Robert Schumann: Vier doppelchörige Gesänge, op. 141

Tuesday, December 6, 1977
Sanders Theatre, Harvard University; John Ferris, conductor
J.S. Bach: Christmas Oratorio, BWV 248, Parts I, II, III and IV

Wednesday, May 11, 1977
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Concerto in C minor, for Violin and Oboe, BWV 1060
Billy Jim Layton: Three Dylan Thomas Poems
Felix Mendelssohn: Sechs Lieder im Freien zu singen, op. 59
J.S. Bach: Cantata BWV 21, “Ich hatte viel Bekümmernis”

Wednesday, February 16, 1977
Sanders Theatre, Harvard University; John Ferris, conductor
Thomas Tallis: Lamentations, Parts I and II
Johannes Brahms: Warum ist das Licht gegeben, op. 74, no. 1
J.S. Bach: Motet BWV 230, “Lobet den Herrn”

Thursday, December 2, 1976
Sanders Theatre, Harvard University; John Ferris, conductor
Claudio Monteverdi: Magnificat, from Selva morale e spirituale
J.S. Bach: Magnificat in D, BWV 243
J.S. Bach: Motet BWV 228, “Fürchte dich nicht”

Wednesday, May 19, 1976
Sanders Theatre, Harvard University; Iva Dee Hiatt, conductor
William Byrd: “Laudibus in Sanctis,” from Cantiones sacrae
William Byrd: “O magnum mysterium,” from Gradualia II
J.S. Bach: Cantata BWV 70, “Wachet, betet, seid bereit allezeit”
Henry Purcell: Hymn: Psalm 3, “Jehova, quam multi sunt hostes,” Z. 135
Henry Purcell: Come Ye Sons of Art, Z. 323
Henry Purcell: Evening Service in G minor, Z. 231

Sunday, March 7, and Wednesday, March 10, 1976
Cochran Chapel, Phillips Academy; John Ferris, conductor
Sanders Theatre, Harvard University; John Ferris, conductor
Heinrich Schütz: Psalm 8, “Herr, unser Herrscher,” SWV 28, from Psalmen Davids 1619
Heinrich Schütz: Motet SWV 339, “Ich beschwöre euch”
Heinrich Schütz: Motet SWV 453, “Freue dich des Weibes deiner Jugend”
J.S. Bach: Motet BWV 226, “Der Geist hilft unser Schwachheit auf”
Heinrich Schütz: “Herr, auf dich traue ich,” SWV 377, from Geistliche Chormusik 1648
Heinrich Schütz: “Ich weiss, dass mein Erlöser lebt,” SWV 393, from Geistliche Chormusik 1648
Heinrich Schütz: “Selig sind die Toten,” SWV 391, from Geistliche Chormusik 1648
J.S. Bach: Motet BWV 225, “Singet dem Herrn ein neues Lied”

Wednesday, November 19, and Thursday, November 20, 1975
Sanders Theatre, Harvard University; John Harbison, conductor with St. Paul’s Choir School, Theodore Marier, music director
J.S. Bach: The Passion according to Saint Matthew, BWV 244

Wednesday, May 7 1975
Sanders Theatre, Harvard University; Philip Kelsey, conductor
J.S. Bach: Cantata BWV 111, “Was mein Gott will, das g’scheh allzeit”
J.S. Bach: Motet BWV 227, “Jesu, meine Freude”
J.S. Bach: Cantata BWV 92, “Ich hab in Gottes Herz und Sinn”

Wednesday, February 12, 1975
Sanders Theatre, Harvard University; Philip Kelsey, conductor
Igor Stravinsky: Anthem, “The dove descending breaks the air”
J.S. Bach: Cantata BWV 23, “Du wahrer Gott und Davids Sohn”
J.S. Bach: Cantata BWV 22, “Jesus nahm zu sich die Zwölfe”
Igor Stravinsky: Cantata

Sunday, November 17, and Wednesday, November 20, 1974
Watson Auditorium, Wentworth Institute of Technology; Philip Kelsey, conductor
Sanders Theatre, Harvard University; Philip Kelsey, conductor
Dieterich Buxtehude: Cantata BuxWV 15, “Der Herr ist mit mir”
J.S. Bach: Cantata BWV 1, “Wie schön leuchtet der Morgenstern”
Dieterich Buxtehude: Cantata BuxWV 41, “Herzlich lieb hab ich dich, o Herr”
J.S. Bach: Cantata BWV 3, “Ach Gott, wie manches Herzeleid”

Wednesday, May 15, 1974
Sanders Theatre, Harvard University; Philip Kelsey, conductor
Claudio Monteverdi: Gloria a 7
Charles Ives: Psalm 90, “Lord, thou hast been our dwelling place”
Eliakim Doolittle: “Exhortation,” from The Psalm-Singer’s Companion, 1806
Justin Morgan: “Amanda,” from Federal Harmony, 1790
Supply Belcher: “Easter Anthem,” from The Harmony of Maine, 1794
J.S. Bach: Cantata BWV 146, “Wir müssen durch viel Trübsal”

Sunday, April 14, 1974
Isabella Stewart Gardner Museum; Philip Kelsey, conductor
Claudio Monteverdi: Gloria a 7
Heinrich Schütz: Psalm 84, “Wie lieblich sind deine”
Heinrich Schütz: Psalm 137, “An den Wassern zu Babel,” SWV 37
Heinrich Schütz: Three Early American Choral Pieces
Arnold Schoenberg: Dreimal tausend Jahre, op. 50a
J.S. Bach: Cantata BWV 77, “Du sollt Gott, deinen Herren, lieben”
Heinrich Schütz: Konzert, “Lobe den Herren, meine Seele,” SWV 30

Wednesday, February 20, 1974
Sanders Theatre, Harvard University; Philip Kelsey, conductor
Jan Pieterszoon Sweelinck: “Entends pourquoi je m’écrie,” from Livre second des Pseaumes de David
J.S. Bach: Cantata BWV 27, “Wer weiss, wie nahe mir mein Ende?”
Arnold Schoenberg: Dreimal tausend Jahre, op. 50a
J.P. Sweelinck: Psalm 135, “Chantez de Dieu le renom”
J.P. Sweelinck: Psalm 75, “O Seigneur loué sera ton renom”
J.P. Sweelinck: Psalm 90, “Tu as été, Seigneur”
J.S. Bach: Cantata BWV 125, “Mit Fried und Freud ich fahr dahin”

Wednesday, December 5, 1973
Sanders Theatre, Harvard University; Philip Kelsey, conductor
J.S. Bach: Cantata BWV 5, “Wo soll ich fliehen hin?”
Heinrich Schütz: Psalm 137, “An den Wassern zu Babel,” SWV 37, from Psalmen Davids 1619
Heinrich Schütz: Psalm 84, “Wie lieblich sind deine Wohnungen,” SWV 29, from Psalmen Davids 1619
J.S. Bach: Cantata BWV 77, “Du sollt Gott, deinen Herren, meine Seele”
Heinrich Schütz: Psalm 103, “Lobe den Herren, meine Seele,” SWV 39, from Psalmen Davids 1619

Wednesday, July 25, 1973
Jewett Arts Center, Wellesley College; Péter Erdei, conductor
J.S. Bach: Motet BWV 227, “Jesu, meine Freude”
Zoltán Kodály: Szép könyörgés
Antonio Lotti: Crucifixus
Heinrich Schütz: “Selig sind die Toten,” SWV 391, from Geistliche Chormusik 1648

Wednesday, May 9, 1973
Sanders Theatre, Harvard University; John Harbison, conductor
Josquin Desprez: De profundis
J.S. Bach: Cantata BWV 105, “Herr, gehe nicht ins Gericht”
Ruth Crawford-Seeger: Chant (1930) J.S. Bach: Cantata BWV 46, “Schauet doch und sehet”
Heinrich Schütz: “Herzlich lieb hab ich dich, o Herr,” SWV 387, from Geistliche Chormusik 1648

Wednesday, February 28, 1973
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 44, “Sie werden euch in den Bann thun”
John Harbison: Five Songs of Experience
J.S. Bach: Cantata BWV 7, “Christ unser Herr zum Jordan kam”

Sunday, December 10, 1972
Worcester Art Museum; John Harbison, conductor
Heinrich Schütz: Muskalisches exequien, op. 7, SWV 279-281
Josquin Desprez: “Nymphes des bois,” La déploration de Johan. Ockeghem
Orlando Gibbons: Fair is the Rose
J.S. Bach: Cantata BWV 41, “Jesu, nun sei gepreisit”
J.S. Bach: In dulci jubilo, BWV 729

Wednesday, November 15, 1972
Sanders Theatre, Harvard University; John Harbison, conductor
Heinrich Schütz: Muskalisches exequien, op. 7, SWV 279-281
J.S. Bach: Cantata BWV 101, “Nimm von uns, Herr”

Tuesday, June 13 and Friday, June 16, 1972
The Edward A. Hatch Memorial Shell; Michael Sasson, conductor
Part of Boston Bach Festival
J.S. Bach: Cantata 140, “Wachet auf, ruft uns die Stimme”
J.S. Bach: Cantata 10, “Meine Seel erhebt den Herren”
J.S. Bach: Cantata 79, “Gott der Herr ist Sonn und Schild”

Wednesday, January 26, 1972
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 39, “Brich dem Hungrigen dein Brot”
Heinrich Schütz: “Selig sind die Toten,” SWV 391, from Geistliche Chormusik 1648
Heinrich Schütz: Motet SWV 455, “Die Himmel erzählen die Ehre Gottes”
Arnold Schoenberg: Mond und Menschen, op. 27, no. 3
Heinrich Schütz: “Ich bin ein rechter Weinstock,” SWV 389, from Geistliche Chormusik 1648
J.S. Bach: Cantata BWV 180, “Schmücke dich, o liebe Seele”

Sunday, December 12, 1971
Currier Gallery of Art, Manchester, New Hampshire; John Harbison, conductor
G.F. Handel: Trumpet Voluntary
J.S. Bach: Motet BWV 229, “Komm, Jesu, komm”
John Harbison: Music for Mixed Chorus
Orlando Gibbons: Fair is the Rose
J.S. Bach: Two Christmas Chorales
Josquin Desprez: “Nymphes des bois,” La déploration de Johan. Ockeghem
J.S. Bach: Cantata BWV 157, “Ich lasse dich nicht”
Heinrich Schütz: “Nun danket alle Gott,” SWV 418, from Symphoniae sacrae III

Wednesday, November 10, 1971
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 48, “Ich elender Mensch”
J.S. Bach: Cantata BWV 109, “Ich glaube, lieber Herr”
Josquin Desprez: “Nymphes des bois,” La déploration de Johan. Ockeghem
J.S. Bach: Cantata BWV 140, “Wachet auf, ruft uns die Stimme”

Wednesday, October 28, 1970
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 102, “Ihr werdet weinen und heulen”
J.S. Bach: Cantata BWV 115, “Mach dich, mein Geist, bereit”
J.S. Bach: Cantata BWV 67, “Halt im Gedächtnis Jesum Christ!”

Wednesday, April 28, 1971
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Motet BWV 229, “Komm, Jesu, komm”
J.S. Bach: Cantata BWV 42, “Am Abend aber desselbigen Sabbats”
John Harbison: Music for Mixed Chorus
Orlando Gibbons: Fair is the Rose
J.S. Bach: Cantata BWV 47, “Wer sich selbst erhöhet der soll erniedriget werden”

Wednesday, January 20, 1971
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 20, “O Ewigkeit, du Donnerwort”
Heinrich Schütz: “Ist nicht Ephraim mein teurer Sohn,” SWV 40, from Psalmen Davids 1619
Heinrich Schütz: “Nich uns, Herr,” SWV 43, from Psalmen Davids 1619
J.S. Bach: Cantata BWV 10, “Meine Seel’ erhebt den Herren”

Saturday, November 15, 1969
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 161, “Komm, du süsse Todesstunde”
J.S. Bach: Cantata BWV 17, “Wer Dank opfert, der preiset mich”
J.S. Bach: Cantata BWV 127, “Herr Jesu Christ, wah’r Mensch und Gott”

Saturday, May 9, 1970
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 116, “Du Friedenfürst, Herr Jesu Christ”
Heinrich Schütz: “Komm, heiliger Geist,” SWV 417, from Symphoniae sacrae III
Heinrich Schütz: “Nun danket alle Gott,” SWV 418, from Symphoniae sacrae III
Anton Webern: Two Goethe Songs, from Drei Lieder, op. 18, and Zwei Lieder, op. 19
J.S. Bach: Cantata BWV 95, “Christus, der ist mein Leben”

Monday, August 4, 1969
Sanders Theatre, Harvard University; Leon Kirchner, conductor
Concert by the Boston Philharmonia, joined by Cantata Singers for one piece
J.S. Bach: Cantata BWV 11, “Lobet Gott in seinen Reichen” (Ascension Oratorio)

Saturday, April 26, 1969
Sanders Theatre, Harvard University; Richard P. Kapp, conductor
J.S. Bach: Cantata BWV 150, “Nach dir, Herr, verlanget mich”
Carlo Gesualdo, completed by Igor Stravinsky: Three Sacred Songs
J.S. Bach: Cantata BWV 147, “Herz und Mund und Tat und Leben”

Friday, February 14, 1969
Sanders Theatre, Harvard University; Richard P. Kapp, conductor
J.S. Bach: Cantata BWV 102, “Herr, deine Augen sehen nach dem Glauben”
Frank Martin: “Le philtre,” from Le vin herbé
J.S. Bach: Lutheran Mass in G minor, BWV 235

Saturday, November 9, 1968
Sanders Theatre, Harvard University; Richard P. Kapp, conductor
Henry Purcell: Christmas Anthem
J.S. Bach: Cantata BWV 26, “Ach wie flüchtig, ach wie nichtig”
Frank Martin: Ballade for Flute and Orchestra
J.S. Bach: Cantata BWV 80, “Ein feste Burg ist unser Gott”

Saturday, May 4, 1968
Sanders Theatre, Harvard University; G. Wallace Woodworth, conductor
J.S. Bach: Cantata BWV 79, “Gott der Herr ist Sonn’ und Schild”
Giovanni Gabrieli: “O Jesu mi dulcissime,” from Symphoniae sacrae II
Claudio Monteverdi: “Ohime, se tanto amate,” from Il quarto libro de madrigali a cinque voci
J.S. Bach: Cantata BWV 11, “Lobet Gott in seinen Reichen” (Ascension Oratorio)

Monday, February 12, 1968
Memorial Church, Harvard University; Leon Kirchner, conductor
J.S. Bach: Motet BWV 402, “O Mensch, bewein’ dein’ Sünde gross”
J.S. Bach: Aria from Cantata BWV 6: “Ach bleib bei uns, Herr Jesu Christ”
J.S. Bach: Aria from Cantata BWV 85: “Seht, was die Liebe tut”
J.S. Bach: Aria from Cantata BWV 82: “Schlummert ein, ihr matten Augen”
J.S. Bach: Aria from Cantata BWV 85: “Jesus ist ein guter Hirt”
J.S. Bach: Aria from Cantata BWV 106, “Gottes Zeit ist die allerbeste Zeit”
Johannes Brahms: Chorale Prelude, “Mein Jesu, dir du mich,” op. 122, no. 1

Friday, February 9, 1968
Sanders Theatre, Harvard University; Leon Kirchner, conductor
J.S. Bach: Cantata BWV 105, “Herr, gehe nicht ins Gericht”
J.S. Bach: Cantata BWV 106, “Gottes Zeit ist die allerbeste Zeit”
J.S. Bach: Cantata BWV 34, “O ewiges Feuer, o Ursprung der Liebe”

Sunday, December 10, 1967
Currier Gallery of Art, Manchester, New Hampshire; Leo Collins, conductor
J.S. Bach: Cantata BWV 196, “Derr Herr denket an uns”
J.S. Bach: Cantata BWV 53, “Schlage doch, gewünschte Stunde”
G.F. Handel: Trio Sonata in G minor, for Two Violins and Continuo, op. 2, no. 8
J.S. Bach: Cantata BWV 61, “Nun komm, der Heiden Heiland”

Friday, December 8, 1967
deCordova Museum, Lincoln, Massachusetts; Leo Collins, conductor
J.S. Bach: Cantata BWV 196, “Derr Herr denket an uns”
J.S. Bach: Cantata BWV 84, “Ich bin vergnugt”
J.S. Bach: Cantata BWV 82, “Ich habe genug”
J.S. Bach: Cantata BWV 61, “Nun komm, der Heiden Heiland”

Saturday, November 18, 1967
Sanders Theatre, Harvard University; Leo Collins, conductor
J.S. Bach: Cantata BWV 196, “Derr Herr denket an uns”
J.S. Bach: Cantata BWV 33, “Allein zu dir, Herr Jesu Christ”
J.S. Bach: Cantata BWV 61, “Nun komm, der Heiden Heiland”

Saturday, November 11, 1967
Rapaporte Treasure Hall, Brandeis University; Leo Collins, conductor
J.S. Bach: Cantata BWV 196, “Derr Herr denket an uns”
J.S. Bach: Cantata BWV 53, “Schlage doch, gewünschte Stunde”
J.S. Bach: Cantata BWV 61, “Nun komm, der Heiden Heiland”

Saturday, April 15, 1967
Sanders Theatre, Harvard University; Leo Collins, conductor
J.S. Bach: Cantata BWV 6, “Bleib bei uns, denn es will Abend werden”
J.S. Bach: Cantata BWV 131, “Aus der Tiefe rufe ich, Herr, zu dir”
J.S. Bach: Cantata BWV 140, “Wachet auf, ruft uns die Stimme”

Saturday, February 11, 1967
Sanders Theatre, Harvard University; Leo Collins, conductor
J.S. Bach: Cantata BWV 85, “Ich bin ein guter Hirt”
J.S. Bach: Cantata BWV 167, “Ihr Menschen, rühmet Gottes Liebe”
J.S. Bach: Cantata BWV 196, “Derr Herr denket an uns”
J.S. Bach: Motet BWV 229, “Komm, Jesu, Komm”

Sunday, December 11, 1966
Currier Gallery of Art, Manchester, New Hampshire; Leo Collins, conductor
J.S. Bach: Cantata BWV 36, “Schwingt freudig euch empor”
J.S. Bach: Cantata BWV 167, “Ihr Menschen, rühmet Gottes Liebe”

Saturday, November 5, 1966
Sanders Theatre, Harvard University; Leo Collins, conductor
J.S. Bach: Cantata BWV 10, “Meine Seel’ erhebt den Herrn”
J.S. Bach: Cantata BWV 36, “Schwingt freudig euch empor”
J.S. Bach: Cantata BWV 132, “Bereitet die Wege, bereitet die Bahn!”

Sunday, October 16, 1966
Isabella Stewart Gardner Museum; Leo Collins, conductor
J.S. Bach: Cantata BWV 85, “Ich bin ein guter Hirt”
J.S. Bach: Cantata BWV 132, “Bereitet die Wege, bereitet die Bahn!”
J.S. Bach: Cantata BWV 167, “Ihr Menschen, rühmet Gottes Liebe”

Wednesday, May 25, 1966
Busch-Reisinger Museum, Harvard University; Leo Collins, conductor
J.S. Bach: Cantata BWV 4, “Christ lag in Todesbanden”
J.S. Bach: Motet BWV 225, “Singet dem Herrn ein neues Lied”

Saturday, March 19, 1966
Sanders Theatre, Harvard University; Leo Collins, conductor
J.S. Bach: Cantata BWV 10, “Meine Seel’ erhebt den Herren”
J.S. Bach: Cantata BWV 12, “Weinen, Klagen, Sorgen, Zagen”
J.S. Bach: Cantata BWV 56, “Ich will den Kreuzstab gerne tragen”

Saturday, February 12, 1966
Kresge Auditorium, MIT; Leo Collins, conductor
J.S. Bach: Cantata BWV 64, “Sehet, welch eine Liebe”
J.S. Bach: Cantata BWV 70, “Wachet, betet, seid bereit allezeit”
J.S. Bach: Motet BWV 225, “Singet dem Herrn ein neues Lied”

Saturday, November 20, 1965
Sanders Theatre, Harvard University; Leo Collins, conductor
J.S. Bach: Cantata BWV 72, “Alles nur nach Gottes Willen”
J.S. Bach: Cantata BWV 78, “Jesu, der du meine Seele”
J.S. Bach: Cantata BWV 93, “Wer nur den lieben Gott lässt walten”

Saturday, October 23, 1965
Rapaporte Treasure Hall, Brandeis University; Leo Collins, conductor
J.S. Bach: Cantata BWV 72, “Alles nur nach Gottes Willen”
J.S. Bach: Cantata BWV 78, “Jesu, der du meine Seele”
J.S. Bach: Cantata BWV 93, “Wer nur den lieben Gott lässt walten”

Wednesday, May 19, 1965
Lucy Wheelock Memorial Auditorium, Wheelock College; Leo Collins, conductor
J.S. Bach: Cantata BWV 118, “O Jesu Christ, mein’s Lebens Licht”
J.S. Bach: Cantata BWV 4, “Christ lag in Todesbanden”
J.S. Bach: Cantata BWV 21, “Ich hatte viel Bekümmernis”

Sunday, January 16, 1965
First Church in Boston; Leo Collins, conductor
J.S. Bach: Cantata BWV 41, “Jesu, nun sei gepreiset”
J.S. Bach: Cantata BWV 65, “Sie werden aus Saba alle kommen”
J.S. Bach: Cantata BWV 170, “Vergnügte Ruh, beliebte Seelenlust”
J.S. Bach: Cantata BWV 207a, “Auf, schmetternde Töne der muntern Trompeten”

Sunday, November 15, 1964
First Church in Boston; Leo Collins, conductor
J.S. Bach: Cantata BWV 131, “Aus der Tiefe rufe ich, Herr, zu dir”
J.S. Bach: Cantata BWV 82, “Ich habe genug”
J.S. Bach: Cantata BWV 72, “Alles nur nach Gottes Willen”

Programs that have included the works of Ludwig van Beethoven:

Friday, March 20, 2015
Jordan Hall at NEC; David Hoose, conductor
Ludwig van Beethoven: Elegischer Gesang, op. 118
Franz Joseph Haydn: Symphony No. 86 in D Major
Wolfgang Amadeus Mozart: Great Mass in C minor, K. 427/417a
Program Notes

Friday, March 13, 2009
Jordan Hall at NEC; David Hoose, conductor
Ludwig van Beethoven: Mass in C, op. 86
Benjamin Britten: Suite from Death in Venice, op. 88a
Gerald Finzi: Lo, the Full, Final Sacrifice, op. 26

Sunday, November 14, 2004
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
Carl Friedrich Zelter: “Der König in Thule”
Hugo Wolf: “Erstes Liebeslied eines Mädchens”
Ferruccio Busoni: “Lied des Brander”
Franz Schubert: “Die Spinnerin,” “Gretchen am Spinnrade”
Ludwig van Beethoven: “Wonne der Wehmut”
Hugo Wolf: “Das verlassene Mägdlein”
Richard Wagner: “Melodram Gretchens”
Carl Loewe: “Scene aus Faust”
Franz Schubert: “Scene aus Faust,” “Die Mutter Erde”
Ludwig van Beethoven: “Busslied”
Hugo Wolf: “Seufzer”
Franz Schubert: “Verklärung”
Ludwig van Beethoven: “Aus Goethes Faust”
Feliz Mendelssohn: “Hexenlied”
Carl Loewe: “Wenn der Blüthen Frühlingsregen”
Franz Schubert: “Abendbilder”
Hugo Wolf: Mühvoll komm›ich und beladen”

Sunday, December 8, 2002
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Ludwig van Beethoven: “Sweet Power of Song”
W.A. Mozart: “Komm, liebe Zither, komm”
F.J. Haydn: “O Tuneful Voice,” “The Sailor’s Song,” “The Mermaid’s Song,” “Arianna a Naxos”
W.A. Mozart: “Abendempfindung”
Ludwig van Beethoven: “Vom Tode”
F.J. Haydn: “Abendlied zu Gott”
W.A. Mozart: “Als Luise die Briefe”
Ludwig van Beethoven: “Constancy”
W.A. Mozart: “An Chloë”
Ludwig van Beethoven: “Der Kuss”
F.J. Haydn: “Alles hat seine Zeit”
Ludwig van Beethoven: “Wonne der Wehmut”
F.J. Haydn: “Lob der Faulheit”
Ludwig van Beethoven: “Aus Goethes Faust”
F.J. Haydn: “Der Beredsamkeit”

Sunday, April 14, 2002
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Gerald Finzi: “Farewell to Arms”
Ludwig van Beethoven: “Die Liebe des Nächsten”
Robert Schumann: “Die beiden Grenadiere”
Hugo Wolf: “Nun lass uns Frieden schliessen”
Ludwig van Beethoven: “Der freie Mann”
Hugo Wolf: “Ihr junge Leute”
Gustav Mahler: “Der Tambourg’sell”
Robert Schumann: “Requiem”
trad. “The Minstrel Boy”
trad. “Dear Harp of my Country”
trad. “The Bonney Earl o’Moray”
trad. “Avenging and Bright”
Stephen Foster: “We Are Coming, Father Abraham”
Lee Hoiby: “I Was There”
Charles Ives: “Duty/Vita”
Lee Hoiby: “Willie Has Gone to the War”
Songs of Charles Ives
“Joy, Shipmate, Joy”
“Ilmenau”
“In Flanders fields”
“Where the Eagle”
“Tom Sails Away”
“Autumn”
“He is there!”

Friday, November 9, and Sunday, November 11, 2001
Jordan Hall at NEC; David Hoose, conductor
Ludwig van Beethoven: Missa solemnis, op. 123

Friday, January 20, and Sunday, January 22, 1995
Jordan Hall at NEC; David Hoose, conductor
Ludwig van Beethoven: Missa solemnis, op. 123

Friday, May 14, 1993
Jordan Hall at NEC; David Hoose, conductor
Ludwig van Beethoven: Mass in C, op. 86
Richard Strauss: Metamorphosen, for 23 Solo Strings
Robert Schumann: Nachtlied, op. 108
Ludwig van Beethoven: Opferlied, op. 121b

Friday, January 22, 1993
Jordan Hall at NEC; David Hoose, conductor
Franz Joseph Haydn: Mass No. 11 in D minor, Missa in Angustiis (“Lord Nelson“)
Charles Fussell: Specimen Days
Ludwig van Beethoven: Elegischer Gesang, op. 118

Programs that have included the works of Supply Belcher:

Monday, June 2 1975
Old North Church; Philip Kelsey, conductor
Landmark Concert, Boston Bicentenniel Celebration
Eliakim Doolittle: “Exhortation,” from The Psalm-Singer’s Companion, 1806
Justin Morgan: “Amanda,” from Federal Harmony, 1790
Supply Belcher: “Easter Anthem”, from The Harmony of Maine, 1794
Charles Ives: Psalm 90, “Lord, thou hast been our dwelling place”

Wednesday, May 15, 1974
Sanders Theatre, Harvard University; Philip Kelsey, conductor
Claudio Monteverdi: Gloria a 7
Charles Ives: Psalm 90, “Lord, thou hast been our dwelling place”
Eliakim Doolittle: “Exhortation,” from The Psalm-Singer’s Companion, 1806
Justin Morgan: “Amanda,” from Federal Harmony, 1790
Supply Belcher: “Easter Anthem,” from The Harmony of Maine, 1794
J.S. Bach: Cantata BWV 146, “Wir müssen durch viel Trübsal”

Programs that have included the works of Leonard Bernstein:

Wednesday, June 25, and Thursday, June 26, 2014
Church of the Covenant, Boston; David Hoose, conductor
performed for the American Guild of Organists annual convention
Charles Ives: Psalm 90
Betty Olivero: Lo Ira Ra
Leonard Bernstein: Chichester Psalms

Friday, May 13, 2011
First Church Congregational, Cambridge; David Hoose, conductor
Leonard Bernstein: Chichester Psalms
Herbert Howells: Take Him, Earth, for Cherishing
Ralph Vaughan Williams: Mass in G minor
Charles Ives: Psalm 90

Sunday, December 10, 2000
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
George Gershwin: “They can’t take that away from me”
Aaron Copland: Vocalise
Arnold Schoenberg: “Der genüngsamer Liebhaber”
Kurt Weill: “Je ne t’aime pas,” ”Schickelgrüber”
Marc Blitzstein: “Displaced”
Arnold Schoenberg: “Gigerlette”
Kurt Weill: “Surabaya Johnny”
Marc Blitstein: “The New Suit (Zipperfly),” “Jimmy’s Got a Goil”
George Gershwin: “Our love is here to stay”
Leonard Bernstein: Arias and Barcarolles, I-VIII

Programs that have included the works of Ralph Blane:

Saturday, December 15, 2007
Cantata Singers Chamber Series, Allison Voth, music director
Isabella Stewart Gardner Museum, Boston
trad. (English): “Here We Come A-Wassailing”
trad. (German): “Lo, How a Rose E're Blooming”
trad.: Coventry Carol, from The Pageant of Shearmen and Tailors trad. (English): “I Saw Three Ships”
Tomás Luis de Victoria: O magnum mysterium
Heinrich Schütz: “Die Hirten auf dem Felde,” from Weihnachtshistorie
trad. (English): “God Rest Ye Merry Gentlemen”
Franz Gruber: “Silent Night”
trad. (Catalonian): “Foom! Foom! Foom!”
trad. (Hannakah), arr. Joseph Ness: “Mi Ze Hidlik, Mi Y'malel,” “Oy Chanukah, S'vivon”
Javier Busto: “Kuttun Kantak”
Fr. St. Jean Brefeuf: The Huron Carol
trad. (Hungarian): Sleigh Song
James Lord Pierpont: “Jingle Bells”
Ralph Blane: “Have Yourself a Merry Little Christmas”
trad. (French melody): “Ding Dong Merrily on High”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
trad. (English): “We Wish You a Merry Christmas”

Programs that have included the works of Paul Bowles:

Sunday, March 4, 2007
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
Songs by Ivor Gurney
“Walking Song”
“Severn Meadows”
“Twa Corbies”
“The Night of Trafalgar”
“Thou Didst Delight My Eyes”
“Cathleen ni Houlihan”
“Most Holy Night”
Songs by Virgil Thomson
“My Shepherd Will Supply My Need”
“The Divine Image”
“Tiger! Tiger!”
“A Prayer to Saint Catherine”
“The Owl and the Pussy Cat”
Songs by Ned Rorem
“The Subway,” from Four Dialogues
“Absalom”
“I am Rose”
“Early in the Morning”
“I Am He That Aches with Love”
“Love Cannot Fill”
“How Do I Love Thee?”
“Life in a Love”
Songs by Paul Bowles
“Creole Song”
“Farther from the Heart”
“My Sister's Hand in Mine”
“It's Sunday,” “The Sunday Paper,” “This Other Man,” “Birds, Birds, Birds,” “Good-Bye,” from Picnic Cantata

Sunday, February 9, 2003
Cantata Singers Chamber Series, Kayo Iwama, music director
Media Arts Center, Roxbury Community College
Franz Schubert: “Das Wandern”
trad. “O Waly, Waly”
Ernest Chausson: “Sérénade Italienne”
Robert Schumann: “Im Rhein, im heiligen Strome”
Ned Rorem: “The Lordly Hudson”
Franz Schubert: Marche Militaire, in D Major
Ralph Vaughan Williams: “The Vagabond”
Paul Bowles: “Heavenly Grass”
Samuel Barber: “St. Patrick’s Purgatory”
Charles Ives: “The World’s Highway”
Richard Hundley: “Will There Really Be a Morning?”
Lee Hoiby: “The Saints”
Douglas Townsend: Fantasy on “Follow the Drinking Gourd”
John Andrew Ross: “Give Me the Wings of Faith”
Aaron Copland: “Simple Gifts,” “At the River,” “Ching-A-Ring-Chaw”

Programs that have included the works of Johannes Brahms:

Friday, April 1, 2016
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Ricercar, from the Musical Offering, orch. by Anton Webern
J.S. Bach: Cantata BWV 60, “O Ewigkeit, du Donnerwort”—Dialogue between Hope and Fear
Anton Webern: Five Movements for String Orchestra, op. 5
Johannes Brahms: Ein deutsches Requiem
Program Notes

Tuesday, March 31, 2016
American Academy of Arts and Sciences; Allison Voth, director
Felix Mendelssohn: Duet, from Lobgesang
Fanny Mendelssohn: Songs, op. 7
Johannes Brahms: Trio in A minor, for Piano, Clarinet, and Cello
Felix Mendelssohn: Duets, op. 63
Johannes Brahms: Two Songs for Alto, Viola, and Piano
Fanny Mendelssohn: Duets, op. 63
Johannes Brahms: Neue Liebeslieder, for Vocal Quartet and Piano
Program Notes

Saturday, October 10, 2015
Jordan Hall at NEC; Joseph Flummerfelt, guest conductor
Tomás Luis de Victoria: O vos omnes
Pablo Casals: O vos omnes
Peter Maxwell Davies: The Lord’s Prayer
Maurice Duruflé: Notre père
Igor Stravinsky: Pater noster
Giuseppe Verdi: Ave Maria
Benjamin Britten: The Evening Primrose, from Flower Songs
Irving Fine: The Hourglass, from The Hourglass
Samuel Barber: The Coolin’, from Reincarnations
Aaron Copland: Long time Ago; At the River; The Promise of Living, from The Tender Land
Johannes Brahms: Liebeslieder Walzer, op. 52; Neue Liebeslieder Waltzer, zum schluss

Sunday, March 18, 2012
Jordan Hall at NEC; David Hoose, conductor
Johannes Brahms: Warum ist das Licht gegeben dem Mühseligen, op. 74, no. 1
Franz Liszt, orch. David Hoose: Via crucis – The 14 Stations of the Cross
Christoph Demantius: Weissagung des Leidens und Sterbens Jesu Christi
J.S. Bach: Cantata BWV 4, “Christ lag in Todesbanden”

Friday, March 14, and Sunday, March 16, 2008
Jordan Hall at NEC; David Hoose, conductor
Ferruccio Busoni: Berceuse élégiaque
Kurt Weill: Concerto for Violin and Wind Instruments, op. 12
Johannes Brahms: Ein deutches Requiem, op. 45

Sunday, December 10, 2006
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
George F. Root: “The Battle Cry of Freedom”
Anon: “The Why and the Wherefore”
George F. Root: “The Vacant Chair”
Robert Schumann: “Die Beiden Grenadiere,” op. 49, no. 1,”Die Hochländer-Witwe,” op. 25, no. 14
Johannes Brahms: “Auf dem Kirchhofe,” op. 105, no. 4
Modest Mussorgsky: “Commander-in-Chief”
Sergei Rachmaninoff: “The Little Island,” op. 14, no. 12
Joseph Ness: “Linie Wie,” “Vi Asoy”
trad: “Eli, Eli”
Ivor Gurney: “Black Stitchel”
Denis W. Browne and W. Denis: “The Isle of Lost Dreams”
Ivor Gurney: “Blaweary”
Denis W. Browne and W. Denis: “To Gratiana Dancing and Singing”
Gerald Finzi: “Farewell to Arms,” op. 9
Hughie Prince: “Boogie Woogie Bugle Boy”
Sam H. Stept and Charlie Tobias: “Don't Sit Under the Apple Tree”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
Francis Poulenc: “C,” “Bleuet,” “Le Disparu,” “Priez pour paix”
Kurt Weill: “Beat! Beat! Drums!” “O Captain! My Captain!”
Paul Hindemith: “Sing on there in the Swamp”
Ned Rorem: “An Incident,” “Inauguration Ball”
Lee Hoiby: “Private First Class Jesse Givens”
Francis Poulenc: “Lune”

Sunday, December 11, 2005
Cantata Singers Chamber Series; Kayo Iwama, music director
Isabella Stewart Gardner Museum, Boston
Benjamin Britten: "At Day-Close in November"
Johannes Brahms: "Spätherbst," "Auf dem Kirchhofe"
Ralph Vaughan Williams: "When Icicles Hang by the Wall"
Roger Quilter: "Blow, blow thou Winter Wind"
Hugo Wolf: "Schlafendes Jesuskind," "Auf ein altes Bild"
Peter Warlock: "Balulalow"
Johannes Brahms: Zwei Gesänge, for Alto, Viola, and Piano
Hugo Wolf: "Nun wandre, Maria"
Johannes Brahms: "Maria ging aus wandern"
Hugo Wolf: "Führ mich, Kind, nach Bethlehem," "Epiphanias"
Hugo Wolf: "Auf eine Christblume" I and II
Ralph Vaughan Williams: from Folk Songs of the Four Seasons "Children's Christmas Song" "Wassail Song" "In Bethlehem City" "God Bless the Master"
John Rutter: "What Sweeter Music"

Sunday, April 10, 2005
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Johannes Brahms: Waltzes, op.39
Johannes Brahms: Neue Liebeslieder Walzer, op. 65
Francis Poulenc: "Les chemins de l'amour" (Valse chantée)
Francis Poulenc: Waltz in C
Cole Porter: "Just one of those things"
John Greer: "Liebesleid-Lieder"

Sunday, February 6, 2005
Cantata Singers Chamber Series, Kayo Iwama, music director
Mainstage Auditorium, Roxbury Community College
Robert Schumann: "Von fremden Ländern und Menschen"
Johannes Brahms: "Der bucklichte Fiedler"
Charles Wakefield Cadman: "Far Off I Hear the Lover's Flute"
Manuel de Falla: "Asturiana"
Joaquín Rodrigo: "De los álamos vengo, madre"
Ralph Vaughan Williams: "Sprig of Thyme"
Ralph Vaughan Williams: "Whither Must I Wander?"
Benjamin Britten: "O Waly, Waly"
George Chadwick: "The Lark that Sang"
trad: "The little horses"
trad: "Steal away"
trad: "I got shoes"
Maurice Ravel: Chanson hébraïque
M. Warshawsky: "Oifn pripitchok"
trad: "Tumbalalaika"

Friday, May 10, and Sunday, May 12, 2002
Jordan Hall at NEC; David Hoose, conductor
Johannes Brahms: O Heiland reiss die Himmel auf, op. 74, no. 2
John Harbison: Emerson
Heinrich Schütz: “Es ging ein Sämann aus, zu säen seinen Samen,” SWV 408, from Symphoniae Sacrae III
J.S. Bach: Cantata BWV 80, “Ein feste Burg ist unser Gott”

Sunday, December 2, 2001
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Benjamin Britten: “Let the Florid Music Praise,” “At the Railway Station, Upway”
Samuel Barber: “Solitary Hotel”
Jean Berger: “Lonely People”
Franz Schubert: “Der Einsame”
Noel Coward: “If Love Were All”
Johannes Brahms: “O wüsst’ich doch den Weg zurück”
Ralph Vaughan Williams: “Whither Must I Wander?”
Johannes Brahms: “Volkslied”
Franz Schubert: “Der Lindenbaum”
Johannes Brahms: Spätherbst,” “Der Abend”
Franz Schubert: “Abendstern”
Samuel Barber: “Boundless, Boundless Evening”
Johannes Brahms: “Abenddämerung”
Robert Baksa: “The soul selects her own society”
William Bolcom: “Waitin’”
Charles Ives: Hymn
Benjamin Britten: “At Day-Close in November,” “Nocturne”
trad. “Amazing Grace”

Friday, November 6, and Sunday, November 8, 1998
Jordan Hall at NEC; David Hoose, conductor
Robert Schumann: Beim Abscheid zu singen, op. 84b
Robert Schumann, orch. Claude Debussy: Studien für den Pedal-Flügel, op. 56, Nos. 1-3, 6
Max Reger: Drei Chörige, op. 6
Robert Schumann: Sehnsucht nach der Waldgegend, op. 35, no. 5
Robert Schumann: Requiem, op. 90, no. 7
Johannes Brahms: Funf Gesänge, op. 104
Robert Schumann: Melancholie, op. 74, no. 6
Johannes Brahms, orch. David Hoose: Geistliches Lied, op. 30
Robert Schumann: Andante and Variations, op. 46(a), for Two Pianos, Two Cellos, and Horn
Max Reger: Vier Marienlieder, op. 61f
Max Reger, orch. David Hoose: Canzone, op. 65, no.9, for Woodwinds and Horns
Robert Schumann: Talismane, op. 25, no. 8
Robert Schumann, orch. David Hoose: Vier doppelchörige Gesänge, op. 141
Robert Schumann: Nachtlied, op. 96, no. 1
Robert Schumann: Beim Abscheid zu singen, op. 84a

Friday, January 23, and Sunday, January 25, 1998
Jordan Hall at NEC; David Hoose, conductor
Kurt Weill: Symphony No. 1, “Berliner Sinfonie”
Johannes Brahms: Ein deutches Requiem, op. 45

Sunday, March 2, 1997
Cantata Singers Chamber Series, Kayo Iwama, music director
Harvard-Epworth Church, Harvard University
Franz Schubert: “Nur wer die Senhsucht kennt”
Johannes Brahms: “In der Fremde”
Robert Schumann: “Sehnsucht”
Franz Schubert: “Wandrers Nachtlied,” “Der Wanderer”
Johannes Brahms: “Sehnsucht”
Franz Schubert: “Der Strom”
Robert Schumann: “Erstes Grün”
Franz Schubert: “Frühlingsglaube”
Johannes Brahms: “Verzagen,” “Wehe, so willst du mich wieder”
Franz Schubert: “Schwanesgesang”
Robert Schumann: “Abendlied”
Robert Schumann: “In der Nacht,” “Liebesgram,” from Spanisches Liederspiel, op. 74
Johannes Brahms: “Schwermut,” “Nächtens”
Robert Schumann: “Wehmut,” “Aus der Hebräischen Gesängen”
Johannes Brahms: “An eine Äolsharfe”
Franz Schubert: “An die Musik”

Friday, May 10, 1991
Jordan Hall at NEC; David Hoose, conductor
Arnold Schoenberg: Kammersymphonie, op. 9
Johannes Brahms: Ein deutches Requiem, op. 45

Saturday, March 6, 1982
Swedenborgian Church of the New Jerusalem, Cambridge
John Harbison and David Hoose, conductors
Johannes Brahms: Vier Gesänge, op. 17
Franz Schubert: Ellens zweiter Gesang, orch. Johannes Brahms (Anh 17)
Franz Schubert: Nachtgesang im Walde, D. 913
Robert Schumann: Jagdlieder, op. 137
Robert Schumann: Vier doppelchorige Gesänge, op. 141

Saturday, November 18, 1978
Harvard Unitarian Church; John Ferris, conductor
Sethus Calvisius: Unser Leben währet siebzig Jahr
J.H. Schein: “Zion spricht: der Herr hat mich verlassen,” from Israelsbrünnlein
J.H. Schein: “O Amarilli zart,” from Diletti pastorale, Hirtenlust
J.H. Schein: “Mein Schifflein lief im wilden Meer,” from Diletti pastorale, Hirtenlust
J.S. Bach: Motet BWV 229, “Komm, Jesu, komm”
Johannes Brahms: “O Heiland, reiss die Himmel auf,” op. 74, no. 2
Heinrich Schütz: “Magnificat anima mea,” SWV 468

Wednesday, February 22, 1978
Sanders Theatre, Harvard University; John Ferris, conductor
Adrian Willaert: Missa mente tota
Johannes Brahms: O Heiland, reiss die Himmel auf, op. 74, no. 2
Robert Schumann: Vier doppelchörige Gesänge, op. 141

Saturday, February 18, 1978
Colby-Sawyer College, New London, New Hampshire; John Ferris, conductor
Heinrich Schütz: Motets from Geistliche Chormusik 1648
Adrian Willaert: Missa mente tota
J.S. Bach: Motet BWV 225, “Singet dem Herrn ein neues Lied”
Johannes Brahms: O Heiland, reiss die Himmel auf, op. 74, no. 2
Robert Schumann: Vier doppelchörige Gesänge, op. 141

Wednesday, February 16, 1977
Sanders Theatre, Harvard University; John Ferris, conductor
Thomas Tallis: Lamentations, Parts I and II
Johannes Brahms: Warum ist das Licht gegeben, op. 74, no. 1
J.S. Bach: Motet BWV 230, “Lobet den Herrn”

Monday, February 12, 1968 Memorial Church, Harvard University; Leon Kirchner, conductor
J.S. Bach: Motet BWV 402, “O Mensch, bewein’ dein’ Sünde gross”
J.S. Bach: Aria from Cantata BWV 6: “Ach bleib bei uns, Herr Jesu Christ”
J.S. Bach: Aria from Cantata BWV 85: “Seht, was die Liebe tut”
J.S. Bach: Aria from Cantata BWV 82: “Schlummert ein, ihr matten Augen”
J.S. Bach: Aria from Cantata BWV 85: “Jesus ist ein guter Hirt”
J.S. Bach: Aria from Cantata BWV 106, “Gottes Zeit ist die allerbeste Zeit”
Johannes Brahms: Chorale Prelude, “Mein Jesu, dir du mich,” op. 122, no. 1

Programs that have included the works of Fr. St. Jean Brefeuf:

Saturday, December 15, 2007
Cantata Singers Chamber Series, Allison Voth, music director
Isabella Stewart Gardner Museum, Boston
trad. (English): “Here We Come A-Wassailing”
trad. (German): “Lo, How a Rose E're Blooming”
trad.: Coventry Carol, from The Pageant of Shearmen and Tailors trad. (English): “I Saw Three Ships”
Tomás Luis de Victoria: O magnum mysterium
Heinrich Schütz: “Die Hirten auf dem Felde,” from Weihnachtshistorie
trad. (English): “God Rest Ye Merry Gentlemen”
Franz Gruber: “Silent Night”
trad. (Catalonian): “Foom! Foom! Foom!”
trad. (Hannakah), arr. Joseph Ness: “Mi Ze Hidlik, Mi Y'malel,” “Oy Chanukah, S'vivon”
Javier Busto: “Kuttun Kantak”
Fr. St. Jean Brefeuf: The Huron Carol
trad. (Hungarian): Sleigh Song
James Lord Pierpont: “Jingle Bells”
Ralph Blane: “Have Yourself a Merry Little Christmas”
trad. (French melody): “Ding Dong Merrily on High”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
trad. (English): “We Wish You a Merry Christmas”

Programs that have included the works of Frank Bridge:

Sunday, November 23, 2008
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
Benjamin Britten: Fanfare & Prologue, from The Heart of the Matter
Frank Bridge: Three Songs
Songs of Benjamin Britten:
“The Birds,” “Vigil,” “The Ship of Rio”
Proverb II, “The Chimney Sweeper,” from Songs and Proverbs of William Blake, op. 74
Proverb III, “A Poison Tree,” from Songs and Proverbs of William Blake, op. 74
Proverb IV, “Tyger! Tyger!” from Songs and Proverbs of William Blake, op. 74
“O the Sight Entrancing” (Irish Melody)
“The Ash Grove” (Welsh Melody)
“The Deaf Woman's Courtship” (Appalachian Folksong)
“The Last Rose of Summer” (Irish Melody)
“Oliver Cromwell” (Suffolk Nursery Rhyme)
“At the round earth's imagined corners”
“O might those sighes and teares,” from The Holy Sonnets of John Donne, op. 35
“Proud Songsters”
“Before Life and After,” from Winter Words, op. 52
Henry Purcell: “Sound the trumpet,” “Lost is my quiet”
Songs of Benjamin Britten:
“When you're feeling like expressing your affection”
“Fish in the unruffled lakes”
“Funeral Blues”
“Under the abject willow”
“Night covers up the rigid land”
“Calypso”
Canticle II – “Abraham and Isaac,” op. 51

Friday, January 29, and Sunday, January 31, 1999
Jordan Hall at NEC; David Hoose, conductor
Frank Bridge: Lament, for String Orchestra
Peter Child : Estrella: The Assassination of Augusto César Sandino
W.A. Mozart: Mass in C minor, K. 427 (417A)

Friday, May 12, and Sunday, May 14, 1995
All Saints Parish, Brookline; David Hoose, conductor with the Lydian String Quartet
Ralph Vaughan Williams: “We’ll to the woods no more,” from Along The Field
Edward Elgar: “How calmly the evening”
Edward Elgar: “There is sweet music”
Ralph Vaughan Williams: Merciless Beauty
Edward Elgar: “My love dwelt in a Northern land”
Ralph Vaughan Williams: “The sky above the roof”
Frank Bridge: Cherry Ripe
Edward Elgar: “Owls (An Epitaph)”
Frank Bridge: Sally in her Alley
Edward Elgar: “O wild West Wind!”
Edward Elgar: “Serenade”
Ralph Vaughan Williams: “Menelaus”
Ralph Vaughan Williams: “Procris”
Ralph Vaughan Williams: “The Unquiet Grave”
Edward Elgar: “Go, song of mine”
Frank Bridge: An Irish Melody – The Londonderry Air
Ralph Vaughan Williams: “A Clear Midnight”
Edward Elgar: “Weary wind of the West”

Programs that have included the works of Benjamin Britten:

Saturday, October 10, 2015
Jordan Hall at NEC; Joseph Flummerfelt, guest conductor
Tomás Luis de Victoria: O vos omnes
Pablo Casals: O vos omnes
Peter Maxwell Davies: The Lord’s Prayer
Maurice Duruflé: Notre père
Igor Stravinsky: Pater noster
Giuseppe Verdi: Ave Maria
Benjamin Britten: The Evening Primrose, from Flower Songs
Irving Fine: The Hourglass, from The Hourglass
Samuel Barber: The Coolin’, from Reincarnations
Aaron Copland: Long time Ago; At the River; The Promise of Living, from The Tender Land
Johannes Brahms: Liebeslieder Walzer, op. 52; Neue Liebeslieder Waltzer, zum schluss

Friday, May 8, 2009
Jordan Hall at NEC; David Hoose and Anthony Trecek-King, conductors
with Boston Children’s Chorus, Anthony Trecek-King, music director
Benjamin Britten: The Company of Heaven
Neighborhood House Charter School: Wrens and Robins
Neighborhood House Charter School: The Caterpillar
Andy Vores: Natural Selection
Benjamin Britten: Psalm 150
J.S. Bach: Cantata BWV 50, “Nun ist das Heil und die Kraft”

Sunday, April 26, 2009
Cantata Singers Chamber Series, Allison Voth, music director
Media Arts Center, Roxbury Community College
Benjamin Britten: The Little Sweep
Lynn Torgove, director

Friday, March 13, 2009
Jordan Hall at NEC; David Hoose, conductor
Ludwig van Beethoven: Mass in C, op. 86
Benjamin Britten: Suite from Death in Venice, op. 88a
Gerald Finzi: Lo, the Full, Final Sacrifice, op. 26

Sunday, February 7, 2009
All Saints Parish, Brookline; David Hoose, conductor
with members of PALS Childrens’ Chorus, Alysoun Kegel, artistic director;
students from Community Music Center of Boston, Willliam Fickes, artistic director;
and members of Massachusetts Youth Wind Ensemble, Michael Mucci, director
Benjamin Britten: Noye's Fludde, op. 59
Lynn Torgove, director

Friday, January 16, 2009
Jordan Hall at NEC; David Hoose, conductor
Benjamin Britten: Lachrymae, op. 48a
Benjamin Britten: Five Flower Songs, op. 47
Benjamin Britten: Serenade for Tenor, Horn and Strings, op. 31
Benjamin Britten: Now Sleeps the Crimson Petal
Benjamin Britten: Phaedra, op. 93
Benjamin Britten, orch. Imogen Holst: Rejoice in the Lamb, op. 30

Sunday, November 23, 2008
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
Benjamin Britten: Fanfare & Prologue, from The Heart of the Matter
Frank Bridge: Three Songs
Songs of Benjamin Britten:
“The Birds,” “Vigil,” “The Ship of Rio”
Proverb II, “The Chimney Sweeper,” from Songs and Proverbs of William Blake, op. 74
Proverb III, “A Poison Tree,” from Songs and Proverbs of William Blake, op. 74
Proverb IV, “Tyger! Tyger!” from Songs and Proverbs of William Blake, op. 74
“O the Sight Entrancing” (Irish Melody)
“The Ash Grove” (Welsh Melody)
“The Deaf Woman's Courtship” (Appalachian Folksong)
“The Last Rose of Summer” (Irish Melody)
“Oliver Cromwell” (Suffolk Nursery Rhyme)
“At the round earth's imagined corners”
“O might those sighes and teares,” from The Holy Sonnets of John Donne, op. 35
“Proud Songsters”
“Before Life and After,” from Winter Words, op. 52
Henry Purcell: “Sound the trumpet,” “Lost is my quiet”
Songs of Benjamin Britten:
“When you're feeling like expressing your affection”
“Fish in the unruffled lakes”
“Funeral Blues”
“Under the abject willow”
“Night covers up the rigid land”
“Calypso”
Canticle II – “Abraham and Isaac,” op. 51

Friday, November 7, 2008
Jordan Hall at NEC; David Hoose, conductor
Benjamin Britten: A Hymn to the Virgin
Nicholas Maw, orch. David Hoose: One Foot in Eden Still, I Stand
Benjamin Britten: Cantata misericordium, op. 69
Gabriel Fauré: Requiem, op. 48

Sunday, December 11, 2005
Cantata Singers Chamber Series; Kayo Iwama, music director
Isabella Stewart Gardner Museum, Boston
Benjamin Britten: "At Day-Close in November"
Johannes Brahms: "Spätherbst," "Auf dem Kirchhofe"
Ralph Vaughan Williams: "When Icicles Hang by the Wall"
Roger Quilter: "Blow, blow thou Winter Wind"
Hugo Wolf: "Schlafendes Jesuskind," "Auf ein altes Bild"
Peter Warlock: "Balulalow"
Johannes Brahms: Zwei Gesänge, for Alto, Viola, and Piano
Hugo Wolf: "Nun wandre, Maria"
Johannes Brahms: "Maria ging aus wandern"
Hugo Wolf: "Führ mich, Kind, nach Bethlehem," "Epiphanias"
Hugo Wolf: "Auf eine Christblume" I and II
Ralph Vaughan Williams: from Folk Songs of the Four Seasons "Children's Christmas Song" "Wassail Song" "In Bethlehem City" "God Bless the Master"
John Rutter: "What Sweeter Music"

Sunday, February 6, 2005
Cantata Singers Chamber Series, Kayo Iwama, music director
Mainstage Auditorium, Roxbury Community College
Robert Schumann: "Von fremden Ländern und Menschen"
Johannes Brahms: "Der bucklichte Fiedler"
Charles Wakefield Cadman: "Far Off I Hear the Lover's Flute"
Manuel de Falla: "Asturiana"
Joaquín Rodrigo: "De los álamos vengo, madre"
Ralph Vaughan Williams: "Sprig of Thyme"
Ralph Vaughan Williams: "Whither Must I Wander?"
Benjamin Britten: "O Waly, Waly"
George Chadwick: "The Lark that Sang"
trad: "The little horses"
trad: "Steal away"
trad: "I got shoes"
Maurice Ravel: Chanson hébraïque
M. Warshawsky: "Oifn pripitchok"
trad: "Tumbalalaika"

Sunday, February 29, 2004
Cantata Singers Chamber Series, Allison Voth, music director
Mainstage Auditorium, Roxbury Community College
Benjamin Britten: The Little Sweep: A Children's Opera
Lynn Torgove, director

Sunday, April 6, 2003
Cantata Singers Chamber Concert Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Henry Purcell: "Come, All Ye Songsters," "If Music Be the Food of Love," "Sound the Trumpet"
Benjamin Britten: "Mother Comfort," "Underneath the Abject Willow" Two Ballads for Two Voices and Piano
Camille Saint-Saëns: "Pastorale"
Jules Massenet: "L'éventail elégie," "Oh! ne finis jamais"
Georges Bizet: "Chanson d'avril," "Adieux de l'hôtesse arabe"
Camille Saint-Saëns: El desdichado
Vincenzo Bellini: "Il fervido desiderio," "Per pietà, bell'idol mio"
Guiseppe Verdi: "La seduzione," "Non t'accostare all'urna"
Gioachino Puccini: "Moirire," "El l'uccellino," "Sole e amore,"
"Vexilla Regis prodeunt," "Adieux à la vie," "Duetto buffo di due gatti"

Friday, January 25, and Sunday, January 27, 2002
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 39, “Brich dem Hungrigen dein Brot”
Benjamin Britten: Cantata misericordium, op. 69
J.S. Bach: Cantata BWV 75, “Die Elenden sollen essen”

Sunday, December 2, 2001
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Benjamin Britten: “Let the Florid Music Praise,” “At the Railway Station, Upway”
Samuel Barber: “Solitary Hotel”
Jean Berger: “Lonely People”
Franz Schubert: “Der Einsame”
Noel Coward: “If Love Were All”
Johannes Brahms: “O wüsst’ich doch den Weg zurück”
Ralph Vaughan Williams: “Whither Must I Wander?”
Johannes Brahms: “Volkslied”
Franz Schubert: “Der Lindenbaum”
Johannes Brahms: Spätherbst,” “Der Abend”
Franz Schubert: “Abendstern”
Samuel Barber: “Boundless, Boundless Evening”
Johannes Brahms: “Abenddämerung”
Robert Baksa: “The soul selects her own society”
William Bolcom: “Waitin’”
Charles Ives: Hymn
Benjamin Britten: “At Day-Close in November,” “Nocturne”
trad. “Amazing Grace”

Friday, May 11, and Sunday, May 13, 2001
First Church Congregational, Cambridge; David Hoose, conductor
Benjamin Britten: A Cradle Song: Sleep, Beauty Bright
Benjamin Britten: Hymn to Saint Cecilia
Frank Martin: “Ja, Ich glaub: solches hat er vollbracht,” “O, ewiger Gott! o göttliches Gesicht!” from Sechs Monologue aus Jedermann
Arnold Schoenberg: Psalm 130, De profundis, op. 50b
Arnold Schoenberg: Zwei Lieder, op. 14
Frank Martin: Messe pour double choeur a cappella
Benjamin Britten: “Before Life and After,” from Winter Words

Sunday, April 5, 1998
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Georg Böhm: “Wie! Schlaft ihr noch?”
Hugo Wolf: “Die ihr schwebet,” “Auf ein altes Bild,” “Ach, des Knaben Augen”
Johann Crüger: “Auf, auf mein Herz”
Heinrich Schütz: “Erhöre mich, wenn ich rufe”
C. P. E. Bach: “Jesus in Gethsemane”
Hugo Wolf: “Seufzer,” “Verborgenheit,” “Mühvoll komm’ich”
Heinrich Schütz: “Der Herr ist gross”
Henry Purcell: “Sound the trumpet,” “The Blessed Virgin’s Expostulation”
Benjamin Britten: “Angel,” “Since she whom I loved”
Henry Purcell: “Turn then thine eyes”
Benjamin Britten: “O might these sighs and tears,” “Batter my heart,” “Before Life and After”
Henry Purcell: “We sing to him”

Friday, March 17, and Sunday, March 19, 1995
Jordan Hall at NEC; David Hoose, conductor
Henry Purcell, arr. Benjamin Britten: Chacony in G minor, for String Orchestra
W.A. Mozart: Vesperae solennes de confessore, KV 339
Charles Fussell: Specimen Days

Friday, November 12, and Sunday, November 14, 1993
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 77, “Du sollt Gott, deinen Herren lieben”
Heinrich Schütz: “Seid barmherzig, wie auch euer Vater barmherzig ist,” SWV 409, from Symphoniae sacrae III
Benjamin Britten: Cantata misericordium
Heinrich Schütz: “Nun danket alle Gott,” SWV 418, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 147, “Herz und Mund und Tat und Leben”

Programs that have included the works of William Denis Browne and W. Denis:

Saturday, March 28, 2015
Longy School of Music; Allison Voth, director Songs of the Great War
Kevin Puts: "Dona Nobis Pacem" from Silent Night
Albéric Magnard: "Le Rhin allemande" from Six poémes en musique, op. 3, no. 3
Paul Rubens: Your King and Country Want You
Frederick Kelly: Shall I Compare Thee? op. 1, no. 1
Cecil Coles: The Gladsome Fray
George Butterworth: On the Idle Hill of Summer
W. Denis Browne: To Gratiana Dancing and Singing
Felix Powell: Pack Up Your Troubles
Fernand Halphen: Odelette
Maurice Ravel: Trois beaux oiseaux du paradis
Kevin Puts: "J'ai perdu ta photo" from Silent Night
André Caplet: Quand reverrai-je, hélas!
Claude Debussy: Noël des enfants qui non plus de maison
Edgar Bainton: All Night Under the Moon
Ivor Gurney: The Twa Corbies
Benjamin J. Dale: O Mistress of Mine
Ivor Gurney: In Flanders
Rudi Stephan: "Das Hohelied der Nacht" & "Pantherlied" from Ich will dir singen Hohelied
Alban Berg: "Nacht" from Sieben früher Lieder
Arnold Schoenberg: "Gigerlette" from Brettl Lieder
Alfred Piantadosi: I Didn't Raise My Boy to Be a Soldier
George M. Cohan: Over There
Gerald Finzi: Farewell to Arms
Kevin Puts: Dona Nobis Pacem (Reprise)

Sunday, December 10, 2006
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
George F. Root: “The Battle Cry of Freedom”
Anon: “The Why and the Wherefore”
George F. Root: “The Vacant Chair”
Robert Schumann: “Die Beiden Grenadiere,” op. 49, no. 1,”Die Hochländer-Witwe,” op. 25, no. 14
Johannes Brahms: “Auf dem Kirchhofe,” op. 105, no. 4
Modest Mussorgsky: “Commander-in-Chief”
Sergei Rachmaninoff: “The Little Island,” op. 14, no. 12
Joseph Ness: “Linie Wie,” “Vi Asoy”
trad: “Eli, Eli”
Ivor Gurney: “Black Stitchel”
Denis W. Browne and W. Denis: “The Isle of Lost Dreams”
Ivor Gurney: “Blaweary”
Denis W. Browne and W. Denis: “To Gratiana Dancing and Singing”
Gerald Finzi: “Farewell to Arms,” op. 9
Hughie Prince: “Boogie Woogie Bugle Boy”
Sam H. Stept and Charlie Tobias: “Don't Sit Under the Apple Tree”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
Francis Poulenc: “C,” “Bleuet,” “Le Disparu,” “Priez pour paix”
Kurt Weill: “Beat! Beat! Drums!” “O Captain! My Captain!”
Paul Hindemith: “Sing on there in the Swamp”
Ned Rorem: “An Incident,” “Inauguration Ball”
Lee Hoiby: “Private First Class Jesse Givens”
Francis Poulenc: “Lune”

Programs that have included the works of Anton Bruckner:

Friday, January 18, 2013
First Church Congregational, Cambridge; David Hoose, conductor
Anton Bruckner: Pange lingua
Anton Bruckner: Christus factus est
Herbert Howells: Requiem
Frank Martin: Messe pour double choeur a cappella

Friday, May 7, and Saturday, May 8, 2004
First Church Congregational, Cambridge; David Hoose, conductor
Anton Bruckner: Mass in E minor
Paul Hindemith: Apparebit repentina dies
Heinrich Schütz: "Alleluia! Löbet den Herren," SWV 38, from Psalmen Davids 1619

Friday, January 24, and Sunday, January 26, 1997
Jordan Hall at NEC; David Hoose, conductor
Franz Schubert: Mass No. 5 in A-flat, D. 678
Arnold Schoenberg: Verklärte Nacht, op. 4
Anton Bruckner: Virga Jesse floruit
Anton Bruckner: Ave Maria

Friday, March 22, 1991
Jordan Hall at NEC; David Hoose, conductor
J.H. Schein: “Da Jakob vollendet hatte,” from Israelsbrünnlein
J.H. Schein: “Zion spricht: der Herr hat mich verlassen,” from Israelsbrünnlein
Arnold Schoenberg: Psalm 130, De profundis, op. 50b
Anton Bruckner: Mass in E minor

Wednesday, May 9, 1979
Sanders Theatre, Harvard University; Benjamin Zander, conductor
Anton Bruckner: Locus iste Anton Webern: Entflieht auf leichten Kähnen, op. 2
Anton Bruckner: Ave Maria
Franz Schubert: Salve Regina, op. 153
W.A. Mozart: Ave verum corpus, K. 618
F.J. Haydn: Mass No. 11 in D minor, Missa in Angustiis (“Nelson Mass”)

Programs that have included the works of Ferruccio Busoni:

Friday, March 14, and Sunday, March 16, 2008
Jordan Hall at NEC; David Hoose, conductor
Ferruccio Busoni: Berceuse élégiaque
Kurt Weill: Concerto for Violin and Wind Instruments, op. 12
Johannes Brahms: Ein deutches Requiem, op. 45

Sunday, November 14, 2004
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
Carl Friedrich Zelter: “Der König in Thule”
Hugo Wolf: “Erstes Liebeslied eines Mädchens”
Ferruccio Busoni: “Lied des Brander”
Franz Schubert: “Die Spinnerin,” “Gretchen am Spinnrade”
Ludwig van Beethoven: “Wonne der Wehmut”
Hugo Wolf: “Das verlassene Mägdlein”
Richard Wagner: “Melodram Gretchens”
Carl Loewe: “Scene aus Faust”
Franz Schubert: “Scene aus Faust,” “Die Mutter Erde”
Ludwig van Beethoven: “Busslied”
Hugo Wolf: “Seufzer”
Franz Schubert: “Verklärung”
Ludwig van Beethoven: “Aus Goethes Faust”
Feliz Mendelssohn: “Hexenlied”
Carl Loewe: “Wenn der Blüthen Frühlingsregen”
Franz Schubert: “Abendbilder”
Hugo Wolf: Mühvoll komm›ich und beladen”

Programs that have included the works of Javier Busto:

Saturday, December 15, 2007
Cantata Singers Chamber Series, Allison Voth, music director
Isabella Stewart Gardner Museum, Boston
trad. (English): “Here We Come A-Wassailing”
trad. (German): “Lo, How a Rose E're Blooming”
trad.: Coventry Carol, from The Pageant of Shearmen and Tailors trad. (English): “I Saw Three Ships”
Tomás Luis de Victoria: O magnum mysterium
Heinrich Schütz: “Die Hirten auf dem Felde,” from Weihnachtshistorie
trad. (English): “God Rest Ye Merry Gentlemen”
Franz Gruber: “Silent Night”
trad. (Catalonian): “Foom! Foom! Foom!”
trad. (Hannakah), arr. Joseph Ness: “Mi Ze Hidlik, Mi Y'malel,” “Oy Chanukah, S'vivon”
Javier Busto: “Kuttun Kantak”
Fr. St. Jean Brefeuf: The Huron Carol
trad. (Hungarian): Sleigh Song
James Lord Pierpont: “Jingle Bells”
Ralph Blane: “Have Yourself a Merry Little Christmas”
trad. (French melody): “Ding Dong Merrily on High”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
trad. (English): “We Wish You a Merry Christmas”

Programs that have included the works of Dieterich Buxtehude:

Sunday, November 17, and Wednesday, November 20, 1974
Watson Auditorium, Wentworth Institute of Technology; Philip Kelsey, conductor
Sanders Theatre, Harvard University; Philip Kelsey, conductor
Dieterich Buxtehude: Cantata BuxWV 15, “Der Herr ist mit mir”
J.S. Bach: Cantata BWV 1, “Wie schön leuchtet der Morgenstern”
Dieterich Buxtehude: Cantata BuxWV 41, “Herzlich lieb hab ich dich, o Herr”
J.S. Bach: Cantata BWV 3, “Ach Gott, wie manches Herzeleid”

Programs that have included the works of William Byrd:

Thursday, April 17, 1980
Isabella Stewart Gardner Museum, Boston; John Ferris and David Hoose, conductors
William Byrd: Laudibus in Sanctis
Giovanni da Palestrina: “Tota pulchra es,” from Canticum canticorum
Giovanni da Palestrina: “Vulnerasti cor meum,” from Canticum canticorum
Giovanni da Palestrina: “Vox dilecti mei,” from Canticum canticorum
Giovanni da Palestrina: “Surge, propera amica mea,” from Canticum canticorum
Arnold Schoenberg: Schein uns, du liebe Sonne
Hugo Wolf: “Einkehr,” “Resignation,” “Letzte bitte,” and “Ergebung,” from Sechs geistliche Lieder
Heinrich Schütz: SWV 65, “Heu mihi, Domini,” from Cantiones sacrae 1625
Heinrich Schütz: SWV 55, “Deus misereatur nostri,” from Cantiones sacrae 1625
Heinrich Schütz: SWV 81, “Cantate Domino canticum novum,” from Cantiones sacrae 1625

Wednesday, February 27, 1980
St. Paul’s Church, Cambridge, MA; John Ferris, conductor
William Byrd: Laudibus in Sanctis
Giovanni da Palestrina: “Tota pulchra es,” from Canticum canticorum
Giovanni da Palestrina: “Vulnerasti cor meum,” from Canticum canticorum
Giovanni da Palestrina: “Vox dilecti mei,” from Canticum canticorum
Giovanni da Palestrina: “Surge, propera amica mea,” from Canticum canticorum
Thomas Tallis: Spem in Alium, motet in forty parts
J.S. Bach: Motet BWV 227, “Jesu, meine Freude”

Wednesday, May 19, 1976
Sanders Theatre, Harvard University; Iva Dee Hiatt, conductor
William Byrd: “Laudibus in Sanctis,” from Cantiones sacrae
William Byrd: “O magnum mysterium,” from Gradualia II
J.S. Bach: Cantata BWV 70, “Wachet, betet, seid bereit allezeit”
Henry Purcell: Hymn: Psalm 3, “Jehova, quam multi sunt hostes,” Z. 135
Henry Purcell: Come Ye Sons of Art, Z. 323
Henry Purcell: Evening Service in G minor, Z. 231

Wednesday, February 18, 1970
Sanders Theatre, Harvard University; Joseph Silverstein, conductor
William Byrd: Mass for Four Voices
F.J. Haydn: Concerto No. 1 in C, for Violin and Orchestra
F.J. Haydn: Mass No. 11 in D minor, Missa in Angustiis (“Nelson Mass”)

Programs that have included the works of Sethus Calvisius:

Saturday, November 18, 1978
Harvard Unitarian Church; John Ferris, conductor
Sethus Calvisius: Unser Leben währet siebzig Jahr
J.H. Schein: “Zion spricht: der Herr hat mich verlassen,” from Israelsbrünnlein
J.H. Schein: “O Amarilli zart,” from Diletti pastorale, Hirtenlust
J.H. Schein: “Mein Schifflein lief im wilden Meer,” from Diletti pastorale, Hirtenlust
J.S. Bach: Motet BWV 229, “Komm, Jesu, komm”
Johannes Brahms: “O Heiland, reiss die Himmel auf,” op. 74, no. 2
Heinrich Schütz: “Magnificat anima mea,” SWV 468

Wednesday, May 10, 1978
Sanders Theatre, Harvard University; John Ferris, conductor
Sethus Calvisius: Gloria in excelsis Deo
Sethus Calvisius: Unser Leben währet siebzig Jahr
J.H. Schein: “Vater unser im Himmelreich,” from Opella nova
J.H. Schein: “Zion spricht: der Herr hat mich verlassen,” from Israelsbrünnlein
Johann Kuhnau: Suonata quarta
Johann Kuhnau: “Hiskie agonizzante e risanato,” from Biblischer Historien
Johann Kuhnau: Motet, “Tristis est anima mea”
J.H. Schein: “Ein feste Burg ist unser Gott,” from Opella nova
J.H. Schein: “Die mit Tränen säen,” from Israelsbrünnlein
J.H. Schein: Psalm 150, from Jubilate
J.H. Schein: “O Amarilli zart,” from Diletti pastorale, Hirtenlust
J.H. Schein: “Mein Schifflein lief im wilden Meer,” from Diletti pastorale, Hirtenlust
J.S. Bach: Cantata BWV 150, “Nach dir, Herr, verlanget mich”

Programs that have included the works of David Chaitkin:

Wednesday, November 12, 1980
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 79, “Gott der Herr ist Sonn und Schild”
Heinrich Schütz: Psalm 116, “Das ist mir lieb,” SWV 51
David Chaitkin: Seasons Such as These
J.S. Bach: Cantata BWV 78, “Jesu, der du meine Seele”

Programs that have included the works of Marc-Antonie Charpentier:

Sunday, October 7, 1973
Boston Center for the Arts; Michael Tilson Thomas, conductor
Performance at Boston Philharmonia Orchestra Gala Benefit Concert
Marc-Antoine Charpentier: Messe pour plusiers instruments au lieu des orgues
Igor Stravinsky: Abraham and Isaac
Ludwig van Beethoven: Elegischer Gesang, op. 118
Ludwig van Beethoven: Meeresstille und glückliche Fahrt, op. 112

Programs that have included the works of Aaron Copland:

Tuesday, November 17, 2015
American Academy of Arts and Sciences; Allison Voth, director
Aaron Copland: Zion's Walls
Aaron Copland: Emily Dickinson Songs
Aaron Copland: Simple gifts
Irving Fine: Mutability
Samuel Barber: Hermit Songs
Aaron Copland: Shall We Gather at the River
Program Notes

Saturday, October 10, 2015
Jordan Hall at NEC; Joseph Flummerfelt, guest conductor
Tomás Luis de Victoria: O vos omnes
Pablo Casals: O vos omnes
Peter Maxwell Davies: The Lord’s Prayer
Maurice Duruflé: Notre père
Igor Stravinsky: Pater noster
Giuseppe Verdi: Ave Maria
Benjamin Britten: The Evening Primrose, from Flower Songs
Irving Fine: The Hourglass, from The Hourglass
Samuel Barber: The Coolin’, from Reincarnations
Aaron Copland: Long time Ago; At the River; The Promise of Living, from The Tender Land
Johannes Brahms: Liebeslieder Walzer, op. 52; Neue Liebeslieder Waltzer, zum schluss

Saturday, May 12, 2012
Jordan Hall at NEC; David Hoose, conductor
Charles Fussell, orch. David Hoose: Invocation
Earl Kim: Some Thoughts on Keats and Coleridge
Harold Shapero: Four-Hand Sonata for Piano – I. Very Slowly—Moderately Fast
Earl Kim: Scenes from a Movie, Part 3: The Twenty-sixth Dream
Rodney Lister: The Annunciation
Harold Shapero: Four-Hand Sonata for Piano – II. Slowly and III. Fast
Aaron Copland: In the Beginning

Sunday, February 9, 2003
Cantata Singers Chamber Series, Kayo Iwama, music director
Media Arts Center, Roxbury Community College
Franz Schubert: “Das Wandern”
trad. “O Waly, Waly”
Ernest Chausson: “Sérénade Italienne”
Robert Schumann: “Im Rhein, im heiligen Strome”
Ned Rorem: “The Lordly Hudson”
Franz Schubert: Marche Militaire, in D Major
Ralph Vaughan Williams: “The Vagabond”
Paul Bowles: “Heavenly Grass”
Samuel Barber: “St. Patrick’s Purgatory”
Charles Ives: “The World’s Highway”
Richard Hundley: “Will There Really Be a Morning?”
Lee Hoiby: “The Saints”
Douglas Townsend: Fantasy on “Follow the Drinking Gourd”
John Andrew Ross: “Give Me the Wings of Faith”
Aaron Copland: “Simple Gifts,” “At the River,” “Ching-A-Ring-Chaw”

Sunday, April 1, 2001
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Liza Lehmann: “How doth the little crocodile”
Franz Schubert: “Die Forelle”
Samuel Barber: “The monk and his cat”
Maurice Ravel: “Le paon”
John Duke: “Bee! I’m expecting you”
Lee Hoiby: “The Serpent”
Liza Lehmann: “Will you walk a little faster”
Aaron Copland: “I bought me a cat”
Francis Poulenc: The Story of Babar, the Little Elephant

Sunday, December 10, 2000
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
George Gershwin: “They can’t take that away from me”
Aaron Copland: Vocalise
Arnold Schoenberg: “Der genüngsamer Liebhaber”
Kurt Weill: “Je ne t’aime pas,” ”Schickelgrüber”
Marc Blitzstein: “Displaced”
Arnold Schoenberg: “Gigerlette”
Kurt Weill: “Surabaya Johnny”
Marc Blitstein: “The New Suit (Zipperfly),” “Jimmy’s Got a Goil”
George Gershwin: “Our love is here to stay”
Leonard Bernstein: Arias and Barcarolles, I-VIII

Sunday, April 13, 1997
Cantata Singers Chamber Series, Kayo Iwama, music director
Isabella Stewart Gardner Museum, Boston
Aaron Copland: “Nature, the gentlest mother”
Charles Ives: “Evening”
William Roy: “This Little Rose”
Charles Ives: “Nature’s Way,” “The Housatonic at Stockbridge,” “Walking”
Arthur Farwell: “I’m Nobody! Who are you?” “Aristocracy”
Charles Ives: “The Innate”
Robert Baksa: “The soul selects her own society”
Andy Vores: Haunted
Charles Ives: “Religion”
Lee Hoiby: “The Saints”
Aaron Copland: “Going to Heaven”
Charles Ives: “Serenity,” “General William Booth Enters Into Heaven”

Friday, January 21, 1994
Jordan Hall at NEC; David Hoose, conductor
Irving Fine: The Choral New Yorker
Seymour Shifrin: The Odes of Shang
Earl Kim: Some Thoughts on Keats and Coleridge
John Harbison: The Flower-Fed Buffaloes
Aaron Copland, arr. Irving Fine: from Old American Songs
“The Boatmen’s Dance”
“The Dodger”
“Simple Gifts”
“I Bought Me a Cat, Long Time Ago”
Aaron Copland, arr. David Hoose: “At the River,” from Old American Songs

Programs that have included the works of Ruth Crawford-Seeger:

Wednesday, May 9, 1973
Sanders Theatre, Harvard University; John Harbison, conductor
Josquin Desprez: De profundis
J.S. Bach: Cantata BWV 105, “Herr, gehe nicht ins Gericht”
Ruth Crawford-Seeger: Chant (1930) J.S. Bach: Cantata BWV 46, “Schauet doch und sehet”
Heinrich Schütz: “Herzlich lieb hab ich dich, o Herr,” SWV 387, from Geistliche Chormusik 1648

Programs that have included the works of Luigi Dallapiccola:

Friday, November 9, 2007
Jordan Hall at NEC; David Hoose, conductor
with PALS Children’s Chorus, Alysoun Kegel, artistic director
Kurt Weill: Die Legende vom toten Soldaten
Luigi Dallapiccola: Canti di Prigionia
Carl Orff: Carmina burana – cantiones profanae
Pre-concert and intermission songs by Kurt Weill:
“Ballad of the Lily of Hell,” from Happy End
“Dirge for a Soldier,” “To War!” from Knickerbocker Holiday
“Here I'll Stay,” from Love Life
“Lonely House,” from Street Scene
“O Captain! My Captain!”

Friday, January 19, and Sunday, January 21, 1996
Jordan Hall at NEC; David Hoose, conductor
Francis Poulenc: Quatre motets pour un temps de Pénitence
Earl Kim: Scenes from a Movie, Part 3: The 26th Dream
Luigi Dallapiccola: Canti di Prigionia

Wednesday, February 9, 1983
Sanders Theatre, Harvard University; David Hoose, conductor
Igor Stravinsky: Introitus
Orlando di Lasso: “Carmina Chromatica,” and “Sibylla Persica,” from Prophetiae Sibyllarum
Claudio Monteverdi: “Non havea Febo ancora,” from Madrigali guerrieri ed amorosi
Armand Qualliotine: Proteggemi, for Soprano and Chamber Ensemble
Claudio Monteverdi: “Hor che’l ciel e la terra,” from Madrigali guerrieri ed amorosi
Giuseppe Verdi: “Ave Maria,” from Quattro pezzi sacri
Luigi Dallapiccola: Canti di Prigionia

Programs that have included the works of Christoph Demantius:

Sunday, March 18, 2012
Jordan Hall at NEC; David Hoose, conductor
Johannes Brahms: Warum ist das Licht gegeben dem Mühseligen, op. 74, no. 1
Franz Liszt, orch. David Hoose: Via crucis – The 14 Stations of the Cross
Christoph Demantius: Weissagung des Leidens und Sterbens Jesu Christi
J.S. Bach: Cantata BWV 4, “Christ lag in Todesbanden”

Wednesday, May 2, 1984
Sanders Theatre, Harvard University; David Hoose, conductor with the Harvard Memorial Church Choir,
John Ferris, music director Christoph Demantius: Weissagung des Leidens und Sterbens Jesu Christi J.S. Bach: Cantata BWV 105, “Herr, gehe nicht ins Gericht” Seymour Shifrin: Cantata to the Text of Sophoclean Choruses

Wednesday, May 5, 1982
Sanders Theatre, Harvard University; Craig Smith, conductor
Heinrich Schütz: Psalm 6, “Ach, Herr, straf mich nicht,” SWV 24, from Psalmen Davids 1619
Christoph Demantius: Es ward eine Stille in dem Himmel
J.H. Schein: “Maria, gegruessest seist du, Holdselige,” from Opella nova
Max Reger: “Meinem Jesum lass ich nicht,” from Choralkantate, Nr. 4
J.S. Bach: Cantata BWV 37, “Wer da glaubet und getauft wird”
J.S. Bach: Cantata BWV 3, “Ach Gott, wie manches Herzeleid”
J.H. Schein: “Komm, heiliger Geist,” from Opella nova
J.H. Schein: “Da Jacob vollendet hatte,” from Israelsbrünnlein
Heinrich Schütz: Psalm 127, “Wo der Herr nicht das Haus bauet,” SWV 400, from Symphoniae sacrae III
Heinrich Schütz: Psalm 150, “Alleluia! Lobet den Herren,” SWV 38, from Psalmen Davids 1619

Programs that have included the works of Josquin Desprez:

Sunday, December 10, 1972
Worcester Art Museum; John Harbison, conductor
Heinrich Schütz: Muskalisches exequien, op. 7, SWV 279-281
Josquin Desprez: “Nymphes des bois,” La déploration de Johan. Ockeghem
Orlando Gibbons: Fair is the Rose
J.S. Bach: Cantata BWV 41, “Jesu, nun sei gepreisit”
J.S. Bach: In dulci jubilo, BWV 729

Wednesday, May 9, 1973
Sanders Theatre, Harvard University; John Harbison, conductor
Josquin Desprez: De profundis
J.S. Bach: Cantata BWV 105, “Herr, gehe nicht ins Gericht”
Ruth Crawford-Seeger: Chant (1930) J.S. Bach: Cantata BWV 46, “Schauet doch und sehet”
Heinrich Schütz: “Herzlich lieb hab ich dich, o Herr,” SWV 387, from Geistliche Chormusik 1648

Sunday, December 12, 1971
Currier Gallery of Art, Manchester, New Hampshire; John Harbison, conductor
G.F. Handel: Trumpet Voluntary
J.S. Bach: Motet BWV 229, “Komm, Jesu, komm”
John Harbison: Music for Mixed Chorus
Orlando Gibbons: Fair is the Rose
J.S. Bach: Two Christmas Chorales
Josquin Desprez: “Nymphes des bois,” La déploration de Johan. Ockeghem
J.S. Bach: Cantata BWV 157, “Ich lasse dich nicht”
Heinrich Schütz: “Nun danket alle Gott,” SWV 418, from Symphoniae sacrae III

Wednesday, November 10, 1971
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 48, “Ich elender Mensch”
J.S. Bach: Cantata BWV 109, “Ich glaube, lieber Herr”
Josquin Desprez: “Nymphes des bois,” La déploration de Johan. Ockeghem
J.S. Bach: Cantata BWV 140, “Wachet auf, ruft uns die Stimme”

Programs that have included the works of Hugo Distler:

Friday, December 16th, 2016 and Saturday, December 17th, 2016
Cary Hall, Lexington; David Hoose, conductor
St. Paul Church, Cambridge; David Hoose, conductor
Orlande de Lassus: "Sibylla Persica" from Prophetiae Sibyllarum
Claudio Monteverdi: "Laetatus sum"
Hugo Distler: "Es ist ein Ros entsprungen" from Weihnachtsgeschichte, op. 10
Tomás Luis de Victoria: "O magnum mysterium”
Heinrich Schütz: "Nun danket alle Gott,” SWV 418 from Symphoniae sacrae III (1650)
Heinrich Ignaz Franz von Biber: "The Annunication" from Rosary Sonatas
Monteverdi: Gloria a 7
Schütz: “Ach Herr, du Schöpfer aller Ding,” Madrigal spirituale, SWV 450
Lassus: "Sibylla Europæa" from Prophetiae Sibyllarum
Arnold Schoenberg: Friede auf Erden, op. 13
Program Notes

Friday, November 6, 2009
Jordan Hall at NEC; David Hoose, conductor
Heinrich Schütz: Musikalische exequien, op. 7, SWV 279-281
Hugo Distler: “Singet dem Herrn ein neues Lied,” op. 12, no. 1
J.S. Bach: Cantata BWV 8, “Liebster Gott, wenn werd ich sterben?”
Arnold Schoenberg: Friede auf Erden, op. 13

Programs that have included the works of Eliakim Doolittle:

Monday, June 2 1975
Old North Church; Philip Kelsey, conductor
Landmark Concert, Boston Bicentenniel Celebration
Eliakim Doolittle: “Exhortation,” from The Psalm-Singer’s Companion, 1806
Justin Morgan: “Amanda,” from Federal Harmony, 1790
Supply Belcher: “Easter Anthem”, from The Harmony of Maine, 1794
Charles Ives: Psalm 90, “Lord, thou hast been our dwelling place”

Wednesday, May 15, 1974
Sanders Theatre, Harvard University; Philip Kelsey, conductor
Claudio Monteverdi: Gloria a 7
Charles Ives: Psalm 90, “Lord, thou hast been our dwelling place”
Eliakim Doolittle: “Exhortation,” from The Psalm-Singer’s Companion, 1806
Justin Morgan: “Amanda,” from Federal Harmony, 1790
Supply Belcher: “Easter Anthem,” from The Harmony of Maine, 1794
J.S. Bach: Cantata BWV 146, “Wir müssen durch viel Trübsal”

Programs that have included the works of Maurice Duruflé:

Saturday, October 10, 2015
Jordan Hall at NEC; Joseph Flummerfelt, guest conductor
Tomás Luis de Victoria: O vos omnes
Pablo Casals: O vos omnes
Peter Maxwell Davies: The Lord’s Prayer
Maurice Duruflé: Notre père
Igor Stravinsky: Pater noster
Giuseppe Verdi: Ave Maria
Benjamin Britten: The Evening Primrose, from Flower Songs
Irving Fine: The Hourglass, from The Hourglass
Samuel Barber: The Coolin’, from Reincarnations
Aaron Copland: Long time Ago; At the River; The Promise of Living, from The Tender Land
Johannes Brahms: Liebeslieder Walzer, op. 52; Neue Liebeslieder Waltzer, zum schluss

Friday, January 15, 2010
First Church Congregational, Cambridge; David Hoose, conductor
Heinrich Schütz: “So fahr ich hin zu Jesu Christ,” SWV 379, from Geistliche Chormusik 1648
John Harbison: We Do Not Live to Ourselves
John Harbison: My Little Children, Let Us Not Love in Word
Heinrich Schütz: Psalm 116, “Das ist mir lieb,” SWV 51
Maurice Duruflé: Requiem, op. 9

Programs that have included the works of Edward Elgar:

Friday, January 14, 2011
Jordan Hall at NEC; David Hoose, conductor
Gustav Holst: The Evening-watch , op. 43, no. 1
Edward Elgar: “Weary Wind of the West”
Gerald Finzi: “My Spirit Sang All Day,” from Seven Poems of Robert Bridges
Ralph Vaughan Williams: Three Shakespeare Songs
trad. (Scottish), arr. Ralph Vaughan Williams: “Loch Lomond”
trad. (Welsh), arr. Gustav Holst: “My sweetheart's like Venus”
trad. (Cornish), arr. Gustav Holst: “I love my love”
Ralph Vaughan Williams: Riders to the Sea
Alexandra Borrie, director

Friday, May 12, and Sunday, May 14, 1995
All Saints Parish, Brookline; David Hoose, conductor with the Lydian String Quartet
Ralph Vaughan Williams: “We’ll to the woods no more,” from Along The Field
Edward Elgar: “How calmly the evening”
Edward Elgar: “There is sweet music”
Ralph Vaughan Williams: Merciless Beauty
Edward Elgar: “My love dwelt in a Northern land”
Ralph Vaughan Williams: “The sky above the roof”
Frank Bridge: Cherry Ripe
Edward Elgar: “Owls (An Epitaph)”
Frank Bridge: Sally in her Alley
Edward Elgar: “O wild West Wind!”
Edward Elgar: “Serenade”
Ralph Vaughan Williams: “Menelaus”
Ralph Vaughan Williams: “Procris”
Ralph Vaughan Williams: “The Unquiet Grave”
Edward Elgar: “Go, song of mine”
Frank Bridge: An Irish Melody – The Londonderry Air
Ralph Vaughan Williams: “A Clear Midnight”
Edward Elgar: “Weary wind of the West”

Programs that have included the works of Gabriel Fauré:

Friday, November 7, 2008
Jordan Hall at NEC; David Hoose, conductor
Benjamin Britten: A Hymn to the Virgin
Nicholas Maw, orch. David Hoose: One Foot in Eden Still, I Stand
Benjamin Britten: Cantata misericordium, op. 69
Gabriel Fauré: Requiem, op. 48

Sunday, April 11, 1999
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Jules Massenet: “O bon printemps”
Camille Saint-Saëns: “Chanson de grand-père,” “Pastorale”
Ernest Chausson: “Les Papillons,” “La Nuit”
Jules Massenet: “Oiseau des bois”
Reynaldo Hahn: “A Chloris”
Gabriel Fauré: “La rose”
Jules Massenet: “Chères fleurs”
Reynaldo Hahn: “A Phidylé”
Henri Duparc: “Phidylé”
Claude Debussy: “Pour invoquer Pan, dieu du vent d’été,” “La flûte de Pan,” “Pour que la nuit soit propice,” “Pour remercier la pluie au matin”
Jules Massenet: “O ruisseau”
Henri Duparc: “Chanson triste”
Reynaldo Hahn: “Quand je fus pris au pavillion”
Gabriel Fauré: “Puisqu’ici-bas toute âme”
Jules Massenet: “Chantez!”

Sunday, December 14, 1997
Cantata Singers Chamber Series, Kayo Iwama, music director
Isabella Stewart Gardner Museum, Boston
Claude Debussy: “Clair de Lune”
Albert Roussel: “Le Jardin Mouillé”
Jules Massenet: “Chères fleurs”
Gabriel Fauré: “Les Roses d’Ispahan”
Claude Debussy: “Dans le Jardin”
Gabriel Fauré: “A Clymène”
Ernest Chausson: “Hébé”
Lili Boulanger: “Le Retour”
Gabriel Fauré: “La mer est infinie”
Vincent d’Indy: “Lied Maritime”
Georges Bizet: “Douce Mer”
Claude Debussy “Le mer est plus belle”
Manuel de Falla: “Séguidille”
Léo Delibes: “Les FIlles de Cadix”
Camille Saint-Saëns: “El Desdichado”
Gabriel Fauré: “Danseuse”
Maurice Ravel: “Pièce en forme de habanera”
Gabriel Fauré: “Tarantelle”

Friday, October 17, 1997
Trinity Church, Boston; David Hoose, conductor
American Guild of Organists Festival Weekend Opening Concert
Gabriel Fauré: Requiem, op. 48

Programs that have included the works of Irving Fine:

Tuesday, November 17, 2015
American Academy of Arts and Sciences; Allison Voth, director
Aaron Copland: Zion's Walls
Aaron Copland: Emily Dickinson Songs
Aaron Copland: Simple gifts
Irving Fine: Mutability
Samuel Barber: Hermit Songs
Aaron Copland: Shall We Gather at the River
Program Notes

Saturday, October 10, 2015
Jordan Hall at NEC; Joseph Flummerfelt, guest conductor
Tomás Luis de Victoria: O vos omnes
Pablo Casals: O vos omnes
Peter Maxwell Davies: The Lord’s Prayer
Maurice Duruflé: Notre père
Igor Stravinsky: Pater noster
Giuseppe Verdi: Ave Maria
Benjamin Britten: The Evening Primrose, from Flower Songs
Irving Fine: The Hourglass, from The Hourglass
Samuel Barber: The Coolin’, from Reincarnations
Aaron Copland: Long time Ago; At the River; The Promise of Living, from The Tender Land
Johannes Brahms: Liebeslieder Walzer, op. 52; Neue Liebeslieder Waltzer, zum schluss

Friday, November 5, and Saturday, November 6, 2010
Jordan Hall at NEC; David Hoose, conductor
Andrew Imbrie: On the Beach at Night
Ralph Vaughan Williams: Flos campi
Yehudi Wyner: Give Thanks for All Things
Ralph Vaughan Williams: Concerto in A minor for Oboe and Strings
Irving Fine, orch. David Hoose: The Choral New Yorker

Friday, September 19, 2008
Institute of Contemporary Art, Boston; David Hoose, conductor
with Collage New Music, David Hoose, music director
Donald Sur: Sonnet 97
Donald Sur: Catena III
Donald Sur: Satori on Park Avenue
Yehudi Wyner: On This Most Voluptuous Night
Dalit Warshaw: Sonate Française
David Rakowski: Imaginary Dances
Irving Fine: “O Know to End as to Begin,” from The Hour-Glass
Irving Fine, orch. David Hoose: “Design for October,” from The Choral New Yorker

Friday, May 13, and Saturday, May 14, 2005
All Saints Parish, Brookline; David Hoose, conductor
William Cutter: To See a World
Charles Fussell, orch. David Hoose: Invocation
Irving Fine: The Hour-Glass
Donald Sur: Sonnet 97
Marjorie Merryman: The Garland
John Harbison: The Flower-Fed Buffaloes

Sunday, April 18, 2004
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Elliott Carter: "The Rose Family," "Dust of Snow"
Donald Martino: "All Day I Hear the Noise of Waters," from Separate Songs
John Harbison: "The Flute of Interior Time," from The AIDS Quilt Songbook
John Harbison: "Why Mira Can't Go Back to Her Old House," from Mirabai Songs
John Harbison: "Late Air," from North and South
Daniel Pinkham: "My Grandmother's Ghost," from When Love was Gone
Donald Martino: "The Frog," from The Bad Child's Book of Beasts
Irving Fine: "The Frog and the Snake," from Childhood Fables for Grown-Ups
Scott Wheeler: "Oriole," "Keeping the Sabbath," from Sunday Songs
Martin Amlin: "Orpheus," from A Lasting Spring
Irving Fine: "Jubilation," from Mutability
Charles Turner: "Beauty is a Shell"
Robert Ceely: "The Diver," "Love and Solitude"
Daniel Pinkham: "Stars, I Have Seen Them Fall"
Scott Wheeler: "Mozart, 1935"
Martin Amlin: Three Madrigals

Friday, January 21, 1994
Jordan Hall at NEC; David Hoose, conductor
Irving Fine: The Choral New Yorker
Seymour Shifrin: The Odes of Shang
Earl Kim: Some Thoughts on Keats and Coleridge
John Harbison: The Flower-Fed Buffaloes
Aaron Copland, arr. Irving Fine: from Old American Songs
“The Boatmen’s Dance”
“The Dodger”
“Simple Gifts”
“I Bought Me a Cat, Long Time Ago”
Aaron Copland, arr. David Hoose: “At the River,” from Old American Songs

Saturday, November 21, 1987
Jordan Hall at NEC; David Hoose, conductor
Felix Mendelssohn: Sechs Lieder, op. 48
Andrew Imbrie: On the Beach at Night
Irving Fine: Serious Song
Irving Fine: The Hour-Glass
Eliott Carter: Elegy, for String Orchestra
Robert Schumann, orch. David Hoose: Vier doppelchörige Gesänge, op. 141

Programs that have included the works of Gerald Finzi:

Saturday, March 28, 2015
Longy School of Music; Allison Voth, director Songs of the Great War
Kevin Puts: "Dona Nobis Pacem" from Silent Night
Albéric Magnard: "Le Rhin allemande" from Six poémes en musique, op. 3, no. 3
Paul Rubens: Your King and Country Want You
Frederick Kelly: Shall I Compare Thee? op. 1, no. 1
Cecil Coles: The Gladsome Fray
George Butterworth: On the Idle Hill of Summer
W. Denis Browne: To Gratiana Dancing and Singing
Felix Powell: Pack Up Your Troubles
Fernand Halphen: Odelette
Maurice Ravel: Trois beaux oiseaux du paradis
Kevin Puts: "J'ai perdu ta photo" from Silent Night
André Caplet: Quand reverrai-je, hélas!
Claude Debussy: Noël des enfants qui non plus de maison
Edgar Bainton: All Night Under the Moon
Ivor Gurney: The Twa Corbies
Benjamin J. Dale: O Mistress of Mine
Ivor Gurney: In Flanders
Rudi Stephan: "Das Hohelied der Nacht" & "Pantherlied" from Ich will dir singen Hohelied
Alban Berg: "Nacht" from Sieben früher Lieder
Arnold Schoenberg: "Gigerlette" from Brettl Lieder
Alfred Piantadosi: I Didn't Raise My Boy to Be a Soldier
George M. Cohan: Over There
Gerald Finzi: Farewell to Arms
Kevin Puts: Dona Nobis Pacem (Reprise)

Friday, January 14, 2011
Jordan Hall at NEC; David Hoose, conductor
Gustav Holst: The Evening-watch , op. 43, no. 1
Edward Elgar: “Weary Wind of the West”
Gerald Finzi: “My Spirit Sang All Day,” from Seven Poems of Robert Bridges
Ralph Vaughan Williams: Three Shakespeare Songs
trad. (Scottish), arr. Ralph Vaughan Williams: “Loch Lomond”
trad. (Welsh), arr. Gustav Holst: “My sweetheart's like Venus”
trad. (Cornish), arr. Gustav Holst: “I love my love”
Ralph Vaughan Williams: Riders to the Sea
Alexandra Borrie, director

Friday, March 13, 2009
Jordan Hall at NEC; David Hoose, conductor
Ludwig van Beethoven: Mass in C, op. 86
Benjamin Britten: Suite from Death in Venice, op. 88a
Gerald Finzi: Lo, the Full, Final Sacrifice, op. 26

Sunday, December 10, 2006
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
George F. Root: “The Battle Cry of Freedom”
Anon: “The Why and the Wherefore”
George F. Root: “The Vacant Chair”
Robert Schumann: “Die Beiden Grenadiere,” op. 49, no. 1,”Die Hochländer-Witwe,” op. 25, no. 14
Johannes Brahms: “Auf dem Kirchhofe,” op. 105, no. 4
Modest Mussorgsky: “Commander-in-Chief”
Sergei Rachmaninoff: “The Little Island,” op. 14, no. 12
Joseph Ness: “Linie Wie,” “Vi Asoy”
trad: “Eli, Eli”
Ivor Gurney: “Black Stitchel”
Denis W. Browne and W. Denis: “The Isle of Lost Dreams”
Ivor Gurney: “Blaweary”
Denis W. Browne and W. Denis: “To Gratiana Dancing and Singing”
Gerald Finzi: “Farewell to Arms,” op. 9
Hughie Prince: “Boogie Woogie Bugle Boy”
Sam H. Stept and Charlie Tobias: “Don't Sit Under the Apple Tree”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
Francis Poulenc: “C,” “Bleuet,” “Le Disparu,” “Priez pour paix”
Kurt Weill: “Beat! Beat! Drums!” “O Captain! My Captain!”
Paul Hindemith: “Sing on there in the Swamp”
Ned Rorem: “An Incident,” “Inauguration Ball”
Lee Hoiby: “Private First Class Jesse Givens”
Francis Poulenc: “Lune”

Sunday, April 14, 2002
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Gerald Finzi: “Farewell to Arms”
Ludwig van Beethoven: “Die Liebe des Nächsten”
Robert Schumann: “Die beiden Grenadiere”
Hugo Wolf: “Nun lass uns Frieden schliessen”
Ludwig van Beethoven: “Der freie Mann”
Hugo Wolf: “Ihr junge Leute”
Gustav Mahler: “Der Tambourg’sell”
Robert Schumann: “Requiem”
trad. “The Minstrel Boy”
trad. “Dear Harp of my Country”
trad. “The Bonney Earl o’Moray”
trad. “Avenging and Bright”
Stephen Foster: “We Are Coming, Father Abraham”
Lee Hoiby: “I Was There”
Charles Ives: “Duty/Vita”
Lee Hoiby: “Willie Has Gone to the War”
Songs of Charles Ives
“Joy, Shipmate, Joy”
“Ilmenau”
“In Flanders fields”
“Where the Eagle”
“Tom Sails Away”
“Autumn”
“He is there!”

Programs that have included the works of Charles Fussell:

Saturday, May 12, 2012
Jordan Hall at NEC; David Hoose, conductor
Charles Fussell, orch. David Hoose: Invocation
Earl Kim: Some Thoughts on Keats and Coleridge
Harold Shapero: Four-Hand Sonata for Piano – I. Very Slowly—Moderately Fast
Earl Kim: Scenes from a Movie, Part 3: The Twenty-sixth Dream
Rodney Lister: The Annunciation
Harold Shapero: Four-Hand Sonata for Piano – II. Slowly and III. Fast
Aaron Copland: In the Beginning

Friday, May 9, 2008
Jordan Hall at NEC; David Hoose, conductor
Kurt Weill: Symphony No. 2
Charles Fussell: High Bridge – A Choral Symphony after Poems of Hart Crane
Pre-concert and intermission songs by Kurt Weill:
“Ich bin eine arme Verwandte,” from Der Silbersee
“Here I'll stay,” from Love Life
“Lost in the stars,” from Lost in the Stars
“My ship,” from Lady in the Dark
Psychiatry Song, from Johnny Johnson
“The trouble with women,” from One Touch of Venus
“Wouldn't you like to be on Broadway?” from Street Scene

Friday, May 13, and Saturday, May 14, 2005
All Saints Parish, Brookline; David Hoose, conductor
William Cutter: To See a World
Charles Fussell, orch. David Hoose: Invocation
Irving Fine: The Hour-Glass
Donald Sur: Sonnet 97
Marjorie Merryman: The Garland
John Harbison: The Flower-Fed Buffaloes

Friday, March 17, and Sunday, March 19, 1995
Jordan Hall at NEC; David Hoose, conductor
Henry Purcell, arr. Benjamin Britten: Chacony in G minor, for String Orchestra
W.A. Mozart: Vesperae solennes de confessore, KV 339
Charles Fussell: Specimen Days

Friday, January 22, 1993
Jordan Hall at NEC; David Hoose, conductor
Franz Joseph Haydn: Mass No. 11 in D minor, Missa in Angustiis (“Lord Nelson“)
Charles Fussell: Specimen Days
Ludwig van Beethoven: Elegischer Gesang, op. 118

Programs that have included the works of Giovanni Gabrieli:

Wednesday, December 2, 1981
Sanders Theatre, Harvard University; John Harbison, conductor
Giovanni Gabrieli: O Jesu mi dulcissime
Giovanni Gabrieli: “Salvator noster,” from Symphoniae sacrae II
Igor Stravinsky: Mass
Heinrich Schütz: “Seid barmherzig,” SWV 409, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 23, “Du wahrer Gott und Davids Sohn”

Saturday, May 4, 1968
Sanders Theatre, Harvard University; G. Wallace Woodworth, conductor
J.S. Bach: Cantata BWV 79, “Gott der Herr ist Sonn’ und Schild”
Giovanni Gabrieli: “O Jesu mi dulcissime,” from Symphoniae sacrae II
Claudio Monteverdi: “Ohime, se tanto amate,” from Il quarto libro de madrigali a cinque voci
J.S. Bach: Cantata BWV 11, “Lobet Gott in seinen Reichen” (Ascension Oratorio)

Programs that have included the works of Kim Gannon and Walter Kent:

Saturday, December 15, 2007
Cantata Singers Chamber Series, Allison Voth, music director
Isabella Stewart Gardner Museum, Boston
trad. (English): “Here We Come A-Wassailing”
trad. (German): “Lo, How a Rose E're Blooming”
trad.: Coventry Carol, from The Pageant of Shearmen and Tailors trad. (English): “I Saw Three Ships”
Tomás Luis de Victoria: O magnum mysterium
Heinrich Schütz: “Die Hirten auf dem Felde,” from Weihnachtshistorie
trad. (English): “God Rest Ye Merry Gentlemen”
Franz Gruber: “Silent Night”
trad. (Catalonian): “Foom! Foom! Foom!”
trad. (Hannakah), arr. Joseph Ness: “Mi Ze Hidlik, Mi Y'malel,” “Oy Chanukah, S'vivon”
Javier Busto: “Kuttun Kantak”
Fr. St. Jean Brefeuf: The Huron Carol
trad. (Hungarian): Sleigh Song
James Lord Pierpont: “Jingle Bells”
Ralph Blane: “Have Yourself a Merry Little Christmas”
trad. (French melody): “Ding Dong Merrily on High”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
trad. (English): “We Wish You a Merry Christmas”

Sunday, December 10, 2006
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
George F. Root: “The Battle Cry of Freedom”
Anon: “The Why and the Wherefore”
George F. Root: “The Vacant Chair”
Robert Schumann: “Die Beiden Grenadiere,” op. 49, no. 1,”Die Hochländer-Witwe,” op. 25, no. 14
Johannes Brahms: “Auf dem Kirchhofe,” op. 105, no. 4
Modest Mussorgsky: “Commander-in-Chief”
Sergei Rachmaninoff: “The Little Island,” op. 14, no. 12
Joseph Ness: “Linie Wie,” “Vi Asoy”
trad: “Eli, Eli”
Ivor Gurney: “Black Stitchel”
Denis W. Browne and W. Denis: “The Isle of Lost Dreams”
Ivor Gurney: “Blaweary”
Denis W. Browne and W. Denis: “To Gratiana Dancing and Singing”
Gerald Finzi: “Farewell to Arms,” op. 9
Hughie Prince: “Boogie Woogie Bugle Boy”
Sam H. Stept and Charlie Tobias: “Don't Sit Under the Apple Tree”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
Francis Poulenc: “C,” “Bleuet,” “Le Disparu,” “Priez pour paix”
Kurt Weill: “Beat! Beat! Drums!” “O Captain! My Captain!”
Paul Hindemith: “Sing on there in the Swamp”
Ned Rorem: “An Incident,” “Inauguration Ball”
Lee Hoiby: “Private First Class Jesse Givens”
Francis Poulenc: “Lune”

Programs that have included the works of Carlo Gesualdo:

Saturday, April 26, 1969
Sanders Theatre, Harvard University; Richard P. Kapp, conductor
J.S. Bach: Cantata BWV 150, “Nach dir, Herr, verlanget mich”
Carlo Gesualdo, completed by Igor Stravinsky: Three Sacred Songs
J.S. Bach: Cantata BWV 147, “Herz und Mund und Tat und Leben”

Programs that have included the works of Orlando Gibbons:

Sunday, December 10, 1972
Worcester Art Museum; John Harbison, conductor
Heinrich Schütz: Muskalisches exequien, op. 7, SWV 279-281
Josquin Desprez: “Nymphes des bois,” La déploration de Johan. Ockeghem
Orlando Gibbons: Fair is the Rose
J.S. Bach: Cantata BWV 41, “Jesu, nun sei gepreisit”
J.S. Bach: In dulci jubilo, BWV 729

Sunday, December 12, 1971
Currier Gallery of Art, Manchester, New Hampshire; John Harbison, conductor
G.F. Handel: Trumpet Voluntary
J.S. Bach: Motet BWV 229, “Komm, Jesu, komm”
John Harbison: Music for Mixed Chorus
Orlando Gibbons: Fair is the Rose
J.S. Bach: Two Christmas Chorales
Josquin Desprez: “Nymphes des bois,” La déploration de Johan. Ockeghem
J.S. Bach: Cantata BWV 157, “Ich lasse dich nicht”
Heinrich Schütz: “Nun danket alle Gott,” SWV 418, from Symphoniae sacrae III

Wednesday, April 28, 1971
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Motet BWV 229, “Komm, Jesu, komm”
J.S. Bach: Cantata BWV 42, “Am Abend aber desselbigen Sabbats”
John Harbison: Music for Mixed Chorus
Orlando Gibbons: Fair is the Rose
J.S. Bach: Cantata BWV 47, “Wer sich selbst erhöhet der soll erniedriget werden”

Programs that have included the works of Franz Gruber:

Saturday, December 15, 2007
Cantata Singers Chamber Series, Allison Voth, music director
Isabella Stewart Gardner Museum, Boston
trad. (English): “Here We Come A-Wassailing”
trad. (German): “Lo, How a Rose E're Blooming”
trad.: Coventry Carol, from The Pageant of Shearmen and Tailors trad. (English): “I Saw Three Ships”
Tomás Luis de Victoria: O magnum mysterium
Heinrich Schütz: “Die Hirten auf dem Felde,” from Weihnachtshistorie
trad. (English): “God Rest Ye Merry Gentlemen”
Franz Gruber: “Silent Night”
trad. (Catalonian): “Foom! Foom! Foom!”
trad. (Hannakah), arr. Joseph Ness: “Mi Ze Hidlik, Mi Y'malel,” “Oy Chanukah, S'vivon”
Javier Busto: “Kuttun Kantak”
Fr. St. Jean Brefeuf: The Huron Carol
trad. (Hungarian): Sleigh Song
James Lord Pierpont: “Jingle Bells”
Ralph Blane: “Have Yourself a Merry Little Christmas”
trad. (French melody): “Ding Dong Merrily on High”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
trad. (English): “We Wish You a Merry Christmas”

Programs that have included the works of Ivor Gurney:

Saturday, March 28, 2015
Longy School of Music; Allison Voth, director Songs of the Great War
Kevin Puts: "Dona Nobis Pacem" from Silent Night
Albéric Magnard: "Le Rhin allemande" from Six poémes en musique, op. 3, no. 3
Paul Rubens: Your King and Country Want You
Frederick Kelly: Shall I Compare Thee? op. 1, no. 1
Cecil Coles: The Gladsome Fray
George Butterworth: On the Idle Hill of Summer
W. Denis Browne: To Gratiana Dancing and Singing
Felix Powell: Pack Up Your Troubles
Fernand Halphen: Odelette
Maurice Ravel: Trois beaux oiseaux du paradis
Kevin Puts: "J'ai perdu ta photo" from Silent Night
André Caplet: Quand reverrai-je, hélas!
Claude Debussy: Noël des enfants qui non plus de maison
Edgar Bainton: All Night Under the Moon
Ivor Gurney: The Twa Corbies
Benjamin J. Dale: O Mistress of Mine
Ivor Gurney: In Flanders
Rudi Stephan: "Das Hohelied der Nacht" & "Pantherlied" from Ich will dir singen Hohelied
Alban Berg: "Nacht" from Sieben früher Lieder
Arnold Schoenberg: "Gigerlette" from Brettl Lieder
Alfred Piantadosi: I Didn't Raise My Boy to Be a Soldier
George M. Cohan: Over There
Gerald Finzi: Farewell to Arms
Kevin Puts: Dona Nobis Pacem (Reprise)

Sunday, March 4, 2007
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
Songs by Ivor Gurney
“Walking Song”
“Severn Meadows”
“Twa Corbies”
“The Night of Trafalgar”
“Thou Didst Delight My Eyes”
“Cathleen ni Houlihan”
“Most Holy Night”
Songs by Virgil Thomson
“My Shepherd Will Supply My Need”
“The Divine Image”
“Tiger! Tiger!”
“A Prayer to Saint Catherine”
“The Owl and the Pussy Cat”
Songs by Ned Rorem
“The Subway,” from Four Dialogues
“Absalom”
“I am Rose”
“Early in the Morning”
“I Am He That Aches with Love”
“Love Cannot Fill”
“How Do I Love Thee?”
“Life in a Love”
Songs by Paul Bowles
“Creole Song”
“Farther from the Heart”
“My Sister's Hand in Mine”
“It's Sunday,” “The Sunday Paper,” “This Other Man,” “Birds, Birds, Birds,” “Good-Bye,” from Picnic Cantata

Sunday, December 10, 2006
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
George F. Root: “The Battle Cry of Freedom”
Anon: “The Why and the Wherefore”
George F. Root: “The Vacant Chair”
Robert Schumann: “Die Beiden Grenadiere,” op. 49, no. 1,”Die Hochländer-Witwe,” op. 25, no. 14
Johannes Brahms: “Auf dem Kirchhofe,” op. 105, no. 4
Modest Mussorgsky: “Commander-in-Chief”
Sergei Rachmaninoff: “The Little Island,” op. 14, no. 12
Joseph Ness: “Linie Wie,” “Vi Asoy”
trad: “Eli, Eli”
Ivor Gurney: “Black Stitchel”
Denis W. Browne and W. Denis: “The Isle of Lost Dreams”
Ivor Gurney: “Blaweary”
Denis W. Browne and W. Denis: “To Gratiana Dancing and Singing”
Gerald Finzi: “Farewell to Arms,” op. 9
Hughie Prince: “Boogie Woogie Bugle Boy”
Sam H. Stept and Charlie Tobias: “Don't Sit Under the Apple Tree”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
Francis Poulenc: “C,” “Bleuet,” “Le Disparu,” “Priez pour paix”
Kurt Weill: “Beat! Beat! Drums!” “O Captain! My Captain!”
Paul Hindemith: “Sing on there in the Swamp”
Ned Rorem: “An Incident,” “Inauguration Ball”
Lee Hoiby: “Private First Class Jesse Givens”
Francis Poulenc: “Lune”

Programs that have included the works of George Frideric Handel:

Friday, January 29, 2016 and Sunday, January 31, 2016
Cary Hall, Lexington; David Hoose, conductor
Jordan Hall at NEC; David Hoose, conductor
G.F. Handel: Israel in Egypt
Program Notes

Friday, May 12, 2006
Jordan Hall at NEC; David Hoose, conductor
George Frideric Handel: Belshazzar

Friday, March 19, and Sunday, March 21, 1999
Jordan Hall at NEC; David Hoose, conductor
George Frideric Handel: Messiah

Friday, March 20, and Sunday, March 22, 1998
Jordan Hall at NEC; David Hoose, conductor
G.F. Handel: Jephtha

Friday, November 6, and Sunday, November 8, 1992
Jordan Hall at NEC; David Hoose, conductor
George Frideric Handel: Israel in Egypt

Saturday, March 14, 1992
Jordan Hall at NEC; David Hoose, conductor
J.H. Schein: Psalm 116, “Daß ist mir lieb,” SWV 51
George Frideric Handel: Chandos Anthem, “As Pants the Hart for Cooling Streams”
J.S. Bach: Trauerode BWV 198, “Lass, Fürstin, lass noch einen Strahl”

Saturday, January 21, 1989
Jordan Hall at NEC; David Hoose, conductor
G.F. Handel: Belshazzar

Wednesday, November 20, 1985
Sanders Theatre, Harvard University; David Hoose, conductor
George Frideric Handel: Jephtha

Wednesday, February 22, 1984
Sanders Theatre, Harvard University; David Hoose, conductor
George Frideric Handel: Israel in Egypt

Wednesday, February 11, and Sunday, February 15, 1981
Sanders Theatre, Harvard University; Craig Smith, conductor; Peter Sellars, director
G.F. Handel: Saul

Sunday, December 12, 1971
Currier Gallery of Art, Manchester, New Hampshire; John Harbison, conductor
G.F. Handel: Trumpet Voluntary
J.S. Bach: Motet BWV 229, “Komm, Jesu, komm”
John Harbison: Music for Mixed Chorus
Orlando Gibbons: Fair is the Rose
J.S. Bach: Two Christmas Chorales
Josquin Desprez: “Nymphes des bois,” La déploration de Johan. Ockeghem
J.S. Bach: Cantata BWV 157, “Ich lasse dich nicht”
Heinrich Schütz: “Nun danket alle Gott,” SWV 418, from Symphoniae sacrae III

Sunday, December 10, 1967
Currier Gallery of Art, Manchester, New Hampshire; Leo Collins, conductor
J.S. Bach: Cantata BWV 196, “Derr Herr denket an uns”
J.S. Bach: Cantata BWV 53, “Schlage doch, gewünschte Stunde”
G.F. Handel: Trio Sonata in G minor, for Two Violins and Continuo, op. 2, no. 8
J.S. Bach: Cantata BWV 61, “Nun komm, der Heiden Heiland”

Programs that have included the works of John Harbison:

Friday, May 9, 2014
Jordan Hall at NEC; David Hoose, conductor
Jan Dismas Zelenka: Miserere in C minor, ZWV 57
John Harbison: The Supper at Emmaus
Jan Dismas Zelenka: “Recessit pastor noster” from Responsoria pro Hebdomada Sancta, ZWV 55
J.S. Bach: Cantata BWV 6, “Bleib bei uns, den es will Abend werden”

Sunday, March 30, 2014
Cantata Singers Chamber Series, Allison Voth, music director
Goethe-Institut, Boston
Claudio Monteverdi: "Chiome d'oro" from Book 7, SV 143
Franz Schubert: Die schöne Müllerin, Op. 25 [excerpts]
John Harbison: Motetti di Montale [excerpts]
Claudio Monteverdi: "Lamento della Ninfa" from Madrigali Guerrieri et Amorosi, Book 8, SV 163
Felix Mendelssohn:
"Herbstlied", Op. 63 No. 4
"Des Mädchens Klage", Op. Posthumous
"Reiselied", Op. 34 No. 6
"Gruß", Op. 63 No. 3
"Frühlingslied", Op. 47 No. 3
"Die Liebende Schreibt", Op. 86 No. 3
"And'res Maienlied", Op. 8 No. 8
"Der Blumenstrauss", Op. 47 No. 5
"Maiglöckchen und die Blümelein", Op. 63 No. 6
Robert Schumann:
"Ich denke dein", Op. 78 No. 3
"Wiegenlied", Op. 78 No. 4
"Unterm Fenster", Op. 34 No. 3
"Herbstlied", Op. 43 No. 2
"Schön Blümelein", Op. 43 No. 3
"Familiengemälde", Op. 34 No. 4
Claudio Monteverdi: "Zefiro torna" from Madrigali e canzonette a due e tre voci, Book 6, SV 108

Friday, January 15, 2010
First Church Congregational, Cambridge; David Hoose, conductor
Heinrich Schütz: “So fahr ich hin zu Jesu Christ,” SWV 379, from Geistliche Chormusik 1648
John Harbison: We Do Not Live to Ourselves
John Harbison: My Little Children, Let Us Not Love in Word
Heinrich Schütz: Psalm 116, “Das ist mir lieb,” SWV 51
Maurice Duruflé: Requiem, op. 9

Friday, January 19, 2007
Jordan Hall at NEC; David Hoose, conductor
John Harbison: The Flight Into Egypt
J.S. Bach: Cantata BWV 101, “Nimm von uns, Herr, du treuer Gott“
J.S. Bach: Orchestral Suite No. 1 in C, BWV 1066
John Harbison: But Mary Stood: Sacred Symphony for Soprano, Chorus, and Strings

Sunday, March 19, 2006
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Motet BWV 227, "Jesu, meine Freude"
Heinrich Schütz: "Komm, heiliger Geist, Herre Gott," SWV 417, from Symphoniae sacrae III
Heinrich Schütz: "Mein Sohn, warum hast du uns das getan?" SWV 401, from Symphoniae sacrae III
John Harbison: But Mary Stood: Sacred Symphony for Soprano, Chorus, and Strings
Heinrich Schütz: "Siehe, dieser wird gesetzt zu einem Fall," from Symphoniae sacrae III
J.S. Bach: Motet BWV 230, "Lobet den Herrn"

Friday, May 13, and Saturday, May 14, 2005
All Saints Parish, Brookline; David Hoose, conductor
William Cutter: To See a World
Charles Fussell, orch. David Hoose: Invocation
Irving Fine: The Hour-Glass
Donald Sur: Sonnet 97
Marjorie Merryman: The Garland
John Harbison: The Flower-Fed Buffaloes

Sunday, April 18, 2004
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Elliott Carter: "The Rose Family," "Dust of Snow"
Donald Martino: "All Day I Hear the Noise of Waters," from Separate Songs
John Harbison: "The Flute of Interior Time," from The AIDS Quilt Songbook
John Harbison: "Why Mira Can't Go Back to Her Old House," from Mirabai Songs
John Harbison: "Late Air," from North and South
Daniel Pinkham: "My Grandmother's Ghost," from When Love was Gone
Donald Martino: "The Frog," from The Bad Child's Book of Beasts
Irving Fine: "The Frog and the Snake," from Childhood Fables for Grown-Ups
Scott Wheeler: "Oriole," "Keeping the Sabbath," from Sunday Songs
Martin Amlin: "Orpheus," from A Lasting Spring
Irving Fine: "Jubilation," from Mutability
Charles Turner: "Beauty is a Shell"
Robert Ceely: "The Diver," "Love and Solitude"
Daniel Pinkham: "Stars, I Have Seen Them Fall"
Scott Wheeler: "Mozart, 1935"
Martin Amlin: Three Madrigals

Friday, May 10, and Sunday, May 12, 2002
Jordan Hall at NEC; David Hoose, conductor
Johannes Brahms: O Heiland reiss die Himmel auf, op. 74, no. 2
John Harbison: Emerson
Heinrich Schütz: “Es ging ein Sämann aus, zu säen seinen Samen,” SWV 408, from Symphoniae Sacrae III
J.S. Bach: Cantata BWV 80, “Ein feste Burg ist unser Gott”

Friday, November 10, and Sunday, November 12, 2000
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 21, “Ich hatte viel Bekümmernis”
John Harbison: Four Psalms

Friday, May 7, and Sunday, May 9, 1999
Jordan Hall at NEC; David Hoose, conductor
Donald Sur: Sonnet 97
George Gershwin: “Who Cares?” for Piano
George Gershwin: “Feeling I’m Falling”
George Gershwin: “Feeling Sentimental”
George Gershwin: “I Don’t Think I’ll Fall in Love Today”
Thomas Oboe Lee, after George Gershwin: “He Loves and She Loves,” for Two Pianos
George Gershwin: “Soon,” for Piano
George Gershwin: “Delishious”
George Gershwin: “The Half of It Dearie Blues”
Edward Cohen, after George Gershwin: “Nice Work If You Can Get It,” for Two Pianos
George Gershwin: “Do It Again,” for Piano
George Gershwin: “Do It Again”
Andy Vores, after George Gershwin: “Foggy Day” (Bad Weather No. 1), for Two Pianos
George Gershwin: “Mine”
George Gershwin: “Someone to Watch over Me”
George Gershwin: “Let’s Kiss and Make Up”
George Gershwin: “The Man I Love”
John Harbison, after George Gershwin: “Fascinating Rhythm” (David’s Fascinating Rhythm Method), for Two Pianos
Igor Stravinsky: Les noces

Friday, November 8, and Sunday, November 10, 1996
Jordan Hall at NEC; David Hoose, conductor
Heinrich Schütz: “Paratum cor meum, Deus,” SWV 257, from Symphoniae sacrae I
J.S. Bach: Motet BWV 230, “Lobet den Herrn, alle Heiden”
Heinrich Schütz: “Lasset uns doch den Herren, unsern Gott, loben,” SWV 407, from Symphoniae sacrae III
Heinrich Schütz: “Saul, Saul, was verfolgst du mich?” SWV 415, from Symphoniae sacrae III
John Harbison: Emerson (presented twice)
J.S. Bach: Motet BWV 225, “Singet dem Herrn ein neues Lied”

Friday, January 21, 1994
Jordan Hall at NEC; David Hoose, conductor
Irving Fine: The Choral New Yorker
Seymour Shifrin: The Odes of Shang
Earl Kim: Some Thoughts on Keats and Coleridge
John Harbison: The Flower-Fed Buffaloes
Aaron Copland, arr. Irving Fine: from Old American Songs
“The Boatmen’s Dance”
“The Dodger”
“Simple Gifts”
“I Bought Me a Cat, Long Time Ago”
Aaron Copland, arr. David Hoose: “At the River,” from Old American Songs

Saturday, January 25, 1992
Jordan Hall at NEC; David Hoose, conductor
Heinrich Schütz: “So fahr ich hin zu Jesu Christ,” SWV 379, from Geistliche Chormusik 1648
Heinrich Schütz: “Sehet an den Feigenbaum,” SWV 394, from Geistliche Chormusik 1648
Heinrich Schütz: “Herr, auf dich traue ich,” SWV 377, from Geistliche Chormusik 1648
John Harbison: Elegiac Songs
W.A. Mozart: Mass in C minor, K. 427 (417a)

Friday, November 10, 1989
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 26, “Ach wie flüchtig, ach wie nichtig”
John Harbison: The Flight Into Egypt
Robert Schumann: Requiem in D-flat, op. 148

Friday, November 21, 1986
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 140, “Wachet auf, ruft uns die Stimme”
John Harbison: The Flight Into Egypt
Heinrich Schütz: “Siehe, es erschein der Engel des Herren,” SWV 403, from Symphoniae sacrae III
Heinrich Schütz: “Auf dem Gebirge hat man ein Geschrei gehöret,” SWV 396, from Geistliche Chormusik 1648
Heinrich Schütz: “Das ist je gewisslich wahr,” SWV 388, from Geistliche Chormusik 1648
Heinrich Schütz: “Mein Sohn, warum hast du uns das getan?” SWV 401, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 64, “Sehet, welch eine Liebe”

Saturday, March 6, 1982
Swedenborgian Church of the New Jerusalem, Cambridge
John Harbison and David Hoose, conductors
Johannes Brahms: Vier Gesänge, op. 17
Franz Schubert: Ellens zweiter Gesang, orch. Johannes Brahms (Anh 17)
Franz Schubert: Nachtgesang im Walde, D. 913
Robert Schumann: Jagdlieder, op. 137
Robert Schumann: Vier doppelchorige Gesänge, op. 141

Wednesday, December 2, 1981
Sanders Theatre, Harvard University; John Harbison, conductor
Giovanni Gabrieli: O Jesu mi dulcissime
Giovanni Gabrieli: “Salvator noster,” from Symphoniae sacrae II
Igor Stravinsky: Mass
Heinrich Schütz: “Seid barmherzig,” SWV 409, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 23, “Du wahrer Gott und Davids Sohn”

Wednesday, February 28, 1973
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 44, “Sie werden euch in den Bann thun”
John Harbison: Five Songs of Experience
J.S. Bach: Cantata BWV 7, “Christ unser Herr zum Jordan kam”

Wednesday, April 28, 1971
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Motet BWV 229, “Komm, Jesu, komm”
J.S. Bach: Cantata BWV 42, “Am Abend aber desselbigen Sabbats”
John Harbison: Music for Mixed Chorus
Orlando Gibbons: Fair is the Rose
J.S. Bach: Cantata BWV 47, “Wer sich selbst erhöhet der soll erniedriget werden”

Programs that have included the works of Stephen Hartke:

Friday, November 4, 2011
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Brandenburg Concerto No. 1 in F, BWV 1046
Stephen Hartke: Precepts
Stephen Hartke: A Brandenburg Autumn
J.S. Bach: Lutheran Mass in F, BWV 233

Friday, May 11, 2007
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Concerto in C minor for Oboe and Violin
Stephen Hartke: Precepts
J.S. Bach: Cantata BWV 161, “Komm, du süsse Todesstunde”
Stephen Hartke: Precepts
J.S. Bach: Cantata BWV 11, “Lobet Gott in seinen Reichen” (Ascension Oratorio)

Programs that have included the works of Franz Joseph Haydn:

Friday, March 20, 2015
Jordan Hall at NEC; David Hoose, conductor
Ludwig van Beethoven: Elegischer Gesang, op. 118
Franz Joseph Haydn: Symphony No. 86 in D Major
Wolfgang Amadeus Mozart: Great Mass in C minor, K. 427/417a
Program Notes

Friday, May 10, 2013
Jordan Hall at NEC; David Hoose, conductor
W.A. Mozart: Motet: “Ave verum corpus,” K. 618
Franz Joseph Haydn: Symphony No. 47 in G
Jan Dismas Zelenka: Missa votiva in E minor, ZWV 18

Friday, May 9, and Sunday, May 11, 1997
Jordan Hall at NEC; David Hoose, conductor
Felix Mendelssohn: Die Hebriden (“Fingal’s Cave”)
Marjorie Merryman: Jonah
Franz Joseph Haydn: Mass No. 13 in B-flat, “Schöpfungsmesse”

Friday, November 12, and Sunday, November 14, 1995
Jordan Hall at NEC; David Hoose, conductor
F.J. Haydn: Die Jahreszeiten (The Seasons)

Friday, January 22, 1993
Jordan Hall at NEC; David Hoose, conductor
Franz Joseph Haydn: Mass No. 11 in D minor, Missa in Angustiis (“Lord Nelson“)
Charles Fussell: Specimen Days
Ludwig van Beethoven: Elegischer Gesang, op. 118

Friday, May 11, and Saturday, May 12, 1990
Jordan Hall at NEC; David Hoose, conductor
F.J. Haydn: Die Schöpfung (The Creation)

Wednesday, December 31, 1986
Trinity Church, Boston; David Hoose, conductor
First Night Boston (two performances)
F.J. Haydn: Mass No. 10 in C, Missa in tempore belli (Mass in Time of War)

Friday, May 3, 1985
Sanders Theatre, Harvard University; David Hoose, conductor
F.J. Haydn: Die Jahreszeiten (The Seasons)

Wednesday, February 10, and Friday, February 12, 1982
Sanders Theatre, Harvard University; David Hoose, conductor
F.J. Haydn: Die Schöpfung (The Creation)

Wednesday, May 9, 1979
Sanders Theatre, Harvard University; Benjamin Zander, conductor
Anton Bruckner: Locus iste Anton Webern: Entflieht auf leichten Kähnen, op. 2
Anton Bruckner: Ave Maria
Franz Schubert: Salve Regina, op. 153
W.A. Mozart: Ave verum corpus, K. 618
F.J. Haydn: Mass No. 11 in D minor, Missa in Angustiis (“Nelson Mass”)

Wednesday, February 18, 1970
Sanders Theatre, Harvard University; Joseph Silverstein, conductor
William Byrd: Mass for Four Voices
F.J. Haydn: Concerto No. 1 in C, for Violin and Orchestra
F.J. Haydn: Mass No. 11 in D minor, Missa in Angustiis (“Nelson Mass”)

Programs that have included the works of Paul Hindemith:

Friday, November 18th, 2016
American Academy of Arts and Sciences; Allison Voth, director
Entartete Musik
Kurt Weill, arr. John Greer: "Berlin im licht"
Arnold Schoenberg: "Wanderlied Capriccio"
Schoenberg: "Am strand"
Weill: "Großer Dankchoral: Lobet die Nacht" from Das Berliner Requiem
Berthold Goldschmidt: "Nebelweben" & "Ein Rosenzweig" from Zwei Lieder, op. 27
Alexander Zemlinsky: "Liebe Schwalbe", "Blaues Sternlein", & "Fensterlein, nachts bist du zu"
Zemlinsky: "Der Wind des Herbste" & "Afrikanische Tanz"
Hanns Eisler: "Philantropich", "Die Zwei Trichter", & "Die Zwei Wurzeln" from Galgenlieder
Erich Korngold: "Come away, death", "Adieu good man devil", & "For the rain it raineth every day" from Songs of the Clown, op. 29
Egon Wellesz: "Blütenschnee", "Leichtes Spiel", & "Blüten" from Kirschblütenlieder, op. 8
Paul Hindemith: 3 Hymnen, op. 14
Ernst Krenek: "O Tranenvolle" from O Lacrimosa, op. 48a
Hans Gál: "Drei Prinzessinnen", "Der Wiesenbach", & "Abend auf dem Fluss"
Franz Schreker: "Und wie mag die Liebe" & "Das feurige Männlein"
Weill: "Cäsars Tod" from Der Silbersee
Krenek: "Die Saiten weiss ich zu rühren " from Fiedellieder, op. 64
Wilhelm Grosz: "Bänkel vom Klatsch" from Bänkel und Balladen
Schoenberg: "Mahnung" from Brettl Lieder
Krenek: "Wiederum lebt wohl" from Fiedellieder, op. 64
Grosz: "Die Ballade von Sammy Lee" from Bänkel und Balladen
Krenek: "Nun ein Scherflein in der Runde" from Fiedellieder, op. 64
Eisler: "Ballade von de Krüppelgarde" from Balladenbuch, op. 18
Weill, arr. Greer: "Youkali" from Marie Galante
Program Notes

Sunday, December 10, 2006
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
George F. Root: “The Battle Cry of Freedom”
Anon: “The Why and the Wherefore”
George F. Root: “The Vacant Chair”
Robert Schumann: “Die Beiden Grenadiere,” op. 49, no. 1,”Die Hochländer-Witwe,” op. 25, no. 14
Johannes Brahms: “Auf dem Kirchhofe,” op. 105, no. 4
Modest Mussorgsky: “Commander-in-Chief”
Sergei Rachmaninoff: “The Little Island,” op. 14, no. 12
Joseph Ness: “Linie Wie,” “Vi Asoy”
trad: “Eli, Eli”
Ivor Gurney: “Black Stitchel”
Denis W. Browne and W. Denis: “The Isle of Lost Dreams”
Ivor Gurney: “Blaweary”
Denis W. Browne and W. Denis: “To Gratiana Dancing and Singing”
Gerald Finzi: “Farewell to Arms,” op. 9
Hughie Prince: “Boogie Woogie Bugle Boy”
Sam H. Stept and Charlie Tobias: “Don't Sit Under the Apple Tree”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
Francis Poulenc: “C,” “Bleuet,” “Le Disparu,” “Priez pour paix”
Kurt Weill: “Beat! Beat! Drums!” “O Captain! My Captain!”
Paul Hindemith: “Sing on there in the Swamp”
Ned Rorem: “An Incident,” “Inauguration Ball”
Lee Hoiby: “Private First Class Jesse Givens”
Francis Poulenc: “Lune”

Friday, May 7, and Saturday, May 8, 2004
First Church Congregational, Cambridge; David Hoose, conductor
Anton Bruckner: Mass in E minor
Paul Hindemith: Apparebit repentina dies
Heinrich Schütz: "Alleluia! Löbet den Herren," SWV 38, from Psalmen Davids 1619

Friday, May 8, and Sunday, May 10, 1998
Jordan Hall at NEC; David Hoose, conductor
Ralph Vaughan Williams: Mass in G minor
Paul Hindemith: Apparebit repentina dies
David Diamond: Elegy: In Memory of Maurice Ravel
Charles Ives, orch. David Hoose: Psalm 90

Programs that have included the works of Lee Hoiby:

Sunday, December 10, 2006
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
George F. Root: “The Battle Cry of Freedom”
Anon: “The Why and the Wherefore”
George F. Root: “The Vacant Chair”
Robert Schumann: “Die Beiden Grenadiere,” op. 49, no. 1,”Die Hochländer-Witwe,” op. 25, no. 14
Johannes Brahms: “Auf dem Kirchhofe,” op. 105, no. 4
Modest Mussorgsky: “Commander-in-Chief”
Sergei Rachmaninoff: “The Little Island,” op. 14, no. 12
Joseph Ness: “Linie Wie,” “Vi Asoy”
trad: “Eli, Eli”
Ivor Gurney: “Black Stitchel”
Denis W. Browne and W. Denis: “The Isle of Lost Dreams”
Ivor Gurney: “Blaweary”
Denis W. Browne and W. Denis: “To Gratiana Dancing and Singing”
Gerald Finzi: “Farewell to Arms,” op. 9
Hughie Prince: “Boogie Woogie Bugle Boy”
Sam H. Stept and Charlie Tobias: “Don't Sit Under the Apple Tree”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
Francis Poulenc: “C,” “Bleuet,” “Le Disparu,” “Priez pour paix”
Kurt Weill: “Beat! Beat! Drums!” “O Captain! My Captain!”
Paul Hindemith: “Sing on there in the Swamp”
Ned Rorem: “An Incident,” “Inauguration Ball”
Lee Hoiby: “Private First Class Jesse Givens”
Francis Poulenc: “Lune”

Sunday, February 9, 2003
Cantata Singers Chamber Series, Kayo Iwama, music director
Media Arts Center, Roxbury Community College
Franz Schubert: “Das Wandern”
trad. “O Waly, Waly”
Ernest Chausson: “Sérénade Italienne”
Robert Schumann: “Im Rhein, im heiligen Strome”
Ned Rorem: “The Lordly Hudson”
Franz Schubert: Marche Militaire, in D Major
Ralph Vaughan Williams: “The Vagabond”
Paul Bowles: “Heavenly Grass”
Samuel Barber: “St. Patrick’s Purgatory”
Charles Ives: “The World’s Highway”
Richard Hundley: “Will There Really Be a Morning?”
Lee Hoiby: “The Saints”
Douglas Townsend: Fantasy on “Follow the Drinking Gourd”
John Andrew Ross: “Give Me the Wings of Faith”
Aaron Copland: “Simple Gifts,” “At the River,” “Ching-A-Ring-Chaw”

Sunday, April 14, 2002
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Gerald Finzi: “Farewell to Arms”
Ludwig van Beethoven: “Die Liebe des Nächsten”
Robert Schumann: “Die beiden Grenadiere”
Hugo Wolf: “Nun lass uns Frieden schliessen”
Ludwig van Beethoven: “Der freie Mann”
Hugo Wolf: “Ihr junge Leute”
Gustav Mahler: “Der Tambourg’sell”
Robert Schumann: “Requiem”
trad. “The Minstrel Boy”
trad. “Dear Harp of my Country”
trad. “The Bonney Earl o’Moray”
trad. “Avenging and Bright”
Stephen Foster: “We Are Coming, Father Abraham”
Lee Hoiby: “I Was There”
Charles Ives: “Duty/Vita”
Lee Hoiby: “Willie Has Gone to the War”
Songs of Charles Ives
“Joy, Shipmate, Joy”
“Ilmenau”
“In Flanders fields”
“Where the Eagle”
“Tom Sails Away”
“Autumn”
“He is there!”

Sunday, April 1, 2001
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Liza Lehmann: “How doth the little crocodile”
Franz Schubert: “Die Forelle”
Samuel Barber: “The monk and his cat”
Maurice Ravel: “Le paon”
John Duke: “Bee! I’m expecting you”
Lee Hoiby: “The Serpent”
Liza Lehmann: “Will you walk a little faster”
Aaron Copland: “I bought me a cat”
Francis Poulenc: The Story of Babar, the Little Elephant

Sunday, April 13, 1997
Cantata Singers Chamber Series, Kayo Iwama, music director
Isabella Stewart Gardner Museum, Boston
Aaron Copland: “Nature, the gentlest mother”
Charles Ives: “Evening”
William Roy: “This Little Rose”
Charles Ives: “Nature’s Way,” “The Housatonic at Stockbridge,” “Walking”
Arthur Farwell: “I’m Nobody! Who are you?” “Aristocracy”
Charles Ives: “The Innate”
Robert Baksa: “The soul selects her own society”
Andy Vores: Haunted
Charles Ives: “Religion”
Lee Hoiby: “The Saints”
Aaron Copland: “Going to Heaven”
Charles Ives: “Serenity,” “General William Booth Enters Into Heaven”

Programs that have included the works of Gustav Holst:

Friday, January 14, 2011
Jordan Hall at NEC; David Hoose, conductor
Gustav Holst: The Evening-watch , op. 43, no. 1
Edward Elgar: “Weary Wind of the West”
Gerald Finzi: “My Spirit Sang All Day,” from Seven Poems of Robert Bridges
Ralph Vaughan Williams: Three Shakespeare Songs
trad. (Scottish), arr. Ralph Vaughan Williams: “Loch Lomond”
trad. (Welsh), arr. Gustav Holst: “My sweetheart's like Venus”
trad. (Cornish), arr. Gustav Holst: “I love my love”
Ralph Vaughan Williams: Riders to the Sea
Alexandra Borrie, director

Programs that have included the works of Herbert Howells:

Friday, January 18, 2013
First Church Congregational, Cambridge; David Hoose, conductor
Anton Bruckner: Pange lingua
Anton Bruckner: Christus factus est
Herbert Howells: Requiem
Frank Martin: Messe pour double choeur a cappella

Sunday, October 28, 2012
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
Herbert Howells: Four Songs, op. 22
Herbert Howells: “King David”
Herbert Howells: “The Mugger's Song”
Frank Martin: Sechs Monologe aus Jederman
James MacMillan: “Scots Song”
Robert Schumann: Spanische Liederspiel, op. 74
Marjorie Merryman: Wilde Epigrams

Friday, May 13, 2011
First Church Congregational, Cambridge; David Hoose, conductor
Leonard Bernstein: Chichester Psalms
Herbert Howells: Take Him, Earth, for Cherishing
Ralph Vaughan Williams: Mass in G minor
Charles Ives: Psalm 90

Programs that have included the works of Andrew Imbrie:

Friday, November 5, and Saturday, November 6, 2010
Jordan Hall at NEC; David Hoose, conductor
Andrew Imbrie: On the Beach at Night
Ralph Vaughan Williams: Flos campi
Yehudi Wyner: Give Thanks for All Things
Ralph Vaughan Williams: Concerto in A minor for Oboe and Strings
Irving Fine, orch. David Hoose: The Choral New Yorker

Friday, November 10, 2006
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 105, “Herr, gehe nicht ins Gericht mit deinem Knecht”
Adam Imbrie: Adam
J.S. Bach: Cantata BWV 34, “O ewiges Feuer, o Ursprung der Liebe”

Friday, November 4, and Sunday, November 6, 1994
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 50, “Nun ist das Heil und die Kraft”
Andrew Imbrie: Adam
J.S. Bach: Cantata BWV 149, “Man singet mit Freuden vom Sieg”

Saturday, November 21, 1987
Jordan Hall at NEC; David Hoose, conductor
Felix Mendelssohn: Sechs Lieder, op. 48
Andrew Imbrie: On the Beach at Night
Irving Fine: Serious Song
Irving Fine: The Hour-Glass
Eliott Carter: Elegy, for String Orchestra
Robert Schumann, orch. David Hoose: Vier doppelchörige Gesänge, op. 141

Programs that have included the works of Charles Ives:

Wednesday, June 25, and Thursday, June 26, 2014
Church of the Covenant, Boston; David Hoose, conductor
performed for the American Guild of Organists annual convention
Charles Ives: Psalm 90
Betty Olivero: Lo Ira Ra
Leonard Bernstein: Chichester Psalms

Friday, May 13, 2011
First Church Congregational, Cambridge; David Hoose, conductor
Leonard Bernstein: Chichester Psalms
Herbert Howells: Take Him, Earth, for Cherishing
Ralph Vaughan Williams: Mass in G minor
Charles Ives: Psalm 90

Sunday, February 9, 2003
Cantata Singers Chamber Series, Kayo Iwama, music director
Media Arts Center, Roxbury Community College
Franz Schubert: “Das Wandern”
trad. “O Waly, Waly”
Ernest Chausson: “Sérénade Italienne”
Robert Schumann: “Im Rhein, im heiligen Strome”
Ned Rorem: “The Lordly Hudson”
Franz Schubert: Marche Militaire, in D Major
Ralph Vaughan Williams: “The Vagabond”
Paul Bowles: “Heavenly Grass”
Samuel Barber: “St. Patrick’s Purgatory”
Charles Ives: “The World’s Highway”
Richard Hundley: “Will There Really Be a Morning?”
Lee Hoiby: “The Saints”
Douglas Townsend: Fantasy on “Follow the Drinking Gourd”
John Andrew Ross: “Give Me the Wings of Faith”
Aaron Copland: “Simple Gifts,” “At the River,” “Ching-A-Ring-Chaw”

Sunday, April 14, 2002
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Gerald Finzi: “Farewell to Arms”
Ludwig van Beethoven: “Die Liebe des Nächsten”
Robert Schumann: “Die beiden Grenadiere”
Hugo Wolf: “Nun lass uns Frieden schliessen”
Ludwig van Beethoven: “Der freie Mann”
Hugo Wolf: “Ihr junge Leute”
Gustav Mahler: “Der Tambourg’sell”
Robert Schumann: “Requiem”
trad. “The Minstrel Boy”
trad. “Dear Harp of my Country”
trad. “The Bonney Earl o’Moray”
trad. “Avenging and Bright”
Stephen Foster: “We Are Coming, Father Abraham”
Lee Hoiby: “I Was There”
Charles Ives: “Duty/Vita”
Lee Hoiby: “Willie Has Gone to the War”
Songs of Charles Ives
“Joy, Shipmate, Joy”
“Ilmenau”
“In Flanders fields”
“Where the Eagle”
“Tom Sails Away”
“Autumn”
“He is there!”

Sunday, December 2, 2001
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Benjamin Britten: “Let the Florid Music Praise,” “At the Railway Station, Upway”
Samuel Barber: “Solitary Hotel”
Jean Berger: “Lonely People”
Franz Schubert: “Der Einsame”
Noel Coward: “If Love Were All”
Johannes Brahms: “O wüsst’ich doch den Weg zurück”
Ralph Vaughan Williams: “Whither Must I Wander?”
Johannes Brahms: “Volkslied”
Franz Schubert: “Der Lindenbaum”
Johannes Brahms: Spätherbst,” “Der Abend”
Franz Schubert: “Abendstern”
Samuel Barber: “Boundless, Boundless Evening”
Johannes Brahms: “Abenddämerung”
Robert Baksa: “The soul selects her own society”
William Bolcom: “Waitin’”
Charles Ives: Hymn
Benjamin Britten: “At Day-Close in November,” “Nocturne”
trad. “Amazing Grace”

Friday, May 8, and Sunday, May 10, 1998
Jordan Hall at NEC; David Hoose, conductor
Ralph Vaughan Williams: Mass in G minor
Paul Hindemith: Apparebit repentina dies
David Diamond: Elegy: In Memory of Maurice Ravel
Charles Ives, orch. David Hoose: Psalm 90

Sunday, April 13, 1997
Cantata Singers Chamber Series, Kayo Iwama, music director
Isabella Stewart Gardner Museum, Boston
Aaron Copland: “Nature, the gentlest mother”
Charles Ives: “Evening”
William Roy: “This Little Rose”
Charles Ives: “Nature’s Way,” “The Housatonic at Stockbridge,” “Walking”
Arthur Farwell: “I’m Nobody! Who are you?” “Aristocracy”
Charles Ives: “The Innate”
Robert Baksa: “The soul selects her own society”
Andy Vores: Haunted
Charles Ives: “Religion”
Lee Hoiby: “The Saints”
Aaron Copland: “Going to Heaven”
Charles Ives: “Serenity,” “General William Booth Enters Into Heaven”

Monday, June 2 1975
Old North Church; Philip Kelsey, conductor
Landmark Concert, Boston Bicentenniel Celebration
Eliakim Doolittle: “Exhortation,” from The Psalm-Singer’s Companion, 1806
Justin Morgan: “Amanda,” from Federal Harmony, 1790
Supply Belcher: “Easter Anthem”, from The Harmony of Maine, 1794
Charles Ives: Psalm 90, “Lord, thou hast been our dwelling place”

Wednesday, May 15, 1974
Sanders Theatre, Harvard University; Philip Kelsey, conductor
Claudio Monteverdi: Gloria a 7
Charles Ives: Psalm 90, “Lord, thou hast been our dwelling place”
Eliakim Doolittle: “Exhortation,” from The Psalm-Singer’s Companion, 1806
Justin Morgan: “Amanda,” from Federal Harmony, 1790
Supply Belcher: “Easter Anthem,” from The Harmony of Maine, 1794
J.S. Bach: Cantata BWV 146, “Wir müssen durch viel Trübsal”

Programs that have included the works of Earl Kim:

Saturday, May 12, 2012
Jordan Hall at NEC; David Hoose, conductor
Charles Fussell, orch. David Hoose: Invocation
Earl Kim: Some Thoughts on Keats and Coleridge
Harold Shapero: Four-Hand Sonata for Piano – I. Very Slowly—Moderately Fast
Earl Kim: Scenes from a Movie, Part 3: The Twenty-sixth Dream
Rodney Lister: The Annunciation
Harold Shapero: Four-Hand Sonata for Piano – II. Slowly and III. Fast
Aaron Copland: In the Beginning

Friday, January 19, and Sunday, January 21, 1996
Jordan Hall at NEC; David Hoose, conductor
Francis Poulenc: Quatre motets pour un temps de Pénitence
Earl Kim: Scenes from a Movie, Part 3: The 26th Dream
Luigi Dallapiccola: Canti di Prigionia

Friday, January 21, 1994
Jordan Hall at NEC; David Hoose, conductor
Irving Fine: The Choral New Yorker
Seymour Shifrin: The Odes of Shang
Earl Kim: Some Thoughts on Keats and Coleridge
John Harbison: The Flower-Fed Buffaloes
Aaron Copland, arr. Irving Fine: from Old American Songs
“The Boatmen’s Dance”
“The Dodger”
“Simple Gifts”
“I Bought Me a Cat, Long Time Ago”
Aaron Copland, arr. David Hoose: “At the River,” from Old American Songs

Programs that have included the works of Johann Kuhnau:

Wednesday, May 10, 1978
Sanders Theatre, Harvard University; John Ferris, conductor
Sethus Calvisius: Gloria in excelsis Deo
Sethus Calvisius: Unser Leben währet siebzig Jahr
J.H. Schein: “Vater unser im Himmelreich,” from Opella nova
J.H. Schein: “Zion spricht: der Herr hat mich verlassen,” from Israelsbrünnlein
Johann Kuhnau: Suonata quarta
Johann Kuhnau: “Hiskie agonizzante e risanato,” from Biblischer Historien
Johann Kuhnau: Motet, “Tristis est anima mea”
J.H. Schein: “Ein feste Burg ist unser Gott,” from Opella nova
J.H. Schein: “Die mit Tränen säen,” from Israelsbrünnlein
J.H. Schein: Psalm 150, from Jubilate
J.H. Schein: “O Amarilli zart,” from Diletti pastorale, Hirtenlust
J.H. Schein: “Mein Schifflein lief im wilden Meer,” from Diletti pastorale, Hirtenlust
J.S. Bach: Cantata BWV 150, “Nach dir, Herr, verlanget mich”

Programs that have included the works of Zoltán Kodály:

Wednesday, July 25, 1973
Jewett Arts Center, Wellesley College; Péter Erdei, conductor
J.S. Bach: Motet BWV 227, “Jesu, meine Freude”
Zoltán Kodály: Szép könyörgés
Antonio Lotti: Crucifixus
Heinrich Schütz: “Selig sind die Toten,” SWV 391, from Geistliche Chormusik 1648

Programs that have included the works of Billy Jim Layton:

Wednesday, May 11, 1977
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Concerto in C minor, for Violin and Oboe, BWV 1060
Billy Jim Layton: Three Dylan Thomas Poems
Felix Mendelssohn: Sechs Lieder im Freien zu singen, op. 59
J.S. Bach: Cantata BWV 21, “Ich hatte viel Bekümmernis”

Programs that have included the works of Rodney Lister:

Saturday, May 12, 2012
Jordan Hall at NEC; David Hoose, conductor
Charles Fussell, orch. David Hoose: Invocation
Earl Kim: Some Thoughts on Keats and Coleridge
Harold Shapero: Four-Hand Sonata for Piano – I. Very Slowly—Moderately Fast
Earl Kim: Scenes from a Movie, Part 3: The Twenty-sixth Dream
Rodney Lister: The Annunciation
Harold Shapero: Four-Hand Sonata for Piano – II. Slowly and III. Fast
Aaron Copland: In the Beginning

Programs that have included the works of Franz Liszt:

Sunday, March 18, 2012
Jordan Hall at NEC; David Hoose, conductor
Johannes Brahms: Warum ist das Licht gegeben dem Mühseligen, op. 74, no. 1
Franz Liszt, orch. David Hoose: Via crucis – The 14 Stations of the Cross
Christoph Demantius: Weissagung des Leidens und Sterbens Jesu Christi
J.S. Bach: Cantata BWV 4, “Christ lag in Todesbanden”

Friday, March 21, 2003
Jordan Hall at NEC; James Olesen and David Hoose, conductors
Edward Cohen: Invocation
Guiseppe Verdi: “Ave Maria,” from Quatro pezzi sacri
Franz Liszt, orch. David Hoose: Via Crucis – the 14 Stations of the Cross
Olivier Messaien: Trois petites liturgies de la Présence Divine

Programs that have included the works of Antonio Lotti:

Wednesday, July 25, 1973
Jewett Arts Center, Wellesley College; Péter Erdei, conductor
J.S. Bach: Motet BWV 227, “Jesu, meine Freude”
Zoltán Kodály: Szép könyörgés
Antonio Lotti: Crucifixus
Heinrich Schütz: “Selig sind die Toten,” SWV 391, from Geistliche Chormusik 1648

Programs that have included the works of James MacMillan:

Sunday, March 17, 2013
Jordan Hall at NEC; David Hoose, conductor
James MacMillan: Seven Last Words from the Cross
Marjorie Merryman: Beauty, Grief, and Grandeur
Robert Schumann, orch. David Hoose: Vier doppelchörige Gesänge, op. 141

Sunday, October 28, 2012
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
Herbert Howells: Four Songs, op. 22
Herbert Howells: “King David”
Herbert Howells: “The Mugger's Song”
Frank Martin: Sechs Monologe aus Jederman
James MacMillan: “Scots Song”
Robert Schumann: Spanische Liederspiel, op. 74
Marjorie Merryman: Wilde Epigrams

Programs that have included the works of Frank Martin:

Friday, January 18, 2013
First Church Congregational, Cambridge; David Hoose, conductor
Anton Bruckner: Pange lingua
Anton Bruckner: Christus factus est
Herbert Howells: Requiem
Frank Martin: Messe pour double choeur a cappella

Friday, November 9, 2012
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 114, “Ach, lieben Christen, seid getrost”
Frank Martin: Et la vie l'emporta
Jan Dismas Zelenka: Motets from Responsoria pro Hebdomada Sancta, ZWV 55
J.S. Bach: Cantata BWV 3, “Ach Gott, wie manches Herzeleid"

Sunday, October 28, 2012
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
Herbert Howells: Four Songs, op. 22
Herbert Howells: “King David”
Herbert Howells: “The Mugger's Song”
Frank Martin: Sechs Monologe aus Jederman
James MacMillan: “Scots Song”
Robert Schumann: Spanische Liederspiel, op. 74
Marjorie Merryman: Wilde Epigrams

Friday, February 14, 1969
Sanders Theatre, Harvard University; Richard P. Kapp, conductor
J.S. Bach: Cantata BWV 102, “Herr, deine Augen sehen nach dem Glauben”
Frank Martin: “Le philtre,” from Le vin herbé
J.S. Bach: Lutheran Mass in G minor, BWV 235

Saturday, November 9, 1968
Sanders Theatre, Harvard University; Richard P. Kapp, conductor
Henry Purcell: Christmas Anthem
J.S. Bach: Cantata BWV 26, “Ach wie flüchtig, ach wie nichtig”
Frank Martin: Ballade for Flute and Orchestra
J.S. Bach: Cantata BWV 80, “Ein feste Burg ist unser Gott”

Programs that have included the works of Nicholas Maw:

Friday, November 7, 2008
Jordan Hall at NEC; David Hoose, conductor
Benjamin Britten: A Hymn to the Virgin
Nicholas Maw, orch. David Hoose: One Foot in Eden Still, I Stand
Benjamin Britten: Cantata misericordium, op. 69
Gabriel Fauré: Requiem, op. 48

Programs that have included the works of Felix Mendelssohn:

Tuesday, March 31, 2016
American Academy of Arts and Sciences; Allison Voth, director
Felix Mendelssohn: Duet, from Lobgesang
Fanny Mendelssohn: Songs, op. 7
Johannes Brahms: Trio in A minor, for Piano, Clarinet, and Cello
Felix Mendelssohn: Duets, op. 63
Johannes Brahms: Two Songs for Alto, Viola, and Piano
Fanny Mendelssohn: Duets, op. 63
Johannes Brahms: Neue Liebeslieder, for Vocal Quartet and Piano
Program Notes

Sunday, March 30, 2014
Cantata Singers Chamber Series, Allison Voth, music director
Goethe-Institut, Boston
Claudio Monteverdi: "Chiome d'oro" from Book 7, SV 143
Franz Schubert: Die schöne Müllerin, Op. 25 [excerpts]
John Harbison: Motetti di Montale [excerpts]
Claudio Monteverdi: "Lamento della Ninfa" from Madrigali Guerrieri et Amorosi, Book 8, SV 163
Felix Mendelssohn:
"Herbstlied", Op. 63 No. 4
"Des Mädchens Klage", Op. Posthumous
"Reiselied", Op. 34 No. 6
"Gruß", Op. 63 No. 3
"Frühlingslied", Op. 47 No. 3
"Die Liebende Schreibt", Op. 86 No. 3
"And'res Maienlied", Op. 8 No. 8
"Der Blumenstrauss", Op. 47 No. 5
"Maiglöckchen und die Blümelein", Op. 63 No. 6
Robert Schumann:
"Ich denke dein", Op. 78 No. 3
"Wiegenlied", Op. 78 No. 4
"Unterm Fenster", Op. 34 No. 3
"Herbstlied", Op. 43 No. 2
"Schön Blümelein", Op. 43 No. 3
"Familiengemälde", Op. 34 No. 4
Claudio Monteverdi: "Zefiro torna" from Madrigali e canzonette a due e tre voci, Book 6, SV 108

Saturday, February 22, 2014
Jordan Hall at NEC; David Hoose, conductor
Felix Mendelssohn: Elias

Friday, May 9, and Sunday, May 11, 1997
Jordan Hall at NEC; David Hoose, conductor
Felix Mendelssohn: Die Hebriden (“Fingal’s Cave”)
Marjorie Merryman: Jonah
Franz Joseph Haydn: Mass No. 13 in B-flat, “Schöpfungsmesse”

Saturday, November 21, 1987
Jordan Hall at NEC; David Hoose, conductor
Felix Mendelssohn: Sechs Lieder, op. 48
Andrew Imbrie: On the Beach at Night
Irving Fine: Serious Song
Irving Fine: The Hour-Glass
Eliott Carter: Elegy, for String Orchestra
Robert Schumann, orch. David Hoose: Vier doppelchörige Gesänge, op. 141

Wednesday, May 11, 1977
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Concerto in C minor, for Violin and Oboe, BWV 1060
Billy Jim Layton: Three Dylan Thomas Poems
Felix Mendelssohn: Sechs Lieder im Freien zu singen, op. 59
J.S. Bach: Cantata BWV 21, “Ich hatte viel Bekümmernis”

Programs that have included the works of Marjorie Merryman:

Sunday, March 17, 2013
Jordan Hall at NEC; David Hoose, conductor
James MacMillan: Seven Last Words from the Cross
Marjorie Merryman: Beauty, Grief, and Grandeur
Robert Schumann, orch. David Hoose: Vier doppelchörige Gesänge, op. 141

Sunday, October 28, 2012
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
Herbert Howells: Four Songs, op. 22
Herbert Howells: “King David”
Herbert Howells: “The Mugger's Song”
Frank Martin: Sechs Monologe aus Jederman
James MacMillan: “Scots Song”
Robert Schumann: Spanische Liederspiel, op. 74
Marjorie Merryman: Wilde Epigrams

Friday, May 13, and Saturday, May 14, 2005
All Saints Parish, Brookline; David Hoose, conductor
William Cutter: To See a World
Charles Fussell, orch. David Hoose: Invocation
Irving Fine: The Hour-Glass
Donald Sur: Sonnet 97
Marjorie Merryman: The Garland
John Harbison: The Flower-Fed Buffaloes

Friday, November 7, and Sunday, November 9, 2003
Jordan Hall at NEC; David Hoose, conductor
Marjorie Merryman: One Blood
W.A. Mozart: Requiem, K. 626

Friday, May 9, and Sunday, May 11, 1997
Jordan Hall at NEC; David Hoose, conductor
Felix Mendelssohn: Die Hebriden (“Fingal’s Cave”)
Marjorie Merryman: Jonah
Franz Joseph Haydn: Mass No. 13 in B-flat, “Schöpfungsmesse”

Programs that have included the works of Claudio Monteverdi:

Friday, December 16th, 2016 and Saturday, December 17th, 2016
Cary Hall, Lexington; David Hoose, conductor
St. Paul Church, Cambridge; David Hoose, conductor
Orlande de Lassus: "Sibylla Persica" from Prophetiae Sibyllarum
Claudio Monteverdi: "Laetatus sum"
Hugo Distler: "Es ist ein Ros entsprungen" from Weihnachtsgeschichte, op. 10
Tomás Luis de Victoria: "O magnum mysterium”
Heinrich Schütz: "Nun danket alle Gott,” SWV 418 from Symphoniae sacrae III (1650)
Heinrich Ignaz Franz von Biber: "The Annunication" from Rosary Sonatas
Monteverdi: Gloria a 7
Schütz: “Ach Herr, du Schöpfer aller Ding,” Madrigal spirituale, SWV 450
Lassus: "Sibylla Europæa" from Prophetiae Sibyllarum
Arnold Schoenberg: Friede auf Erden, op. 13
Program Notes

Sunday, March 30, 2014
Cantata Singers Chamber Series, Allison Voth, music director
Goethe-Institut, Boston
Claudio Monteverdi: "Chiome d'oro" from Book 7, SV 143
Franz Schubert: Die schöne Müllerin, Op. 25 [excerpts]
John Harbison: Motetti di Montale [excerpts]
Claudio Monteverdi: "Lamento della Ninfa" from Madrigali Guerrieri et Amorosi, Book 8, SV 163
Felix Mendelssohn:
"Herbstlied", Op. 63 No. 4
"Des Mädchens Klage", Op. Posthumous
"Reiselied", Op. 34 No. 6
"Gruß", Op. 63 No. 3
"Frühlingslied", Op. 47 No. 3
"Die Liebende Schreibt", Op. 86 No. 3
"And'res Maienlied", Op. 8 No. 8
"Der Blumenstrauss", Op. 47 No. 5
"Maiglöckchen und die Blümelein", Op. 63 No. 6
Robert Schumann:
"Ich denke dein", Op. 78 No. 3
"Wiegenlied", Op. 78 No. 4
"Unterm Fenster", Op. 34 No. 3
"Herbstlied", Op. 43 No. 2
"Schön Blümelein", Op. 43 No. 3
"Familiengemälde", Op. 34 No. 4
Claudio Monteverdi: "Zefiro torna" from Madrigali e canzonette a due e tre voci, Book 6, SV 108

Saturday, December 7, 2013
St. Paul Church, Cambridge; David Hoose, conductor
Claudio Monteverdi: Vespro della Beata Vergine 1610

Friday, March 12, 2010
Jordan Hall at NEC ; David Hoose, conductor
Claudio Monteverdi: Laetatus sum
Heinrich Schütz: “Domine, non est exaltatum cor meum,” SWV 78, from Cantiones sacrae
Heinrich Schütz: “Si non humiliter sentiebam,” SWV 79, from Cantiones sacrae
Heinrich Schütz: “Speret Israel in domino,” SWV 80, from Cantiones sacrae
Igor Stravinsky: Mass
Francis Poulenc: Mass in G
Heinrich Schütz: “Wo der Herr nicht das Haus bauet,” SWV 400, from Symphoniae sacrae III
Heinrich Schütz: “Saul, Saul, was verfolgst du mich?,” SWV 415, from Symphoniae sacrae III
Heinrich Schütz: “Nun danket alle Gott,” SWV 418, from Symphoniae sacrae III
Claudio Monteverdi: Gloria a 7

Friday, May 1, 1992
Jordan Hall at NEC; David Hoose, conductor
Claudio Monteverdi: Vespro della Beata Vergine 1610

Friday, February 8, 1985
Sanders Theatre, Harvard University; David Hoose, conductor
Cantiones sacrae, Emmanuel Music, and Cantata Singers Heinrich Schutz Festival, Concert III
Heinrich Schütz: “Die Himmel erzählen die Ehre Gottes,” SWV 386, from Geistliche Chormusik 1648
Heinrich Schütz: “Warum toben die Heiden,” SWV 23, from Psalmen Davids 1619
J.H. Schein: “Die mit Tranen säen,” from Israelsbrünnlein
Heinrich Schütz: “Die mit Tränen säen,” SWV 42, from Psalmen Davids 1648
Heinrich Schütz: “Herr, wie lang,” SWV 416, from Symphoniae sacrae III
Claudio Monteverdi: “Beatus vir,” from Selva Morale e Spirituale
Heinrich Schütz: “Saul, Saul, was verfolgst du mich?” SWV 415, from Symphoniae sacrae III
Giovanni Gabrieli: “Suscipe, clementissime Deus,” from Symphoniae sacrae
Heinrich Schütz: “Siehe, wie fein und lieblich,” SWV 412, from Symphoniae sacrae III
Heinrich Schütz: “Herr, auf dich traue ich,” SWV 377,” from Geistliche Chormusik 1648
Heinrich Schütz: “Alleluia! Lobet den Herren,” SWV 38, from Psalmen Davids 1619

Wednesday, February 9, 1983
Sanders Theatre, Harvard University; David Hoose, conductor
Igor Stravinsky: Introitus
Orlando di Lasso: “Carmina Chromatica,” and “Sibylla Persica,” from Prophetiae Sibyllarum
Claudio Monteverdi: “Non havea Febo ancora,” from Madrigali guerrieri ed amorosi
Armand Qualliotine: Proteggemi, for Soprano and Chamber Ensemble
Claudio Monteverdi: “Hor che’l ciel e la terra,” from Madrigali guerrieri ed amorosi
Giuseppe Verdi: “Ave Maria,” from Quattro pezzi sacri
Luigi Dallapiccola: Canti di Prigionia

Wednesday, April 29, 1981
Sanders Theatre, Harvard University; David Hoose, conductor
Claudio Monteverdi: Laetatus sum
Heinrich Schütz: “Die mit Tränen säen,” SWV 378, from Geistliche Chormusik 1648
Heinrich Schütz: “Auf dem Gebirge hat man ein Geschrei gehöret,” SWV 396, from Geistliche Chormusik 1648
Heinrich Schütz: “So fahr ich hin zu Jesu Christ,” SWV 379, from Geistliche Chormusik 1648
Claudio Monteverdi: Gloria a 7
Igor Stravinsky: Les noces

Sunday, April 14, 1974
Isabella Stewart Gardner Museum; Philip Kelsey, conductor
Claudio Monteverdi: Gloria a 7
Heinrich Schütz: Psalm 84, “Wie lieblich sind deine”
Heinrich Schütz: Psalm 137, “An den Wassern zu Babel,” SWV 37
Heinrich Schütz: Three Early American Choral Pieces
Arnold Schoenberg: Dreimal tausend Jahre, op. 50a
J.S. Bach: Cantata BWV 77, “Du sollt Gott, deinen Herren, lieben”
Heinrich Schütz: Konzert, “Lobe den Herren, meine Seele,” SWV 30

Wednesday, May 15, 1974
Sanders Theatre, Harvard University; Philip Kelsey, conductor
Claudio Monteverdi: Gloria a 7
Charles Ives: Psalm 90, “Lord, thou hast been our dwelling place”
Eliakim Doolittle: “Exhortation,” from The Psalm-Singer’s Companion, 1806
Justin Morgan: “Amanda,” from Federal Harmony, 1790
Supply Belcher: “Easter Anthem,” from The Harmony of Maine, 1794
J.S. Bach: Cantata BWV 146, “Wir müssen durch viel Trübsal”

Saturday, May 4, 1968
Sanders Theatre, Harvard University; G. Wallace Woodworth, conductor
J.S. Bach: Cantata BWV 79, “Gott der Herr ist Sonn’ und Schild”
Giovanni Gabrieli: “O Jesu mi dulcissime,” from Symphoniae sacrae II
Claudio Monteverdi: “Ohime, se tanto amate,” from Il quarto libro de madrigali a cinque voci
J.S. Bach: Cantata BWV 11, “Lobet Gott in seinen Reichen” (Ascension Oratorio)

Programs that have included the works of Justin Morgan:

Monday, June 2 1975
Old North Church; Philip Kelsey, conductor
Landmark Concert, Boston Bicentenniel Celebration
Eliakim Doolittle: “Exhortation,” from The Psalm-Singer’s Companion, 1806
Justin Morgan: “Amanda,” from Federal Harmony, 1790
Supply Belcher: “Easter Anthem”, from The Harmony of Maine, 1794
Charles Ives: Psalm 90, “Lord, thou hast been our dwelling place”

Wednesday, May 15, 1974
Sanders Theatre, Harvard University; Philip Kelsey, conductor
Claudio Monteverdi: Gloria a 7
Charles Ives: Psalm 90, “Lord, thou hast been our dwelling place”
Eliakim Doolittle: “Exhortation,” from The Psalm-Singer’s Companion, 1806
Justin Morgan: “Amanda,” from Federal Harmony, 1790
Supply Belcher: “Easter Anthem,” from The Harmony of Maine, 1794
J.S. Bach: Cantata BWV 146, “Wir müssen durch viel Trübsal”

Programs that have included the works of W.A. Mozart:

Friday, March 20, 2015
Jordan Hall at NEC; David Hoose, conductor
Ludwig van Beethoven: Elegischer Gesang, op. 118
Franz Joseph Haydn: Symphony No. 86 in D Major
Wolfgang Amadeus Mozart: Great Mass in C minor, K. 427/417a
Program Notes

Friday, May 10, 2013
Jordan Hall at NEC; David Hoose, conductor
W.A. Mozart: Motet: “Ave verum corpus,” K. 618
Franz Joseph Haydn: Symphony No. 47 in G
Jan Dismas Zelenka: Missa votiva in E minor, ZWV 18

Friday, November 7, and Sunday, November 9, 2003
Jordan Hall at NEC; David Hoose, conductor
Marjorie Merryman: One Blood
W.A. Mozart: Requiem, K. 626

Sunday, December 8, 2002
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Ludwig van Beethoven: “Sweet Power of Song”
W.A. Mozart: “Komm, liebe Zither, komm”
F.J. Haydn: “O Tuneful Voice,” “The Sailor’s Song,” “The Mermaid’s Song,” “Arianna a Naxos”
W.A. Mozart: “Abendempfindung”
Ludwig van Beethoven: “Vom Tode”
F.J. Haydn: “Abendlied zu Gott”
W.A. Mozart: “Als Luise die Briefe”
Ludwig van Beethoven: “Constancy”
W.A. Mozart: “An Chloë”
Ludwig van Beethoven: “Der Kuss”
F.J. Haydn: “Alles hat seine Zeit”
Ludwig van Beethoven: “Wonne der Wehmut”
F.J. Haydn: “Lob der Faulheit”
Ludwig van Beethoven: “Aus Goethes Faust”
F.J. Haydn: “Der Beredsamkeit”

Friday, March 17, and Sunday, March 19, 2000
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Motet BWV 118, “O Jesu Christ, mein Lebens Licht”
Franz Schreker: Chamber Symphony for 23 Solo Instruments
W.A. Mozart: Requiem, K. 626

Friday, January 29, and Sunday, January 31, 1999
Jordan Hall at NEC; David Hoose, conductor
Frank Bridge: Lament, for String Orchestra
Peter Child : Estrella: The Assassination of Augusto César Sandino
W.A. Mozart: Mass in C minor, K. 427 (417A)

Friday, March 17, and Sunday, March 19, 1995
Jordan Hall at NEC; David Hoose, conductor
Henry Purcell, arr. Benjamin Britten: Chacony in G minor, for String Orchestra
W.A. Mozart: Vesperae solennes de confessore, KV 339
Charles Fussell: Specimen Days

Saturday, January 25, 1992
Jordan Hall at NEC; David Hoose, conductor
Heinrich Schütz: “So fahr ich hin zu Jesu Christ,” SWV 379, from Geistliche Chormusik 1648
Heinrich Schütz: “Sehet an den Feigenbaum,” SWV 394, from Geistliche Chormusik 1648
Heinrich Schütz: “Herr, auf dich traue ich,” SWV 377, from Geistliche Chormusik 1648
John Harbison: Elegiac Songs
W.A. Mozart: Mass in C minor, K. 427 (417a)

Tuesday, December 31, 1991
Converse Hall at Tremont Temple Baptist Church;
Lan Shui and David Hoose, conductors
First Night Boston (two performances)
W.A. Mozart: Divertimento No. 7 in D, K. 205
W.A. Mozart: Mass in C, “Coronation,” K. 317

Friday, November 9, 1990
Jordan Hall at NEC; David Hoose, conductor
Arnold Schoenberg: Schein uns, du liebe Sonne
Max Reger: Morgengesang
Max Reger: “Nachtlied,” from Acht geistliche Gesänge, op. 138
Arnold Schoenberg: Dreimal tausend Jahre, op. 50a
Max Reger: O Tod, wie bitter bist du, op. 110, no. 3
W.A. Mozart: Requiem, K. 626

Tuesday, December 31, 1985
Trinity Church, Boston; David Hoose, conductor
First-Night Boston (two performances)
W.A. Mozart: Requiem, K. 626

Saturday, January 23, 1982
Emmanuel Church; David Hoose, conductor
Mozart Birthday Celebration with Emmanuel Music, Craig Smith, music director
W.A. Mozart: Kyrie in D minor, K. 341 (368a)

Wednesday, May 9, 1979
Sanders Theatre, Harvard University; Benjamin Zander, conductor
Anton Bruckner: Locus iste Anton Webern: Entflieht auf leichten Kähnen, op. 2
Anton Bruckner: Ave Maria
Franz Schubert: Salve Regina, op. 153
W.A. Mozart: Ave verum corpus, K. 618
F.J. Haydn: Mass No. 11 in D minor, Missa in Angustiis (“Nelson Mass”)

Wednesday, April 26, 1972
Sanders Theatre, Harvard University; Earl Kim, conductor
W.A. Mozart: Ave verum corpus, K. 618
W.A. Mozart: Adagio, from Divertimento No. 15, K. 287
W.A. Mozart: Così fan tutte, Quintet (Act I, Scene V)
W.A. Mozart: Caro bell’ idol mio, K. 562
W.A. Mozart: Ach, zu kurz, K. 228
W.A. Mozart: Selig alle, K. 230
W.A. Mozart: Ave Maria, K. 554
W.A. Mozart: Adagio, for Two Clarinets and Bassoon, K. 410
W.A. Mozart: Nascoso è il mio sol, K. 557
W.A. Mozart: Lacrimoso son io, K. 555
W.A. Mozart: Sie ist dahin, K. 229
W.A. Mozart: V’amo di core, K. 348
W.A. Mozart: Così fan tutte, Trio (Act I, Scene VI)
W.A. Mozart: Vesperae solennes de confessore, K. 339

Programs that have included the works of Modest Mussorgsky:

Sunday, December 10, 2006
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
George F. Root: “The Battle Cry of Freedom”
Anon: “The Why and the Wherefore”
George F. Root: “The Vacant Chair”
Robert Schumann: “Die Beiden Grenadiere,” op. 49, no. 1,”Die Hochländer-Witwe,” op. 25, no. 14
Johannes Brahms: “Auf dem Kirchhofe,” op. 105, no. 4
Modest Mussorgsky: “Commander-in-Chief”
Sergei Rachmaninoff: “The Little Island,” op. 14, no. 12
Joseph Ness: “Linie Wie,” “Vi Asoy”
trad: “Eli, Eli”
Ivor Gurney: “Black Stitchel”
Denis W. Browne and W. Denis: “The Isle of Lost Dreams”
Ivor Gurney: “Blaweary”
Denis W. Browne and W. Denis: “To Gratiana Dancing and Singing”
Gerald Finzi: “Farewell to Arms,” op. 9
Hughie Prince: “Boogie Woogie Bugle Boy”
Sam H. Stept and Charlie Tobias: “Don't Sit Under the Apple Tree”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
Francis Poulenc: “C,” “Bleuet,” “Le Disparu,” “Priez pour paix”
Kurt Weill: “Beat! Beat! Drums!” “O Captain! My Captain!”
Paul Hindemith: “Sing on there in the Swamp”
Ned Rorem: “An Incident,” “Inauguration Ball”
Lee Hoiby: “Private First Class Jesse Givens”
Francis Poulenc: “Lune”

Programs that have included the works of Joseph Ness:

Saturday, December 15, 2007
Cantata Singers Chamber Series, Allison Voth, music director
Isabella Stewart Gardner Museum, Boston
trad. (English): “Here We Come A-Wassailing”
trad. (German): “Lo, How a Rose E're Blooming”
trad.: Coventry Carol, from The Pageant of Shearmen and Tailors trad. (English): “I Saw Three Ships”
Tomás Luis de Victoria: O magnum mysterium
Heinrich Schütz: “Die Hirten auf dem Felde,” from Weihnachtshistorie
trad. (English): “God Rest Ye Merry Gentlemen”
Franz Gruber: “Silent Night”
trad. (Catalonian): “Foom! Foom! Foom!”
trad. (Hannakah), arr. Joseph Ness: “Mi Ze Hidlik, Mi Y'malel,” “Oy Chanukah, S'vivon”
Javier Busto: “Kuttun Kantak”
Fr. St. Jean Brefeuf: The Huron Carol
trad. (Hungarian): Sleigh Song
James Lord Pierpont: “Jingle Bells”
Ralph Blane: “Have Yourself a Merry Little Christmas”
trad. (French melody): “Ding Dong Merrily on High”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
trad. (English): “We Wish You a Merry Christmas”

Sunday, December 10, 2006
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
George F. Root: “The Battle Cry of Freedom”
Anon: “The Why and the Wherefore”
George F. Root: “The Vacant Chair”
Robert Schumann: “Die Beiden Grenadiere,” op. 49, no. 1,”Die Hochländer-Witwe,” op. 25, no. 14
Johannes Brahms: “Auf dem Kirchhofe,” op. 105, no. 4
Modest Mussorgsky: “Commander-in-Chief”
Sergei Rachmaninoff: “The Little Island,” op. 14, no. 12
Joseph Ness: “Linie Wie,” “Vi Asoy”
trad: “Eli, Eli”
Ivor Gurney: “Black Stitchel”
Denis W. Browne and W. Denis: “The Isle of Lost Dreams”
Ivor Gurney: “Blaweary”
Denis W. Browne and W. Denis: “To Gratiana Dancing and Singing”
Gerald Finzi: “Farewell to Arms,” op. 9
Hughie Prince: “Boogie Woogie Bugle Boy”
Sam H. Stept and Charlie Tobias: “Don't Sit Under the Apple Tree”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
Francis Poulenc: “C,” “Bleuet,” “Le Disparu,” “Priez pour paix”
Kurt Weill: “Beat! Beat! Drums!” “O Captain! My Captain!”
Paul Hindemith: “Sing on there in the Swamp”
Ned Rorem: “An Incident,” “Inauguration Ball”
Lee Hoiby: “Private First Class Jesse Givens”
Francis Poulenc: “Lune”

Programs that have included the works of Betty Olivero:

Wednesday, June 25, and Thursday, June 26, 2014
Church of the Covenant, Boston; David Hoose, conductor
performed for the American Guild of Organists annual convention
Charles Ives: Psalm 90
Betty Olivero: Lo Ira Ra
Leonard Bernstein: Chichester Psalms

Programs that have included the works of Carl Orff:

Friday, November 9, 2007
Jordan Hall at NEC; David Hoose, conductor
with PALS Children’s Chorus, Alysoun Kegel, artistic director
Kurt Weill: Die Legende vom toten Soldaten
Luigi Dallapiccola: Canti di Prigionia
Carl Orff: Carmina burana – cantiones profanae
Pre-concert and intermission songs by Kurt Weill:
“Ballad of the Lily of Hell,” from Happy End
“Dirge for a Soldier,” “To War!” from Knickerbocker Holiday
“Here I'll Stay,” from Love Life
“Lonely House,” from Street Scene
“O Captain! My Captain!”

Programs that have included the works of Giovanni da Palestrina:

Thursday, April 17, 1980
Isabella Stewart Gardner Museum, Boston; John Ferris and David Hoose, conductors
William Byrd: Laudibus in Sanctis
Giovanni da Palestrina: “Tota pulchra es,” from Canticum canticorum
Giovanni da Palestrina: “Vulnerasti cor meum,” from Canticum canticorum
Giovanni da Palestrina: “Vox dilecti mei,” from Canticum canticorum
Giovanni da Palestrina: “Surge, propera amica mea,” from Canticum canticorum
Arnold Schoenberg: Schein uns, du liebe Sonne
Hugo Wolf: “Einkehr,” “Resignation,” “Letzte bitte,” and “Ergebung,” from Sechs geistliche Lieder
Heinrich Schütz: SWV 65, “Heu mihi, Domini,” from Cantiones sacrae 1625
Heinrich Schütz: SWV 55, “Deus misereatur nostri,” from Cantiones sacrae 1625
Heinrich Schütz: SWV 81, “Cantate Domino canticum novum,” from Cantiones sacrae 1625

Wednesday, February 27, 1980
St. Paul’s Church, Cambridge, MA; John Ferris, conductor
William Byrd: Laudibus in Sanctis
Giovanni da Palestrina: “Tota pulchra es,” from Canticum canticorum
Giovanni da Palestrina: “Vulnerasti cor meum,” from Canticum canticorum
Giovanni da Palestrina: “Vox dilecti mei,” from Canticum canticorum
Giovanni da Palestrina: “Surge, propera amica mea,” from Canticum canticorum
Thomas Tallis: Spem in Alium, motet in forty parts
J.S. Bach: Motet BWV 227, “Jesu, meine Freude”

Programs that have included the works of Arvo Pärt:

Friday, May 20, 2016
First Church in Cambridge; David Hoose, conductor
J.S. Bach: Komm, Jesu, komm
Arvo Pärt: Adam’s Lament Boston Premiere
J.S. Bach: Lutheran Mass in A
Program Notes

Friday, February 26, 2016
American Academy of Arts and Sciences; Amy Lieberman, conductor
Guillaume de Machaut: Ma fin est mon commencement
Arvo Pärt: Solfeggio
Clément Janequin: Toutes les nuictz
Luciano Berio: Cries of London
Mario Castelnuovo-Tedesco: Romancero Gitano, for guitar and chorus
Clément Janequin: Le Rossignol
Guillaume de Machaut: Ma fin est ma commencement
Program Notes

Saturday, January 21, 2012
First Church Congregational, Cambridge; David Hoose, conductor
Alfred Schnittke: Concerto for Choir
Arvo Pärt: Berliner Messe

Programs that have included the works of James Lord Pierpont:

Saturday, December 15, 2007
Cantata Singers Chamber Series, Allison Voth, music director
Isabella Stewart Gardner Museum, Boston
trad. (English): “Here We Come A-Wassailing”
trad. (German): “Lo, How a Rose E're Blooming”
trad.: Coventry Carol, from The Pageant of Shearmen and Tailors trad. (English): “I Saw Three Ships”
Tomás Luis de Victoria: O magnum mysterium
Heinrich Schütz: “Die Hirten auf dem Felde,” from Weihnachtshistorie
trad. (English): “God Rest Ye Merry Gentlemen”
Franz Gruber: “Silent Night”
trad. (Catalonian): “Foom! Foom! Foom!”
trad. (Hannakah), arr. Joseph Ness: “Mi Ze Hidlik, Mi Y'malel,” “Oy Chanukah, S'vivon”
Javier Busto: “Kuttun Kantak”
Fr. St. Jean Brefeuf: The Huron Carol
trad. (Hungarian): Sleigh Song
James Lord Pierpont: “Jingle Bells”
Ralph Blane: “Have Yourself a Merry Little Christmas”
trad. (French melody): “Ding Dong Merrily on High”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
trad. (English): “We Wish You a Merry Christmas”

Programs that have included the works of Francis Poulenc:

Friday, March 31st, 2017
American Academy of Arts and Sciences; Allison Voth, Music Director
Les Six
Erik Satie: "Manière de Commencement" from Morceaux en forme de Poire
Darius Milhaud: "Fumée" from Trois Poèmes de Jean Cocteau, op. 59
Arthur Honegger: "Locutions" & "Souvenirs d’enfance" from Six Poésies de Jean Cocteau
Francis Poulenc: "Miel de Narbonne" & "Enfant de troupe" from Concardes, FP 16
Satie: Trois Mélodies
Louis Durey: "Prière" & "Polka" from Chansons Basques, op. 23
Georges Auric: "Hommage à Erik Satie" & "Réveil" from Huit Poémes de Jean Cocteau
Milhaud: "Fête de Montmartre" from Trois Poèmes de Jean Cocteau, Op. 59
Milhaud: Trois Chansons de Négresse, Op. 148b
Satie: "Brutal" from Trois Morceaux en forme de Poire
Honegger: "Les cloches" from Six Poèmes d’Apollinaire, H 12
Poulenc: "Carte-postale" & "Avant le cinéma" from Quatre Poèmes de Guillaume Apollinaire, FP 58
Honegger: "L’Adieu" from Six Poèmes d’Apollinaire, H 12
Poulenc: "1904" from Quatre Poèmes de Guillaume Apollinaire, FP 58
Satie: "Enlevé" from Trois Morceaux en forme de Poire
Poulenc: "Prelude" from Sonate pour piano, 4 mains, FP 8
Auric: Alphabet: 7 Quatrains de Raymond Radiguet
Durey: "L’éléphant", "La mouche", "Le poulpe", "Le boeuf", "La Méduse", "La puce" & "Les sirèns" from Le Bestiaire, op. 17a
Poulenc: "Rustique" from Sonate pour piano, 4 mains, FP 8
Germaine Tailleferre: Six Chansons Françaises
Poulenc: "La maîtresse volage", "L’offrande", & "La belle jeunesse" from Chansons Gaillardes, FP 42
Poulenc: "Final" from Sonate pour piano, 4 mains, FP 8
Program Notes

Friday, March 12, 2010
Jordan Hall at NEC ; David Hoose, conductor
Claudio Monteverdi: Laetatus sum
Heinrich Schütz: “Domine, non est exaltatum cor meum,” SWV 78, from Cantiones sacrae
Heinrich Schütz: “Si non humiliter sentiebam,” SWV 79, from Cantiones sacrae
Heinrich Schütz: “Speret Israel in domino,” SWV 80, from Cantiones sacrae
Igor Stravinsky: Mass
Francis Poulenc: Mass in G
Heinrich Schütz: “Wo der Herr nicht das Haus bauet,” SWV 400, from Symphoniae sacrae III
Heinrich Schütz: “Saul, Saul, was verfolgst du mich?,” SWV 415, from Symphoniae sacrae III
Heinrich Schütz: “Nun danket alle Gott,” SWV 418, from Symphoniae sacrae III
Claudio Monteverdi: Gloria a 7

Sunday, December 10, 2006
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
George F. Root: “The Battle Cry of Freedom”
Anon: “The Why and the Wherefore”
George F. Root: “The Vacant Chair”
Robert Schumann: “Die Beiden Grenadiere,” op. 49, no. 1,”Die Hochländer-Witwe,” op. 25, no. 14
Johannes Brahms: “Auf dem Kirchhofe,” op. 105, no. 4
Modest Mussorgsky: “Commander-in-Chief”
Sergei Rachmaninoff: “The Little Island,” op. 14, no. 12
Joseph Ness: “Linie Wie,” “Vi Asoy”
trad: “Eli, Eli”
Ivor Gurney: “Black Stitchel”
Denis W. Browne and W. Denis: “The Isle of Lost Dreams”
Ivor Gurney: “Blaweary”
Denis W. Browne and W. Denis: “To Gratiana Dancing and Singing”
Gerald Finzi: “Farewell to Arms,” op. 9
Hughie Prince: “Boogie Woogie Bugle Boy”
Sam H. Stept and Charlie Tobias: “Don't Sit Under the Apple Tree”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
Francis Poulenc: “C,” “Bleuet,” “Le Disparu,” “Priez pour paix”
Kurt Weill: “Beat! Beat! Drums!” “O Captain! My Captain!”
Paul Hindemith: “Sing on there in the Swamp”
Ned Rorem: “An Incident,” “Inauguration Ball”
Lee Hoiby: “Private First Class Jesse Givens”
Francis Poulenc: “Lune”

Friday, January 20, 2006
Jordan Hall at NEC; David Hoose, conductor
Francis Poulenc: Un soir de neige
Pierre Boulez: Sur incises
Igor Stravinsky: Les noces

Sunday, April 10, 2005
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Johannes Brahms: Waltzes, op.39
Johannes Brahms: Neue Liebeslieder Walzer, op. 65
Francis Poulenc: "Les chemins de l'amour" (Valse chantée)
Francis Poulenc: Waltz in C
Cole Porter: "Just one of those things"
John Greer: "Liebesleid-Lieder"

Sunday, April 1, 2001
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Liza Lehmann: “How doth the little crocodile”
Franz Schubert: “Die Forelle”
Samuel Barber: “The monk and his cat”
Maurice Ravel: “Le paon”
John Duke: “Bee! I’m expecting you”
Lee Hoiby: “The Serpent”
Liza Lehmann: “Will you walk a little faster”
Aaron Copland: “I bought me a cat”
Francis Poulenc: The Story of Babar, the Little Elephant

Friday, May 5, and Sunday, May 7, 2000
Jordan Hall at NEC; David Hoose, conductor
Francis Poulenc: Quatre motets pour un temps de Pénitence
Frank Martin: Et la vie l’emporta
J.S. Bach: Magnificat in D, BWV 243

Sunday, April 16, 2000
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Eric Satie: from Trois Morceaux en forme de poire, “Manière de commencement,” “Prolongation du même”
Arthur Honegger: Trois Chansons, from La Petite Sirène d’Anderson, “Chanson des Sirènes,” “Berceuse de la Sirène,” “Chanson de la Poire”
Louis Durey: from Le Bestiaire, ou cortège d’Orphée, “Le chat,” “La Mèduse,” “Le boeuf”
Germaine Tailleferne: from Jeux en plein air, “La Tirelitentaine”
Francis Poulenc: from Le Bestiaire, ou cortège d’Orphée, “Le Dromadaire,” “La Chèvre du Thibet,” “La Sauterelle,” “Le Dauphin,” “L’Ecrevisse,”
“La Carpe”
Francis Poulenc: from Sept chansons, “La blanche neige,” “Belle et ressemblante,” “Luire”
Francis Poulenc: “Le disparu,” “Fêtes galantes,” “Priez pour paix,” “C”
Darius Milhaud: “Vif,” from Scaramouche
Eric Satie: “Je te veux”
Georges Auric: “Polka”
Erik Satie: “La diva de l’empire”
Francis Poulenc: “Les chemins de l’amour”

Friday, January 19, and Sunday, January 21, 1996
Jordan Hall at NEC; David Hoose, conductor
Francis Poulenc: Quatre motets pour un temps de Pénitence
Earl Kim: Scenes from a Movie, Part 3: The 26th Dream
Luigi Dallapiccola: Canti di Prigionia

Programs that have included the works of Hughie Prince:

Sunday, December 10, 2006
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
George F. Root: “The Battle Cry of Freedom”
Anon: “The Why and the Wherefore”
George F. Root: “The Vacant Chair”
Robert Schumann: “Die Beiden Grenadiere,” op. 49, no. 1,”Die Hochländer-Witwe,” op. 25, no. 14
Johannes Brahms: “Auf dem Kirchhofe,” op. 105, no. 4
Modest Mussorgsky: “Commander-in-Chief”
Sergei Rachmaninoff: “The Little Island,” op. 14, no. 12
Joseph Ness: “Linie Wie,” “Vi Asoy”
trad: “Eli, Eli”
Ivor Gurney: “Black Stitchel”
Denis W. Browne and W. Denis: “The Isle of Lost Dreams”
Ivor Gurney: “Blaweary”
Denis W. Browne and W. Denis: “To Gratiana Dancing and Singing”
Gerald Finzi: “Farewell to Arms,” op. 9
Hughie Prince: “Boogie Woogie Bugle Boy”
Sam H. Stept and Charlie Tobias: “Don't Sit Under the Apple Tree”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
Francis Poulenc: “C,” “Bleuet,” “Le Disparu,” “Priez pour paix”
Kurt Weill: “Beat! Beat! Drums!” “O Captain! My Captain!”
Paul Hindemith: “Sing on there in the Swamp”
Ned Rorem: “An Incident,” “Inauguration Ball”
Lee Hoiby: “Private First Class Jesse Givens”
Francis Poulenc: “Lune”

Programs that have included the works of Henry Purcell:

Sunday, November 23, 2008
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
Benjamin Britten: Fanfare & Prologue, from The Heart of the Matter
Frank Bridge: Three Songs
Songs of Benjamin Britten:
“The Birds,” “Vigil,” “The Ship of Rio”
Proverb II, “The Chimney Sweeper,” from Songs and Proverbs of William Blake, op. 74
Proverb III, “A Poison Tree,” from Songs and Proverbs of William Blake, op. 74
Proverb IV, “Tyger! Tyger!” from Songs and Proverbs of William Blake, op. 74
“O the Sight Entrancing” (Irish Melody)
“The Ash Grove” (Welsh Melody)
“The Deaf Woman's Courtship” (Appalachian Folksong)
“The Last Rose of Summer” (Irish Melody)
“Oliver Cromwell” (Suffolk Nursery Rhyme)
“At the round earth's imagined corners”
“O might those sighes and teares,” from The Holy Sonnets of John Donne, op. 35
“Proud Songsters”
“Before Life and After,” from Winter Words, op. 52
Henry Purcell: “Sound the trumpet,” “Lost is my quiet”
Songs of Benjamin Britten:
“When you're feeling like expressing your affection”
“Fish in the unruffled lakes”
“Funeral Blues”
“Under the abject willow”
“Night covers up the rigid land”
“Calypso”
Canticle II – “Abraham and Isaac,” op. 51

Sunday, April 6, 2003
Cantata Singers Chamber Concert Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Henry Purcell: "Come, All Ye Songsters," "If Music Be the Food of Love," "Sound the Trumpet"
Benjamin Britten: "Mother Comfort," "Underneath the Abject Willow" Two Ballads for Two Voices and Piano
Camille Saint-Saëns: "Pastorale"
Jules Massenet: "L'éventail elégie," "Oh! ne finis jamais"
Georges Bizet: "Chanson d'avril," "Adieux de l'hôtesse arabe"
Camille Saint-Saëns: El desdichado
Vincenzo Bellini: "Il fervido desiderio," "Per pietà, bell'idol mio"
Guiseppe Verdi: "La seduzione," "Non t'accostare all'urna"
Gioachino Puccini: "Moirire," "El l'uccellino," "Sole e amore,"
"Vexilla Regis prodeunt," "Adieux à la vie," "Duetto buffo di due gatti"

Sunday, April 5, 1998
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Georg Böhm: “Wie! Schlaft ihr noch?”
Hugo Wolf: “Die ihr schwebet,” “Auf ein altes Bild,” “Ach, des Knaben Augen”
Johann Crüger: “Auf, auf mein Herz”
Heinrich Schütz: “Erhöre mich, wenn ich rufe”
C. P. E. Bach: “Jesus in Gethsemane”
Hugo Wolf: “Seufzer,” “Verborgenheit,” “Mühvoll komm’ich”
Heinrich Schütz: “Der Herr ist gross”
Henry Purcell: “Sound the trumpet,” “The Blessed Virgin’s Expostulation”
Benjamin Britten: “Angel,” “Since she whom I loved”
Henry Purcell: “Turn then thine eyes”
Benjamin Britten: “O might these sighs and tears,” “Batter my heart,” “Before Life and After”
Henry Purcell: “We sing to him”

Friday, March 17, and Sunday, March 19, 1995
Jordan Hall at NEC; David Hoose, conductor
Henry Purcell, arr. Benjamin Britten: Chacony in G minor, for String Orchestra
W.A. Mozart: Vesperae solennes de confessore, KV 339
Charles Fussell: Specimen Days

Wednesday, May 19, 1976
Sanders Theatre, Harvard University; Iva Dee Hiatt, conductor
William Byrd: “Laudibus in Sanctis,” from Cantiones sacrae
William Byrd: “O magnum mysterium,” from Gradualia II
J.S. Bach: Cantata BWV 70, “Wachet, betet, seid bereit allezeit”
Henry Purcell: Hymn: Psalm 3, “Jehova, quam multi sunt hostes,” Z. 135
Henry Purcell: Come Ye Sons of Art, Z. 323
Henry Purcell: Evening Service in G minor, Z. 231

Saturday, November 9, 1968
Sanders Theatre, Harvard University; Richard P. Kapp, conductor
Henry Purcell: Christmas Anthem
J.S. Bach: Cantata BWV 26, “Ach wie flüchtig, ach wie nichtig”
Frank Martin: Ballade for Flute and Orchestra
J.S. Bach: Cantata BWV 80, “Ein feste Burg ist unser Gott”

Programs that have included the works of Sergei Rachmaninoff:

Saturday, January 24, and Saturday, January 31, 2015
St. Paul Church, Cambridge; David Hoose, conductor
Houghton Chapel, Wellesley College; David Hoose, conductor
Sergei Rachmaninoff: All-Night Vigil, op. 37
Program Notes

Sunday, December 10, 2006
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
George F. Root: “The Battle Cry of Freedom”
Anon: “The Why and the Wherefore”
George F. Root: “The Vacant Chair”
Robert Schumann: “Die Beiden Grenadiere,” op. 49, no. 1,”Die Hochländer-Witwe,” op. 25, no. 14
Johannes Brahms: “Auf dem Kirchhofe,” op. 105, no. 4
Modest Mussorgsky: “Commander-in-Chief”
Sergei Rachmaninoff: “The Little Island,” op. 14, no. 12
Joseph Ness: “Linie Wie,” “Vi Asoy”
trad: “Eli, Eli”
Ivor Gurney: “Black Stitchel”
Denis W. Browne and W. Denis: “The Isle of Lost Dreams”
Ivor Gurney: “Blaweary”
Denis W. Browne and W. Denis: “To Gratiana Dancing and Singing”
Gerald Finzi: “Farewell to Arms,” op. 9
Hughie Prince: “Boogie Woogie Bugle Boy”
Sam H. Stept and Charlie Tobias: “Don't Sit Under the Apple Tree”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
Francis Poulenc: “C,” “Bleuet,” “Le Disparu,” “Priez pour paix”
Kurt Weill: “Beat! Beat! Drums!” “O Captain! My Captain!”
Paul Hindemith: “Sing on there in the Swamp”
Ned Rorem: “An Incident,” “Inauguration Ball”
Lee Hoiby: “Private First Class Jesse Givens”
Francis Poulenc: “Lune”

Programs that have included the works of David Rakowski:

Friday, September 19, 2008
Institute of Contemporary Art, Boston; David Hoose, conductor
with Collage New Music, David Hoose, music director
Donald Sur: Sonnet 97
Donald Sur: Catena III
Donald Sur: Satori on Park Avenue
Yehudi Wyner: On This Most Voluptuous Night
Dalit Warshaw: Sonate Française
David Rakowski: Imaginary Dances
Irving Fine: “O Know to End as to Begin,” from The Hour-Glass
Irving Fine, orch. David Hoose: “Design for October,” from The Choral New Yorker

Programs that have included the works of George F. Root:

Sunday, December 10, 2006
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
George F. Root: “The Battle Cry of Freedom”
Anon: “The Why and the Wherefore”
George F. Root: “The Vacant Chair”
Robert Schumann: “Die Beiden Grenadiere,” op. 49, no. 1,”Die Hochländer-Witwe,” op. 25, no. 14
Johannes Brahms: “Auf dem Kirchhofe,” op. 105, no. 4
Modest Mussorgsky: “Commander-in-Chief”
Sergei Rachmaninoff: “The Little Island,” op. 14, no. 12
Joseph Ness: “Linie Wie,” “Vi Asoy”
trad: “Eli, Eli”
Ivor Gurney: “Black Stitchel”
Denis W. Browne and W. Denis: “The Isle of Lost Dreams”
Ivor Gurney: “Blaweary”
Denis W. Browne and W. Denis: “To Gratiana Dancing and Singing”
Gerald Finzi: “Farewell to Arms,” op. 9
Hughie Prince: “Boogie Woogie Bugle Boy”
Sam H. Stept and Charlie Tobias: “Don't Sit Under the Apple Tree”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
Francis Poulenc: “C,” “Bleuet,” “Le Disparu,” “Priez pour paix”
Kurt Weill: “Beat! Beat! Drums!” “O Captain! My Captain!”
Paul Hindemith: “Sing on there in the Swamp”
Ned Rorem: “An Incident,” “Inauguration Ball”
Lee Hoiby: “Private First Class Jesse Givens”
Francis Poulenc: “Lune”

Programs that have included the works of Ned Rorem:

Sunday, March 4, 2007
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
Songs by Ivor Gurney
“Walking Song”
“Severn Meadows”
“Twa Corbies”
“The Night of Trafalgar”
“Thou Didst Delight My Eyes”
“Cathleen ni Houlihan”
“Most Holy Night”
Songs by Virgil Thomson
“My Shepherd Will Supply My Need”
“The Divine Image”
“Tiger! Tiger!”
“A Prayer to Saint Catherine”
“The Owl and the Pussy Cat”
Songs by Ned Rorem
“The Subway,” from Four Dialogues
“Absalom”
“I am Rose”
“Early in the Morning”
“I Am He That Aches with Love”
“Love Cannot Fill”
“How Do I Love Thee?”
“Life in a Love”
Songs by Paul Bowles
“Creole Song”
“Farther from the Heart”
“My Sister's Hand in Mine”
“It's Sunday,” “The Sunday Paper,” “This Other Man,” “Birds, Birds, Birds,” “Good-Bye,” from Picnic Cantata

Sunday, December 10, 2006
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
George F. Root: “The Battle Cry of Freedom”
Anon: “The Why and the Wherefore”
George F. Root: “The Vacant Chair”
Robert Schumann: “Die Beiden Grenadiere,” op. 49, no. 1,”Die Hochländer-Witwe,” op. 25, no. 14
Johannes Brahms: “Auf dem Kirchhofe,” op. 105, no. 4
Modest Mussorgsky: “Commander-in-Chief”
Sergei Rachmaninoff: “The Little Island,” op. 14, no. 12
Joseph Ness: “Linie Wie,” “Vi Asoy”
trad: “Eli, Eli”
Ivor Gurney: “Black Stitchel”
Denis W. Browne and W. Denis: “The Isle of Lost Dreams”
Ivor Gurney: “Blaweary”
Denis W. Browne and W. Denis: “To Gratiana Dancing and Singing”
Gerald Finzi: “Farewell to Arms,” op. 9
Hughie Prince: “Boogie Woogie Bugle Boy”
Sam H. Stept and Charlie Tobias: “Don't Sit Under the Apple Tree”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
Francis Poulenc: “C,” “Bleuet,” “Le Disparu,” “Priez pour paix”
Kurt Weill: “Beat! Beat! Drums!” “O Captain! My Captain!”
Paul Hindemith: “Sing on there in the Swamp”
Ned Rorem: “An Incident,” “Inauguration Ball”
Lee Hoiby: “Private First Class Jesse Givens”
Francis Poulenc: “Lune”

Sunday, February 9, 2003
Cantata Singers Chamber Series, Kayo Iwama, music director
Media Arts Center, Roxbury Community College
Franz Schubert: “Das Wandern”
trad. “O Waly, Waly”
Ernest Chausson: “Sérénade Italienne”
Robert Schumann: “Im Rhein, im heiligen Strome”
Ned Rorem: “The Lordly Hudson”
Franz Schubert: Marche Militaire, in D Major
Ralph Vaughan Williams: “The Vagabond”
Paul Bowles: “Heavenly Grass”
Samuel Barber: “St. Patrick’s Purgatory”
Charles Ives: “The World’s Highway”
Richard Hundley: “Will There Really Be a Morning?”
Lee Hoiby: “The Saints”
Douglas Townsend: Fantasy on “Follow the Drinking Gourd”
John Andrew Ross: “Give Me the Wings of Faith”
Aaron Copland: “Simple Gifts,” “At the River,” “Ching-A-Ring-Chaw”

Programs that have included the works of Elena Ruehr:

Saturday, November 10, 2014
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 77, "Du sollt Gott, deinen Herren, lieben"
Elena Ruehr: Eve **World Premiere
J.S. Bach: Cantata BWV 195, "Dem gerechten muss das Licht immer wieder aufgehen"
Program Notes

Programs that have included the works of Alfred Schnittke:

Saturday, January 21, 2012
First Church Congregational, Cambridge; David Hoose, conductor
Alfred Schnittke: Concerto for Choir
Arvo Pärt: Berliner Messe

Programs that have included the works of J.H. Schein:

Friday, March 22, 1991
Jordan Hall at NEC; David Hoose, conductor
J.H. Schein: “Da Jakob vollendet hatte,” from Israelsbrünnlein
J.H. Schein: “Zion spricht: der Herr hat mich verlassen,” from Israelsbrünnlein
Arnold Schoenberg: Psalm 130, De profundis, op. 50b
Anton Bruckner: Mass in E minor

Friday, February 8, 1985
Sanders Theatre, Harvard University; David Hoose, conductor
Cantiones sacrae, Emmanuel Music, and Cantata Singers Heinrich Schutz Festival, Concert III
Heinrich Schütz: “Die Himmel erzählen die Ehre Gottes,” SWV 386, from Geistliche Chormusik 1648
Heinrich Schütz: “Warum toben die Heiden,” SWV 23, from Psalmen Davids 1619
J.H. Schein: “Die mit Tranen säen,” from Israelsbrünnlein
Heinrich Schütz: “Die mit Tränen säen,” SWV 42, from Psalmen Davids 1648
Heinrich Schütz: “Herr, wie lang,” SWV 416, from Symphoniae sacrae III
Claudio Monteverdi: “Beatus vir,” from Selva Morale e Spirituale
Heinrich Schütz: “Saul, Saul, was verfolgst du mich?” SWV 415, from Symphoniae sacrae III
Giovanni Gabrieli: “Suscipe, clementissime Deus,” from Symphoniae sacrae
Heinrich Schütz: “Siehe, wie fein und lieblich,” SWV 412, from Symphoniae sacrae III
Heinrich Schütz: “Herr, auf dich traue ich,” SWV 377,” from Geistliche Chormusik 1648
Heinrich Schütz: “Alleluia! Lobet den Herren,” SWV 38, from Psalmen Davids 1619

Thursday, November 17, 1983 and Friday, November 18, 1983
(November 17) First Baptist Church; David Hoose, conductor
(November 18) Sanders Theatre, Harvard University; David Hoose, conductor
J.H. Schein: “Von Himmel hoch,” from Opella nova
J.S. Bach: Cantata BWV 77, “Du sollt Gott, deinen Herren lieben”
Heinrich Schütz: Motet SWV 450, “Ach Herr, du Schöpfer aller Ding”
J.S. Bach: Cantata BWV 126, “Erhalt uns, Herr bei deinem Wort”
Heinrich Schütz: “Verleih uns Frieden genädiglich,” SWV 372, from Geistliche Chormusik 1648
J.S. Bach: Cantata BWV 80, “Ein’ feste Burg ist unser Gott”

Wednesday, May 5, 1982
Sanders Theatre, Harvard University; Craig Smith, conductor
Heinrich Schütz: Psalm 6, “Ach, Herr, straf mich nicht,” SWV 24, from Psalmen Davids 1619
Christoph Demantius: Es ward eine Stille in dem Himmel
J.H. Schein: “Maria, gegruessest seist du, Holdselige,” from Opella nova
Max Reger: “Meinem Jesum lass ich nicht,” from Choralkantate, Nr. 4
J.S. Bach: Cantata BWV 37, “Wer da glaubet und getauft wird”
J.S. Bach: Cantata BWV 3, “Ach Gott, wie manches Herzeleid”
J.H. Schein: “Komm, heiliger Geist,” from Opella nova
J.H. Schein: “Da Jacob vollendet hatte,” from Israelsbrünnlein
Heinrich Schütz: Psalm 127, “Wo der Herr nicht das Haus bauet,” SWV 400, from Symphoniae sacrae III
Heinrich Schütz: Psalm 150, “Alleluia! Lobet den Herren,” SWV 38, from Psalmen Davids 1619

Saturday, November 18, 1978
Harvard Unitarian Church; John Ferris, conductor
Sethus Calvisius: Unser Leben währet siebzig Jahr
J.H. Schein: “Zion spricht: der Herr hat mich verlassen,” from Israelsbrünnlein
J.H. Schein: “O Amarilli zart,” from Diletti pastorale, Hirtenlust
J.H. Schein: “Mein Schifflein lief im wilden Meer,” from Diletti pastorale, Hirtenlust
J.S. Bach: Motet BWV 229, “Komm, Jesu, komm”
Johannes Brahms: “O Heiland, reiss die Himmel auf,” op. 74, no. 2
Heinrich Schütz: “Magnificat anima mea,” SWV 468

Wednesday, May 10, 1978
Sanders Theatre, Harvard University; John Ferris, conductor
Sethus Calvisius: Gloria in excelsis Deo
Sethus Calvisius: Unser Leben währet siebzig Jahr
J.H. Schein: “Vater unser im Himmelreich,” from Opella nova
J.H. Schein: “Zion spricht: der Herr hat mich verlassen,” from Israelsbrünnlein
Johann Kuhnau: Suonata quarta
Johann Kuhnau: “Hiskie agonizzante e risanato,” from Biblischer Historien
Johann Kuhnau: Motet, “Tristis est anima mea”
J.H. Schein: “Ein feste Burg ist unser Gott,” from Opella nova
J.H. Schein: “Die mit Tränen säen,” from Israelsbrünnlein
J.H. Schein: Psalm 150, from Jubilate
J.H. Schein: “O Amarilli zart,” from Diletti pastorale, Hirtenlust
J.H. Schein: “Mein Schifflein lief im wilden Meer,” from Diletti pastorale, Hirtenlust
J.S. Bach: Cantata BWV 150, “Nach dir, Herr, verlanget mich”

Programs that have included the works of Arnold Schoenberg:

Friday, December 16th, 2016 and Saturday, December 17th, 2016
Cary Hall, Lexington; David Hoose, conductor
St. Paul Church, Cambridge; David Hoose, conductor
Orlande de Lassus: "Sibylla Persica" from Prophetiae Sibyllarum
Claudio Monteverdi: "Laetatus sum"
Hugo Distler: "Es ist ein Ros entsprungen" from Weihnachtsgeschichte, op. 10
Tomás Luis de Victoria: "O magnum mysterium”
Heinrich Schütz: "Nun danket alle Gott,” SWV 418 from Symphoniae sacrae III (1650)
Heinrich Ignaz Franz von Biber: "The Annunication" from Rosary Sonatas
Monteverdi: Gloria a 7
Schütz: “Ach Herr, du Schöpfer aller Ding,” Madrigal spirituale, SWV 450
Lassus: "Sibylla Europæa" from Prophetiae Sibyllarum
Arnold Schoenberg: Friede auf Erden, op. 13
Program Notes

Friday, November 18th, 2016
American Academy of Arts and Sciences; Allison Voth, director
Entartete Musik
Kurt Weill, arr. John Greer: "Berlin im licht"
Arnold Schoenberg: "Wanderlied Capriccio"
Schoenberg: "Am strand"
Weill: "Großer Dankchoral: Lobet die Nacht" from Das Berliner Requiem
Berthold Goldschmidt: "Nebelweben" & "Ein Rosenzweig" from Zwei Lieder, op. 27
Alexander Zemlinsky: "Liebe Schwalbe", "Blaues Sternlein", & "Fensterlein, nachts bist du zu"
Zemlinsky: "Der Wind des Herbste" & "Afrikanische Tanz"
Hanns Eisler: "Philantropich", "Die Zwei Trichter", & "Die Zwei Wurzeln" from Galgenlieder
Erich Korngold: "Come away, death", "Adieu good man devil", & "For the rain it raineth every day" from Songs of the Clown, op. 29
Egon Wellesz: "Blütenschnee", "Leichtes Spiel", & "Blüten" from Kirschblütenlieder, op. 8
Paul Hindemith: 3 Hymnen, op. 14
Ernst Krenek: "O Tranenvolle" from O Lacrimosa, op. 48a
Hans Gál: "Drei Prinzessinnen", "Der Wiesenbach", & "Abend auf dem Fluss"
Franz Schreker: "Und wie mag die Liebe" & "Das feurige Männlein"
Weill: "Cäsars Tod" from Der Silbersee
Krenek: "Die Saiten weiss ich zu rühren " from Fiedellieder, op. 64
Wilhelm Grosz: "Bänkel vom Klatsch" from Bänkel und Balladen
Schoenberg: "Mahnung" from Brettl Lieder
Krenek: "Wiederum lebt wohl" from Fiedellieder, op. 64
Grosz: "Die Ballade von Sammy Lee" from Bänkel und Balladen
Krenek: "Nun ein Scherflein in der Runde" from Fiedellieder, op. 64
Eisler: "Ballade von de Krüppelgarde" from Balladenbuch, op. 18
Weill, arr. Greer: "Youkali" from Marie Galante
Program Notes

Saturday, March 28, 2015
Longy School of Music; Allison Voth, director Songs of the Great War
Kevin Puts: "Dona Nobis Pacem" from Silent Night
Albéric Magnard: "Le Rhin allemande" from Six poémes en musique, op. 3, no. 3
Paul Rubens: Your King and Country Want You
Frederick Kelly: Shall I Compare Thee? op. 1, no. 1
Cecil Coles: The Gladsome Fray
George Butterworth: On the Idle Hill of Summer
W. Denis Browne: To Gratiana Dancing and Singing
Felix Powell: Pack Up Your Troubles
Fernand Halphen: Odelette
Maurice Ravel: Trois beaux oiseaux du paradis
Kevin Puts: "J'ai perdu ta photo" from Silent Night
André Caplet: Quand reverrai-je, hélas!
Claude Debussy: Noël des enfants qui non plus de maison
Edgar Bainton: All Night Under the Moon
Ivor Gurney: The Twa Corbies
Benjamin J. Dale: O Mistress of Mine
Ivor Gurney: In Flanders
Rudi Stephan: "Das Hohelied der Nacht" & "Pantherlied" from Ich will dir singen Hohelied
Alban Berg: "Nacht" from Sieben früher Lieder
Arnold Schoenberg: "Gigerlette" from Brettl Lieder
Alfred Piantadosi: I Didn't Raise My Boy to Be a Soldier
George M. Cohan: Over There
Gerald Finzi: Farewell to Arms
Kevin Puts: Dona Nobis Pacem (Reprise)

Friday, November 6, 2009
Jordan Hall at NEC; David Hoose, conductor
Heinrich Schütz: Musikalische exequien, op. 7, SWV 279-281
Hugo Distler: “Singet dem Herrn ein neues Lied,” op. 12, no. 1
J.S. Bach: Cantata BWV 8, “Liebster Gott, wenn werd ich sterben?”
Arnold Schoenberg: Friede auf Erden, op. 13

Friday, January 14, and Sunday, January 16, 2005
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 47, "Wer sich selbst erhöhet, der soll erniedriget werden"
Heinrich Shütz: Psalm 137, "An den Wassern zu Babel," from Psalmen Davids 1619
Arnold Schoenberg: Friede auf Erden, op.13
J.S. Bach: Cantata BWV 179, "Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei"

Friday, May 11, and Sunday, May 13, 2001
First Church Congregational, Cambridge; David Hoose, conductor
Benjamin Britten: A Cradle Song: Sleep, Beauty Bright
Benjamin Britten: Hymn to Saint Cecilia
Frank Martin: “Ja, Ich glaub: solches hat er vollbracht,” “O, ewiger Gott! o göttliches Gesicht!” from Sechs Monologue aus Jedermann
Arnold Schoenberg: Psalm 130, De profundis, op. 50b
Arnold Schoenberg: Zwei Lieder, op. 14
Frank Martin: Messe pour double choeur a cappella
Benjamin Britten: “Before Life and After,” from Winter Words

Friday, January 19, and Sunday, January 21, 2001
Jordan Hall at NEC; David Hoose, conductor with The Spectrum Singers, John Erhlich, music director
Darius Milhaud: La Création du monde
Kurt Weill, orch. David Hoose: Three Scenes from Der Weg der Verheissung
Arnold Schoenberg: Psalm 130, De profundis, op. 50b
Arthur Honegger: Le Roi David – Psaume symphonique (original version)

Sunday, December 10, 2000
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
George Gershwin: “They can’t take that away from me”
Aaron Copland: Vocalise
Arnold Schoenberg: “Der genüngsamer Liebhaber”
Kurt Weill: “Je ne t’aime pas,” ”Schickelgrüber”
Marc Blitzstein: “Displaced”
Arnold Schoenberg: “Gigerlette”
Kurt Weill: “Surabaya Johnny”
Marc Blitstein: “The New Suit (Zipperfly),” “Jimmy’s Got a Goil”
George Gershwin: “Our love is here to stay”
Leonard Bernstein: Arias and Barcarolles, I-VIII

Friday, January 24, and Sunday, January 26, 1997
Jordan Hall at NEC; David Hoose, conductor
Franz Schubert: Mass No. 5 in A-flat, D. 678
Arnold Schoenberg: Verklärte Nacht, op. 4
Anton Bruckner: Virga Jesse floruit
Anton Bruckner: Ave Maria

Friday, May 10, 1991
Jordan Hall at NEC; David Hoose, conductor
Arnold Schoenberg: Kammersymphonie, op. 9
Johannes Brahms: Ein deutches Requiem, op. 45

Friday, March 22, 1991
Jordan Hall at NEC; David Hoose, conductor
J.H. Schein: “Da Jakob vollendet hatte,” from Israelsbrünnlein
J.H. Schein: “Zion spricht: der Herr hat mich verlassen,” from Israelsbrünnlein
Arnold Schoenberg: Psalm 130, De profundis, op. 50b
Anton Bruckner: Mass in E minor

Friday, January 18, 1991
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 33, “Allein zu dir, Herr Jesu Christ”
Heinrich Schütz: “Wohl dem, der nicht wandelt im Rat der Gottlosen,” SWV 290, from Kleine geistliche Konzerte
Heinrich Schütz: “Erhöre mich, wenn ich rufe,” SWV 289, from Kleine geistliche Konzerte
Heinrich Schütz: “Wie ein Rubin in feinem Golde leuchtet,” SWV 357, from Symphoniae sacrae II
Heinrich Schütz: “Wohl dem, der nicht wandelt im Rat der Gottlosen,” SWV 28, from Psalmen Davids 1619
Arnold Schoenberg: Friede auf Erden, op. 13 (presented twice)
J.S. Bach: Cantata BWV 1, “Wie schön leuchtet der Morgenstern”

Friday, November 9, 1990
Jordan Hall at NEC; David Hoose, conductor
Arnold Schoenberg: Schein uns, du liebe Sonne
Max Reger: Morgengesang
Max Reger: “Nachtlied,” from Acht geistliche Gesänge, op. 138
Arnold Schoenberg: Dreimal tausend Jahre, op. 50a
Max Reger: O Tod, wie bitter bist du, op. 110, no. 3
W.A. Mozart: Requiem, K. 626

Wednesday, November 7, 1984
Sanders Theatre, Harvard University; David Hoose, conductor
J.S. Bach: Cantata BWV 29, “Wir danken dir, Gott, wir danken dir”
J.S. Bach: Cantata BWV 14, “Wär Gott nicht mit uns diese Zeit”
Arnold Schoenberg: Friede auf Erden, op. 13
J.S. Bach: Cantata BWV 11, “Lobet Gott in seinen Reichen” (Ascension Oratorio)

Wednesday, April 27, 1983
Sanders Theatre, Harvard University; David Hoose, conductor
J.S. Bach: Cantata BWV 179, “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”
Heinrich Schütz: Psalmus 137, “An den Wassern zu Babel,” SWV 37, from Psalmen Davids 1619
Arnold Schoenberg: Psalm 130, De profundis, op. 50b
Heinrich Schütz: “Es ging ein Sämann aus,” SWV 408, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 180, “Schmücke dich, o liebe Seele”

Wednesday, April 30, 1980
Sanders Theatre, Harvard University; David Hoose, conductor
Arnold Schoenberg: Schein uns, du liebe Sonne
Hugo Wolf: “Einkehr,” “Resignation,” “Letzte bitte,” and “Ergebung,” from Sechs geistliche Lieder
Arnold Schoenberg: Dreimal tausend Jahre, op. 50a
Heinrich Schütz: SWV 65, “Heu mihi, Domini,” from Cantiones sacrae 1625
Heinrich Schütz: SWV 55, “Deus misereatur nostri,” from Cantiones sacrae 1625
Heinrich Schütz: SWV 81, “Cantate Domino canticum novum,” from Cantiones sacrae 1625
J.S. Bach: Cantata BWV 76, “Die Himmel erzählen die Ehre Gottes

Thursday, April 17, 1980
Isabella Stewart Gardner Museum, Boston; John Ferris and David Hoose, conductors
William Byrd: Laudibus in Sanctis
Giovanni da Palestrina: “Tota pulchra es,” from Canticum canticorum
Giovanni da Palestrina: “Vulnerasti cor meum,” from Canticum canticorum
Giovanni da Palestrina: “Vox dilecti mei,” from Canticum canticorum
Giovanni da Palestrina: “Surge, propera amica mea,” from Canticum canticorum
Arnold Schoenberg: Schein uns, du liebe Sonne
Hugo Wolf: “Einkehr,” “Resignation,” “Letzte bitte,” and “Ergebung,” from Sechs geistliche Lieder
Heinrich Schütz: SWV 65, “Heu mihi, Domini,” from Cantiones sacrae 1625
Heinrich Schütz: SWV 55, “Deus misereatur nostri,” from Cantiones sacrae 1625
Heinrich Schütz: SWV 81, “Cantate Domino canticum novum,” from Cantiones sacrae 1625

Sunday, April 14, 1974
Isabella Stewart Gardner Museum; Philip Kelsey, conductor
Claudio Monteverdi: Gloria a 7
Heinrich Schütz: Psalm 84, “Wie lieblich sind deine”
Heinrich Schütz: Psalm 137, “An den Wassern zu Babel,” SWV 37
Heinrich Schütz: Three Early American Choral Pieces
Arnold Schoenberg: Dreimal tausend Jahre, op. 50a
J.S. Bach: Cantata BWV 77, “Du sollt Gott, deinen Herren, lieben”
Heinrich Schütz: Konzert, “Lobe den Herren, meine Seele,” SWV 30

Wednesday, January 26, 1972
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 39, “Brich dem Hungrigen dein Brot”
Heinrich Schütz: “Selig sind die Toten,” SWV 391, from Geistliche Chormusik 1648
Heinrich Schütz: Motet SWV 455, “Die Himmel erzählen die Ehre Gottes”
Arnold Schoenberg: Mond und Menschen, op. 27, no. 3
Heinrich Schütz: “Ich bin ein rechter Weinstock,” SWV 389, from Geistliche Chormusik 1648
J.S. Bach: Cantata BWV 180, “Schmücke dich, o liebe Seele”

Programs that have included the works of Franz Schubert:

Sunday, March 30, 2014
Cantata Singers Chamber Series, Allison Voth, music director
Goethe-Institut, Boston
Claudio Monteverdi: "Chiome d'oro" from Book 7, SV 143
Franz Schubert: Die schöne Müllerin, Op. 25 [excerpts]
John Harbison: Motetti di Montale [excerpts]
Claudio Monteverdi: "Lamento della Ninfa" from Madrigali Guerrieri et Amorosi, Book 8, SV 163
Felix Mendelssohn:
"Herbstlied", Op. 63 No. 4
"Des Mädchens Klage", Op. Posthumous
"Reiselied", Op. 34 No. 6
"Gruß", Op. 63 No. 3
"Frühlingslied", Op. 47 No. 3
"Die Liebende Schreibt", Op. 86 No. 3
"And'res Maienlied", Op. 8 No. 8
"Der Blumenstrauss", Op. 47 No. 5
"Maiglöckchen und die Blümelein", Op. 63 No. 6
Robert Schumann:
"Ich denke dein", Op. 78 No. 3
"Wiegenlied", Op. 78 No. 4
"Unterm Fenster", Op. 34 No. 3
"Herbstlied", Op. 43 No. 2
"Schön Blümelein", Op. 43 No. 3
"Familiengemälde", Op. 34 No. 4
Claudio Monteverdi: "Zefiro torna" from Madrigali e canzonette a due e tre voci, Book 6, SV 108

Sunday, November 14, 2004
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
Carl Friedrich Zelter: “Der König in Thule”
Hugo Wolf: “Erstes Liebeslied eines Mädchens”
Ferruccio Busoni: “Lied des Brander”
Franz Schubert: “Die Spinnerin,” “Gretchen am Spinnrade”
Ludwig van Beethoven: “Wonne der Wehmut”
Hugo Wolf: “Das verlassene Mägdlein”
Richard Wagner: “Melodram Gretchens”
Carl Loewe: “Scene aus Faust”
Franz Schubert: “Scene aus Faust,” “Die Mutter Erde”
Ludwig van Beethoven: “Busslied”
Hugo Wolf: “Seufzer”
Franz Schubert: “Verklärung”
Ludwig van Beethoven: “Aus Goethes Faust”
Feliz Mendelssohn: “Hexenlied”
Carl Loewe: “Wenn der Blüthen Frühlingsregen”
Franz Schubert: “Abendbilder”
Hugo Wolf: Mühvoll komm›ich und beladen”

Sunday, February 9, 2003
Cantata Singers Chamber Series, Kayo Iwama, music director
Media Arts Center, Roxbury Community College
Franz Schubert: “Das Wandern”
trad. “O Waly, Waly”
Ernest Chausson: “Sérénade Italienne”
Robert Schumann: “Im Rhein, im heiligen Strome”
Ned Rorem: “The Lordly Hudson”
Franz Schubert: Marche Militaire, in D Major
Ralph Vaughan Williams: “The Vagabond”
Paul Bowles: “Heavenly Grass”
Samuel Barber: “St. Patrick’s Purgatory”
Charles Ives: “The World’s Highway”
Richard Hundley: “Will There Really Be a Morning?”
Lee Hoiby: “The Saints”
Douglas Townsend: Fantasy on “Follow the Drinking Gourd”
John Andrew Ross: “Give Me the Wings of Faith”
Aaron Copland: “Simple Gifts,” “At the River,” “Ching-A-Ring-Chaw”

Sunday, December 2, 2001
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Benjamin Britten: “Let the Florid Music Praise,” “At the Railway Station, Upway”
Samuel Barber: “Solitary Hotel”
Jean Berger: “Lonely People”
Franz Schubert: “Der Einsame”
Noel Coward: “If Love Were All”
Johannes Brahms: “O wüsst’ich doch den Weg zurück”
Ralph Vaughan Williams: “Whither Must I Wander?”
Johannes Brahms: “Volkslied”
Franz Schubert: “Der Lindenbaum”
Johannes Brahms: Spätherbst,” “Der Abend”
Franz Schubert: “Abendstern”
Samuel Barber: “Boundless, Boundless Evening”
Johannes Brahms: “Abenddämerung”
Robert Baksa: “The soul selects her own society”
William Bolcom: “Waitin’”
Charles Ives: Hymn
Benjamin Britten: “At Day-Close in November,” “Nocturne”
trad. “Amazing Grace”

Sunday, April 1, 2001
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Liza Lehmann: “How doth the little crocodile”
Franz Schubert: “Die Forelle”
Samuel Barber: “The monk and his cat”
Maurice Ravel: “Le paon”
John Duke: “Bee! I’m expecting you”
Lee Hoiby: “The Serpent”
Liza Lehmann: “Will you walk a little faster”
Aaron Copland: “I bought me a cat”
Francis Poulenc: The Story of Babar, the Little Elephant

Sunday, March 2, 1997
Cantata Singers Chamber Series, Kayo Iwama, music director
Harvard-Epworth Church, Harvard University
Franz Schubert: “Nur wer die Senhsucht kennt”
Johannes Brahms: “In der Fremde”
Robert Schumann: “Sehnsucht”
Franz Schubert: “Wandrers Nachtlied,” “Der Wanderer”
Johannes Brahms: “Sehnsucht”
Franz Schubert: “Der Strom”
Robert Schumann: “Erstes Grün”
Franz Schubert: “Frühlingsglaube”
Johannes Brahms: “Verzagen,” “Wehe, so willst du mich wieder”
Franz Schubert: “Schwanesgesang”
Robert Schumann: “Abendlied”
Robert Schumann: “In der Nacht,” “Liebesgram,” from Spanisches Liederspiel, op. 74
Johannes Brahms: “Schwermut,” “Nächtens”
Robert Schumann: “Wehmut,” “Aus der Hebräischen Gesängen”
Johannes Brahms: “An eine Äolsharfe”
Franz Schubert: “An die Musik”

Friday, January 24, and Sunday, January 26, 1997
Jordan Hall at NEC; David Hoose, conductor
Franz Schubert: Mass No. 5 in A-flat, D. 678
Arnold Schoenberg: Verklärte Nacht, op. 4
Anton Bruckner: Virga Jesse floruit
Anton Bruckner: Ave Maria

Saturday, March 6, 1982
Swedenborgian Church of the New Jerusalem, Cambridge
John Harbison and David Hoose, conductors
Johannes Brahms: Vier Gesänge, op. 17
Franz Schubert: Ellens zweiter Gesang, orch. Johannes Brahms (Anh 17)
Franz Schubert: Nachtgesang im Walde, D. 913
Robert Schumann: Jagdlieder, op. 137
Robert Schumann: Vier doppelchorige Gesänge, op. 141

Wednesday, May 9, 1979
Sanders Theatre, Harvard University; Benjamin Zander, conductor
Anton Bruckner: Locus iste Anton Webern: Entflieht auf leichten Kähnen, op. 2
Anton Bruckner: Ave Maria
Franz Schubert: Salve Regina, op. 153
W.A. Mozart: Ave verum corpus, K. 618
F.J. Haydn: Mass No. 11 in D minor, Missa in Angustiis (“Nelson Mass”)

Programs that have included the works of Robert Schumann:

Sunday, March 30, 2014
Cantata Singers Chamber Series, Allison Voth, music director
Goethe-Institut, Boston
Claudio Monteverdi: "Chiome d'oro" from Book 7, SV 143
Franz Schubert: Die schöne Müllerin, Op. 25 [excerpts]
John Harbison: Motetti di Montale [excerpts]
Claudio Monteverdi: "Lamento della Ninfa" from Madrigali Guerrieri et Amorosi, Book 8, SV 163
Felix Mendelssohn:
"Herbstlied", Op. 63 No. 4
"Des Mädchens Klage", Op. Posthumous
"Reiselied", Op. 34 No. 6
"Gruß", Op. 63 No. 3
"Frühlingslied", Op. 47 No. 3
"Die Liebende Schreibt", Op. 86 No. 3
"And'res Maienlied", Op. 8 No. 8
"Der Blumenstrauss", Op. 47 No. 5
"Maiglöckchen und die Blümelein", Op. 63 No. 6
Robert Schumann:
"Ich denke dein", Op. 78 No. 3
"Wiegenlied", Op. 78 No. 4
"Unterm Fenster", Op. 34 No. 3
"Herbstlied", Op. 43 No. 2
"Schön Blümelein", Op. 43 No. 3
"Familiengemälde", Op. 34 No. 4
Claudio Monteverdi: "Zefiro torna" from Madrigali e canzonette a due e tre voci, Book 6, SV 108

Sunday, March 17, 2013
Jordan Hall at NEC; David Hoose, conductor
James MacMillan: Seven Last Words from the Cross
Marjorie Merryman: Beauty, Grief, and Grandeur
Robert Schumann, orch. David Hoose: Vier doppelchörige Gesänge, op. 141

Sunday, October 28, 2012
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
Herbert Howells: Four Songs, op. 22
Herbert Howells: “King David”
Herbert Howells: “The Mugger's Song”
Frank Martin: Sechs Monologe aus Jederman
James MacMillan: “Scots Song”
Robert Schumann: Spanische Liederspiel, op. 74
Marjorie Merryman: Wilde Epigrams

Sunday, December 10, 2006
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
George F. Root: “The Battle Cry of Freedom”
Anon: “The Why and the Wherefore”
George F. Root: “The Vacant Chair”
Robert Schumann: “Die Beiden Grenadiere,” op. 49, no. 1,”Die Hochländer-Witwe,” op. 25, no. 14
Johannes Brahms: “Auf dem Kirchhofe,” op. 105, no. 4
Modest Mussorgsky: “Commander-in-Chief”
Sergei Rachmaninoff: “The Little Island,” op. 14, no. 12
Joseph Ness: “Linie Wie,” “Vi Asoy”
trad: “Eli, Eli”
Ivor Gurney: “Black Stitchel”
Denis W. Browne and W. Denis: “The Isle of Lost Dreams”
Ivor Gurney: “Blaweary”
Denis W. Browne and W. Denis: “To Gratiana Dancing and Singing”
Gerald Finzi: “Farewell to Arms,” op. 9
Hughie Prince: “Boogie Woogie Bugle Boy”
Sam H. Stept and Charlie Tobias: “Don't Sit Under the Apple Tree”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
Francis Poulenc: “C,” “Bleuet,” “Le Disparu,” “Priez pour paix”
Kurt Weill: “Beat! Beat! Drums!” “O Captain! My Captain!”
Paul Hindemith: “Sing on there in the Swamp”
Ned Rorem: “An Incident,” “Inauguration Ball”
Lee Hoiby: “Private First Class Jesse Givens”
Francis Poulenc: “Lune”

Sunday, February 6, 2005
Cantata Singers Chamber Series, Kayo Iwama, music director
Mainstage Auditorium, Roxbury Community College
Robert Schumann: "Von fremden Ländern und Menschen"
Johannes Brahms: "Der bucklichte Fiedler"
Charles Wakefield Cadman: "Far Off I Hear the Lover's Flute"
Manuel de Falla: "Asturiana"
Joaquín Rodrigo: "De los álamos vengo, madre"
Ralph Vaughan Williams: "Sprig of Thyme"
Ralph Vaughan Williams: "Whither Must I Wander?"
Benjamin Britten: "O Waly, Waly"
George Chadwick: "The Lark that Sang"
trad: "The little horses"
trad: "Steal away"
trad: "I got shoes"
Maurice Ravel: Chanson hébraïque
M. Warshawsky: "Oifn pripitchok"
trad: "Tumbalalaika"

Friday, November 5, and Saturday, November 7, 2004
Jordan Hall at NEC; David Hoose, conductor
Robert Schumann:Scenes from Goethe's "Faust"

Sunday, February 9, 2003
Cantata Singers Chamber Series, Kayo Iwama, music director
Media Arts Center, Roxbury Community College
Franz Schubert: “Das Wandern”
trad. “O Waly, Waly”
Ernest Chausson: “Sérénade Italienne”
Robert Schumann: “Im Rhein, im heiligen Strome”
Ned Rorem: “The Lordly Hudson”
Franz Schubert: Marche Militaire, in D Major
Ralph Vaughan Williams: “The Vagabond”
Paul Bowles: “Heavenly Grass”
Samuel Barber: “St. Patrick’s Purgatory”
Charles Ives: “The World’s Highway”
Richard Hundley: “Will There Really Be a Morning?”
Lee Hoiby: “The Saints”
Douglas Townsend: Fantasy on “Follow the Drinking Gourd”
John Andrew Ross: “Give Me the Wings of Faith”
Aaron Copland: “Simple Gifts,” “At the River,” “Ching-A-Ring-Chaw”

Sunday, April 14, 2002
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Gerald Finzi: “Farewell to Arms”
Ludwig van Beethoven: “Die Liebe des Nächsten”
Robert Schumann: “Die beiden Grenadiere”
Hugo Wolf: “Nun lass uns Frieden schliessen”
Ludwig van Beethoven: “Der freie Mann”
Hugo Wolf: “Ihr junge Leute”
Gustav Mahler: “Der Tambourg’sell”
Robert Schumann: “Requiem”
trad. “The Minstrel Boy”
trad. “Dear Harp of my Country”
trad. “The Bonney Earl o’Moray”
trad. “Avenging and Bright”
Stephen Foster: “We Are Coming, Father Abraham”
Lee Hoiby: “I Was There”
Charles Ives: “Duty/Vita”
Lee Hoiby: “Willie Has Gone to the War”
Songs of Charles Ives
“Joy, Shipmate, Joy”
“Ilmenau”
“In Flanders fields”
“Where the Eagle”
“Tom Sails Away”
“Autumn”
“He is there!”

Sunday, November 22, 1998
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Hugo Wolf: from Spanishes Liederbuch
“Mögen alle bösen Zungen”
“In dem Schatten meiner Locken”
“Sagt, seid ihr es, feiner Herr”
“Köpfchen, Köpfchen, nicht gewimmert”
“Bitt’ ihn, o Mutter”
“Tief im Herzen trag’ ich Pein”
“Ob auch finstre Blicke”
“Bedeckt mich mit Blumen”
“Sie blasen zum Abmarsch”
“Wer tat deinem Füsslein weh”
“Geh, Geliebter, geh”
Robert Schumann: Spanisches Liederspiel, op. 74

Friday, November 6, and Sunday, November 8, 1998
Jordan Hall at NEC; David Hoose, conductor
Robert Schumann: Beim Abscheid zu singen, op. 84b
Robert Schumann, orch. Claude Debussy: Studien für den Pedal-Flügel, op. 56, Nos. 1-3, 6
Max Reger: Drei Chörige, op. 6
Robert Schumann: Sehnsucht nach der Waldgegend, op. 35, no. 5
Robert Schumann: Requiem, op. 90, no. 7
Johannes Brahms: Funf Gesänge, op. 104
Robert Schumann: Melancholie, op. 74, no. 6
Johannes Brahms, orch. David Hoose: Geistliches Lied, op. 30
Robert Schumann: Andante and Variations, op. 46(a), for Two Pianos, Two Cellos, and Horn
Max Reger: Vier Marienlieder, op. 61f
Max Reger, orch. David Hoose: Canzone, op. 65, no.9, for Woodwinds and Horns
Robert Schumann: Talismane, op. 25, no. 8
Robert Schumann, orch. David Hoose: Vier doppelchörige Gesänge, op. 141
Robert Schumann: Nachtlied, op. 96, no. 1
Robert Schumann: Beim Abscheid zu singen, op. 84a

Sunday, March 2, 1997
Cantata Singers Chamber Series, Kayo Iwama, music director
Harvard-Epworth Church, Harvard University
Franz Schubert: “Nur wer die Senhsucht kennt”
Johannes Brahms: “In der Fremde”
Robert Schumann: “Sehnsucht”
Franz Schubert: “Wandrers Nachtlied,” “Der Wanderer”
Johannes Brahms: “Sehnsucht”
Franz Schubert: “Der Strom”
Robert Schumann: “Erstes Grün”
Franz Schubert: “Frühlingsglaube”
Johannes Brahms: “Verzagen,” “Wehe, so willst du mich wieder”
Franz Schubert: “Schwanesgesang”
Robert Schumann: “Abendlied”
Robert Schumann: “In der Nacht,” “Liebesgram,” from Spanisches Liederspiel, op. 74
Johannes Brahms: “Schwermut,” “Nächtens”
Robert Schumann: “Wehmut,” “Aus der Hebräischen Gesängen”
Johannes Brahms: “An eine Äolsharfe”
Franz Schubert: “An die Musik”

Friday, May 6, 1994
Jordan Hall at NEC; David Hoose, conductor
Carl Nielsen: Three Motets, op. 55
Donald Sur: Lacrimosa, for Chamber Orchestra
Donald Sur: Khumdori Tansaeng (Birth of the Dream-Elf), for Violin, Chorus and Orchestra
Robert Schumann: Mass in C minor, op. 147

Friday, May 14, 1993
Jordan Hall at NEC; David Hoose, conductor
Ludwig van Beethoven: Mass in C, op. 86
Richard Strauss: Metamorphosen, for 23 Solo Strings
Robert Schumann: Nachtlied, op. 108
Ludwig van Beethoven: Opferlied, op. 121b

Friday, November 10, 1989
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 26, “Ach wie flüchtig, ach wie nichtig”
John Harbison: The Flight Into Egypt
Robert Schumann: Requiem in D-flat, op. 148

Saturday, November 21, 1987
Jordan Hall at NEC; David Hoose, conductor
Felix Mendelssohn: Sechs Lieder, op. 48
Andrew Imbrie: On the Beach at Night
Irving Fine: Serious Song
Irving Fine: The Hour-Glass
Eliott Carter: Elegy, for String Orchestra
Robert Schumann, orch. David Hoose: Vier doppelchörige Gesänge, op. 141

Saturday, May 3, 1986
Jordan Hall at NEC; David Hoose, conductor
Robert Schumann: Scenes from Goethe’s “Faust”

Saturday, March 6, 1982
Swedenborgian Church of the New Jerusalem, Cambridge
John Harbison and David Hoose, conductors
Johannes Brahms: Vier Gesänge, op. 17
Franz Schubert: Ellens zweiter Gesang, orch. Johannes Brahms (Anh 17)
Franz Schubert: Nachtgesang im Walde, D. 913
Robert Schumann: Jagdlieder, op. 137
Robert Schumann: Vier doppelchorige Gesänge, op. 141

Wednesday, February 22, 1978
Sanders Theatre, Harvard University; John Ferris, conductor
Adrian Willaert: Missa mente tota
Johannes Brahms: O Heiland, reiss die Himmel auf, op. 74, no. 2
Robert Schumann: Vier doppelchörige Gesänge, op. 141

Saturday, February 18, 1978
Colby-Sawyer College, New London, New Hampshire; John Ferris, conductor
Heinrich Schütz: Motets from Geistliche Chormusik 1648
Adrian Willaert: Missa mente tota
J.S. Bach: Motet BWV 225, “Singet dem Herrn ein neues Lied”
Johannes Brahms: O Heiland, reiss die Himmel auf, op. 74, no. 2
Robert Schumann: Vier doppelchörige Gesänge, op. 141

Monday, August 18, 1975
Sanders Theatre, Harvard University; Leon Kirchner, conductor
Robert Schumann: Das Paradies und die Peri, op. 50

Programs that have included the works of Heinrich Schütz:

Friday, December 16th, 2016 and Saturday, December 17th, 2016
Cary Hall, Lexington; David Hoose, conductor
St. Paul Church, Cambridge; David Hoose, conductor
Orlande de Lassus: "Sibylla Persica" from Prophetiae Sibyllarum
Claudio Monteverdi: "Laetatus sum"
Hugo Distler: "Es ist ein Ros entsprungen" from Weihnachtsgeschichte, op. 10
Tomás Luis de Victoria: "O magnum mysterium”
Heinrich Schütz: "Nun danket alle Gott,” SWV 418 from Symphoniae sacrae III (1650)
Heinrich Ignaz Franz von Biber: "The Annunication" from Rosary Sonatas
Monteverdi: Gloria a 7
Schütz: “Ach Herr, du Schöpfer aller Ding,” Madrigal spirituale, SWV 450
Lassus: "Sibylla Europæa" from Prophetiae Sibyllarum
Arnold Schoenberg: Friede auf Erden, op. 13
Program Notes

Friday, May 14, 2010
Jordan Hall at NEC; David Hoose, conductor
Heinrich Schütz: Schwanesgesang (Opus ultimum), SWV 482-494

Friday, March 12, 2010
Jordan Hall at NEC ; David Hoose, conductor
Claudio Monteverdi: Laetatus sum
Heinrich Schütz: “Domine, non est exaltatum cor meum,” SWV 78, from Cantiones sacrae
Heinrich Schütz: “Si non humiliter sentiebam,” SWV 79, from Cantiones sacrae
Heinrich Schütz: “Speret Israel in domino,” SWV 80, from Cantiones sacrae
Igor Stravinsky: Mass
Francis Poulenc: Mass in G
Heinrich Schütz: “Wo der Herr nicht das Haus bauet,” SWV 400, from Symphoniae sacrae III
Heinrich Schütz: “Saul, Saul, was verfolgst du mich?,” SWV 415, from Symphoniae sacrae III
Heinrich Schütz: “Nun danket alle Gott,” SWV 418, from Symphoniae sacrae III
Claudio Monteverdi: Gloria a 7

Friday, January 15, 2010
First Church Congregational, Cambridge; David Hoose, conductor
Heinrich Schütz: “So fahr ich hin zu Jesu Christ,” SWV 379, from Geistliche Chormusik 1648
John Harbison: We Do Not Live to Ourselves
John Harbison: My Little Children, Let Us Not Love in Word
Heinrich Schütz: Psalm 116, “Das ist mir lieb,” SWV 51
Maurice Duruflé: Requiem, op. 9

Friday, November 6, 2009
Jordan Hall at NEC; David Hoose, conductor
Heinrich Schütz: Musikalische exequien, op. 7, SWV 279-281
Hugo Distler: “Singet dem Herrn ein neues Lied,” op. 12, no. 1
J.S. Bach: Cantata BWV 8, “Liebster Gott, wenn werd ich sterben?”
Arnold Schoenberg: Friede auf Erden, op. 13

Saturday, December 15, 2007
Cantata Singers Chamber Series, Allison Voth, music director
Isabella Stewart Gardner Museum, Boston
trad. (English): “Here We Come A-Wassailing”
trad. (German): “Lo, How a Rose E're Blooming”
trad.: Coventry Carol, from The Pageant of Shearmen and Tailors trad. (English): “I Saw Three Ships”
Tomás Luis de Victoria: O magnum mysterium
Heinrich Schütz: “Die Hirten auf dem Felde,” from Weihnachtshistorie
trad. (English): “God Rest Ye Merry Gentlemen”
Franz Gruber: “Silent Night”
trad. (Catalonian): “Foom! Foom! Foom!”
trad. (Hannakah), arr. Joseph Ness: “Mi Ze Hidlik, Mi Y'malel,” “Oy Chanukah, S'vivon”
Javier Busto: “Kuttun Kantak”
Fr. St. Jean Brefeuf: The Huron Carol
trad. (Hungarian): Sleigh Song
James Lord Pierpont: “Jingle Bells”
Ralph Blane: “Have Yourself a Merry Little Christmas”
trad. (French melody): “Ding Dong Merrily on High”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
trad. (English): “We Wish You a Merry Christmas”

Sunday, March 19, 2006
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Motet BWV 227, "Jesu, meine Freude"
Heinrich Schütz: "Komm, heiliger Geist, Herre Gott," SWV 417, from Symphoniae sacrae III
Heinrich Schütz: "Mein Sohn, warum hast du uns das getan?" SWV 401, from Symphoniae sacrae III
John Harbison: But Mary Stood: Sacred Symphony for Soprano, Chorus, and Strings
Heinrich Schütz: "Siehe, dieser wird gesetzt zu einem Fall," from Symphoniae sacrae III
J.S. Bach: Motet BWV 230, "Lobet den Herrn"

Friday, January 14, and Sunday, January 16, 2005
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 47, "Wer sich selbst erhöhet, der soll erniedriget werden"
Heinrich Schütz: Psalm 137, "An den Wassern zu Babel," from Psalmen Davids 1619
Arnold Schoenberg: Friede auf Erden, op.13
J.S. Bach: Cantata BWV 179, "Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei"

Friday, May 7, and Saturday, May 8, 2004
First Church Congregational, Cambridge; David Hoose, conductor
Anton Bruckner: Mass in E minor
Paul Hindemith: Apparebit repentina dies
Heinrich Schütz: "Alleluia! Löbet den Herren," SWV 38, from Psalmen Davids 1619

Friday, May 10, and Sunday, May 12, 2002
Jordan Hall at NEC; David Hoose, conductor
Johannes Brahms: O Heiland reiss die Himmel auf, op. 74, no. 2
John Harbison: Emerson
Heinrich Schütz: “Es ging ein Sämann aus, zu säen seinen Samen,” SWV 408, from Symphoniae Sacrae III
J.S. Bach: Cantata BWV 80, “Ein feste Burg ist unser Gott”

Sunday, April 5, 1998
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Georg Böhm: “Wie! Schlaft ihr noch?”
Hugo Wolf: “Die ihr schwebet,” “Auf ein altes Bild,” “Ach, des Knaben Augen”
Johann Crüger: “Auf, auf mein Herz”
Heinrich Schütz: “Erhöre mich, wenn ich rufe”
C. P. E. Bach: “Jesus in Gethsemane”
Hugo Wolf: “Seufzer,” “Verborgenheit,” “Mühvoll komm’ich”
Heinrich Schütz: “Der Herr ist gross”
Henry Purcell: “Sound the trumpet,” “The Blessed Virgin’s Expostulation”
Benjamin Britten: “Angel,” “Since she whom I loved”
Henry Purcell: “Turn then thine eyes”
Benjamin Britten: “O might these sighs and tears,” “Batter my heart,” “Before Life and After”
Henry Purcell: “We sing to him”

Friday, November 7, and Sunday, November 9, 1997
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 30, “Freue dich, erlöste schar”
Heinrich Schütz: “Wo der Herr nicht das haus bauet,” SWV 400, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 109, “Ich glaube, lieber herr, hilf meinem Unglauben”
Heinrich Schütz: “Vater unser,” SWV 411, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 116, “Du Friedefürst, Herr Jesu Christ”

Friday, November 8, and Sunday, November 10, 1996
Jordan Hall at NEC; David Hoose, conductor
Heinrich Schütz: “Paratum cor meum, Deus,” SWV 257, from Symphoniae sacrae I
J.S. Bach: Motet BWV 230, “Lobet den Herrn, alle Heiden”
Heinrich Schütz: “Lasset uns doch den Herren, unsern Gott, loben,” SWV 407, from Symphoniae sacrae III
Heinrich Schütz: “Saul, Saul, was verfolgst du mich?” SWV 415, from Symphoniae sacrae III
John Harbison: Emerson (presented twice)
J.S. Bach: Motet BWV 225, “Singet dem Herrn ein neues Lied”

Friday, May 10, and Sunday, May 12, 1996
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 72, “Alles nur nach Gottes Willen”
J.S. Bach: Cantata BWV 78, “Jesu, der du meine Seele”
Heinrich Schütz: “Komm, heiliger Geist, Herre Gott,” SWV 417, from Symphoniae sacrae III
Heinrich Schütz: “Siehe, wie fein und lieblich,” SWV 412, from Symphoniaes sacrae III
Heinrich Schütz: Motet SWV 450, “Ach Herr, du Schöpfer aller Ding”
J.S. Bach: Cantata BWV 8, “Liebster Gott, wann werd’ ich sterben?”

Friday, November 12, and Sunday, November 14, 1993
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 77, “Du sollt Gott, deinen Herren lieben”
Heinrich Schütz: “Seid barmherzig, wie auch euer Vater barmherzig ist,” SWV 409, from Symphoniae sacrae III
Benjamin Britten: Cantata misericordium
Heinrich Schütz: “Nun danket alle Gott,” SWV 418, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 147, “Herz und Mund und Tat und Leben”

Saturday, January 25, 1992
Jordan Hall at NEC; David Hoose, conductor
Heinrich Schütz: “So fahr ich hin zu Jesu Christ,” SWV 379, from Geistliche Chormusik 1648
Heinrich Schütz: “Sehet an den Feigenbaum,” SWV 394, from Geistliche Chormusik 1648
Heinrich Schütz: “Herr, auf dich traue ich,” SWV 377, from Geistliche Chormusik 1648
John Harbison: Elegiac Songs
W.A. Mozart: Mass in C minor, K. 427 (417a)

Friday, January 18, 1991
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 33, “Allein zu dir, Herr Jesu Christ”
Heinrich Schütz: “Wohl dem, der nicht wandelt im Rat der Gottlosen,” SWV 290, from Kleine geistliche Konzerte
Heinrich Schütz: “Erhöre mich, wenn ich rufe,” SWV 289, from Kleine geistliche Konzerte
Heinrich Schütz: “Wie ein Rubin in feinem Golde leuchtet,” SWV 357, from Symphoniae sacrae II
Heinrich Schütz: “Wohl dem, der nicht wandelt im Rat der Gottlosen,” SWV 28, from Psalmen Davids 1619
Arnold Schoenberg: Friede auf Erden, op. 13 (presented twice)
J.S. Bach: Cantata BWV 1, “Wie schön leuchtet der Morgenstern”

Friday, March 11, 1988
Jordan Hall at NEC; David Hoose, conductor
Giovanni Gabrieli: “Vox Domini,” from Sacrae symphoniae
Igor Stravinsky: Canticum sacrum ad honorem Sancti Marci nominis
Heinrich Schütz: Musikalische exequien, op. 7, SWV 279-281

Friday, November 21, 1986
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 140, “Wachet auf, ruft uns die Stimme”
John Harbison: The Flight Into Egypt
Heinrich Schütz: “Siehe, es erschein der Engel des Herren,” SWV 403, from Symphoniae sacrae III
Heinrich Schütz: “Auf dem Gebirge hat man ein Geschrei gehöret,” SWV 396, from Geistliche Chormusik 1648
Heinrich Schütz: “Das ist je gewisslich wahr,” SWV 388, from Geistliche Chormusik 1648
Heinrich Schütz: “Mein Sohn, warum hast du uns das getan?” SWV 401, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 64, “Sehet, welch eine Liebe”

Friday, February 8, 1985
Sanders Theatre, Harvard University; David Hoose, conductor
Cantiones sacrae, Emmanuel Music, and Cantata Singers Heinrich Schutz Festival, Concert III
Heinrich Schütz: “Die Himmel erzählen die Ehre Gottes,” SWV 386, from Geistliche Chormusik 1648
Heinrich Schütz: “Warum toben die Heiden,” SWV 23, from Psalmen Davids 1619
J.H. Schein: “Die mit Tranen säen,” from Israelsbrünnlein
Heinrich Schütz: “Die mit Tränen säen,” SWV 42, from Psalmen Davids 1648
Heinrich Schütz: “Herr, wie lang,” SWV 416, from Symphoniae sacrae III
Claudio Monteverdi: “Beatus vir,” from Selva Morale e Spirituale
Heinrich Schütz: “Saul, Saul, was verfolgst du mich?” SWV 415, from Symphoniae sacrae III
Giovanni Gabrieli: “Suscipe, clementissime Deus,” from Symphoniae sacrae
Heinrich Schütz: “Siehe, wie fein und lieblich,” SWV 412, from Symphoniae sacrae III
Heinrich Schütz: “Herr, auf dich traue ich,” SWV 377,” from Geistliche Chormusik 1648
Heinrich Schütz: “Alleluia! Lobet den Herren,” SWV 38, from Psalmen Davids 1619

Thursday, November 17, 1983 and Friday, November 18, 1983
(November 17) First Baptist Church; David Hoose, conductor
(November 18) Sanders Theatre, Harvard University; David Hoose, conductor
J.H. Schein: “Von Himmel hoch,” from Opella nova
J.S. Bach: Cantata BWV 77, “Du sollt Gott, deinen Herren lieben”
Heinrich Schütz: Motet SWV 450, “Ach Herr, du Schöpfer aller Ding”
J.S. Bach: Cantata BWV 126, “Erhalt uns, Herr bei deinem Wort”
Heinrich Schütz: “Verleih uns Frieden genädiglich,” SWV 372, from Geistliche Chormusik 1648
J.S. Bach: Cantata BWV 80, “Ein’ feste Burg ist unser Gott”

Wednesday, April 27, 1983
Sanders Theatre, Harvard University; David Hoose, conductor
J.S. Bach: Cantata BWV 179, “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”
Heinrich Schütz: Psalmus 137, “An den Wassern zu Babel,” SWV 37, from Psalmen Davids 1619
Arnold Schoenberg: Psalm 130, De profundis, op. 50b
Heinrich Schütz: “Es ging ein Sämann aus,” SWV 408, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 180, “Schmücke dich, o liebe Seele”

Wednesday, November 17, 1982
Sanders Theatre, Harvard University; David Hoose, conductor
Josquin Desprez: “Nymphes des bois,” La déploration de Johan. Ockeghem
Guillaume Dufay: Nuper rosarum flores
Heinrich Isaac: “Vos Michael, Gabriel, Raphael,” from Kaisermotette
Heinrich Schütz: Psalmus 136, “Danket dem Herren,” SWV 45, from Psalmen Davids 1619
J.S. Bach: Cantata BWV 195a, “Dem Gerechten muss das Licht”

Wednesday, May 5, 1982
Sanders Theatre, Harvard University; Craig Smith, conductor
Heinrich Schütz: Psalm 6, “Ach, Herr, straf mich nicht,” SWV 24, from Psalmen Davids 1619
Christoph Demantius: Es ward eine Stille in dem Himmel
J.H. Schein: “Maria, gegruessest seist du, Holdselige,” from Opella nova
Max Reger: “Meinem Jesum lass ich nicht,” from Choralkantate, Nr. 4
J.S. Bach: Cantata BWV 37, “Wer da glaubet und getauft wird”
J.S. Bach: Cantata BWV 3, “Ach Gott, wie manches Herzeleid”
J.H. Schein: “Komm, heiliger Geist,” from Opella nova
J.H. Schein: “Da Jacob vollendet hatte,” from Israelsbrünnlein
Heinrich Schütz: Psalm 127, “Wo der Herr nicht das Haus bauet,” SWV 400, from Symphoniae sacrae III
Heinrich Schütz: Psalm 150, “Alleluia! Lobet den Herren,” SWV 38, from Psalmen Davids 1619

Wednesday, December 2, 1981
Sanders Theatre, Harvard University; John Harbison, conductor
Giovanni Gabrieli: O Jesu mi dulcissime
Giovanni Gabrieli: “Salvator noster,” from Symphoniae sacrae II
Igor Stravinsky: Mass
Heinrich Schütz: “Seid barmherzig,” SWV 409, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 23, “Du wahrer Gott und Davids Sohn”

Wednesday, April 30, 1980
Sanders Theatre, Harvard University; David Hoose, conductor
Arnold Schoenberg: Schein uns, du liebe Sonne
Hugo Wolf: “Einkehr,” “Resignation,” “Letzte bitte,” and “Ergebung,” from Sechs geistliche Lieder
Arnold Schoenberg: Dreimal tausend Jahre, op. 50a
Heinrich Schütz: SWV 65, “Heu mihi, Domini,” from Cantiones sacrae 1625
Heinrich Schütz: SWV 55, “Deus misereatur nostri,” from Cantiones sacrae 1625
Heinrich Schütz: SWV 81, “Cantate Domino canticum novum,” from Cantiones sacrae 1625
J.S. Bach: Cantata BWV 76, “Die Himmel erzählen die Ehre Gottes

Thursday, April 17, 1980
Isabella Stewart Gardner Museum, Boston; John Ferris and David Hoose, conductors
William Byrd: Laudibus in Sanctis
Giovanni da Palestrina: “Tota pulchra es,” from Canticum canticorum
Giovanni da Palestrina: “Vulnerasti cor meum,” from Canticum canticorum
Giovanni da Palestrina: “Vox dilecti mei,” from Canticum canticorum
Giovanni da Palestrina: “Surge, propera amica mea,” from Canticum canticorum
Arnold Schoenberg: Schein uns, du liebe Sonne
Hugo Wolf: “Einkehr,” “Resignation,” “Letzte bitte,” and “Ergebung,” from Sechs geistliche Lieder
Heinrich Schütz: SWV 65, “Heu mihi, Domini,” from Cantiones sacrae 1625
Heinrich Schütz: SWV 55, “Deus misereatur nostri,” from Cantiones sacrae 1625
Heinrich Schütz: SWV 81, “Cantate Domino canticum novum,” from Cantiones sacrae 1625

Wednesday, November 12, 1980
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 79, “Gott der Herr ist Sonn und Schild”
Heinrich Schütz: Psalm 116, “Das ist mir lieb,” SWV 51
David Chaitkin: Seasons Such as These
J.S. Bach: Cantata BWV 78, “Jesu, der du meine Seele”

Wednesday, April 29, 1981
Sanders Theatre, Harvard University; David Hoose, conductor
Claudio Monteverdi: Laetatus sum
Heinrich Schütz: “Die mit Tränen säen,” SWV 378, from Geistliche Chormusik 1648
Heinrich Schütz: “Auf dem Gebirge hat man ein Geschrei gehöret,” SWV 396, from Geistliche Chormusik 1648
Heinrich Schütz: “So fahr ich hin zu Jesu Christ,” SWV 379, from Geistliche Chormusik 1648
Claudio Monteverdi: Gloria a 7
Igor Stravinsky: Les noces

Wednesday, November 29, 1978
Sanders Theatre, Harvard University; John Ferris, conductor
Heinrich Schütz: Magnificat anima mea, SWV 468
J.S. Bach: Motet BWV 229, “Komm, Jesu, komm”
Heinrich Schütz: Weinachtshistorie, SWV 435

Saturday, November 18, 1978
Harvard Unitarian Church; John Ferris, conductor
Sethus Calvisius: Unser Leben währet siebzig Jahr
J.H. Schein: “Zion spricht: der Herr hat mich verlassen,” from Israelsbrünnlein
J.H. Schein: “O Amarilli zart,” from Diletti pastorale, Hirtenlust
J.H. Schein: “Mein Schifflein lief im wilden Meer,” from Diletti pastorale, Hirtenlust
J.S. Bach: Motet BWV 229, “Komm, Jesu, komm”
Johannes Brahms: “O Heiland, reiss die Himmel auf,” op. 74, no. 2
Heinrich Schütz: “Magnificat anima mea,” SWV 468

Saturday, February 18, 1978
Colby-Sawyer College, New London, New Hampshire; John Ferris, conductor
Heinrich Schütz: Motets from Geistliche Chormusik 1648
Adrian Willaert: Missa mente tota
J.S. Bach: Motet BWV 225, “Singet dem Herrn ein neues Lied”
Johannes Brahms: O Heiland, reiss die Himmel auf, op. 74, no. 2
Robert Schumann: Vier doppelchörige Gesänge, op. 141

Sunday, March 7, and Wednesday, March 10, 1976
Cochran Chapel, Phillips Academy; John Ferris, conductor
Sanders Theatre, Harvard University; John Ferris, conductor
Heinrich Schütz: Psalm 8, “Herr, unser Herrscher,” SWV 28, from Psalmen Davids 1619
Heinrich Schütz: Motet SWV 339, “Ich beschwöre euch”
Heinrich Schütz: Motet SWV 453, “Freue dich des Weibes deiner Jugend”
J.S. Bach: Motet BWV 226, “Der Geist hilft unser Schwachheit auf”
Heinrich Schütz: “Herr, auf dich traue ich,” SWV 377, from Geistliche Chormusik 1648
Heinrich Schütz: “Ich weiss, dass mein Erlöser lebt,” SWV 393, from Geistliche Chormusik 1648
Heinrich Schütz: “Selig sind die Toten,” SWV 391, from Geistliche Chormusik 1648
J.S. Bach: Motet BWV 225, “Singet dem Herrn ein neues Lied”

Wednesday, July 25, 1973
Jewett Arts Center, Wellesley College; Péter Erdei, conductor
J.S. Bach: Motet BWV 227, “Jesu, meine Freude”
Zoltán Kodály: Szép könyörgés
Antonio Lotti: Crucifixus
Heinrich Schütz: “Selig sind die Toten,” SWV 391, from Geistliche Chormusik 1648

Wednesday, December 5, 1973
Sanders Theatre, Harvard University; Philip Kelsey, conductor
J.S. Bach: Cantata BWV 5, “Wo soll ich fliehen hin?”
Heinrich Schütz: Psalm 137, “An den Wassern zu Babel,” SWV 37, from Psalmen Davids 1619
Heinrich Schütz: Psalm 84, “Wie lieblich sind deine Wohnungen,” SWV 29, from Psalmen Davids 1619
J.S. Bach: Cantata BWV 77, “Du sollt Gott, deinen Herren, meine Seele”
Heinrich Schütz: Psalm 103, “Lobe den Herren, meine Seele,” SWV 39, from Psalmen Davids 1619

Sunday, April 14, 1974
Isabella Stewart Gardner Museum; Philip Kelsey, conductor
Claudio Monteverdi: Gloria a 7
Heinrich Schütz: Psalm 84, “Wie lieblich sind deine”
Heinrich Schütz: Psalm 137, “An den Wassern zu Babel,” SWV 37
Heinrich Schütz: Three Early American Choral Pieces
Arnold Schoenberg: Dreimal tausend Jahre, op. 50a
J.S. Bach: Cantata BWV 77, “Du sollt Gott, deinen Herren, lieben”
Heinrich Schütz: Konzert, “Lobe den Herren, meine Seele,” SWV 30

Sunday, December 10, 1972
Worcester Art Museum; John Harbison, conductor
Heinrich Schütz: Muskalisches exequien, op. 7, SWV 279-281
Josquin Desprez: “Nymphes des bois,” La déploration de Johan. Ockeghem
Orlando Gibbons: Fair is the Rose
J.S. Bach: Cantata BWV 41, “Jesu, nun sei gepreisit”
J.S. Bach: In dulci jubilo, BWV 729

Wednesday, November 15, 1972
Sanders Theatre, Harvard University; John Harbison, conductor
Heinrich Schütz: Muskalisches exequien, op. 7, SWV 279-281
J.S. Bach: Cantata BWV 101, “Nimm von uns, Herr”

Wednesday, May 9, 1973
Sanders Theatre, Harvard University; John Harbison, conductor
Josquin Desprez: De profundis
J.S. Bach: Cantata BWV 105, “Herr, gehe nicht ins Gericht”
Ruth Crawford-Seeger: Chant (1930) J.S. Bach: Cantata BWV 46, “Schauet doch und sehet”
Heinrich Schütz: “Herzlich lieb hab ich dich, o Herr,” SWV 387, from Geistliche Chormusik 1648

Wednesday, January 26, 1972
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 39, “Brich dem Hungrigen dein Brot”
Heinrich Schütz: “Selig sind die Toten,” SWV 391, from Geistliche Chormusik 1648
Heinrich Schütz: Motet SWV 455, “Die Himmel erzählen die Ehre Gottes”
Arnold Schoenberg: Mond und Menschen, op. 27, no. 3
Heinrich Schütz: “Ich bin ein rechter Weinstock,” SWV 389, from Geistliche Chormusik 1648
J.S. Bach: Cantata BWV 180, “Schmücke dich, o liebe Seele”

Wednesday, January 20, 1971
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 20, “O Ewigkeit, du Donnerwort”
Heinrich Schütz: “Ist nicht Ephraim mein teurer Sohn,” SWV 40, from Psalmen Davids 1619
Heinrich Schütz: “Nich uns, Herr,” SWV 43, from Psalmen Davids 1619
J.S. Bach: Cantata BWV 10, “Meine Seel’ erhebt den Herren”

Sunday, December 12, 1971
Currier Gallery of Art, Manchester, New Hampshire; John Harbison, conductor
G.F. Handel: Trumpet Voluntary
J.S. Bach: Motet BWV 229, “Komm, Jesu, komm”
John Harbison: Music for Mixed Chorus
Orlando Gibbons: Fair is the Rose
J.S. Bach: Two Christmas Chorales
Josquin Desprez: “Nymphes des bois,” La déploration de Johan. Ockeghem
J.S. Bach: Cantata BWV 157, “Ich lasse dich nicht”
Heinrich Schütz: “Nun danket alle Gott,” SWV 418, from Symphoniae sacrae III

Saturday, May 9, 1970
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 116, “Du Friedenfürst, Herr Jesu Christ”
Heinrich Schütz: “Komm, heiliger Geist,” SWV 417, from Symphoniae sacrae III
Heinrich Schütz: “Nun danket alle Gott,” SWV 418, from Symphoniae sacrae III
Anton Webern: Two Goethe Songs, from Drei Lieder, op. 18, and Zwei Lieder, op. 19
J.S. Bach: Cantata BWV 95, “Christus, der ist mein Leben”

Programs that have included the works of Harold Shapero:

Saturday, May 12, 2012
Jordan Hall at NEC; David Hoose, conductor
Charles Fussell, orch. David Hoose: Invocation
Earl Kim: Some Thoughts on Keats and Coleridge
Harold Shapero: Four-Hand Sonata for Piano – I. Very Slowly—Moderately Fast
Earl Kim: Scenes from a Movie, Part 3: The Twenty-sixth Dream
Rodney Lister: The Annunciation
Harold Shapero: Four-Hand Sonata for Piano – II. Slowly and III. Fast
Aaron Copland: In the Beginning

Programs that have included the works of Igor Stravinsky:

Saturday, October 10, 2015
Jordan Hall at NEC; Joseph Flummerfelt, guest conductor
Tomás Luis de Victoria: O vos omnes
Pablo Casals: O vos omnes
Peter Maxwell Davies: The Lord’s Prayer
Maurice Duruflé: Notre père
Igor Stravinsky: Pater noster
Giuseppe Verdi: Ave Maria
Benjamin Britten: The Evening Primrose, from Flower Songs
Irving Fine: The Hourglass, from The Hourglass
Samuel Barber: The Coolin’, from Reincarnations
Aaron Copland: Long time Ago; At the River; The Promise of Living, from The Tender Land
Johannes Brahms: Liebeslieder Walzer, op. 52; Neue Liebeslieder Waltzer, zum schluss

Friday, March 12, 2010
Jordan Hall at NEC ; David Hoose, conductor
Claudio Monteverdi: Laetatus sum
Heinrich Schütz: “Domine, non est exaltatum cor meum,” SWV 78, from Cantiones sacrae
Heinrich Schütz: “Si non humiliter sentiebam,” SWV 79, from Cantiones sacrae
Heinrich Schütz: “Speret Israel in domino,” SWV 80, from Cantiones sacrae
Igor Stravinsky: Mass
Francis Poulenc: Mass in G
Heinrich Schütz: “Wo der Herr nicht das Haus bauet,” SWV 400, from Symphoniae sacrae III
Heinrich Schütz: “Saul, Saul, was verfolgst du mich?,” SWV 415, from Symphoniae sacrae III
Heinrich Schütz: “Nun danket alle Gott,” SWV 418, from Symphoniae sacrae III
Claudio Monteverdi: Gloria a 7

Friday, January 20, 2006
Jordan Hall at NEC; David Hoose, conductor
Francis Poulenc: Un soir de neige
Pierre Boulez: Sur incises
Igor Stravinsky: Les noces

Friday, January 24, and Sunday, January 26, 2003
Jordan Hall at NEC; David Hoose, conductor
Igor Stravinsky: The Rake’s Progress
Lynn Torgove, director

Friday, May 7, and Sunday, May 9, 1999
Jordan Hall at NEC; David Hoose, conductor
Donald Sur: Sonnet 97
George Gershwin: “Who Cares?” for Piano
George Gershwin: “Feeling I’m Falling”
George Gershwin: “Feeling Sentimental”
George Gershwin: “I Don’t Think I’ll Fall in Love Today”
Thomas Oboe Lee, after George Gershwin: “He Loves and She Loves,” for Two Pianos
George Gershwin: “Soon,” for Piano
George Gershwin: “Delishious”
George Gershwin: “The Half of It Dearie Blues”
Edward Cohen, after George Gershwin: “Nice Work If You Can Get It,” for Two Pianos
George Gershwin: “Do It Again,” for Piano
George Gershwin: “Do It Again”
Andy Vores, after George Gershwin: “Foggy Day” (Bad Weather No. 1), for Two Pianos
George Gershwin: “Mine”
George Gershwin: “Someone to Watch over Me”
George Gershwin: “Let’s Kiss and Make Up”
George Gershwin: “The Man I Love”
John Harbison, after George Gershwin: “Fascinating Rhythm” (David’s Fascinating Rhythm Method), for Two Pianos
Igor Stravinsky: Les noces

Friday, March 15, and Sunday, March 17, 1996
Jordan Hall at NEC; David Hoose, conductor
Igor Stravinsky: Oedipus rex
Igor Stravinsky: Symphony of Psalms

Saturday, November 2, 1991
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 38, “Aus tiefer Not schrei’ich zu dir”
Heinrich Isaac: “Vos Michael, Gabriel, Raphael,” from Kaisermotette
Igor Stravinsky: Mass
J.S. Bach: Cantata BWV 197, “Gott ist unsre Zuversicht”

Friday, March 31, 1989
Jordan Hall at NEC; David Hoose, conductor
Claude Debussy: En blanc et noir – I. Avec emportement
Clément Jannequin: “Las, povre coeur,” from Chansons polyphoniques
Claude Debussy: “Dieu! qu’il la fait bon regarder,” from Trois chansons de Charles d’Orléans
Claude Debussy: “Quant j’ay ouy le tambourin,” from Trois chansons de Charles d’Orléans
Clément Jannequin: “D’un seul soleil,” from Chansons polyphoniques
Claude Debussy: En blanc et noir – II. Lent. Sombre
Claude Debussy: “Yver, vous n’estes qu’un villain,” from Trois chansons de Charles d’Orléans
Clément Jannequin: “Amour, ayant de ma grand passion,” from Chansons polyphoniques
Clément Jannequin: “Toutez les nuictz,” from Chansons polyphoniques
Claude Debussy: En blanc et noir – III. Scherzando
Igor Stravinsky: Les noces

Friday, March 11, 1988
Jordan Hall at NEC; David Hoose, conductor
Giovanni Gabrieli: “Vox Domini,” from Sacrae symphoniae
Igor Stravinsky: Canticum sacrum ad honorem Sancti Marci nominis
Heinrich Schütz: Musikalische exequien, op. 7, SWV 279-281

Friday, February 20, 1987
Jordan Hall at NEC; David Hoose, conductor
Igor Stravinsky: Threni: id est Lamentationes Jeremiae Prophetiae
Gabriel Fauré: Requiem, op. 48

Wednesday, February 9, 1983
Sanders Theatre, Harvard University; David Hoose, conductor
Igor Stravinsky: Introitus
Orlando di Lasso: “Carmina Chromatica,” and “Sibylla Persica,” from Prophetiae Sibyllarum
Claudio Monteverdi: “Non havea Febo ancora,” from Madrigali guerrieri ed amorosi
Armand Qualliotine: Proteggemi, for Soprano and Chamber Ensemble
Claudio Monteverdi: “Hor che’l ciel e la terra,” from Madrigali guerrieri ed amorosi
Giuseppe Verdi: “Ave Maria,” from Quattro pezzi sacri
Luigi Dallapiccola: Canti di Prigionia

Wednesday, December 2, 1981
Sanders Theatre, Harvard University; John Harbison, conductor
Giovanni Gabrieli: O Jesu mi dulcissime
Giovanni Gabrieli: “Salvator noster,” from Symphoniae sacrae II
Igor Stravinsky: Mass
Heinrich Schütz: “Seid barmherzig,” SWV 409, from Symphoniae sacrae III
J.S. Bach: Cantata BWV 23, “Du wahrer Gott und Davids Sohn”

Wednesday, April 29, 1981
Sanders Theatre, Harvard University; David Hoose, conductor
Claudio Monteverdi: Laetatus sum
Heinrich Schütz: “Die mit Tränen säen,” SWV 378, from Geistliche Chormusik 1648
Heinrich Schütz: “Auf dem Gebirge hat man ein Geschrei gehöret,” SWV 396, from Geistliche Chormusik 1648
Heinrich Schütz: “So fahr ich hin zu Jesu Christ,” SWV 379, from Geistliche Chormusik 1648
Claudio Monteverdi: Gloria a 7
Igor Stravinsky: Les noces

Wednesday, February 12, 1975
Sanders Theatre, Harvard University; Philip Kelsey, conductor
Igor Stravinsky: Anthem, “The dove descending breaks the air”
J.S. Bach: Cantata BWV 23, “Du wahrer Gott und Davids Sohn”
J.S. Bach: Cantata BWV 22, “Jesus nahm zu sich die Zwölfe”
Igor Stravinsky: Cantata

Sunday, October 7, 1973
Boston Center for the Arts; Michael Tilson Thomas, conductor
Performance at Boston Philharmonia Orchestra Gala Benefit Concert
Marc-Antoine Charpentier: Messe pour plusiers instruments au lieu des orgues
Igor Stravinsky: Abraham and Isaac
Ludwig van Beethoven: Elegischer Gesang, op. 118
Ludwig van Beethoven: Meeresstille und glückliche Fahrt, op. 112

Sunday, April 12, 1970
Sanders Theatre, Harvard University; Leon Kirchner, conductor
Concert by the Boston Philharmonia, joined by Cantata Singers for two pieces
David del Tredici: Pop-pourri
Igor Stravinsky: Requiem Canticles

Programs that have included the works of Sam H. Stept and Charlie Tobias:

Sunday, December 10, 2006
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
George F. Root: “The Battle Cry of Freedom”
Anon: “The Why and the Wherefore”
George F. Root: “The Vacant Chair”
Robert Schumann: “Die Beiden Grenadiere,” op. 49, no. 1,”Die Hochländer-Witwe,” op. 25, no. 14
Johannes Brahms: “Auf dem Kirchhofe,” op. 105, no. 4
Modest Mussorgsky: “Commander-in-Chief”
Sergei Rachmaninoff: “The Little Island,” op. 14, no. 12
Joseph Ness: “Linie Wie,” “Vi Asoy”
trad: “Eli, Eli”
Ivor Gurney: “Black Stitchel”
Denis W. Browne and W. Denis: “The Isle of Lost Dreams”
Ivor Gurney: “Blaweary”
Denis W. Browne and W. Denis: “To Gratiana Dancing and Singing”
Gerald Finzi: “Farewell to Arms,” op. 9
Hughie Prince: “Boogie Woogie Bugle Boy”
Sam H. Stept and Charlie Tobias: “Don't Sit Under the Apple Tree”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
Francis Poulenc: “C,” “Bleuet,” “Le Disparu,” “Priez pour paix”
Kurt Weill: “Beat! Beat! Drums!” “O Captain! My Captain!”
Paul Hindemith: “Sing on there in the Swamp”
Ned Rorem: “An Incident,” “Inauguration Ball”
Lee Hoiby: “Private First Class Jesse Givens”
Francis Poulenc: “Lune”

Programs that have included the works of Donald Sur:

Friday, September 19, 2008
Institute of Contemporary Art, Boston; David Hoose, conductor
with Collage New Music, David Hoose, music director
Donald Sur: Sonnet 97
Donald Sur: Catena III
Donald Sur: Satori on Park Avenue
Yehudi Wyner: On This Most Voluptuous Night
Dalit Warshaw: Sonate Française
David Rakowski: Imaginary Dances
Irving Fine: “O Know to End as to Begin,” from The Hour-Glass
Irving Fine, orch. David Hoose: “Design for October,” from The Choral New Yorker

Friday, May 13, and Saturday, May 14, 2005
All Saints Parish, Brookline; David Hoose, conductor
William Cutter: To See a World
Charles Fussell, orch. David Hoose: Invocation
Irving Fine: The Hour-Glass
Donald Sur: Sonnet 97
Marjorie Merryman: The Garland
John Harbison: The Flower-Fed Buffaloes

Sunday, March 17, 2002
Symphony Hall; David Hoose, conductor
Donald Sur: Slavery Documents
T.J. Anderson: Slavery Documents 2

Friday, May 7, and Sunday, May 9, 1999
Jordan Hall at NEC; David Hoose, conductor
Donald Sur: Sonnet 97
George Gershwin: “Who Cares?” for Piano
George Gershwin: “Feeling I’m Falling”
George Gershwin: “Feeling Sentimental”
George Gershwin: “I Don’t Think I’ll Fall in Love Today”
Thomas Oboe Lee, after George Gershwin: “He Loves and She Loves,” for Two Pianos
George Gershwin: “Soon,” for Piano
George Gershwin: “Delishious”
George Gershwin: “The Half of It Dearie Blues”
Edward Cohen, after George Gershwin: “Nice Work If You Can Get It,” for Two Pianos
George Gershwin: “Do It Again,” for Piano
George Gershwin: “Do It Again”
Andy Vores, after George Gershwin: “Foggy Day” (Bad Weather No. 1), for Two Pianos
George Gershwin: “Mine”
George Gershwin: “Someone to Watch over Me”
George Gershwin: “Let’s Kiss and Make Up”
George Gershwin: “The Man I Love”
John Harbison, after George Gershwin: “Fascinating Rhythm” (David’s Fascinating Rhythm Method), for Two Pianos
Igor Stravinsky: Les noces

Friday, May 6, 1994
Jordan Hall at NEC; David Hoose, conductor
Carl Nielsen: Three Motets, op. 55
Donald Sur: Lacrimosa, for Chamber Orchestra
Donald Sur: Khumdori Tansaeng (Birth of the Dream-Elf), for Violin, Chorus and Orchestra
Robert Schumann: Mass in C minor, op. 147

Friday, March 23, 1990
Symphony Hall, Boston; David Hoose, conductor
Donald Sur: Slavery Documents

Programs that have included the works of Jan Pieterszoon Sweelinck:

Wednesday, February 20, 1974
Sanders Theatre, Harvard University; Philip Kelsey, conductor
Jan Pieterszoon Sweelinck: “Entends pourquoi je m’écrie,” from Livre second des Pseaumes de David
J.S. Bach: Cantata BWV 27, “Wer weiss, wie nahe mir mein Ende?”
Arnold Schoenberg: Dreimal tausend Jahre, op. 50a
J.P. Sweelinck: Psalm 135, “Chantez de Dieu le renom”
J.P. Sweelinck: Psalm 75, “O Seigneur loué sera ton renom”
J.P. Sweelinck: Psalm 90, “Tu as été, Seigneur”
J.S. Bach: Cantata BWV 125, “Mit Fried und Freud ich fahr dahin”

Programs that have included the works of Thomas Tallis:

Wednesday, February 27, 1980
St. Paul’s Church, Cambridge, MA; John Ferris, conductor
William Byrd: Laudibus in Sanctis
Giovanni da Palestrina: “Tota pulchra es,” from Canticum canticorum
Giovanni da Palestrina: “Vulnerasti cor meum,” from Canticum canticorum
Giovanni da Palestrina: “Vox dilecti mei,” from Canticum canticorum
Giovanni da Palestrina: “Surge, propera amica mea,” from Canticum canticorum
Thomas Tallis: Spem in Alium, motet in forty parts
J.S. Bach: Motet BWV 227, “Jesu, meine Freude”

Wednesday, February 16, 1977
Sanders Theatre, Harvard University; John Ferris, conductor
Thomas Tallis: Lamentations, Parts I and II
Johannes Brahms: Warum ist das Licht gegeben, op. 74, no. 1
J.S. Bach: Motet BWV 230, “Lobet den Herrn”

Programs that have included the works of Virgil Thomson:

Sunday, March 4, 2007
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
Songs by Ivor Gurney
“Walking Song”
“Severn Meadows”
“Twa Corbies”
“The Night of Trafalgar”
“Thou Didst Delight My Eyes”
“Cathleen ni Houlihan”
“Most Holy Night”
Songs by Virgil Thomson
“My Shepherd Will Supply My Need”
“The Divine Image”
“Tiger! Tiger!”
“A Prayer to Saint Catherine”
“The Owl and the Pussy Cat”
Songs by Ned Rorem
“The Subway,” from Four Dialogues
“Absalom”
“I am Rose”
“Early in the Morning”
“I Am He That Aches with Love”
“Love Cannot Fill”
“How Do I Love Thee?”
“Life in a Love”
Songs by Paul Bowles
“Creole Song”
“Farther from the Heart”
“My Sister's Hand in Mine”
“It's Sunday,” “The Sunday Paper,” “This Other Man,” “Birds, Birds, Birds,” “Good-Bye,” from Picnic Cantata

Programs that have included the works of Douglas Townsend:

Sunday, February 9, 2003
Cantata Singers Chamber Series, Kayo Iwama, music director
Media Arts Center, Roxbury Community College
Franz Schubert: “Das Wandern”
trad. “O Waly, Waly”
Ernest Chausson: “Sérénade Italienne”
Robert Schumann: “Im Rhein, im heiligen Strome”
Ned Rorem: “The Lordly Hudson”
Franz Schubert: Marche Militaire, in D Major
Ralph Vaughan Williams: “The Vagabond”
Paul Bowles: “Heavenly Grass”
Samuel Barber: “St. Patrick’s Purgatory”
Charles Ives: “The World’s Highway”
Richard Hundley: “Will There Really Be a Morning?”
Lee Hoiby: “The Saints”
Douglas Townsend: Fantasy on “Follow the Drinking Gourd”
John Andrew Ross: “Give Me the Wings of Faith”
Aaron Copland: “Simple Gifts,” “At the River,” “Ching-A-Ring-Chaw”

Programs that have included the works of David del Tredici:

Sunday, April 12, 1970
Sanders Theatre, Harvard University; Leon Kirchner, conductor
Concert by the Boston Philharmonia, joined by Cantata Singers for two pieces
David del Tredici: Pop-pourri
Igor Stravinsky: Requiem Canticles

Saturday, October 10, 2015
Jordan Hall at NEC; Joseph Flummerfelt, guest conductor
Tomás Luis de Victoria: O vos omnes
Pablo Casals: O vos omnes
Peter Maxwell Davies: The Lord’s Prayer
Maurice Duruflé: Notre père
Igor Stravinsky: Pater noster
Giuseppe Verdi: Ave Maria
Benjamin Britten: The Evening Primrose, from Flower Songs
Irving Fine: The Hourglass, from The Hourglass
Samuel Barber: The Coolin’, from Reincarnations
Aaron Copland: Long time Ago; At the River; The Promise of Living, from The Tender Land
Johannes Brahms: Liebeslieder Walzer, op. 52; Neue Liebeslieder Waltzer, zum schluss

Friday, November 11, and Sunday, November 13, 2005
Jordan Hall at NEC; David Hoose, conductor
Giuseppe Verdi: "Messa da Requiem"

Sunday, April 6, 2003
Cantata Singers Chamber Concert Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Henry Purcell: "Come, All Ye Songsters," "If Music Be the Food of Love," "Sound the Trumpet"
Benjamin Britten: "Mother Comfort," "Underneath the Abject Willow" Two Ballads for Two Voices and Piano
Camille Saint-Saëns: "Pastorale"
Jules Massenet: "L'éventail elégie," "Oh! ne finis jamais"
Georges Bizet: "Chanson d'avril," "Adieux de l'hôtesse arabe"
Camille Saint-Saëns: El desdichado
Vincenzo Bellini: "Il fervido desiderio," "Per pietà, bell'idol mio"
Guiseppe Verdi: "La seduzione," "Non t'accostare all'urna"
Gioachino Puccini: "Moirire," "El l'uccellino," "Sole e amore,"
"Vexilla Regis prodeunt," "Adieux à la vie," "Duetto buffo di due gatti"

Friday, March 21, 2003
Jordan Hall at NEC; James Olesen and David Hoose, conductors
Edward Cohen: Invocation
Guiseppe Verdi: “Ave Maria,” from Quatro pezzi sacri
Franz Liszt, orch. David Hoose: Via Crucis – the 14 Stations of the Cross
Olivier Messaien: Trois petites liturgies de la Présence Divine

Wednesday, February 9, 1983
Sanders Theatre, Harvard University; David Hoose, conductor
Igor Stravinsky: Introitus
Orlando di Lasso: “Carmina Chromatica,” and “Sibylla Persica,” from Prophetiae Sibyllarum
Claudio Monteverdi: “Non havea Febo ancora,” from Madrigali guerrieri ed amorosi
Armand Qualliotine: Proteggemi, for Soprano and Chamber Ensemble
Claudio Monteverdi: “Hor che’l ciel e la terra,” from Madrigali guerrieri ed amorosi
Giuseppe Verdi: “Ave Maria,” from Quattro pezzi sacri
Luigi Dallapiccola: Canti di Prigionia

Programs that have included the works of Tomás Luis de Victoria:

Friday, December 16th, 2016 and Saturday, December 17th, 2016
Cary Hall, Lexington; David Hoose, conductor
St. Paul Church, Cambridge; David Hoose, conductor
Orlande de Lassus: "Sibylla Persica" from Prophetiae Sibyllarum
Claudio Monteverdi: "Laetatus sum"
Hugo Distler: "Es ist ein Ros entsprungen" from Weihnachtsgeschichte, op. 10
Tomás Luis de Victoria: "O magnum mysterium”
Heinrich Schütz: "Nun danket alle Gott,” SWV 418 from Symphoniae sacrae III (1650)
Heinrich Ignaz Franz von Biber: "The Annunication" from Rosary Sonatas
Monteverdi: Gloria a 7
Schütz: “Ach Herr, du Schöpfer aller Ding,” Madrigal spirituale, SWV 450
Lassus: "Sibylla Europæa" from Prophetiae Sibyllarum
Arnold Schoenberg: Friede auf Erden, op. 13
Program Notes

Saturday, October 10, 2015
Jordan Hall at NEC; Joseph Flummerfelt, guest conductor
Tomás Luis de Victoria: O vos omnes
Pablo Casals: O vos omnes
Peter Maxwell Davies: The Lord’s Prayer
Maurice Duruflé: Notre père
Igor Stravinsky: Pater noster
Giuseppe Verdi: Ave Maria
Benjamin Britten: The Evening Primrose, from Flower Songs
Irving Fine: The Hourglass, from The Hourglass
Samuel Barber: The Coolin’, from Reincarnations
Aaron Copland: Long time Ago; At the River; The Promise of Living, from The Tender Land
Johannes Brahms: Liebeslieder Walzer, op. 52; Neue Liebeslieder Waltzer, zum schluss

Saturday, December 15, 2007
Cantata Singers Chamber Series, Allison Voth, music director
Isabella Stewart Gardner Museum, Boston
trad. (English): “Here We Come A-Wassailing”
trad. (German): “Lo, How a Rose E're Blooming”
trad.: Coventry Carol, from The Pageant of Shearmen and Tailors trad. (English): “I Saw Three Ships”
Tomás Luis de Victoria: O magnum mysterium
Heinrich Schütz: “Die Hirten auf dem Felde,” from Weihnachtshistorie
trad. (English): “God Rest Ye Merry Gentlemen”
Franz Gruber: “Silent Night”
trad. (Catalonian): “Foom! Foom! Foom!”
trad. (Hannakah), arr. Joseph Ness: “Mi Ze Hidlik, Mi Y'malel,” “Oy Chanukah, S'vivon”
Javier Busto: “Kuttun Kantak”
Fr. St. Jean Brefeuf: The Huron Carol
trad. (Hungarian): Sleigh Song
James Lord Pierpont: “Jingle Bells”
Ralph Blane: “Have Yourself a Merry Little Christmas”
trad. (French melody): “Ding Dong Merrily on High”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
trad. (English): “We Wish You a Merry Christmas”

Programs that have included the works of Andy Vores:

Friday, May 8, 2009
Jordan Hall at NEC; David Hoose and Anthony Trecek-King, conductors
with Boston Children’s Chorus, Anthony Trecek-King, music director
Benjamin Britten: The Company of Heaven
Neighborhood House Charter School: Wrens and Robins
Neighborhood House Charter School: The Caterpillar
Andy Vores: Natural Selection
Benjamin Britten: Psalm 150
J.S. Bach: Cantata BWV 50, “Nun ist das Heil und die Kraft”

Sunday, January 30, 2000
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
William Billings: “Chester,” “Modern Music”
Arthur Foote: “The Voice of Spring,” “The Swallow”
George W. Chadwick: “Allah,” “Joshua”
Edward MacDowell: “The Sea,” “To a Wild Rose”
Mrs. H. H Beach: “Take, o Take those Lips Away,” “Ah, Love but a Day,” “The Night Sea”
Andy Vores: Welsh Songs
Andy Vores: “Haunted”

Friday, January 21, and Sunday, January 23, 2000
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 1, “Wie schön leuchtet der Morgenstern”
Andy Vores: World Wheel

Friday, May 7, and Sunday, May 9, 1999
Jordan Hall at NEC; David Hoose, conductor
Donald Sur: Sonnet 97
George Gershwin: “Who Cares?” for Piano
George Gershwin: “Feeling I’m Falling”
George Gershwin: “Feeling Sentimental”
George Gershwin: “I Don’t Think I’ll Fall in Love Today”
Thomas Oboe Lee, after George Gershwin: “He Loves and She Loves,” for Two Pianos
George Gershwin: “Soon,” for Piano
George Gershwin: “Delishious”
George Gershwin: “The Half of It Dearie Blues”
Edward Cohen, after George Gershwin: “Nice Work If You Can Get It,” for Two Pianos
George Gershwin: “Do It Again,” for Piano
George Gershwin: “Do It Again”
Andy Vores, after George Gershwin: “Foggy Day” (Bad Weather No. 1), for Two Pianos
George Gershwin: “Mine”
George Gershwin: “Someone to Watch over Me”
George Gershwin: “Let’s Kiss and Make Up”
George Gershwin: “The Man I Love”
John Harbison, after George Gershwin: “Fascinating Rhythm” (David’s Fascinating Rhythm Method), for Two Pianos
Igor Stravinsky: Les noces

Sunday, April 13, 1997
Cantata Singers Chamber Series, Kayo Iwama, music director
Isabella Stewart Gardner Museum, Boston
Aaron Copland: “Nature, the gentlest mother”
Charles Ives: “Evening”
William Roy: “This Little Rose”
Charles Ives: “Nature’s Way,” “The Housatonic at Stockbridge,” “Walking”
Arthur Farwell: “I’m Nobody! Who are you?” “Aristocracy”
Charles Ives: “The Innate”
Robert Baksa: “The soul selects her own society”
Andy Vores: Haunted
Charles Ives: “Religion”
Lee Hoiby: “The Saints”
Aaron Copland: “Going to Heaven”
Charles Ives: “Serenity,” “General William Booth Enters Into Heaven”

Programs that have included the works of Dalit Warshaw:

Friday, September 19, 2008
Institute of Contemporary Art, Boston; David Hoose, conductor
with Collage New Music, David Hoose, music director
Donald Sur: Sonnet 97
Donald Sur: Catena III
Donald Sur: Satori on Park Avenue
Yehudi Wyner: On This Most Voluptuous Night
Dalit Warshaw: Sonate Française
David Rakowski: Imaginary Dances
Irving Fine: “O Know to End as to Begin,” from The Hour-Glass
Irving Fine, orch. David Hoose: “Design for October,” from The Choral New Yorker

Programs that have included the works of Anton Webern:

Friday, April 1, 2016
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Ricercar, from the Musical Offering, orch. by Anton Webern
J.S. Bach: Cantata BWV 60, “O Ewigkeit, du Donnerwort”—Dialogue between Hope and Fear
Anton Webern: Five Movements for String Orchestra, op. 5
Johannes Brahms: Ein deutsches Requiem
Program Notes

Wednesday, March 5, 1986
Sanders Theatre, Harvard University; David Hoose, conductor
J.S. Bach: Motet BWV 229, “Komm, Jesu, komm”
Anton Webern: Kantate Nr. 1, op. 29
J.S. Bach: Cantata BWV 93, “Wer nur den lieben Gott lässt walten”
J.S. Bach, orch. Anton Webern: “Fuga (Ricercata a 6 voci),” from The Musical Offering, BWV 1079
Anton Webern: Kantate Nr. 1, op. 29
J.S. Bach: Cantata BWV 60, “O Ewigkeit, du Donnerwort”

Saturday, May 9, 1970
Sanders Theatre, Harvard University; John Harbison, conductor
J.S. Bach: Cantata BWV 116, “Du Friedenfürst, Herr Jesu Christ”
Heinrich Schütz: “Komm, heiliger Geist,” SWV 417, from Symphoniae sacrae III
Heinrich Schütz: “Nun danket alle Gott,” SWV 418, from Symphoniae sacrae III
Anton Webern: Two Goethe Songs, from Drei Lieder, op. 18, and Zwei Lieder, op. 19
J.S. Bach: Cantata BWV 95, “Christus, der ist mein Leben”

Programs that have included the works of Kurt Weill:

Friday, January 20th, 2017
American Academy of Arts and Sciences; Allison Voth, director
Weiner and Weill
Lazar Weiner: "A Gebet", "Volt Mayne Tate Raykh Geven", "Der Scholem-Zokher", "Shtile Tener", & "Tsela-Tseldi"
Kurt Weill: Ofrah's Lieder
Weiner: “Unter Dayne Vayse Shtern”, “A Papir Vil Bageyn Zelbsmord”, "Bald Vet Zayn a Regn", "Stile Likht", & "Der Yid mitn Fidl"
Weill: Abendlied
Weill: Maikaterlied
Weill: Four Walt Whitman Songs
Weill: "Zu Potsdam unter den Eichen" from Das Berliner Requiem
Weiner: "Mayn Lid", "Arop un Aroyf", "Mayn Shprakh", "Farbaygeyer", & "Di Dame mit Hintl"
Weill: Excerpts from Five Songs from Huckleberry Finn
Weiner: A Nign
Program Notes

Friday, November 18th, 2016
American Academy of Arts and Sciences; Allison Voth, director
Entartete Musik
Kurt Weill, arr. John Greer: "Berlin im licht"
Arnold Schoenberg: "Wanderlied Capriccio"
Schoenberg: "Am strand"
Weill: "Großer Dankchoral: Lobet die Nacht" from Das Berliner Requiem
Berthold Goldschmidt: "Nebelweben" & "Ein Rosenzweig" from Zwei Lieder, op. 27
Alexander Zemlinsky: "Liebe Schwalbe", "Blaues Sternlein", & "Fensterlein, nachts bist du zu"
Zemlinsky: "Der Wind des Herbste" & "Afrikanische Tanz"
Hanns Eisler: "Philantropich", "Die Zwei Trichter", & "Die Zwei Wurzeln" from Galgenlieder
Erich Korngold: "Come away, death", "Adieu good man devil", & "For the rain it raineth every day" from Songs of the Clown, op. 29
Egon Wellesz: "Blütenschnee", "Leichtes Spiel", & "Blüten" from Kirschblütenlieder, op. 8
Paul Hindemith: 3 Hymnen, op. 14
Ernst Krenek: "O Tranenvolle" from O Lacrimosa, op. 48a
Hans Gál: "Drei Prinzessinnen", "Der Wiesenbach", & "Abend auf dem Fluss"
Franz Schreker: "Und wie mag die Liebe" & "Das feurige Männlein"
Weill: "Cäsars Tod" from Der Silbersee
Krenek: "Die Saiten weiss ich zu rühren " from Fiedellieder, op. 64
Wilhelm Grosz: "Bänkel vom Klatsch" from Bänkel und Balladen
Schoenberg: "Mahnung" from Brettl Lieder
Krenek: "Wiederum lebt wohl" from Fiedellieder, op. 64
Grosz: "Die Ballade von Sammy Lee" from Bänkel und Balladen
Krenek: "Nun ein Scherflein in der Runde" from Fiedellieder, op. 64
Eisler: "Ballade von de Krüppelgarde" from Balladenbuch, op. 18
Weill, arr. Greer: "Youkali" from Marie Galante
Program Notes

Friday, May 9, 2008
Jordan Hall at NEC; David Hoose, conductor
Kurt Weill: Symphony No. 2
Charles Fussell: High Bridge – A Choral Symphony after Poems of Hart Crane
Pre-concert and intermission songs by Kurt Weill:
“Ich bin eine arme Verwandte,” from Der Silbersee
“Here I'll stay,” from Love Life
“Lost in the stars,” from Lost in the Stars
“My ship,” from Lady in the Dark
Psychiatry Song, from Johnny Johnson
“The trouble with women,” from One Touch of Venus
“Wouldn't you like to be on Broadway?” from Street Scene

Sunday, April 6, 2008
Cantata Singers Chamber Series, Allison Voth, music director
Leventhal-Sidman Jewish Community Center
Lynn Torgove, director
A Kurt Weill Cabaret
“Berlin im Licht”
“Song of Mandalay,” and “Surabaya Johnny,” from Happy End
“Alabama Song,” from Rise and Fall of the City of Mahagonny
“Cannon Song,” from The Threepenny Opera
“Fennimore's Song,” from Der Silbersee
Jealousy Duet and Tango Ballad, from The Threepenny Opera
“Fennimore's Rome Song,” from Der Silbersee
“Big shot,” from Happy End
Crane Duet, from Rise and Fall of the City of Mahagonny
“Mack the Knife,” from The Threepenny Opera
“Berlin im Licht” – Instrumental Interlude
“Complainte de la Seine,” from Marie Galante
“Pride,” from The Seven Deadly Sins
“J'attends un navire,” “Les filles de Bordeaux,” Le roi d’Aquitaine,” and “Le train du ciel,” from Marie Galante
“Der Abscheidsbrief”
“Youkali”
“Scene au dancing,” from Marie Galante – Instrumental Interlude
“Hymn to Peace,” from Johnny Johnson
“My ship/J'attends un navire,” from Lady in the Dark/Marie Galante
“I'm a stranger here myself,” from One Touch of Venus
“Wouldn't you like to be on Broadway?” and “We’ll Go Away Together,” from Street Scene
“Psychiatry Song,” from Johnny Johnson
“Lost in the stars,” from Lost in the Stars
“The trouble with women,” from One Touch of Venus
“The saga of Jenny,” and “One life to live,” from Lady in the Dark

Friday, March 14, and Sunday, March 16, 2008
Jordan Hall at NEC; David Hoose, conductor
Ferruccio Busoni: Berceuse élégiaque
Kurt Weill: Concerto for Violin and Wind Instruments, op. 12
Johannes Brahms: Ein deutches Requiem, op. 45

Friday, January 18, and Sunday, January 20, 2008
Jordan Hall at NEC; David Hoose, conductor
with The Spectrum Singers, John Ehrlich, music director
Lior Navok: And the Trains Kept Coming... Slavery Documents 3
Kurt Weill: “The Prophets,” from The Eternal Road
Pre-concert and intermission songs by Kurt Weill:
“Dance Around the Golden Calf,” “Song of Ruth,” and “The Promise,” from The Eternal Road
“There'll be life, love, and laughter,” from Firebrand of Florence
“Here I'll Stay,” from Love Life
“Thousands of miles,” from Lost in the Stars
“Will you remember me,” from Knickerbocker Holiday

Saturday, December 15, 2007
Cantata Singers Chamber Series, Allison Voth, music director
Isabella Stewart Gardner Museum, Boston
trad. (English): “Here We Come A-Wassailing”
trad. (German): “Lo, How a Rose E're Blooming”
trad.: Coventry Carol, from The Pageant of Shearmen and Tailors trad. (English): “I Saw Three Ships”
Tomás Luis de Victoria: O magnum mysterium
Heinrich Schütz: “Die Hirten auf dem Felde,” from Weihnachtshistorie
trad. (English): “God Rest Ye Merry Gentlemen”
Franz Gruber: “Silent Night”
trad. (Catalonian): “Foom! Foom! Foom!”
trad. (Hannakah), arr. Joseph Ness: “Mi Ze Hidlik, Mi Y'malel,” “Oy Chanukah, S'vivon”
Javier Busto: “Kuttun Kantak”
Fr. St. Jean Brefeuf: The Huron Carol
trad. (Hungarian): Sleigh Song
James Lord Pierpont: “Jingle Bells”
Ralph Blane: “Have Yourself a Merry Little Christmas”
trad. (French melody): “Ding Dong Merrily on High”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
trad. (English): “We Wish You a Merry Christmas”

Friday, November 9, 2007
Jordan Hall at NEC; David Hoose, conductor
with PALS Children’s Chorus, Alysoun Kegel, artistic director
Kurt Weill: Die Legende vom toten Soldaten
Luigi Dallapiccola: Canti di Prigionia
Carl Orff: Carmina burana – cantiones profanae
Pre-concert and intermission songs by Kurt Weill:
“Ballad of the Lily of Hell,” from Happy End
“Dirge for a Soldier,” “To War!” from Knickerbocker Holiday
“Here I'll Stay,” from Love Life
“Lonely House,” from Street Scene
“O Captain! My Captain!”

Sunday, September 23, 2007
Collings Foundation Aviation Museum, Stow, Massachusetts; David Hoose, conductor
Kurt Weill: The Lindbergh Flight
Pre-concert songs by Kurt Weill:
“September Song,” There's Nowhere to Go But Up,” from Knickerbocker Holiday
“Girl of the Moment,” “One Life to Live,” “Tchaikowsky (And Other Russians),” “My Ship,” from Lady in the Dark
“Here I'll Stay,” from Love Life

Sunday, December 10, 2006
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
George F. Root: “The Battle Cry of Freedom”
Anon: “The Why and the Wherefore”
George F. Root: “The Vacant Chair”
Robert Schumann: “Die Beiden Grenadiere,” op. 49, no. 1,”Die Hochländer-Witwe,” op. 25, no. 14
Johannes Brahms: “Auf dem Kirchhofe,” op. 105, no. 4
Modest Mussorgsky: “Commander-in-Chief”
Sergei Rachmaninoff: “The Little Island,” op. 14, no. 12
Joseph Ness: “Linie Wie,” “Vi Asoy”
trad: “Eli, Eli”
Ivor Gurney: “Black Stitchel”
Denis W. Browne and W. Denis: “The Isle of Lost Dreams”
Ivor Gurney: “Blaweary”
Denis W. Browne and W. Denis: “To Gratiana Dancing and Singing”
Gerald Finzi: “Farewell to Arms,” op. 9
Hughie Prince: “Boogie Woogie Bugle Boy”
Sam H. Stept and Charlie Tobias: “Don't Sit Under the Apple Tree”
Kim Gannon and Walter Kent: “I'll Be Home for Christmas”
Francis Poulenc: “C,” “Bleuet,” “Le Disparu,” “Priez pour paix”
Kurt Weill: “Beat! Beat! Drums!” “O Captain! My Captain!”
Paul Hindemith: “Sing on there in the Swamp”
Ned Rorem: “An Incident,” “Inauguration Ball”
Lee Hoiby: “Private First Class Jesse Givens”
Francis Poulenc: “Lune”

Friday, January 19, and Sunday, January 21, 2001
Jordan Hall at NEC; David Hoose, conductor with The Spectrum Singers, John Erhlich, music director
Darius Milhaud: La Création du monde
Kurt Weill, orch. David Hoose: Three Scenes from Der Weg der Verheissung
Arnold Schoenberg: Psalm 130, De profundis, op. 50b
Arthur Honegger: Le Roi David – Psaume symphonique (original version)

Sunday, December 10, 2000
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
George Gershwin: “They can’t take that away from me”
Aaron Copland: Vocalise
Arnold Schoenberg: “Der genüngsamer Liebhaber”
Kurt Weill: “Je ne t’aime pas,” ”Schickelgrüber”
Marc Blitzstein: “Displaced”
Arnold Schoenberg: “Gigerlette”
Kurt Weill: “Surabaya Johnny”
Marc Blitstein: “The New Suit (Zipperfly),” “Jimmy’s Got a Goil”
George Gershwin: “Our love is here to stay”
Leonard Bernstein: Arias and Barcarolles, I-VIII

Friday, January 23, and Sunday, January 25, 1998
Jordan Hall at NEC; David Hoose, conductor
Kurt Weill: Symphony No. 1, “Berliner Sinfonie”
Johannes Brahms: Ein deutches Requiem, op. 45

Programs that have included the works of Adrian Willaert:

Wednesday, February 22, 1978
Sanders Theatre, Harvard University; John Ferris, conductor
Adrian Willaert: Missa mente tota
Johannes Brahms: O Heiland, reiss die Himmel auf, op. 74, no. 2
Robert Schumann: Vier doppelchörige Gesänge, op. 141

Saturday, February 18, 1978
Colby-Sawyer College, New London, New Hampshire; John Ferris, conductor
Heinrich Schütz: Motets from Geistliche Chormusik 1648
Adrian Willaert: Missa mente tota
J.S. Bach: Motet BWV 225, “Singet dem Herrn ein neues Lied”
Johannes Brahms: O Heiland, reiss die Himmel auf, op. 74, no. 2
Robert Schumann: Vier doppelchörige Gesänge, op. 141

Programs that have included the works of Ralph Vaughan Williams:

Friday, May 13, 2011
First Church Congregational, Cambridge; David Hoose, conductor
Leonard Bernstein: Chichester Psalms
Herbert Howells: Take Him, Earth, for Cherishing
Ralph Vaughan Williams: Mass in G minor
Charles Ives: Psalm 90

Friday, January 14, 2011
Jordan Hall at NEC; David Hoose, conductor
Gustav Holst: The Evening-watch , op. 43, no. 1
Edward Elgar: “Weary Wind of the West”
Gerald Finzi: “My Spirit Sang All Day,” from Seven Poems of Robert Bridges
Ralph Vaughan Williams: Three Shakespeare Songs
trad. (Scottish), arr. Ralph Vaughan Williams: “Loch Lomond”
trad. (Welsh), arr. Gustav Holst: “My sweetheart's like Venus”
trad. (Cornish), arr. Gustav Holst: “I love my love”
Ralph Vaughan Williams: Riders to the Sea
Alexandra Borrie, director

Friday, November 5, and Saturday, November 6, 2010
Jordan Hall at NEC; David Hoose, conductor
Andrew Imbrie: On the Beach at Night
Ralph Vaughan Williams: Flos campi
Yehudi Wyner: Give Thanks for All Things
Ralph Vaughan Williams: Concerto in A minor for Oboe and Strings
Irving Fine, orch. David Hoose: The Choral New Yorker

Sunday, October 3, 2010
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
Songs of Ralph Vaughan Williams:
from Songs of Travel:
“Linden Lea”
“Vagabond”
“Let Beauty Awake”
“The Roadside Fire”
“Whither Must I Wander?”
from Along the Field:
“Good-bye,”
“With rue my heart is laden”
from Pilgrim's Progress:
“The Songs of the Leaves of Life and the Water of Life,”
“The Song of Vanity Fair”
from Four Hymns, 1914
“Who is this fair one?”
from Sir John in Love
“When dasies pied”
“Thine own true knight”
from Ten Blake Songs:
“A Poison Tree”
“The Piper”
Five Mystical Songs
from Four Last Songs
“Tired”
from The English Hymnal
“Come Down, O Love Divine” (“Down Ampney”)

Sunday, December 11, 2005
Cantata Singers Chamber Series; Kayo Iwama, music director
Isabella Stewart Gardner Museum, Boston
Benjamin Britten: "At Day-Close in November"
Johannes Brahms: "Spätherbst," "Auf dem Kirchhofe"
Ralph Vaughan Williams: "When Icicles Hang by the Wall"
Roger Quilter: "Blow, blow thou Winter Wind"
Hugo Wolf: "Schlafendes Jesuskind," "Auf ein altes Bild"
Peter Warlock: "Balulalow"
Johannes Brahms: Zwei Gesänge, for Alto, Viola, and Piano
Hugo Wolf: "Nun wandre, Maria"
Johannes Brahms: "Maria ging aus wandern"
Hugo Wolf: "Führ mich, Kind, nach Bethlehem," "Epiphanias"
Hugo Wolf: "Auf eine Christblume" I and II
Ralph Vaughan Williams: from Folk Songs of the Four Seasons "Children's Christmas Song" "Wassail Song" "In Bethlehem City" "God Bless the Master"
John Rutter: "What Sweeter Music"

Sunday, February 6, 2005
Cantata Singers Chamber Series, Kayo Iwama, music director
Mainstage Auditorium, Roxbury Community College
Robert Schumann: "Von fremden Ländern und Menschen"
Johannes Brahms: "Der bucklichte Fiedler"
Charles Wakefield Cadman: "Far Off I Hear the Lover's Flute"
Manuel de Falla: "Asturiana"
Joaquín Rodrigo: "De los álamos vengo, madre"
Ralph Vaughan Williams: "Sprig of Thyme"
Ralph Vaughan Williams: "Whither Must I Wander?"
Benjamin Britten: "O Waly, Waly"
George Chadwick: "The Lark that Sang"
trad: "The little horses"
trad: "Steal away"
trad: "I got shoes"
Maurice Ravel: Chanson hébraïque
M. Warshawsky: "Oifn pripitchok"
trad: "Tumbalalaika"

Sunday, December 2, 2001
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Benjamin Britten: “Let the Florid Music Praise,” “At the Railway Station, Upway”
Samuel Barber: “Solitary Hotel”
Jean Berger: “Lonely People”
Franz Schubert: “Der Einsame”
Noel Coward: “If Love Were All”
Johannes Brahms: “O wüsst’ich doch den Weg zurück”
Ralph Vaughan Williams: “Whither Must I Wander?”
Johannes Brahms: “Volkslied”
Franz Schubert: “Der Lindenbaum”
Johannes Brahms: Spätherbst,” “Der Abend”
Franz Schubert: “Abendstern”
Samuel Barber: “Boundless, Boundless Evening”
Johannes Brahms: “Abenddämerung”
Robert Baksa: “The soul selects her own society”
William Bolcom: “Waitin’”
Charles Ives: Hymn
Benjamin Britten: “At Day-Close in November,” “Nocturne”
trad. “Amazing Grace”

Friday, May 8, and Sunday, May 10, 1998
Jordan Hall at NEC; David Hoose, conductor
Ralph Vaughan Williams: Mass in G minor
Paul Hindemith: Apparebit repentina dies
David Diamond: Elegy: In Memory of Maurice Ravel
Charles Ives, orch. David Hoose: Psalm 90

Friday, May 12, and Sunday, May 14, 1995
All Saints Parish, Brookline; David Hoose, conductor with the Lydian String Quartet
Ralph Vaughan Williams: “We’ll to the woods no more,” from Along The Field
Edward Elgar: “How calmly the evening”
Edward Elgar: “There is sweet music”
Ralph Vaughan Williams: Merciless Beauty
Edward Elgar: “My love dwelt in a Northern land”
Ralph Vaughan Williams: “The sky above the roof”
Frank Bridge: Cherry Ripe
Edward Elgar: “Owls (An Epitaph)”
Frank Bridge: Sally in her Alley
Edward Elgar: “O wild West Wind!”
Edward Elgar: “Serenade”
Ralph Vaughan Williams: “Menelaus”
Ralph Vaughan Williams: “Procris”
Ralph Vaughan Williams: “The Unquiet Grave”
Edward Elgar: “Go, song of mine”
Frank Bridge: An Irish Melody – The Londonderry Air
Ralph Vaughan Williams: “A Clear Midnight”
Edward Elgar: “Weary wind of the West”

Programs that have included the works of Hugo Wolf:

Sunday, December 11, 2005
Cantata Singers Chamber Series; Kayo Iwama, music director
Isabella Stewart Gardner Museum, Boston
Benjamin Britten: "At Day-Close in November"
Johannes Brahms: "Spätherbst," "Auf dem Kirchhofe"
Ralph Vaughan Williams: "When Icicles Hang by the Wall"
Roger Quilter: "Blow, blow thou Winter Wind"
Hugo Wolf: "Schlafendes Jesuskind," "Auf ein altes Bild"
Peter Warlock: "Balulalow"
Johannes Brahms: Zwei Gesänge, for Alto, Viola, and Piano
Hugo Wolf: "Nun wandre, Maria"
Johannes Brahms: "Maria ging aus wandern"
Hugo Wolf: "Führ mich, Kind, nach Bethlehem," "Epiphanias"
Hugo Wolf: "Auf eine Christblume" I and II
Ralph Vaughan Williams: from Folk Songs of the Four Seasons "Children's Christmas Song" "Wassail Song" "In Bethlehem City" "God Bless the Master"
John Rutter: "What Sweeter Music"

Sunday, November 14, 2004
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
Carl Friedrich Zelter: “Der König in Thule”
Hugo Wolf: “Erstes Liebeslied eines Mädchens”
Ferruccio Busoni: “Lied des Brander”
Franz Schubert: “Die Spinnerin,” “Gretchen am Spinnrade”
Ludwig van Beethoven: “Wonne der Wehmut”
Hugo Wolf: “Das verlassene Mägdlein”
Richard Wagner: “Melodram Gretchens”
Carl Loewe: “Scene aus Faust”
Franz Schubert: “Scene aus Faust,” “Die Mutter Erde”
Ludwig van Beethoven: “Busslied”
Hugo Wolf: “Seufzer”
Franz Schubert: “Verklärung”
Ludwig van Beethoven: “Aus Goethes Faust”
Feliz Mendelssohn: “Hexenlied”
Carl Loewe: “Wenn der Blüthen Frühlingsregen”
Franz Schubert: “Abendbilder”
Hugo Wolf: Mühvoll komm›ich und beladen”

Sunday, November 23, 2003
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Songs of Hugo Wolf
"Anakreons Grab"
"Gleich und Gleich"
"Blumengruss"
"Der Schäfer"
"Die Spröde"
"Die Bekehrte"
"Frühling übers Jahr"
"Ganymed"
"Phänomen," from Westöstlicher Divan
"Ob der Koran von Ewigkeit sei?" from Westöstlicher Divan
"Was in der Schenke waren heute," from Westöstlicher Divan
Harfenspieler III- "Wer nie sein Brot mit Tränen ass," from Wilhelm Meister
Harfenspieler I- "Wer sich der Einsamkeit ergibt," from Wilhelm Meister
Mignon II - "Nur wer die Sehnsucht kennt," from Wilhelm Meister
"Spottlied," from Wilhelm Meister
"Philine," from Wilhelm Meister
Harfenspiler II- "An die Türen will ich schleichen," from Wilhelm Meister
Mignon I - "Heiss mich nicht reden," from Wilhelm Meister
Mignon III- "So lasst mich scheinen," from Wilhelm Meister
Kennst du das Land," from Wilhelm Meister

Sunday, April 14, 2002
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Gerald Finzi: “Farewell to Arms”
Ludwig van Beethoven: “Die Liebe des Nächsten”
Robert Schumann: “Die beiden Grenadiere”
Hugo Wolf: “Nun lass uns Frieden schliessen”
Ludwig van Beethoven: “Der freie Mann”
Hugo Wolf: “Ihr junge Leute”
Gustav Mahler: “Der Tambourg’sell”
Robert Schumann: “Requiem”
trad. “The Minstrel Boy”
trad. “Dear Harp of my Country”
trad. “The Bonney Earl o’Moray”
trad. “Avenging and Bright”
Stephen Foster: “We Are Coming, Father Abraham”
Lee Hoiby: “I Was There”
Charles Ives: “Duty/Vita”
Lee Hoiby: “Willie Has Gone to the War”
Songs of Charles Ives
“Joy, Shipmate, Joy”
“Ilmenau”
“In Flanders fields”
“Where the Eagle”
“Tom Sails Away”
“Autumn”
“He is there!”

Sunday, November 22, 1998
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Hugo Wolf: from Spanishes Liederbuch
“Mögen alle bösen Zungen”
“In dem Schatten meiner Locken”
“Sagt, seid ihr es, feiner Herr”
“Köpfchen, Köpfchen, nicht gewimmert”
“Bitt’ ihn, o Mutter”
“Tief im Herzen trag’ ich Pein”
“Ob auch finstre Blicke”
“Bedeckt mich mit Blumen”
“Sie blasen zum Abmarsch”
“Wer tat deinem Füsslein weh”
“Geh, Geliebter, geh”
Robert Schumann: Spanisches Liederspiel, op. 74

Sunday, April 5, 1998
Cantata Singers Chamber Series, Kayo Iwama, music director
Edward Pickman Concert Hall, Longy School of Music
Georg Böhm: “Wie! Schlaft ihr noch?”
Hugo Wolf: “Die ihr schwebet,” “Auf ein altes Bild,” “Ach, des Knaben Augen”
Johann Crüger: “Auf, auf mein Herz”
Heinrich Schütz: “Erhöre mich, wenn ich rufe”
C. P. E. Bach: “Jesus in Gethsemane”
Hugo Wolf: “Seufzer,” “Verborgenheit,” “Mühvoll komm’ich”
Heinrich Schütz: “Der Herr ist gross”
Henry Purcell: “Sound the trumpet,” “The Blessed Virgin’s Expostulation”
Benjamin Britten: “Angel,” “Since she whom I loved”
Henry Purcell: “Turn then thine eyes”
Benjamin Britten: “O might these sighs and tears,” “Batter my heart,” “Before Life and After”
Henry Purcell: “We sing to him”

Wednesday, April 30, 1980
Sanders Theatre, Harvard University; David Hoose, conductor
Arnold Schoenberg: Schein uns, du liebe Sonne
Hugo Wolf: “Einkehr,” “Resignation,” “Letzte bitte,” and “Ergebung,” from Sechs geistliche Lieder
Arnold Schoenberg: Dreimal tausend Jahre, op. 50a
Heinrich Schütz: SWV 65, “Heu mihi, Domini,” from Cantiones sacrae 1625
Heinrich Schütz: SWV 55, “Deus misereatur nostri,” from Cantiones sacrae 1625
Heinrich Schütz: SWV 81, “Cantate Domino canticum novum,” from Cantiones sacrae 1625
J.S. Bach: Cantata BWV 76, “Die Himmel erzählen die Ehre Gottes”

Thursday, April 17, 1980
Isabella Stewart Gardner Museum, Boston; John Ferris and David Hoose, conductors
William Byrd: Laudibus in Sanctis
Giovanni da Palestrina: “Tota pulchra es,” from Canticum canticorum
Giovanni da Palestrina: “Vulnerasti cor meum,” from Canticum canticorum
Giovanni da Palestrina: “Vox dilecti mei,” from Canticum canticorum
Giovanni da Palestrina: “Surge, propera amica mea,” from Canticum canticorum
Arnold Schoenberg: Schein uns, du liebe Sonne
Hugo Wolf: “Einkehr,” “Resignation,” “Letzte bitte,” and “Ergebung,” from Sechs geistliche Lieder
Heinrich Schütz: SWV 65, “Heu mihi, Domini,” from Cantiones sacrae 1625
Heinrich Schütz: SWV 55, “Deus misereatur nostri,” from Cantiones sacrae 1625
Heinrich Schütz: SWV 81, “Cantate Domino canticum novum,” from Cantiones sacrae 1625

Programs that have included the works of Yehudi Wyner:

Friday, May 12th, 2017
Jordan Hall at NEC; David Hoose, Conductor
with Cantilena; Jennifer Kane, Music Director
Lazar Weiner, orch. by David Hoose: "Ashrei Ho-ish", "Khoyves", "Mayn Tfile", "El Khanun", & "Yihyu L’Rotzon"
Yehudi Wyner: Torah Service
Arthur Honegger: Le Roi David - Psaume Symphonique
Program Notes

Friday, November 5, and Saturday, November 6, 2010
Jordan Hall at NEC; David Hoose, conductor
Andrew Imbrie: On the Beach at Night
Ralph Vaughan Williams: Flos campi
Yehudi Wyner: Give Thanks for All Things
Ralph Vaughan Williams: Concerto in A minor for Oboe and Strings
Irving Fine, orch. David Hoose: The Choral New Yorker

Friday, September 19, 2008
Institute of Contemporary Art, Boston; David Hoose, conductor
with Collage New Music, David Hoose, music director
Donald Sur: Sonnet 97
Donald Sur: Catena III
Donald Sur: Satori on Park Avenue
Yehudi Wyner: On This Most Voluptuous Night
Dalit Warshaw: Sonate Française
David Rakowski: Imaginary Dances
Irving Fine: “O Know to End as to Begin,” from The Hour-Glass
Irving Fine, orch. David Hoose: “Design for October,” from The Choral New Yorker

Programs that have included the works of J.D. Zelenka:

Saturday, October 15th, 2016
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 109, "Ich glaube, lieber Herr, hilf meinen Unglauben"
J.D. Zelenka: Laetatus sum, ZWV 90 **First American Performance
J.D. Zelenka: "Tenebrae factae sunt" from Responsoria pro hebdomada sancta, ZWV 55 **First Boston Performance
J.S. Bach: Cantata BWV 147, "Herz und Mund und Tat und Leben"
Program Notes

Sunday, May 10, 2015
Jordan Hall at NEC; David Hoose, conductor
J.D. Zelenka: Grave—Allegro—Grave from Ouverture a 7 in F, ZWV 188
J.S. Bach: Magnificat in D, BWV 243
J.S. Bach: Sinfonia from Cantata BWV 42, "Am Abend aber desslbigen Sabbaths"
J.D. Zelenka: Te Deum in D, a due cori, ZWV 146 **Boston Premiere
Program Notes

Friday, May 9, 2014
Jordan Hall at NEC; David Hoose, conductor
Jan Dismas Zelenka: Miserere in C minor, ZWV 57
John Harbison: The Supper at Emmaus
Jan Dismas Zelenka: “Recessit pastor noster” from Responsoria pro Hebdomada Sancta, ZWV 55
J.S. Bach: Cantata BWV 6, “Bleib bei uns, den es will Abend werden”

Friday, May 10, 2013
Jordan Hall at NEC; David Hoose, conductor
W.A. Mozart: Motet: “Ave verum corpus,” K. 618
Franz Joseph Haydn: Symphony No. 47 in G
Jan Dismas Zelenka: Missa votiva in E minor, ZWV 18

Friday, November 9, 2012
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 114, “Ach, lieben Christen, seid getrost”
Frank Martin: Et la vie l'emporta
Jan Dismas Zelenka: Motets from Responsoria pro Hebdomada Sancta, ZWV 55
J.S. Bach: Cantata BWV 3, “Ach Gott, wie manches Herzeleid"

Sunday, October 3, 2010
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
Songs of Ralph Vaughan Williams:
from Songs of Travel:
“Linden Lea”
“Vagabond”
“Let Beauty Awake”
“The Roadside Fire”
“Whither Must I Wander?”
from Along the Field:
“Good-bye,”
“With rue my heart is laden”
from Pilgrim's Progress:
“The Songs of the Leaves of Life and the Water of Life,”
“The Song of Vanity Fair”
from Four Hymns, 1914
“Who is this fair one?”
from Sir John in Love
“When dasies pied”
“Thine own true knight”
from Ten Blake Songs:
“A Poison Tree”
“The Piper”
Five Mystical Songs
from Four Last Songs
“Tired”
from The English Hymnal
“Come Down, O Love Divine” (“Down Ampney”)

Friday, November 5, and Saturday, November 6, 2010
Jordan Hall at NEC; David Hoose, conductor
Andrew Imbrie: On the Beach at Night
Ralph Vaughan Williams: Flos campi
Yehudi Wyner: Give Thanks for All Things
Ralph Vaughan Williams: Concerto in A minor, for Oboe and Strings
Irving Fine, orch. David Hoose: The Choral New Yorker

Friday, January 14, 2011
Jordan Hall at NEC; David Hoose, conductor
Gustav Holst: The Evening-watch , op. 43, no. 1
Edward Elgar: “Weary Wind of the West”
Gerald Finzi: “My Spirit Sang All Day,” from Seven Poems of Robert Bridges
Ralph Vaughan Williams: Three Shakespeare Songs
trad. (Scottish), arr. Ralph Vaughan Williams: “Loch Lomond”
trad. (Welsh), arr. Gustav Holst: “My sweetheart's like Venus”
trad. (Cornish), arr. Gustav Holst: “I love my love”
Ralph Vaughan Williams: Riders to the Sea Alexandra Borrie, director

Friday, March 18, and Sunday, March 20, 2011
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Mass in B minor, BWV 232

Friday, May 13, 2011
First Church Congregational, Cambridge; David Hoose, conductor
Leonard Bernstein: Chichester Psalms
Herbert Howells: Take Him, Earth, for Cherishing
Ralph Vaughan Williams: Mass in G minor
Charles Ives: Psalm 90

Friday, November 4, 2011
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Brandenburg Concerto No. 1 in F, BWV 1046
Stephen Hartke: Precepts
Stephen Hartke: A Brandenburg Autumn
J.S. Bach: Lutheran Mass in F, BWV 233

Saturday, January 21, 2012
First Church Congregational, Cambridge; David Hoose, conductor
Alfred Schnittke: Concerto for Choir
Arvo Pärt: Berliner Messe

Sunday, March 18, 2012
Jordan Hall at NEC; David Hoose, conductor
Johannes Brahms: Warum ist das Licht gegeben dem Mühseligen, op. 74, no. 1
Franz Liszt, orch. David Hoose: Via crucis – The 14 Stations of the Cross
Christoph Demantius: Weissagung des Leidens und Sterbens Jesu Christi
J.S. Bach: Cantata BWV 4, “Christ lag in Todesbanden”

Saturday, May 12, 2012
Jordan Hall at NEC; David Hoose, conductor
Charles Fussell, orch. David Hoose: Invocation
Earl Kim: Some Thoughts on Keats and Coleridge
Harold Shapero: Four-Hand Sonata for Piano – I. Very Slowly—Moderately Fast
Earl Kim: Scenes from a Movie, Part 3: The Twenty-sixth Dream
Rodney Lister: The Annunciation
Harold Shapero: Four-Hand Sonata for Piano – II. Slowly and III. Fast
Aaron Copland: In the Beginning

Sunday, October 28, 2012
Cantata Singers Chamber Series, Allison Voth, music director
Edward Pickman Concert Hall, Longy School of Music
Herbert Howells: Four Songs, op. 22
Herbert Howells: “King David”
Herbert Howells: “The Mugger's Song”
Frank Martin: Sechs Monologe aus Jederman
James MacMillan: “Scots Song”
Robert Schumann: Spanische Liederspiel, op. 74
Marjorie Merryman: Wilde Epigrams

Friday, November 9, 2012
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 114, “Ach, lieben Christen, seid getrost”
Frank Martin: Et la vie l'emporta
Jan Dismas Zelenka: Motets from Responsoria pro Hebdomada Sancta, ZWV 55
J.S. Bach: Cantata BWV 3, “Ach Gott, wie manches Herzeleid"

Friday, January 18, 2013
First Church Congregational, Cambridge; David Hoose, conductor
Anton Bruckner: Pange lingua
Anton Bruckner: Christus factus est
Herbert Howells: Requiem
Frank Martin: Messe pour double choeur a cappella

Sunday, March 17, 2013
Jordan Hall at NEC; David Hoose, conductor
James MacMillan: Seven Last Words from the Cross
Marjorie Merryman: Beauty, Grief, and Grandeur
Robert Schumann, orch. David Hoose: Vier doppelchörige Gesänge, op. 141

Friday, May 10, 2013
Jordan Hall at NEC; David Hoose, conductor
W.A. Mozart: Motet: “Ave verum corpus,” K. 618
Franz Joseph Haydn: Symphony No. 47 in G
Jan Dismas Zelenka: Missa votiva in E minor, ZWV 18

Friday, September 20, 2013
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 131, “Aus der Tiefen rufe ich, Herr, zu dir”
J.S. Bach: Cantata BWV 82, “Ich habe genug”
J.S. Bach: Cantata BWV 72, “Alles nur nach Gottes Willen”

Saturday, December 7, 2013
St. Paul Church, Cambridge; David Hoose, conductor
Claudio Monteverdi: Vespro della Beata Vergine 1610

Saturday, February 22, 2014
Jordan Hall at NEC; David Hoose, conductor
Felix Mendelssohn: Elias

Sunday, March 30, 2014
Cantata Singers Chamber Series, Allison Voth, music director
Goethe-Institut, Boston
Claudio Monteverdi: "Chiome d'oro" from Book 7, SV 143
Franz Schubert: Die schöne Müllerin, Op. 25 [excerpts]
John Harbison: Motetti di Montale [excerpts]
Claudio Monteverdi: "Lamento della Ninfa" from Madrigali Guerrieri et Amorosi, Book 8, SV 163
Felix Mendelssohn:
"Herbstlied", Op. 63 No. 4
"Des Mädchens Klage", Op. Posthumous
"Reiselied", Op. 34 No. 6
"Gruß", Op. 63 No. 3
"Frühlingslied", Op. 47 No. 3
"Die Liebende Schreibt", Op. 86 No. 3
"And'res Maienlied", Op. 8 No. 8
"Der Blumenstrauss", Op. 47 No. 5
"Maiglöckchen und die Blümelein", Op. 63 No. 6
Robert Schumann:
"Ich denke dein", Op. 78 No. 3
"Wiegenlied", Op. 78 No. 4
"Unterm Fenster", Op. 34 No. 3
"Herbstlied", Op. 43 No. 2
"Schön Blümelein", Op. 43 No. 3
"Familiengemälde", Op. 34 No. 4
Claudio Monteverdi: "Zefiro torna" from Madrigali e canzonette a due e tre voci, Book 6, SV 108

Friday, May 9, 2014
Jordan Hall at NEC; David Hoose, conductor
Jan Dismas Zelenka: Miserere in C minor, ZWV 57
John Harbison: The Supper at Emmaus
Jan Dismas Zelenka: “Recessit pastor noster” from Responsoria pro Hebdomada Sancta, ZWV 55
J.S. Bach: Cantata BWV 6, “Bleib bei uns, den es will Abend werden”

Wednesday, June 25, and Thursday, June 26, 2014
Church of the Covenant, Boston; David Hoose, conductor
performed for the American Guild of Organists annual convention
Charles Ives: Psalm 90
Betty Olivero: Lo Ira Ra
Leonard Bernstein: Chichester Psalms

Saturday, November 10, 2014
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 77, "Du sollt Gott, deinen Herren, lieben"
Elena Ruehr: Eve **World Premiere
J.S. Bach: Cantata BWV 195, "Dem gerechten muss das Licht immer wieder aufgehen"
Program Notes

Saturday, January 24, and Saturday, January 31, 2015
St. Paul Church, Cambridge; David Hoose, conductor
Houghton Chapel, Wellesley College; David Hoose, conductor
Sergei Rachmaninoff: All-Night Vigil, op. 37
Program Notes

Friday, March 20, 2015
Jordan Hall at NEC; David Hoose, conductor
Ludwig van Beethoven: Elegischer Gesang, op. 118
Franz Joseph Haydn: Symphony No. 86 in D Major
Wolfgang Amadeus Mozart: Great Mass in C minor, K. 427/417a
Program Notes

Saturday, March 28, 2015
Longy School of Music; Allison Voth, director Songs of the Great War
Kevin Puts: "Dona Nobis Pacem" from Silent Night
Albéric Magnard: "Le Rhin allemande" from Six poémes en musique, op. 3, no. 3
Paul Rubens: Your King and Country Want You
Frederick Kelly: Shall I Compare Thee? op. 1, no. 1
Cecil Coles: The Gladsome Fray
George Butterworth: On the Idle Hill of Summer
W. Denis Browne: To Gratiana Dancing and Singing
Felix Powell: Pack Up Your Troubles
Fernand Halphen: Odelette
Maurice Ravel: Trois beaux oiseaux du paradis
Kevin Puts: "J'ai perdu ta photo" from Silent Night
André Caplet: Quand reverrai-je, hélas!
Claude Debussy: Noël des enfants qui non plus de maison
Edgar Bainton: All Night Under the Moon
Ivor Gurney: The Twa Corbies
Benjamin J. Dale: O Mistress of Mine
Ivor Gurney: In Flanders
Rudi Stephan: "Das Hohelied der Nacht" & "Pantherlied" from Ich will dir singen Hohelied
Alban Berg: "Nacht" from Sieben früher Lieder
Arnold Schoenberg: "Gigerlette" from Brettl Lieder
Alfred Piantadosi: I Didn't Raise My Boy to Be a Soldier
George M. Cohan: Over There
Gerald Finzi: Farewell to Arms
Kevin Puts: Dona Nobis Pacem (Reprise)

Sunday, May 10, 2015
Jordan Hall at NEC; David Hoose, conductor
J.D. Zelenka: Grave—Allegro—Grave from Ouverture a 7 in F, ZWV 188
J.S. Bach: Magnificat in D, BWV 243
J.S. Bach: Sinfonia from Cantata BWV 42, "Am Abend aber desslbigen Sabbaths"
J.D. Zelenka: Te Deum in D, a due cori, ZWV 146 **Boston Premiere
Program Notes

Saturday, October 10, 2015
Jordan Hall at NEC; Joseph Flummerfelt, guest conductor
Tomás Luis de Victoria: O vos omnes
Pablo Casals: O vos omnes
Peter Maxwell Davies: The Lord’s Prayer
Maurice Duruflé: Notre père
Igor Stravinsky: Pater noster
Giuseppe Verdi: Ave Maria
Benjamin Britten: The Evening Primrose, from Flower Songs
Irving Fine: The Hourglass, from The Hourglass
Samuel Barber: The Coolin’, from Reincarnations
Aaron Copland: Long time Ago; At the River; The Promise of Living, from The Tender Land
Johannes Brahms: Liebeslieder Walzer, op. 52; Neue Liebeslieder Waltzer, zum schluss

Tuesday, November 17, 2015
American Academy of Arts and Sciences; Allison Voth, director
Aaron Copland: Zion's Walls
Aaron Copland: Emily Dickinson Songs
Aaron Copland: Simple gifts
Irving Fine: Mutability
Samuel Barber: Hermit Songs
Aaron Copland: Shall We Gather at the River
Program Notes

Friday, January 29, 2016 and Sunday, January 31, 2016
Cary Hall, Lexington; David Hoose, conductor
Jordan Hall at NEC; David Hoose, conductor
G.F. Handel: Israel in Egypt
Program Notes

Friday, February 26, 2016
American Academy of Arts and Sciences; Amy Lieberman, conductor
Guillaume de Machaut: Ma fin est mon commencement
Arvo Pärt: Solfeggio
Clément Janequin: Toutes les nuictz
Luciano Berio: Cries of London
Mario Castelnuovo-Tedesco: Romancero Gitano, for guitar and chorus
Clément Janequin: Le Rossignol
Guillaume de Machaut: Ma fin est ma commencement
Program Notes

Tuesday, March 31, 2016
American Academy of Arts and Sciences; Allison Voth, director
Felix Mendelssohn: Duet, from Lobgesang
Fanny Mendelssohn: Songs, op. 7
Johannes Brahms: Trio in A minor, for Piano, Clarinet, and Cello
Felix Mendelssohn: Duets, op. 63
Johannes Brahms: Two Songs for Alto, Viola, and Piano
Fanny Mendelssohn: Duets, op. 63
Johannes Brahms: Neue Liebeslieder, for Vocal Quartet and Piano
Program Notes

Friday, April 1, 2016
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Ricercar, from the Musical Offering, orch. by Anton Webern
J.S. Bach: Cantata BWV 60, “O Ewigkeit, du Donnerwort”—Dialogue between Hope and Fear
Anton Webern: Five Movements for String Orchestra, op. 5
Johannes Brahms: Ein deutsches Requiem
Program Notes

Friday, May 20, 2016
First Church in Cambridge; David Hoose, conductor
J.S. Bach: Komm, Jesu, komm
Arvo Pärt: Adam’s Lament Boston Premiere
J.S. Bach: Lutheran Mass in A
Program Notes

Saturday, October 15th, 2016
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 109, "Ich glaube, lieber Herr, hilf meinen Unglauben"
J.D. Zelenka: Laetatus sum, ZWV 90 **First American Performance
J.D. Zelenka: "Tenebrae factae sunt" from Responsoria pro hebdomada sancta, ZWV 55 **First Boston Performance
J.S. Bach: Cantata BWV 147, "Herz und Mund und Tat und Leben"
Program Notes

Friday, November 18th, 2016
American Academy of Arts and Sciences; Allison Voth, director
Entartete Musik
Kurt Weill, arr. John Greer: "Berlin im licht"
Arnold Schoenberg: "Wanderlied Capriccio"
Schoenberg: "Am strand"
Weill: "Großer Dankchoral: Lobet die Nacht" from Das Berliner Requiem
Berthold Goldschmidt: "Nebelweben" & "Ein Rosenzweig" from Zwei Lieder, op. 27
Alexander Zemlinsky: "Liebe Schwalbe", "Blaues Sternlein", & "Fensterlein, nachts bist du zu"
Zemlinsky: "Der Wind des Herbste" & "Afrikanische Tanz"
Hanns Eisler: "Philantropich", "Die Zwei Trichter", & "Die Zwei Wurzeln" from Galgenlieder
Erich Korngold: "Come away, death", "Adieu good man devil", & "For the rain it raineth every day" from Songs of the Clown, op. 29
Egon Wellesz: "Blütenschnee", "Leichtes Spiel", & "Blüten" from Kirschblütenlieder, op. 8
Paul Hindemith: 3 Hymnen, op. 14
Ernst Krenek: "O Tranenvolle" from O Lacrimosa, op. 48a
Hans Gál: "Drei Prinzessinnen", "Der Wiesenbach", & "Abend auf dem Fluss"
Franz Schreker: "Und wie mag die Liebe" & "Das feurige Männlein"
Weill: "Cäsars Tod" from Der Silbersee
Krenek: "Die Saiten weiss ich zu rühren " from Fiedellieder, op. 64
Wilhelm Grosz: "Bänkel vom Klatsch" from Bänkel und Balladen
Schoenberg: "Mahnung" from Brettl Lieder
Krenek: "Wiederum lebt wohl" from Fiedellieder, op. 64
Grosz: "Die Ballade von Sammy Lee" from Bänkel und Balladen
Krenek: "Nun ein Scherflein in der Runde" from Fiedellieder, op. 64
Eisler: "Ballade von de Krüppelgarde" from Balladenbuch, op. 18
Weill, arr. Greer: "Youkali" from Marie Galante
Program Notes

Friday, December 16th, 2016 and Saturday, December 17th, 2016
Cary Hall, Lexington; David Hoose, conductor
St. Paul Church, Cambridge; David Hoose, conductor
Orlande de Lassus: "Sibylla Persica" from Prophetiae Sibyllarum
Claudio Monteverdi: "Laetatus sum"
Hugo Distler: "Es ist ein Ros entsprungen" from Weihnachtsgeschichte, op. 10
Tomás Luis de Victoria: "O magnum mysterium”
Heinrich Schütz: "Nun danket alle Gott,” SWV 418 from Symphoniae sacrae III (1650)
Heinrich Ignaz Franz von Biber: "The Annunication" from Rosary Sonatas
Monteverdi: Gloria a 7
Schütz: “Ach Herr, du Schöpfer aller Ding,” Madrigal spirituale, SWV 450
Lassus: "Sibylla Europæa" from Prophetiae Sibyllarum
Arnold Schoenberg: Friede auf Erden, op. 13
Program Notes

Friday, January 20th, 2017
American Academy of Arts and Sciences; Allison Voth, director
Weiner and Weill
Lazar Weiner: "A Gebet", "Volt Mayne Tate Raykh Geven", "Der Scholem-Zokher", "Shtile Tener", & "Tsela-Tseldi"
Kurt Weill: Ofrah's Lieder
Weiner: “Unter Dayne Vayse Shtern”, “A Papir Vil Bageyn Zelbsmord”, "Bald Vet Zayn a Regn", "Stile Likht", & "Der Yid mitn Fidl"
Weill: Abendlied
Weill: Maikaterlied
Weill: Four Walt Whitman Songs
Weill: "Zu Potsdam unter den Eichen" from Das Berliner Requiem
Weiner: "Mayn Lid", "Arop un Aroyf", "Mayn Shprakh", "Farbaygeyer", & "Di Dame mit Hintl"
Weill: Excerpts from Five Songs from Huckleberry Finn
Weiner: A Nign
Program Notes

Friday, February 24th, 2017 & Sunday, February 26th, 2017
Jordan Hall at NEC; David Hoose, conductor
Cary Hall, Lexington; David Hoose, conductor
J.S. Bach: Mass in B Minor, BWV 232
Program Notes

Friday, March 31st, 2017
American Academy of Arts and Sciences; Allison Voth, Music Director
Les Six
Erik Satie: "Manière de Commencement" from Morceaux en forme de Poire
Darius Milhaud: "Fumée" from Trois Poèmes de Jean Cocteau, op. 59
Arthur Honegger: "Locutions" & "Souvenirs d’enfance" from Six Poésies de Jean Cocteau
Francis Poulenc: "Miel de Narbonne" & "Enfant de troupe" from Concardes, FP 16
Satie: Trois Mélodies
Louis Durey: "Prière" & "Polka" from Chansons Basques, op. 23
Georges Auric: "Hommage à Erik Satie" & "Réveil" from Huit Poémes de Jean Cocteau
Milhaud: "Fête de Montmartre" from Trois Poèmes de Jean Cocteau, Op. 59
Milhaud: Trois Chansons de Négresse, Op. 148b
Satie: "Brutal" from Trois Morceaux en forme de Poire
Honegger: "Les cloches" from Six Poèmes d’Apollinaire, H 12
Poulenc: "Carte-postale" & "Avant le cinéma" from Quatre Poèmes de Guillaume Apollinaire, FP 58
Honegger: "L’Adieu" from Six Poèmes d’Apollinaire, H 12
Poulenc: "1904" from Quatre Poèmes de Guillaume Apollinaire, FP 58
Satie: "Enlevé" from Trois Morceaux en forme de Poire
Poulenc: "Prelude" from Sonate pour piano, 4 mains, FP 8
Auric: Alphabet: 7 Quatrains de Raymond Radiguet
Durey: "L’éléphant", "La mouche", "Le poulpe", "Le boeuf", "La Méduse", "La puce" & "Les sirèns" from Le Bestiaire, op. 17a
Poulenc: "Rustique" from Sonate pour piano, 4 mains, FP 8
Germaine Tailleferre: Six Chansons Françaises
Poulenc: "La maîtresse volage", "L’offrande", & "La belle jeunesse" from Chansons Gaillardes, FP 42
Poulenc: "Final" from Sonate pour piano, 4 mains, FP 8
Program Notes

Friday, May 12th, 2017
Jordan Hall at NEC; David Hoose, Conductor
with Cantilena; Jennifer Kane, Music Director
Lazar Weiner, orch. by David Hoose: "Ashrei Ho-ish", "Khoyves", "Mayn Tfile", "El Khanun", & "Yihyu L’Rotzon"
Yehudi Wyner: Torah Service
Arthur Honegger: Le Roi David - Psaume Symphonique
Program Notes

Programs that have included the works of Peter Child:

Friday, January 29, and Sunday, January 31, 1999
Jordan Hall at NEC; David Hoose, conductor
Frank Bridge: Lament, for String Orchestra
Peter Child : Estrella: The Assassination of Augusto César Sandino
W.A. Mozart: Mass in C minor, K. 427 (417A)

Saturday, November 12, 1988
Jordan Hall at NEC; David Hoose, conductor
J.S. Bach: Cantata BWV 39, “Brich dem Hungrigen dein Brot”
Peter Child: Estrella: The Assassination of Augusto César Sandino
J.S. Bach: Cantata BWV 21, “Ich hatte viel Bekümmernis”

Programs that have included the works of Kevin Puts:

Saturday, March 28, 2015
Longy School of Music; Allison Voth, director Songs of the Great War
Kevin Puts: "Dona Nobis Pacem" from Silent Night
Albéric Magnard: "Le Rhin allemande" from Six poémes en musique, op. 3, no. 3
Paul Rubens: Your King and Country Want You
Frederick Kelly: Shall I Compare Thee? op. 1, no. 1
Cecil Coles: The Gladsome Fray
George Butterworth: On the Idle Hill of Summer
W. Denis Browne: To Gratiana Dancing and Singing
Felix Powell: Pack Up Your Troubles
Fernand Halphen: Odelette
Maurice Ravel: Trois beaux oiseaux du paradis
Kevin Puts: "J'ai perdu ta photo" from Silent Night
André Caplet: Quand reverrai-je, hélas!
Claude Debussy: Noël des enfants qui non plus de maison
Edgar Bainton: All Night Under the Moon
Ivor Gurney: The Twa Corbies
Benjamin J. Dale: O Mistress of Mine
Ivor Gurney: In Flanders
Rudi Stephan: "Das Hohelied der Nacht" & "Pantherlied" from Ich will dir singen Hohelied
Alban Berg: "Nacht" from Sieben früher Lieder
Arnold Schoenberg: "Gigerlette" from Brettl Lieder
Alfred Piantadosi: I Didn't Raise My Boy to Be a Soldier
George M. Cohan: Over There
Gerald Finzi: Farewell to Arms
Kevin Puts: Dona Nobis Pacem (Reprise)

Programs that have included the works of Albéric Magnard:

Saturday, March 28, 2015
Longy School of Music; Allison Voth, director Songs of the Great War
Kevin Puts: "Dona Nobis Pacem" from Silent Night
Albéric Magnard: "Le Rhin allemande" from Six poémes en musique, op. 3, no. 3
Paul Rubens: Your King and Country Want You
Frederick Kelly: Shall I Compare Thee? op. 1, no. 1
Cecil Coles: The Gladsome Fray
George Butterworth: On the Idle Hill of Summer
W. Denis Browne: To Gratiana Dancing and Singing
Felix Powell: Pack Up Your Troubles
Fernand Halphen: Odelette
Maurice Ravel: Trois beaux oiseaux du paradis
Kevin Puts: "J'ai perdu ta photo" from Silent Night
André Caplet: Quand reverrai-je, hélas!
Claude Debussy: Noël des enfants qui non plus de maison
Edgar Bainton: All Night Under the Moon
Ivor Gurney: The Twa Corbies
Benjamin J. Dale: O Mistress of Mine
Ivor Gurney: In Flanders
Rudi Stephan: "Das Hohelied der Nacht" & "Pantherlied" from Ich will dir singen Hohelied
Alban Berg: "Nacht" from Sieben früher Lieder
Arnold Schoenberg: "Gigerlette" from Brettl Lieder
Alfred Piantadosi: I Didn't Raise My Boy to Be a Soldier
George M. Cohan: Over There
Gerald Finzi: Farewell to Arms
Kevin Puts: Dona Nobis Pacem (Reprise)

Programs that have included the works of Paul Rubens:

Saturday, March 28, 2015
Longy School of Music; Allison Voth, director Songs of the Great War
Kevin Puts: "Dona Nobis Pacem" from Silent Night
Albéric Magnard: "Le Rhin allemande" from Six poémes en musique, op. 3, no. 3
Paul Rubens: Your King and Country Want You
Frederick Kelly: Shall I Compare Thee? op. 1, no. 1
Cecil Coles: The Gladsome Fray
George Butterworth: On the Idle Hill of Summer
W. Denis Browne: To Gratiana Dancing and Singing
Felix Powell: Pack Up Your Troubles
Fernand Halphen: Odelette
Maurice Ravel: Trois beaux oiseaux du paradis
Kevin Puts: "J'ai perdu ta photo" from Silent Night
André Caplet: Quand reverrai-je, hélas!
Claude Debussy: Noël des enfants qui non plus de maison
Edgar Bainton: All Night Under the Moon
Ivor Gurney: The Twa Corbies
Benjamin J. Dale: O Mistress of Mine
Ivor Gurney: In Flanders
Rudi Stephan: "Das Hohelied der Nacht" & "Pantherlied" from Ich will dir singen Hohelied
Alban Berg: "Nacht" from Sieben früher Lieder
Arnold Schoenberg: "Gigerlette" from Brettl Lieder
Alfred Piantadosi: I Didn't Raise My Boy to Be a Soldier
George M. Cohan: Over There
Gerald Finzi: Farewell to Arms
Kevin Puts: Dona Nobis Pacem (Reprise)

Programs that have included the works of Frederick Kelly:

Saturday, March 28, 2015
Longy School of Music; Allison Voth, director Songs of the Great War
Kevin Puts: "Dona Nobis Pacem" from Silent Night
Albéric Magnard: "Le Rhin allemande" from Six poémes en musique, op. 3, no. 3
Paul Rubens: Your King and Country Want You
Frederick Kelly: Shall I Compare Thee? op. 1, no. 1
Cecil Coles: The Gladsome Fray
George Butterworth: On the Idle Hill of Summer
W. Denis Browne: To Gratiana Dancing and Singing
Felix Powell: Pack Up Your Troubles
Fernand Halphen: Odelette
Maurice Ravel: Trois beaux oiseaux du paradis
Kevin Puts: "J'ai perdu ta photo" from Silent Night
André Caplet: Quand reverrai-je, hélas!
Claude Debussy: Noël des enfants qui non plus de maison
Edgar Bainton: All Night Under the Moon
Ivor Gurney: The Twa Corbies
Benjamin J. Dale: O Mistress of Mine
Ivor Gurney: In Flanders
Rudi Stephan: "Das Hohelied der Nacht" & "Pantherlied" from Ich will dir singen Hohelied
Alban Berg: "Nacht" from Sieben früher Lieder
Arnold Schoenberg: "Gigerlette" from Brettl Lieder
Alfred Piantadosi: I Didn't Raise My Boy to Be a Soldier
George M. Cohan: Over There
Gerald Finzi: Farewell to Arms
Kevin Puts: Dona Nobis Pacem (Reprise)

Programs that have included the works of Cecil Coles:

Saturday, March 28, 2015
Longy School of Music; Allison Voth, director Songs of the Great War
Kevin Puts: "Dona Nobis Pacem" from Silent Night
Albéric Magnard: "Le Rhin allemande" from Six poémes en musique, op. 3, no. 3
Paul Rubens: Your King and Country Want You
Frederick Kelly: Shall I Compare Thee? op. 1, no. 1
Cecil Coles: The Gladsome Fray
George Butterworth: On the Idle Hill of Summer
W. Denis Browne: To Gratiana Dancing and Singing
Felix Powell: Pack Up Your Troubles
Fernand Halphen: Odelette
Maurice Ravel: Trois beaux oiseaux du paradis
Kevin Puts: "J'ai perdu ta photo" from Silent Night
André Caplet: Quand reverrai-je, hélas!
Claude Debussy: Noël des enfants qui non plus de maison
Edgar Bainton: All Night Under the Moon
Ivor Gurney: The Twa Corbies
Benjamin J. Dale: O Mistress of Mine
Ivor Gurney: In Flanders
Rudi Stephan: "Das Hohelied der Nacht" & "Pantherlied" from Ich will dir singen Hohelied
Alban Berg: "Nacht" from Sieben früher Lieder
Arnold Schoenberg: "Gigerlette" from Brettl Lieder
Alfred Piantadosi: I Didn't Raise My Boy to Be a Soldier
George M. Cohan: Over There
Gerald Finzi: Farewell to Arms
Kevin Puts: Dona Nobis Pacem (Reprise)

Programs that have included the works of George Butterworth:

Saturday, March 28, 2015
Longy School of Music; Allison Voth, director Songs of the Great War
Kevin Puts: "Dona Nobis Pacem" from Silent Night
Albéric Magnard: "Le Rhin allemande" from Six poémes en musique, op. 3, no. 3
Paul Rubens: Your King and Country Want You
Frederick Kelly: Shall I Compare Thee? op. 1, no. 1
Cecil Coles: The Gladsome Fray
George Butterworth: On the Idle Hill of Summer
W. Denis Browne: To Gratiana Dancing and Singing
Felix Powell: Pack Up Your Troubles
Fernand Halphen: Odelette
Maurice Ravel: Trois beaux oiseaux du paradis
Kevin Puts: "J'ai perdu ta photo" from Silent Night
André Caplet: Quand reverrai-je, hélas!
Claude Debussy: Noël des enfants qui non plus de maison
Edgar Bainton: All Night Under the Moon
Ivor Gurney: The Twa Corbies
Benjamin J. Dale: O Mistress of Mine
Ivor Gurney: In Flanders
Rudi Stephan: "Das Hohelied der Nacht" & "Pantherlied" from Ich will dir singen Hohelied
Alban Berg: "Nacht" from Sieben früher Lieder
Arnold Schoenberg: "Gigerlette" from Brettl Lieder
Alfred Piantadosi: I Didn't Raise My Boy to Be a Soldier
George M. Cohan: Over There
Gerald Finzi: Farewell to Arms
Kevin Puts: Dona Nobis Pacem (Reprise)

Programs that have included the works of Felix Powell:

Saturday, March 28, 2015
Longy School of Music; Allison Voth, director Songs of the Great War
Kevin Puts: "Dona Nobis Pacem" from Silent Night
Albéric Magnard: "Le Rhin allemande" from Six poémes en musique, op. 3, no. 3
Paul Rubens: Your King and Country Want You
Frederick Kelly: Shall I Compare Thee? op. 1, no. 1
Cecil Coles: The Gladsome Fray
George Butterworth: On the Idle Hill of Summer
W. Denis Browne: To Gratiana Dancing and Singing
Felix Powell: Pack Up Your Troubles
Fernand Halphen: Odelette
Maurice Ravel: Trois beaux oiseaux du paradis
Kevin Puts: "J'ai perdu ta photo" from Silent Night
André Caplet: Quand reverrai-je, hélas!
Claude Debussy: Noël des enfants qui non plus de maison
Edgar Bainton: All Night Under the Moon
Ivor Gurney: The Twa Corbies
Benjamin J. Dale: O Mistress of Mine
Ivor Gurney: In Flanders
Rudi Stephan: "Das Hohelied der Nacht" & "Pantherlied" from Ich will dir singen Hohelied
Alban Berg: "Nacht" from Sieben früher Lieder
Arnold Schoenberg: "Gigerlette" from Brettl Lieder
Alfred Piantadosi: I Didn't Raise My Boy to Be a Soldier
George M. Cohan: Over There
Gerald Finzi: Farewell to Arms
Kevin Puts: Dona Nobis Pacem (Reprise)

Programs that have included the works of Fernand Halphen:

Saturday, March 28, 2015
Longy School of Music; Allison Voth, director Songs of the Great War
Kevin Puts: "Dona Nobis Pacem" from Silent Night
Albéric Magnard: "Le Rhin allemande" from Six poémes en musique, op. 3, no. 3
Paul Rubens: Your King and Country Want You
Frederick Kelly: Shall I Compare Thee? op. 1, no. 1
Cecil Coles: The Gladsome Fray
George Butterworth: On the Idle Hill of Summer
W. Denis Browne: To Gratiana Dancing and Singing
Felix Powell: Pack Up Your Troubles
Fernand Halphen: Odelette
Maurice Ravel: Trois beaux oiseaux du paradis
Kevin Puts: "J'ai perdu ta photo" from Silent Night
André Caplet: Quand reverrai-je, hélas!
Claude Debussy: Noël des enfants qui non plus de maison
Edgar Bainton: All Night Under the Moon
Ivor Gurney: The Twa Corbies
Benjamin J. Dale: O Mistress of Mine
Ivor Gurney: In Flanders
Rudi Stephan: "Das Hohelied der Nacht" & "Pantherlied" from Ich will dir singen Hohelied
Alban Berg: "Nacht" from Sieben früher Lieder
Arnold Schoenberg: "Gigerlette" from Brettl Lieder
Alfred Piantadosi: I Didn't Raise My Boy to Be a Soldier
George M. Cohan: Over There
Gerald Finzi: Farewell to Arms
Kevin Puts: Dona Nobis Pacem (Reprise)

Programs that have included the works of Maurice Ravel:

Saturday, March 28, 2015
Longy School of Music; Allison Voth, director Songs of the Great War
Kevin Puts: "Dona Nobis Pacem" from Silent Night
Albéric Magnard: "Le Rhin allemande" from Six poémes en musique, op. 3, no. 3
Paul Rubens: Your King and Country Want You
Frederick Kelly: Shall I Compare Thee? op. 1, no. 1
Cecil Coles: The Gladsome Fray
George Butterworth: On the Idle Hill of Summer
W. Denis Browne: To Gratiana Dancing and Singing
Felix Powell: Pack Up Your Troubles
Fernand Halphen: Odelette
Maurice Ravel: Trois beaux oiseaux du paradis
Kevin Puts: "J'ai perdu ta photo" from Silent Night
André Caplet: Quand reverrai-je, hélas!
Claude Debussy: Noël des enfants qui non plus de maison
Edgar Bainton: All Night Under the Moon
Ivor Gurney: The Twa Corbies
Benjamin J. Dale: O Mistress of Mine
Ivor Gurney: In Flanders
Rudi Stephan: "Das Hohelied der Nacht" & "Pantherlied" from Ich will dir singen Hohelied
Alban Berg: "Nacht" from Sieben früher Lieder
Arnold Schoenberg: "Gigerlette" from Brettl Lieder
Alfred Piantadosi: I Didn't Raise My Boy to Be a Soldier
George M. Cohan: Over There
Gerald Finzi: Farewell to Arms
Kevin Puts: Dona Nobis Pacem (Reprise)

Programs that have included the works of André Caplet:

Saturday, March 28, 2015
Longy School of Music; Allison Voth, director Songs of the Great War
Kevin Puts: "Dona Nobis Pacem" from Silent Night
Albéric Magnard: "Le Rhin allemande" from Six poémes en musique, op. 3, no. 3
Paul Rubens: Your King and Country Want You
Frederick Kelly: Shall I Compare Thee? op. 1, no. 1
Cecil Coles: The Gladsome Fray
George Butterworth: On the Idle Hill of Summer
W. Denis Browne: To Gratiana Dancing and Singing
Felix Powell: Pack Up Your Troubles
Fernand Halphen: Odelette
Maurice Ravel: Trois beaux oiseaux du paradis
Kevin Puts: "J'ai perdu ta photo" from Silent Night
André Caplet: Quand reverrai-je, hélas!
Claude Debussy: Noël des enfants qui non plus de maison
Edgar Bainton: All Night Under the Moon
Ivor Gurney: The Twa Corbies
Benjamin J. Dale: O Mistress of Mine
Ivor Gurney: In Flanders
Rudi Stephan: "Das Hohelied der Nacht" & "Pantherlied" from Ich will dir singen Hohelied
Alban Berg: "Nacht" from Sieben früher Lieder
Arnold Schoenberg: "Gigerlette" from Brettl Lieder
Alfred Piantadosi: I Didn't Raise My Boy to Be a Soldier
George M. Cohan: Over There
Gerald Finzi: Farewell to Arms
Kevin Puts: Dona Nobis Pacem (Reprise)

Programs that have included the works of Claude Debussy:

Saturday, March 28, 2015
Longy School of Music; Allison Voth, director Songs of the Great War
Kevin Puts: "Dona Nobis Pacem" from Silent Night
Albéric Magnard: "Le Rhin allemande" from Six poémes en musique, op. 3, no. 3
Paul Rubens: Your King and Country Want You
Frederick Kelly: Shall I Compare Thee? op. 1, no. 1
Cecil Coles: The Gladsome Fray
George Butterworth: On the Idle Hill of Summer
W. Denis Browne: To Gratiana Dancing and Singing
Felix Powell: Pack Up Your Troubles
Fernand Halphen: Odelette
Maurice Ravel: Trois beaux oiseaux du paradis
Kevin Puts: "J'ai perdu ta photo" from Silent Night
André Caplet: Quand reverrai-je, hélas!
Claude Debussy: Noël des enfants qui non plus de maison
Edgar Bainton: All Night Under the Moon
Ivor Gurney: The Twa Corbies
Benjamin J. Dale: O Mistress of Mine
Ivor Gurney: In Flanders
Rudi Stephan: "Das Hohelied der Nacht" & "Pantherlied" from Ich will dir singen Hohelied
Alban Berg: "Nacht" from Sieben früher Lieder
Arnold Schoenberg: "Gigerlette" from Brettl Lieder
Alfred Piantadosi: I Didn't Raise My Boy to Be a Soldier
George M. Cohan: Over There
Gerald Finzi: Farewell to Arms
Kevin Puts: Dona Nobis Pacem (Reprise)

Programs that have included the works of Edgar Bainton:

Saturday, March 28, 2015
Longy School of Music; Allison Voth, director Songs of the Great War
Kevin Puts: "Dona Nobis Pacem" from Silent Night
Albéric Magnard: "Le Rhin allemande" from Six poémes en musique, op. 3, no. 3
Paul Rubens: Your King and Country Want You
Frederick Kelly: Shall I Compare Thee? op. 1, no. 1
Cecil Coles: The Gladsome Fray
George Butterworth: On the Idle Hill of Summer
W. Denis Browne: To Gratiana Dancing and Singing
Felix Powell: Pack Up Your Troubles
Fernand Halphen: Odelette
Maurice Ravel: Trois beaux oiseaux du paradis
Kevin Puts: "J'ai perdu ta photo" from Silent Night
André Caplet: Quand reverrai-je, hélas!
Claude Debussy: Noël des enfants qui non plus de maison
Edgar Bainton: All Night Under the Moon
Ivor Gurney: The Twa Corbies
Benjamin J. Dale: O Mistress of Mine
Ivor Gurney: In Flanders
Rudi Stephan: "Das Hohelied der Nacht" & "Pantherlied" from Ich will dir singen Hohelied
Alban Berg: "Nacht" from Sieben früher Lieder
Arnold Schoenberg: "Gigerlette" from Brettl Lieder
Alfred Piantadosi: I Didn't Raise My Boy to Be a Soldier
George M. Cohan: Over There
Gerald Finzi: Farewell to Arms
Kevin Puts: Dona Nobis Pacem (Reprise)

Programs that have included the works of Benjamin J. Dale:

Saturday, March 28, 2015
Longy School of Music; Allison Voth, director Songs of the Great War
Kevin Puts: "Dona Nobis Pacem" from Silent Night
Albéric Magnard: "Le Rhin allemande" from Six poémes en musique, op. 3, no. 3
Paul Rubens: Your King and Country Want You
Frederick Kelly: Shall I Compare Thee? op. 1, no. 1
Cecil Coles: The Gladsome Fray
George Butterworth: On the Idle Hill of Summer
W. Denis Browne: To Gratiana Dancing and Singing
Felix Powell: Pack Up Your Troubles
Fernand Halphen: Odelette
Maurice Ravel: Trois beaux oiseaux du paradis
Kevin Puts: "J'ai perdu ta photo" from Silent Night
André Caplet: Quand reverrai-je, hélas!
Claude Debussy: Noël des enfants qui non plus de maison
Edgar Bainton: All Night Under the Moon
Ivor Gurney: The Twa Corbies
Benjamin J. Dale: O Mistress of Mine
Ivor Gurney: In Flanders
Rudi Stephan: "Das Hohelied der Nacht" & "Pantherlied" from Ich will dir singen Hohelied
Alban Berg: "Nacht" from Sieben früher Lieder
Arnold Schoenberg: "Gigerlette" from Brettl Lieder
Alfred Piantadosi: I Didn't Raise My Boy to Be a Soldier
George M. Cohan: Over There
Gerald Finzi: Farewell to Arms
Kevin Puts: Dona Nobis Pacem (Reprise)

Programs that have included the works of Rudi Stephan:

Saturday, March 28, 2015
Longy School of Music; Allison Voth, director Songs of the Great War
Kevin Puts: "Dona Nobis Pacem" from Silent Night
Albéric Magnard: "Le Rhin allemande" from Six poémes en musique, op. 3, no. 3
Paul Rubens: Your King and Country Want You
Frederick Kelly: Shall I Compare Thee? op. 1, no. 1
Cecil Coles: The Gladsome Fray
George Butterworth: On the Idle Hill of Summer
W. Denis Browne: To Gratiana Dancing and Singing
Felix Powell: Pack Up Your Troubles
Fernand Halphen: Odelette
Maurice Ravel: Trois beaux oiseaux du paradis
Kevin Puts: "J'ai perdu ta photo" from Silent Night
André Caplet: Quand reverrai-je, hélas!
Claude Debussy: Noël des enfants qui non plus de maison
Edgar Bainton: All Night Under the Moon
Ivor Gurney: The Twa Corbies
Benjamin J. Dale: O Mistress of Mine
Ivor Gurney: In Flanders
Rudi Stephan: "Das Hohelied der Nacht" & "Pantherlied" from Ich will dir singen Hohelied
Alban Berg: "Nacht" from Sieben früher Lieder
Arnold Schoenberg: "Gigerlette" from Brettl Lieder
Alfred Piantadosi: I Didn't Raise My Boy to Be a Soldier
George M. Cohan: Over There
Gerald Finzi: Farewell to Arms
Kevin Puts: Dona Nobis Pacem (Reprise)

Programs that have included the works of Alban Berg:

Saturday, March 28, 2015
Longy School of Music; Allison Voth, director Songs of the Great War
Kevin Puts: "Dona Nobis Pacem" from Silent Night
Albéric Magnard: "Le Rhin allemande" from Six poémes en musique, op. 3, no. 3
Paul Rubens: Your King and Country Want You
Frederick Kelly: Shall I Compare Thee? op. 1, no. 1
Cecil Coles: The Gladsome Fray
George Butterworth: On the Idle Hill of Summer
W. Denis Browne: To Gratiana Dancing and Singing
Felix Powell: Pack Up Your Troubles
Fernand Halphen: Odelette
Maurice Ravel: Trois beaux oiseaux du paradis
Kevin Puts: "J'ai perdu ta photo" from Silent Night
André Caplet: Quand reverrai-je, hélas!
Claude Debussy: Noël des enfants qui non plus de maison
Edgar Bainton: All Night Under the Moon
Ivor Gurney: The Twa Corbies
Benjamin J. Dale: O Mistress of Mine
Ivor Gurney: In Flanders
Rudi Stephan: "Das Hohelied der Nacht" & "Pantherlied" from Ich will dir singen Hohelied
Alban Berg: "Nacht" from Sieben früher Lieder
Arnold Schoenberg: "Gigerlette" from Brettl Lieder
Alfred Piantadosi: I Didn't Raise My Boy to Be a Soldier
George M. Cohan: Over There
Gerald Finzi: Farewell to Arms
Kevin Puts: Dona Nobis Pacem (Reprise)

Programs that have included the works of Alfred Piantadosi:

Saturday, March 28, 2015
Longy School of Music; Allison Voth, director Songs of the Great War
Kevin Puts: "Dona Nobis Pacem" from Silent Night
Albéric Magnard: "Le Rhin allemande" from Six poémes en musique, op. 3, no. 3
Paul Rubens: Your King and Country Want You
Frederick Kelly: Shall I Compare Thee? op. 1, no. 1
Cecil Coles: The Gladsome Fray
George Butterworth: On the Idle Hill of Summer
W. Denis Browne: To Gratiana Dancing and Singing
Felix Powell: Pack Up Your Troubles
Fernand Halphen: Odelette
Maurice Ravel: Trois beaux oiseaux du paradis
Kevin Puts: "J'ai perdu ta photo" from Silent Night
André Caplet: Quand reverrai-je, hélas!
Claude Debussy: Noël des enfants qui non plus de maison
Edgar Bainton: All Night Under the Moon
Ivor Gurney: The Twa Corbies
Benjamin J. Dale: O Mistress of Mine
Ivor Gurney: In Flanders
Rudi Stephan: "Das Hohelied der Nacht" & "Pantherlied" from Ich will dir singen Hohelied
Alban Berg: "Nacht" from Sieben früher Lieder
Arnold Schoenberg: "Gigerlette" from Brettl Lieder
Alfred Piantadosi: I Didn't Raise My Boy to Be a Soldier
George M. Cohan: Over There
Gerald Finzi: Farewell to Arms
Kevin Puts: Dona Nobis Pacem (Reprise)

Programs that have included the works of George M. Cohan:

Saturday, March 28, 2015
Longy School of Music; Allison Voth, director Songs of the Great War
Kevin Puts: "Dona Nobis Pacem" from Silent Night
Albéric Magnard: "Le Rhin allemande" from Six poémes en musique, op. 3, no. 3
Paul Rubens: Your King and Country Want You
Frederick Kelly: Shall I Compare Thee? op. 1, no. 1
Cecil Coles: The Gladsome Fray
George Butterworth: On the Idle Hill of Summer
W. Denis Browne: To Gratiana Dancing and Singing
Felix Powell: Pack Up Your Troubles
Fernand Halphen: Odelette
Maurice Ravel: Trois beaux oiseaux du paradis
Kevin Puts: "J'ai perdu ta photo" from Silent Night
André Caplet: Quand reverrai-je, hélas!
Claude Debussy: Noël des enfants qui non plus de maison
Edgar Bainton: All Night Under the Moon
Ivor Gurney: The Twa Corbies
Benjamin J. Dale: O Mistress of Mine
Ivor Gurney: In Flanders
Rudi Stephan: "Das Hohelied der Nacht" & "Pantherlied" from Ich will dir singen Hohelied
Alban Berg: "Nacht" from Sieben früher Lieder
Arnold Schoenberg: "Gigerlette" from Brettl Lieder
Alfred Piantadosi: I Didn't Raise My Boy to Be a Soldier
George M. Cohan: Over There
Gerald Finzi: Farewell to Arms
Kevin Puts: Dona Nobis Pacem (Reprise)

Programs that have included the works of Pablo Casals:

Saturday, October 10, 2015
Jordan Hall at NEC; Joseph Flummerfelt, guest conductor
Tomás Luis de Victoria: O vos omnes
Pablo Casals: O vos omnes
Peter Maxwell Davies: The Lord’s Prayer
Maurice Duruflé: Notre père
Igor Stravinsky: Pater noster
Giuseppe Verdi: Ave Maria
Benjamin Britten: The Evening Primrose, from Flower Songs
Irving Fine: The Hourglass, from The Hourglass
Samuel Barber: The Coolin’, from Reincarnations
Aaron Copland: Long time Ago; At the River; The Promise of Living, from The Tender Land
Johannes Brahms: Liebeslieder Walzer, op. 52; Neue Liebeslieder Waltzer, zum schluss

Programs that have included the works of Peter Maxwell Davies:

Saturday, October 10, 2015
Jordan Hall at NEC; Joseph Flummerfelt, guest conductor
Tomás Luis de Victoria: O vos omnes
Pablo Casals: O vos omnes
Peter Maxwell Davies: The Lord’s Prayer
Maurice Duruflé: Notre père
Igor Stravinsky: Pater noster
Giuseppe Verdi: Ave Maria
Benjamin Britten: The Evening Primrose, from Flower Songs
Irving Fine: The Hourglass, from The Hourglass
Samuel Barber: The Coolin’, from Reincarnations
Aaron Copland: Long time Ago; At the River; The Promise of Living, from The Tender Land
Johannes Brahms: Liebeslieder Walzer, op. 52; Neue Liebeslieder Waltzer, zum schluss

Programs that have included the works of Samuel Barber:

Tuesday, November 17, 2015
Aaron Copland: Zion's Walls
Aaron Copland: Emily Dickinson Songs
Aaron Copland: Simple gifts
Irving Fine: Mutability
Samuel Barber: Hermit Songs
Aaron Copland: Shall We Gather at the River
Program Notes

Saturday, October 10, 2015
Jordan Hall at NEC; Joseph Flummerfelt, guest conductor
Tomás Luis de Victoria: O vos omnes
Pablo Casals: O vos omnes
Peter Maxwell Davies: The Lord’s Prayer
Maurice Duruflé: Notre père
Igor Stravinsky: Pater noster
Giuseppe Verdi: Ave Maria
Benjamin Britten: The Evening Primrose, from Flower Songs
Irving Fine: The Hourglass, from The Hourglass
Samuel Barber: The Coolin’, from Reincarnations
Aaron Copland: Long time Ago; At the River; The Promise of Living, from The Tender Land
Johannes Brahms: Liebeslieder Walzer, op. 52; Neue Liebeslieder Waltzer, zum schluss

Programs that have included the works of Guillaume de Machaut:

Friday, February 26, 2016
American Academy of Arts and Sciences; Amy Lieberman, conductor
Guillaume de Machaut: Ma fin est mon commencement
Arvo Pärt: Solfeggio
Clément Janequin: Toutes les nuictz
Luciano Berio: Cries of London
Mario Castelnuovo-Tedesco: Romancero Gitano, for guitar and chorus
Clément Janequin: Le Rossignol
Guillaume de Machaut: Ma fin est ma commencement
Program Notes

Programs that have included the works of Clément Janequin:

Friday, February 26, 2016
American Academy of Arts and Sciences; Amy Lieberman, conductor
Guillaume de Machaut: Ma fin est mon commencement
Arvo Pärt: Solfeggio
Clément Janequin: Toutes les nuictz
Luciano Berio: Cries of London
Mario Castelnuovo-Tedesco: Romancero Gitano, for guitar and chorus
Clément Janequin: Le Rossignol
Guillaume de Machaut: Ma fin est ma commencement
Program Notes

Programs that have included the works of Luciano Berio:

Friday, February 26, 2016
American Academy of Arts and Sciences; Amy Lieberman, conductor
Guillaume de Machaut: Ma fin est mon commencement
Arvo Pärt: Solfeggio
Clément Janequin: Toutes les nuictz
Luciano Berio: Cries of London
Mario Castelnuovo-Tedesco: Romancero Gitano, for guitar and chorus
Clément Janequin: Le Rossignol
Guillaume de Machaut: Ma fin est ma commencement
Program Notes

Programs that have included the works of Mario Castelnuovo-Tedesco:

Friday, February 26, 2016
American Academy of Arts and Sciences; Amy Lieberman, conductor
Guillaume de Machaut: Ma fin est mon commencement
Arvo Pärt: Solfeggio
Clément Janequin: Toutes les nuictz
Luciano Berio: Cries of London
Mario Castelnuovo-Tedesco: Romancero Gitano, for guitar and chorus
Clément Janequin: Le Rossignol
Guillaume de Machaut: Ma fin est ma commencement
Program Notes

Programs that have included the works of Fanny Mendelssohn:

Tuesday, March 31, 2016
American Academy of Arts and Sciences; Allison Voth, director
Felix Mendelssohn: Duet, from Lobgesang
Fanny Mendelssohn: Songs, op. 7
Johannes Brahms: Trio in A minor, for Piano, Clarinet, and Cello
Felix Mendelssohn: Duets, op. 63
Johannes Brahms: Two Songs for Alto, Viola, and Piano
Fanny Mendelssohn: Duets, op. 63
Johannes Brahms: Neue Liebeslieder, for Vocal Quartet and Piano
Program Notes

Programs that have included the works of Berthold Goldschmidt:

Friday, November 18th, 2016
American Academy of Arts and Sciences; Allison Voth, director
Entartete Musik
Kurt Weill, arr. John Greer: "Berlin im licht"
Arnold Schoenberg: "Wanderlied Capriccio"
Schoenberg: "Am strand"
Weill: "Großer Dankchoral: Lobet die Nacht" from Das Berliner Requiem
Berthold Goldschmidt: "Nebelweben" & "Ein Rosenzweig" from Zwei Lieder, op. 27
Alexander Zemlinsky: "Liebe Schwalbe", "Blaues Sternlein", & "Fensterlein, nachts bist du zu"
Zemlinsky: "Der Wind des Herbste" & "Afrikanische Tanz"
Hanns Eisler: "Philantropich", "Die Zwei Trichter", & "Die Zwei Wurzeln" from Galgenlieder
Erich Korngold: "Come away, death", "Adieu good man devil", & "For the rain it raineth every day" from Songs of the Clown, op. 29
Egon Wellesz: "Blütenschnee", "Leichtes Spiel", & "Blüten" from Kirschblütenlieder, op. 8
Paul Hindemith: 3 Hymnen, op. 14
Ernst Krenek: "O Tranenvolle" from O Lacrimosa, op. 48a
Hans Gál: "Drei Prinzessinnen", "Der Wiesenbach", & "Abend auf dem Fluss"
Franz Schreker: "Und wie mag die Liebe" & "Das feurige Männlein"
Weill: "Cäsars Tod" from Der Silbersee
Krenek: "Die Saiten weiss ich zu rühren " from Fiedellieder, op. 64
Wilhelm Grosz: "Bänkel vom Klatsch" from Bänkel und Balladen
Schoenberg: "Mahnung" from Brettl Lieder
Krenek: "Wiederum lebt wohl" from Fiedellieder, op. 64
Grosz: "Die Ballade von Sammy Lee" from Bänkel und Balladen
Krenek: "Nun ein Scherflein in der Runde" from Fiedellieder, op. 64
Eisler: "Ballade von de Krüppelgarde" from Balladenbuch, op. 18
Weill, arr. Greer: "Youkali" from Marie Galante
Program Notes

Programs that have included the works of Alexander Zemlinsky:

Friday, November 18th, 2016
American Academy of Arts and Sciences; Allison Voth, director
Entartete Musik
Kurt Weill, arr. John Greer: "Berlin im licht"
Arnold Schoenberg: "Wanderlied Capriccio"
Schoenberg: "Am strand"
Weill: "Großer Dankchoral: Lobet die Nacht" from Das Berliner Requiem
Berthold Goldschmidt: "Nebelweben" & "Ein Rosenzweig" from Zwei Lieder, op. 27
Alexander Zemlinsky: "Liebe Schwalbe", "Blaues Sternlein", & "Fensterlein, nachts bist du zu"
Zemlinsky: "Der Wind des Herbste" & "Afrikanische Tanz"
Hanns Eisler: "Philantropich", "Die Zwei Trichter", & "Die Zwei Wurzeln" from Galgenlieder
Erich Korngold: "Come away, death", "Adieu good man devil", & "For the rain it raineth every day" from Songs of the Clown, op. 29
Egon Wellesz: "Blütenschnee", "Leichtes Spiel", & "Blüten" from Kirschblütenlieder, op. 8
Paul Hindemith: 3 Hymnen, op. 14
Ernst Krenek: "O Tranenvolle" from O Lacrimosa, op. 48a
Hans Gál: "Drei Prinzessinnen", "Der Wiesenbach", & "Abend auf dem Fluss"
Franz Schreker: "Und wie mag die Liebe" & "Das feurige Männlein"
Weill: "Cäsars Tod" from Der Silbersee
Krenek: "Die Saiten weiss ich zu rühren " from Fiedellieder, op. 64
Wilhelm Grosz: "Bänkel vom Klatsch" from Bänkel und Balladen
Schoenberg: "Mahnung" from Brettl Lieder
Krenek: "Wiederum lebt wohl" from Fiedellieder, op. 64
Grosz: "Die Ballade von Sammy Lee" from Bänkel und Balladen
Krenek: "Nun ein Scherflein in der Runde" from Fiedellieder, op. 64
Eisler: "Ballade von de Krüppelgarde" from Balladenbuch, op. 18
Weill, arr. Greer: "Youkali" from Marie Galante
Program Notes

Programs that have included the works of Hanns Eisler:

Friday, November 18th, 2016
American Academy of Arts and Sciences; Allison Voth, director
Entartete Musik
Kurt Weill, arr. John Greer: "Berlin im licht"
Arnold Schoenberg: "Wanderlied Capriccio"
Schoenberg: "Am strand"
Weill: "Großer Dankchoral: Lobet die Nacht" from Das Berliner Requiem
Berthold Goldschmidt: "Nebelweben" & "Ein Rosenzweig" from Zwei Lieder, op. 27
Alexander Zemlinsky: "Liebe Schwalbe", "Blaues Sternlein", & "Fensterlein, nachts bist du zu"
Zemlinsky: "Der Wind des Herbste" & "Afrikanische Tanz"
Hanns Eisler: "Philantropich", "Die Zwei Trichter", & "Die Zwei Wurzeln" from Galgenlieder
Erich Korngold: "Come away, death", "Adieu good man devil", & "For the rain it raineth every day" from Songs of the Clown, op. 29
Egon Wellesz: "Blütenschnee", "Leichtes Spiel", & "Blüten" from Kirschblütenlieder, op. 8
Paul Hindemith: 3 Hymnen, op. 14
Ernst Krenek: "O Tranenvolle" from O Lacrimosa, op. 48a
Hans Gál: "Drei Prinzessinnen", "Der Wiesenbach", & "Abend auf dem Fluss"
Franz Schreker: "Und wie mag die Liebe" & "Das feurige Männlein"
Weill: "Cäsars Tod" from Der Silbersee
Krenek: "Die Saiten weiss ich zu rühren " from Fiedellieder, op. 64
Wilhelm Grosz: "Bänkel vom Klatsch" from Bänkel und Balladen
Schoenberg: "Mahnung" from Brettl Lieder
Krenek: "Wiederum lebt wohl" from Fiedellieder, op. 64
Grosz: "Die Ballade von Sammy Lee" from Bänkel und Balladen
Krenek: "Nun ein Scherflein in der Runde" from Fiedellieder, op. 64
Eisler: "Ballade von de Krüppelgarde" from Balladenbuch, op. 18
Weill, arr. Greer: "Youkali" from Marie Galante
Program Notes

Programs that have included the works of Erich Korngold:

Friday, November 18th, 2016
American Academy of Arts and Sciences; Allison Voth, director
Entartete Musik
Kurt Weill, arr. John Greer: "Berlin im licht"
Arnold Schoenberg: "Wanderlied Capriccio"
Schoenberg: "Am strand"
Weill: "Großer Dankchoral: Lobet die Nacht" from Das Berliner Requiem
Berthold Goldschmidt: "Nebelweben" & "Ein Rosenzweig" from Zwei Lieder, op. 27
Alexander Zemlinsky: "Liebe Schwalbe", "Blaues Sternlein", & "Fensterlein, nachts bist du zu"
Zemlinsky: "Der Wind des Herbste" & "Afrikanische Tanz"
Hanns Eisler: "Philantropich", "Die Zwei Trichter", & "Die Zwei Wurzeln" from Galgenlieder
Erich Korngold: "Come away, death", "Adieu good man devil", & "For the rain it raineth every day" from Songs of the Clown, op. 29
Egon Wellesz: "Blütenschnee", "Leichtes Spiel", & "Blüten" from Kirschblütenlieder, op. 8
Paul Hindemith: 3 Hymnen, op. 14
Ernst Krenek: "O Tranenvolle" from O Lacrimosa, op. 48a
Hans Gál: "Drei Prinzessinnen", "Der Wiesenbach", & "Abend auf dem Fluss"
Franz Schreker: "Und wie mag die Liebe" & "Das feurige Männlein"
Weill: "Cäsars Tod" from Der Silbersee
Krenek: "Die Saiten weiss ich zu rühren " from Fiedellieder, op. 64
Wilhelm Grosz: "Bänkel vom Klatsch" from Bänkel und Balladen
Schoenberg: "Mahnung" from Brettl Lieder
Krenek: "Wiederum lebt wohl" from Fiedellieder, op. 64
Grosz: "Die Ballade von Sammy Lee" from Bänkel und Balladen
Krenek: "Nun ein Scherflein in der Runde" from Fiedellieder, op. 64
Eisler: "Ballade von de Krüppelgarde" from Balladenbuch, op. 18
Weill, arr. Greer: "Youkali" from Marie Galante
Program Notes

Programs that have included the works of Egon Wellesz:

Friday, November 18th, 2016
American Academy of Arts and Sciences; Allison Voth, director
Entartete Musik
Kurt Weill, arr. John Greer: "Berlin im licht"
Arnold Schoenberg: "Wanderlied Capriccio"
Schoenberg: "Am strand"
Weill: "Großer Dankchoral: Lobet die Nacht" from Das Berliner Requiem
Berthold Goldschmidt: "Nebelweben" & "Ein Rosenzweig" from Zwei Lieder, op. 27
Alexander Zemlinsky: "Liebe Schwalbe", "Blaues Sternlein", & "Fensterlein, nachts bist du zu"
Zemlinsky: "Der Wind des Herbste" & "Afrikanische Tanz"
Hanns Eisler: "Philantropich", "Die Zwei Trichter", & "Die Zwei Wurzeln" from Galgenlieder
Erich Korngold: "Come away, death", "Adieu good man devil", & "For the rain it raineth every day" from Songs of the Clown, op. 29
Egon Wellesz: "Blütenschnee", "Leichtes Spiel", & "Blüten" from Kirschblütenlieder, op. 8
Paul Hindemith: 3 Hymnen, op. 14
Ernst Krenek: "O Tranenvolle" from O Lacrimosa, op. 48a
Hans Gál: "Drei Prinzessinnen", "Der Wiesenbach", & "Abend auf dem Fluss"
Franz Schreker: "Und wie mag die Liebe" & "Das feurige Männlein"
Weill: "Cäsars Tod" from Der Silbersee
Krenek: "Die Saiten weiss ich zu rühren " from Fiedellieder, op. 64
Wilhelm Grosz: "Bänkel vom Klatsch" from Bänkel und Balladen
Schoenberg: "Mahnung" from Brettl Lieder
Krenek: "Wiederum lebt wohl" from Fiedellieder, op. 64
Grosz: "Die Ballade von Sammy Lee" from Bänkel und Balladen
Krenek: "Nun ein Scherflein in der Runde" from Fiedellieder, op. 64
Eisler: "Ballade von de Krüppelgarde" from Balladenbuch, op. 18
Weill, arr. Greer: "Youkali" from Marie Galante
Program Notes

Programs that have included the works of Ernst Krenek:

Friday, November 18th, 2016
American Academy of Arts and Sciences; Allison Voth, director
Entartete Musik
Kurt Weill, arr. John Greer: "Berlin im licht"
Arnold Schoenberg: "Wanderlied Capriccio"
Schoenberg: "Am strand"
Weill: "Großer Dankchoral: Lobet die Nacht" from Das Berliner Requiem
Berthold Goldschmidt: "Nebelweben" & "Ein Rosenzweig" from Zwei Lieder, op. 27
Alexander Zemlinsky: "Liebe Schwalbe", "Blaues Sternlein", & "Fensterlein, nachts bist du zu"
Zemlinsky: "Der Wind des Herbste" & "Afrikanische Tanz"
Hanns Eisler: "Philantropich", "Die Zwei Trichter", & "Die Zwei Wurzeln" from Galgenlieder
Erich Korngold: "Come away, death", "Adieu good man devil", & "For the rain it raineth every day" from Songs of the Clown, op. 29
Egon Wellesz: "Blütenschnee", "Leichtes Spiel", & "Blüten" from Kirschblütenlieder, op. 8
Paul Hindemith: 3 Hymnen, op. 14
Ernst Krenek: "O Tranenvolle" from O Lacrimosa, op. 48a
Hans Gál: "Drei Prinzessinnen", "Der Wiesenbach", & "Abend auf dem Fluss"
Franz Schreker: "Und wie mag die Liebe" & "Das feurige Männlein"
Weill: "Cäsars Tod" from Der Silbersee
Krenek: "Die Saiten weiss ich zu rühren " from Fiedellieder, op. 64
Wilhelm Grosz: "Bänkel vom Klatsch" from Bänkel und Balladen
Schoenberg: "Mahnung" from Brettl Lieder
Krenek: "Wiederum lebt wohl" from Fiedellieder, op. 64
Grosz: "Die Ballade von Sammy Lee" from Bänkel und Balladen
Krenek: "Nun ein Scherflein in der Runde" from Fiedellieder, op. 64
Eisler: "Ballade von de Krüppelgarde" from Balladenbuch, op. 18
Weill, arr. Greer: "Youkali" from Marie Galante
Program Notes

Programs that have included the works of Hans Gál:

Friday, November 18th, 2016
American Academy of Arts and Sciences; Allison Voth, director
Entartete Musik
Kurt Weill, arr. John Greer: "Berlin im licht"
Arnold Schoenberg: "Wanderlied Capriccio"
Schoenberg: "Am strand"
Weill: "Großer Dankchoral: Lobet die Nacht" from Das Berliner Requiem
Berthold Goldschmidt: "Nebelweben" & "Ein Rosenzweig" from Zwei Lieder, op. 27
Alexander Zemlinsky: "Liebe Schwalbe", "Blaues Sternlein", & "Fensterlein, nachts bist du zu"
Zemlinsky: "Der Wind des Herbste" & "Afrikanische Tanz"
Hanns Eisler: "Philantropich", "Die Zwei Trichter", & "Die Zwei Wurzeln" from Galgenlieder
Erich Korngold: "Come away, death", "Adieu good man devil", & "For the rain it raineth every day" from Songs of the Clown, op. 29
Egon Wellesz: "Blütenschnee", "Leichtes Spiel", & "Blüten" from Kirschblütenlieder, op. 8
Paul Hindemith: 3 Hymnen, op. 14
Ernst Krenek: "O Tranenvolle" from O Lacrimosa, op. 48a
Hans Gál: "Drei Prinzessinnen", "Der Wiesenbach", & "Abend auf dem Fluss"
Franz Schreker: "Und wie mag die Liebe" & "Das feurige Männlein"
Weill: "Cäsars Tod" from Der Silbersee
Krenek: "Die Saiten weiss ich zu rühren " from Fiedellieder, op. 64
Wilhelm Grosz: "Bänkel vom Klatsch" from Bänkel und Balladen
Schoenberg: "Mahnung" from Brettl Lieder
Krenek: "Wiederum lebt wohl" from Fiedellieder, op. 64
Grosz: "Die Ballade von Sammy Lee" from Bänkel und Balladen
Krenek: "Nun ein Scherflein in der Runde" from Fiedellieder, op. 64
Eisler: "Ballade von de Krüppelgarde" from Balladenbuch, op. 18
Weill, arr. Greer: "Youkali" from Marie Galante
Program Notes

Programs that have included the works of Franz Schreker:

Friday, November 18th, 2016
American Academy of Arts and Sciences; Allison Voth, director
Entartete Musik
Kurt Weill, arr. John Greer: "Berlin im licht"
Arnold Schoenberg: "Wanderlied Capriccio"
Schoenberg: "Am strand"
Weill: "Großer Dankchoral: Lobet die Nacht" from Das Berliner Requiem
Berthold Goldschmidt: "Nebelweben" & "Ein Rosenzweig" from Zwei Lieder, op. 27
Alexander Zemlinsky: "Liebe Schwalbe", "Blaues Sternlein", & "Fensterlein, nachts bist du zu"
Zemlinsky: "Der Wind des Herbste" & "Afrikanische Tanz"
Hanns Eisler: "Philantropich", "Die Zwei Trichter", & "Die Zwei Wurzeln" from Galgenlieder
Erich Korngold: "Come away, death", "Adieu good man devil", & "For the rain it raineth every day" from Songs of the Clown, op. 29
Egon Wellesz: "Blütenschnee", "Leichtes Spiel", & "Blüten" from Kirschblütenlieder, op. 8
Paul Hindemith: 3 Hymnen, op. 14
Ernst Krenek: "O Tranenvolle" from O Lacrimosa, op. 48a
Hans Gál: "Drei Prinzessinnen", "Der Wiesenbach", & "Abend auf dem Fluss"
Franz Schreker: "Und wie mag die Liebe" & "Das feurige Männlein"
Weill: "Cäsars Tod" from Der Silbersee
Krenek: "Die Saiten weiss ich zu rühren " from Fiedellieder, op. 64
Wilhelm Grosz: "Bänkel vom Klatsch" from Bänkel und Balladen
Schoenberg: "Mahnung" from Brettl Lieder
Krenek: "Wiederum lebt wohl" from Fiedellieder, op. 64
Grosz: "Die Ballade von Sammy Lee" from Bänkel und Balladen
Krenek: "Nun ein Scherflein in der Runde" from Fiedellieder, op. 64
Eisler: "Ballade von de Krüppelgarde" from Balladenbuch, op. 18
Weill, arr. Greer: "Youkali" from Marie Galante
Program Notes

Programs that have included the works of Wilhelm Grosz:

Friday, November 18th, 2016
American Academy of Arts and Sciences; Allison Voth, director
Entartete Musik
Kurt Weill, arr. John Greer: "Berlin im licht"
Arnold Schoenberg: "Wanderlied Capriccio"
Schoenberg: "Am strand"
Weill: "Großer Dankchoral: Lobet die Nacht" from Das Berliner Requiem
Berthold Goldschmidt: "Nebelweben" & "Ein Rosenzweig" from Zwei Lieder, op. 27
Alexander Zemlinsky: "Liebe Schwalbe", "Blaues Sternlein", & "Fensterlein, nachts bist du zu"
Zemlinsky: "Der Wind des Herbste" & "Afrikanische Tanz"
Hanns Eisler: "Philantropich", "Die Zwei Trichter", & "Die Zwei Wurzeln" from Galgenlieder
Erich Korngold: "Come away, death", "Adieu good man devil", & "For the rain it raineth every day" from Songs of the Clown, op. 29
Egon Wellesz: "Blütenschnee", "Leichtes Spiel", & "Blüten" from Kirschblütenlieder, op. 8
Paul Hindemith: 3 Hymnen, op. 14
Ernst Krenek: "O Tranenvolle" from O Lacrimosa, op. 48a
Hans Gál: "Drei Prinzessinnen", "Der Wiesenbach", & "Abend auf dem Fluss"
Franz Schreker: "Und wie mag die Liebe" & "Das feurige Männlein"
Weill: "Cäsars Tod" from Der Silbersee
Krenek: "Die Saiten weiss ich zu rühren " from Fiedellieder, op. 64
Wilhelm Grosz: "Bänkel vom Klatsch" from Bänkel und Balladen
Schoenberg: "Mahnung" from Brettl Lieder
Krenek: "Wiederum lebt wohl" from Fiedellieder, op. 64
Grosz: "Die Ballade von Sammy Lee" from Bänkel und Balladen
Krenek: "Nun ein Scherflein in der Runde" from Fiedellieder, op. 64
Eisler: "Ballade von de Krüppelgarde" from Balladenbuch, op. 18
Weill, arr. Greer: "Youkali" from Marie Galante
Program Notes

Programs that have included the works of Orlande de Lassus:

Friday, December 16th, 2016 and Saturday, December 17th, 2016
Cary Hall, Lexington; David Hoose, conductor
St. Paul Church, Cambridge; David Hoose, conductor
Orlande de Lassus: "Sibylla Persica" from Prophetiae Sibyllarum
Claudio Monteverdi: "Laetatus sum"
Hugo Distler: "Es ist ein Ros entsprungen" from Weihnachtsgeschichte, op. 10
Tomás Luis de Victoria: "O magnum mysterium”
Heinrich Schütz: "Nun danket alle Gott,” SWV 418 from Symphoniae sacrae III (1650)
Heinrich Ignaz Franz von Biber: "The Annunication" from Rosary Sonatas
Monteverdi: Gloria a 7
Schütz: “Ach Herr, du Schöpfer aller Ding,” Madrigal spirituale, SWV 450
Lassus: "Sibylla Europæa" from Prophetiae Sibyllarum
Arnold Schoenberg: Friede auf Erden, op. 13
Program Notes

Programs that have included the works of Heinrich Ignaz Franz von Biber:

Friday, December 16th, 2016 and Saturday, December 17th, 2016
Cary Hall, Lexington; David Hoose, conductor
St. Paul Church, Cambridge; David Hoose, conductor
Orlande de Lassus: "Sibylla Persica" from Prophetiae Sibyllarum
Claudio Monteverdi: "Laetatus sum"
Hugo Distler: "Es ist ein Ros entsprungen" from Weihnachtsgeschichte, op. 10
Tomás Luis de Victoria: "O magnum mysterium”
Heinrich Schütz: "Nun danket alle Gott,” SWV 418 from Symphoniae sacrae III (1650)
Heinrich Ignaz Franz von Biber: "The Annunication" from Rosary Sonatas
Monteverdi: Gloria a 7
Schütz: “Ach Herr, du Schöpfer aller Ding,” Madrigal spirituale, SWV 450
Lassus: "Sibylla Europæa" from Prophetiae Sibyllarum
Arnold Schoenberg: Friede auf Erden, op. 13
Program Notes

Programs that have included the works of Lazar Weiner:

Friday, May 12th, 2017
Jordan Hall at NEC; David Hoose, Conductor
with Cantilena; Jennifer Kane, Music Director
Lazar Weiner, orch. by David Hoose: "Ashrei Ho-ish", "Khoyves", "Mayn Tfile", "El Khanun", & "Yihyu L’Rotzon"
Yehudi Wyner: Torah Service
Arthur Honegger: Le Roi David - Psaume Symphonique
Program Notes

Friday, January 20th, 2017
American Academy of Arts and Sciences; Allison Voth, director
Weiner and Weill
Lazar Weiner: "A Gebet", "Volt Mayne Tate Raykh Geven", "Der Scholem-Zokher", "Shtile Tener", & "Tsela-Tseldi"
Kurt Weill: Ofrah's Lieder
Weiner: “Unter Dayne Vayse Shtern”, “A Papir Vil Bageyn Zelbsmord”, "Bald Vet Zayn a Regn", "Stile Likht", & "Der Yid mitn Fidl"
Weill: Abendlied
Weill: Maikaterlied
Weill: Four Walt Whitman Songs
Weill: "Zu Potsdam unter den Eichen" from Das Berliner Requiem
Weiner: "Mayn Lid", "Arop un Aroyf", "Mayn Shprakh", "Farbaygeyer", & "Di Dame mit Hintl"
Weill: Excerpts from Five Songs from Huckleberry Finn
Weiner: A Nign
Program Notes

Programs that have included the works of Erik Satie:

Friday, March 31st, 2017
American Academy of Arts and Sciences; Allison Voth, Music Director
Les Six
Erik Satie: "Manière de Commencement" from Morceaux en forme de Poire
Darius Milhaud: "Fumée" from Trois Poèmes de Jean Cocteau, op. 59
Arthur Honegger: "Locutions" & "Souvenirs d’enfance" from Six Poésies de Jean Cocteau
Francis Poulenc: "Miel de Narbonne" & "Enfant de troupe" from Concardes, FP 16
Satie: Trois Mélodies
Louis Durey: "Prière" & "Polka" from Chansons Basques, op. 23
Georges Auric: "Hommage à Erik Satie" & "Réveil" from Huit Poémes de Jean Cocteau
Milhaud: "Fête de Montmartre" from Trois Poèmes de Jean Cocteau, Op. 59
Milhaud: Trois Chansons de Négresse, Op. 148b
Satie: "Brutal" from Trois Morceaux en forme de Poire
Honegger: "Les cloches" from Six Poèmes d’Apollinaire, H 12
Poulenc: "Carte-postale" & "Avant le cinéma" from Quatre Poèmes de Guillaume Apollinaire, FP 58
Honegger: "L’Adieu" from Six Poèmes d’Apollinaire, H 12
Poulenc: "1904" from Quatre Poèmes de Guillaume Apollinaire, FP 58
Satie: "Enlevé" from Trois Morceaux en forme de Poire
Poulenc: "Prelude" from Sonate pour piano, 4 mains, FP 8
Auric: Alphabet: 7 Quatrains de Raymond Radiguet
Durey: "L’éléphant", "La mouche", "Le poulpe", "Le boeuf", "La Méduse", "La puce" & "Les sirèns" from Le Bestiaire, op. 17a
Poulenc: "Rustique" from Sonate pour piano, 4 mains, FP 8
Germaine Tailleferre: Six Chansons Françaises
Poulenc: "La maîtresse volage", "L’offrande", & "La belle jeunesse" from Chansons Gaillardes, FP 42
Poulenc: "Final" from Sonate pour piano, 4 mains, FP 8
Program Notes

Programs that have included the works of Darius Milhaud:

Friday, March 31st, 2017
American Academy of Arts and Sciences; Allison Voth, Music Director
Les Six
Erik Satie: "Manière de Commencement" from Morceaux en forme de Poire
Darius Milhaud: "Fumée" from Trois Poèmes de Jean Cocteau, op. 59
Arthur Honegger: "Locutions" & "Souvenirs d’enfance" from Six Poésies de Jean Cocteau
Francis Poulenc: "Miel de Narbonne" & "Enfant de troupe" from Concardes, FP 16
Satie: Trois Mélodies
Louis Durey: "Prière" & "Polka" from Chansons Basques, op. 23
Georges Auric: "Hommage à Erik Satie" & "Réveil" from Huit Poémes de Jean Cocteau
Milhaud: "Fête de Montmartre" from Trois Poèmes de Jean Cocteau, Op. 59
Milhaud: Trois Chansons de Négresse, Op. 148b
Satie: "Brutal" from Trois Morceaux en forme de Poire
Honegger: "Les cloches" from Six Poèmes d’Apollinaire, H 12
Poulenc: "Carte-postale" & "Avant le cinéma" from Quatre Poèmes de Guillaume Apollinaire, FP 58
Honegger: "L’Adieu" from Six Poèmes d’Apollinaire, H 12
Poulenc: "1904" from Quatre Poèmes de Guillaume Apollinaire, FP 58
Satie: "Enlevé" from Trois Morceaux en forme de Poire
Poulenc: "Prelude" from Sonate pour piano, 4 mains, FP 8
Auric: Alphabet: 7 Quatrains de Raymond Radiguet
Durey: "L’éléphant", "La mouche", "Le poulpe", "Le boeuf", "La Méduse", "La puce" & "Les sirèns" from Le Bestiaire, op. 17a
Poulenc: "Rustique" from Sonate pour piano, 4 mains, FP 8
Germaine Tailleferre: Six Chansons Françaises
Poulenc: "La maîtresse volage", "L’offrande", & "La belle jeunesse" from Chansons Gaillardes, FP 42
Poulenc: "Final" from Sonate pour piano, 4 mains, FP 8
Program Notes

Programs that have included the works of Arthur Honegger:

Friday, May 12th, 2017
Jordan Hall at NEC; David Hoose, Conductor
with Cantilena; Jennifer Kane, Music Director
Lazar Weiner, orch. by David Hoose: "Ashrei Ho-ish", "Khoyves", "Mayn Tfile", "El Khanun", & "Yihyu L’Rotzon"
Yehudi Wyner: Torah Service
Arthur Honegger: Le Roi David - Psaume Symphonique
Program Notes

Friday, March 31st, 2017
American Academy of Arts and Sciences; Allison Voth, Music Director
Les Six
Erik Satie: "Manière de Commencement" from Morceaux en forme de Poire
Darius Milhaud: "Fumée" from Trois Poèmes de Jean Cocteau, op. 59
Arthur Honegger: "Locutions" & "Souvenirs d’enfance" from Six Poésies de Jean Cocteau
Francis Poulenc: "Miel de Narbonne" & "Enfant de troupe" from Concardes, FP 16
Satie: Trois Mélodies
Louis Durey: "Prière" & "Polka" from Chansons Basques, op. 23
Georges Auric: "Hommage à Erik Satie" & "Réveil" from Huit Poémes de Jean Cocteau
Milhaud: "Fête de Montmartre" from Trois Poèmes de Jean Cocteau, Op. 59
Milhaud: Trois Chansons de Négresse, Op. 148b
Satie: "Brutal" from Trois Morceaux en forme de Poire
Honegger: "Les cloches" from Six Poèmes d’Apollinaire, H 12
Poulenc: "Carte-postale" & "Avant le cinéma" from Quatre Poèmes de Guillaume Apollinaire, FP 58
Honegger: "L’Adieu" from Six Poèmes d’Apollinaire, H 12
Poulenc: "1904" from Quatre Poèmes de Guillaume Apollinaire, FP 58
Satie: "Enlevé" from Trois Morceaux en forme de Poire
Poulenc: "Prelude" from Sonate pour piano, 4 mains, FP 8
Auric: Alphabet: 7 Quatrains de Raymond Radiguet
Durey: "L’éléphant", "La mouche", "Le poulpe", "Le boeuf", "La Méduse", "La puce" & "Les sirèns" from Le Bestiaire, op. 17a
Poulenc: "Rustique" from Sonate pour piano, 4 mains, FP 8
Germaine Tailleferre: Six Chansons Françaises
Poulenc: "La maîtresse volage", "L’offrande", & "La belle jeunesse" from Chansons Gaillardes, FP 42
Poulenc: "Final" from Sonate pour piano, 4 mains, FP 8
Program Notes

Programs that have included the works of Louis Durey:

Friday, March 31st, 2017
American Academy of Arts and Sciences; Allison Voth, Music Director
Les Six
Erik Satie: "Manière de Commencement" from Morceaux en forme de Poire
Darius Milhaud: "Fumée" from Trois Poèmes de Jean Cocteau, op. 59
Arthur Honegger: "Locutions" & "Souvenirs d’enfance" from Six Poésies de Jean Cocteau
Francis Poulenc: "Miel de Narbonne" & "Enfant de troupe" from Concardes, FP 16
Satie: Trois Mélodies
Louis Durey: "Prière" & "Polka" from Chansons Basques, op. 23
Georges Auric: "Hommage à Erik Satie" & "Réveil" from Huit Poémes de Jean Cocteau
Milhaud: "Fête de Montmartre" from Trois Poèmes de Jean Cocteau, Op. 59
Milhaud: Trois Chansons de Négresse, Op. 148b
Satie: "Brutal" from Trois Morceaux en forme de Poire
Honegger: "Les cloches" from Six Poèmes d’Apollinaire, H 12
Poulenc: "Carte-postale" & "Avant le cinéma" from Quatre Poèmes de Guillaume Apollinaire, FP 58
Honegger: "L’Adieu" from Six Poèmes d’Apollinaire, H 12
Poulenc: "1904" from Quatre Poèmes de Guillaume Apollinaire, FP 58
Satie: "Enlevé" from Trois Morceaux en forme de Poire
Poulenc: "Prelude" from Sonate pour piano, 4 mains, FP 8
Auric: Alphabet: 7 Quatrains de Raymond Radiguet
Durey: "L’éléphant", "La mouche", "Le poulpe", "Le boeuf", "La Méduse", "La puce" & "Les sirèns" from Le Bestiaire, op. 17a
Poulenc: "Rustique" from Sonate pour piano, 4 mains, FP 8
Germaine Tailleferre: Six Chansons Françaises
Poulenc: "La maîtresse volage", "L’offrande", & "La belle jeunesse" from Chansons Gaillardes, FP 42
Poulenc: "Final" from Sonate pour piano, 4 mains, FP 8
Program Notes

Programs that have included the works of Georges Auric:

Friday, March 31st, 2017
American Academy of Arts and Sciences; Allison Voth, Music Director
Les Six
Erik Satie: "Manière de Commencement" from Morceaux en forme de Poire
Darius Milhaud: "Fumée" from Trois Poèmes de Jean Cocteau, op. 59
Arthur Honegger: "Locutions" & "Souvenirs d’enfance" from Six Poésies de Jean Cocteau
Francis Poulenc: "Miel de Narbonne" & "Enfant de troupe" from Concardes, FP 16
Satie: Trois Mélodies
Louis Durey: "Prière" & "Polka" from Chansons Basques, op. 23
Georges Auric: "Hommage à Erik Satie" & "Réveil" from Huit Poémes de Jean Cocteau
Milhaud: "Fête de Montmartre" from Trois Poèmes de Jean Cocteau, Op. 59
Milhaud: Trois Chansons de Négresse, Op. 148b
Satie: "Brutal" from Trois Morceaux en forme de Poire
Honegger: "Les cloches" from Six Poèmes d’Apollinaire, H 12
Poulenc: "Carte-postale" & "Avant le cinéma" from Quatre Poèmes de Guillaume Apollinaire, FP 58
Honegger: "L’Adieu" from Six Poèmes d’Apollinaire, H 12
Poulenc: "1904" from Quatre Poèmes de Guillaume Apollinaire, FP 58
Satie: "Enlevé" from Trois Morceaux en forme de Poire
Poulenc: "Prelude" from Sonate pour piano, 4 mains, FP 8
Auric: Alphabet: 7 Quatrains de Raymond Radiguet
Durey: "L’éléphant", "La mouche", "Le poulpe", "Le boeuf", "La Méduse", "La puce" & "Les sirèns" from Le Bestiaire, op. 17a
Poulenc: "Rustique" from Sonate pour piano, 4 mains, FP 8
Germaine Tailleferre: Six Chansons Françaises
Poulenc: "La maîtresse volage", "L’offrande", & "La belle jeunesse" from Chansons Gaillardes, FP 42
Poulenc: "Final" from Sonate pour piano, 4 mains, FP 8
Program Notes

Programs that have included the works of Germaine Tailleferre:

Friday, March 31st, 2017
American Academy of Arts and Sciences; Allison Voth, Music Director
Les Six
Erik Satie: "Manière de Commencement" from Morceaux en forme de Poire
Darius Milhaud: "Fumée" from Trois Poèmes de Jean Cocteau, op. 59
Arthur Honegger: "Locutions" & "Souvenirs d’enfance" from Six Poésies de Jean Cocteau
Francis Poulenc: "Miel de Narbonne" & "Enfant de troupe" from Concardes, FP 16
Satie: Trois Mélodies
Louis Durey: "Prière" & "Polka" from Chansons Basques, op. 23
Georges Auric: "Hommage à Erik Satie" & "Réveil" from Huit Poémes de Jean Cocteau
Milhaud: "Fête de Montmartre" from Trois Poèmes de Jean Cocteau, Op. 59
Milhaud: Trois Chansons de Négresse, Op. 148b
Satie: "Brutal" from Trois Morceaux en forme de Poire
Honegger: "Les cloches" from Six Poèmes d’Apollinaire, H 12
Poulenc: "Carte-postale" & "Avant le cinéma" from Quatre Poèmes de Guillaume Apollinaire, FP 58
Honegger: "L’Adieu" from Six Poèmes d’Apollinaire, H 12
Poulenc: "1904" from Quatre Poèmes de Guillaume Apollinaire, FP 58
Satie: "Enlevé" from Trois Morceaux en forme de Poire
Poulenc: "Prelude" from Sonate pour piano, 4 mains, FP 8
Auric: Alphabet: 7 Quatrains de Raymond Radiguet
Durey: "L’éléphant", "La mouche", "Le poulpe", "Le boeuf", "La Méduse", "La puce" & "Les sirèns" from Le Bestiaire, op. 17a
Poulenc: "Rustique" from Sonate pour piano, 4 mains, FP 8
Germaine Tailleferre: Six Chansons Françaises
Poulenc: "La maîtresse volage", "L’offrande", & "La belle jeunesse" from Chansons Gaillardes, FP 42
Poulenc: "Final" from Sonate pour piano, 4 mains, FP 8
Program Notes