About
T.J. Anderson
T.J. Anderson is one of the leading composers of his generation. He
was born August 17, 1928 in Coatesville, Pennsylvania and received
degrees from West Virginia State College, Penn State University, and
a Ph.D. in degrees. After serving as Chairman of the Department of
Music at Tufts University for eight years, Thomas Jefferson Anderson
became Austin Fletcher Professor of Music and in 1990 became Austin
Fletcher Professor of Music Emeritus. He studied composition with
George Ceiga, Philip Bezanson, Richard Hervig, and Darius Milhaud.
Anderson is well known for his orchestration of Scott Joplin's opera,
Treemonisha which premiered in Atlanta in 1972. His opera, Soldier
Boy, Soldier, was commissioned by Indiana University and is based
on a libretto by Leon Forrest. His chamber opera, Walker, was commissioned
by the Boston Athenaeum with a libretto by Derek Walcott <more >
About
Donald Sur
The Korean-American, Boston-based composer Donald Sur, who died in
May 1999, wrote the original Slavery Documents exclusively at artist
colonies throughout the United States, including the Virginia Center
for Creative Arts, Cummington Community for the Arts (MA), Ragdale
Foundation (IL), and MacDowell Foundation (NH). Prior to his fellowships
at these colonies he served on the faculties of Longy School of Music,
MIT, SUNY/Purchase, Tufts, and Harvard. In addition, he lectured at
Boston's Museum of Fine Arts and Queens University, Ontario. Mr. Sur
received his master's degree from Princeton University and his Ph.D.
from Harvard University. His works have been performed throughout
the United States as well as in the Netherlands, West Germany, England,
and Korea. <more...>
About
David Hoose
David Hoose has been Music Director of the Cantata Singers & Ensemble
since 1982. He is also Music Director of Collage New Music and the
Tallahassee Symphony Orchestra, and is Director of Orchestral Activities
and Chairman of the Conducting Department at the Boston University
School for the Arts. David Hoose received his Bachelor of Music degree
in composition and theory at the Oberlin Conservatory of Music, and
continued with graduate study at Brandeis University. In 1980 he received
the Dmitri Mitropoulos Award as a conducting fellow at the Tanglewood
Music Center, where he studied with Gustav Meier, Seiji Ozawa, and
Leonard Bernstein. He has recorded for Nonesuch, Koch, CRI, Delos
and New World Records. As a horn player Mr. Hoose was a founding member
of the Emmanuel Wind Quintet, which won the 1981 Walter W. Naumburg
Award for Chamber Music. <more...>
About
Kayo Iwama
Pianist Kayo Iwama is Music Director of the Cantata Singers
Chamber Series. She is on the faculties of New England Conservatory
and the prestigious Tanglewood Music Center. Ms. Iwama earned music
degrees at Oberlin College and SUNY Stony Brook where she studied
with Gilbert Kalish. She has attended the Salzburg Music Festival,
the Banff Music Center, the Music Academy of the West, and the Tanglewood
Music Center, where she worked with such artists as Margo Garrett,
Martin Isepp, Graham Johnson and Martin Katz. She has also been
on the music staffs of the Steans Institute for Young Artists at
the Ravinia Festival and the Boston Symphony Orchestra, and was
formerly on the faculty of the Hartt School of Music. <more...>
About
Karyl Ryczek
Soprano Karyl Ryczek has performed widely throughout the northeast
corridor on the opera, oratorio and concert stage. Ms. Ryczeks
singing has been described as informed, involved and dramatically
expressive. A frequent soloist with The Cantata Singers, Ms. Ryczek
has also appeared with Boston Baroque, the Monadnock Music Festival
and the Boston Academy of Music. Ms. Ryczek made her Boston operatic
debut with Collage New Music in the premier performance of Charles
Fussells opera, The Astronauts Tale. Ms. Ryczek holds
faculty positions at the Longy School of Music and at Bridgewater
State College. <more >
About
Cynthia Clarey
Mezzo-soprano Cynthia Clarey is an international artist with a wide
range of concert and operatic versatility. In Europe she has appeared
with the Deutsche Oper Berlin, Pariss Opéra Comique and
Théâtre de Chatelet , Royal Opera House, Covent Garden,
the Glyndebourne Festival , the Wexford Festival and Barcelonas
Teatre del Liceu. She has also performed with major European orchestras,
including the Berlin Philharmonic Orchestra, London Symphony, BBC
Symphony, and Hallé Orchestra. In the United States, she has
performed with the opera companies of Chicago, Dallas, New York, Seattle,
Santa Fe, Saint Louis, Grand Rapids, Omaha, Boston, Philadelphia,
Miami, Utah, Tulsa, Long Beach and Binghamtons Tri-Cities Opera.
Her orchestra appearances include the Chicago Symphony, Boston Symphony,
Dallas Symphony, National Symphony, New York Philharmonic, and the
orchestras of Saint Louis, Baltimore, Toronto, Pittsburgh, Houston,
Minnesota. She is closely associated with conductor Sir Simon Rattle
as well as Bernard Haitink, Andrew Litton, Raymond Leppard, Andrew
Davis, and Leonard Slatkin. <more >
About
Rockland Osgood
Tenor Rockland Osgood has distinguished himself in a wide variety
of musical idioms from the baroque to the latest in contemporary compositions.
He is frequently praised for his exemplary musicianship, eloquence
of expression and immaculate diction. Highlights of his present season
include Beethovens Ninth Symphony, Te Deum of Berlioz, Carmina
Burana, Mozarts Coronation Mass, Messiah at Lincoln Center,
and Donald Surs Slavery Documents in Bostons Symphony
Hall. He will also be featured with the Hartford Symphony in Messiah.
Mr. Osgood has performed on several occasions with the Cantata Singers
including in the World Premier of Donald Surs Slavery Documents
in 1990. Mr. Osgood holds a Bachelors Degree in Music from Huntingdon
College and a Masters Degree in Vocal Performance from the New
England Conservatory of Music. He currently teaches voice at Tufts
University. <more...>
About
David Arnold
Baritone David Arnold, is one of the superb examples of a great American
tradition which has produced an impressive proportion of the worlds
great baritone singers of the likes of Lawrence Tibbett, Robert Merrill,
George London and Sherrill Milnes. Mr. Arnold made his debut in 1983
with the Metropolitan Opera as Enrico in Lucia di Lammermoor, and
has scored successes in symphonic music performing the Bach Passions
with Robert Shaw, Helmuth Rilling, Richard Westenburg, Harold Rosenbaum,
Blanche Moyse, Sergio Comissiona, and Norman Scribner. And for six
seasons Seiji Ozawa has chosen him as soloist with the Boston Symphony
Orchestra; this has included four seasons of the BSOs New York
concerts at Carnegie Hall. He recorded Gurrelieder with Ozawa and
the BSO on the Philips label. Mr. Arnold has won the New York City
Opera Gold debut award, a Sullivan Foundation Award, and a Shoshana
Foundation award and he was presented a Career Grant by Kurt Herbert
Adler on behalf of the National Opera Institute, a grant which included
a monetary award as well as a concert hosted by Beverly Sills at the
Kennedy Center. He made a guest appearance at the White House on the
occasion of a State Dinner honoring Prime Minister Thatcher. In 1996,
Coretta Scott King invited him to sing at the annual commemorative
service in Atlanta honoring Dr. Martin Luther King, Jr.s birth;
the principal speaker at this event was President Clinton. <more...>
About
David Howse
Lyric baritone David Howse has appeared with the Boston Academy
of Music, Boston Vocal Artists, Opera to Go, Opera unMet, the Brevard
Music Center and the Humbach Theaterhof in Germany. In March of
1999, David appeared with Lowell House Opera at Harvard University
in the world premiere of Yossele Solovey, a new composition by
Noam Elkies. His operatic roles include Papageno in The Magic Flute,
Schaunard in La Bohème, Ben in The Telephone, Peter in Hansel and
Gretel, Melchior in Amahl and the Night Visitors and Mercury in
Orpheus in the Underworld. David has been a featured soloist with
the New England Conservatory Choir, Peoria Municipal Band, Peoria
Philharmonic Chorale, and the Bradley University Community Chorus.
In addition to his operatic and oratorio experience, he is a seasoned
performer on the recital stage, having performed throughout the
Boston area. His most recent project, A Great Cry of Soul!, takes
him around the country presenting interactive recitals highlighting
the music of Black American composers. David has performed with
the New England Spiritual Ensemble, a Boston based touring company,
and is a member of the National Association of Negro Musicians.
Mr. Howse, a graduate of Bradley University, is completing his
Masters Degree at the New England Conservatory in the spring of
this year. In addition to his private studio, Mr. Howse is on the
teaching faculty at the Franklin School for the Performing Arts.