CANTATA SINGERS MAIN SERIES 2005–2006
David Hoose, Music Director |
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Friday,
November 11 at 8 pm and
Sunday, November 13 at 3 pm
Click here for directions
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Pre-concert speaker
Marc Mandel |
The pre-concert talks take
place Friday at 7:00 p.m. and Sunday at 2:00 p.m. in
the St. Botolph Hall, Room 118, located at 241 St. Botolph
Street (across from Jordan Hall). Seating is limited and not reserved;
early arrival is recommended. |
| Giuseppe Verdi |
Messa da Requiem |
The must-hear event of the season! At long last, Cantata
Singers pairs its extraordinary musical forces with Verdi’s
spectacular Requiem Mass – a beloved masterpiece that expresses
the essence of humanity through the trial of death and the hope
for peace and consolation. In the grandest operatic fashion,
Verdi’s tour de force of dramatic solo and choral writing,
overwhelming orchestral colors, and vivid engagement with the
text will grip you from beginning to end. Acclaimed soloists
Barbara Quintiliani, Janna Baty, Yeghishe Manucharyan, and Robert
Honeysucker bring their exquisite voices to this unforgettable
Cantata Singers & Ensemble production.
Program Notes |
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Friday, January 20 at 8 pm
Click
here for directions
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Pre-concert speaker
Mark DeVoto |
Pre-concert lecture by Mark DeVoto: composer,
writer, musicologist and Professor of Music, Emeritus, Tufts University.
7:00 p.m. in NEC’s Keller Room. Seating is limited and not
reserved; early arrival is recommended. |
| Francis Poulenc |
Un
soir de neige |
| Pierre Boulez |
Sur incises |
| Igor Stravinsky |
Les noces |
Hold on to your invitation! Stravinsky’s raucous, radiant
wedding cantata teeters on the edge of jazz and swings between
the pull of tradition and the brazen seduction of the avant-garde.
Les noces embraces the cherished customs and complexities
of this age-old ritual that is at once emotional and intellectual,
silly and profound. The surreal also weaves through Poulenc’s Un
soir de neige, his piercingly beautiful a cappella setting
of four wintry poems by Paul Eluard. The sonically shattering Sur
incises by the ever stunning Pierre Boulez takes its three
pianos, three harps, and three keyboard percussion and sets them
spinning, leaving them ringing wildly in the ear and imagination.
Program
Notes |
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| Sunday,
March 19 at 3 pm
Click
here for directions
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Pre-concert speaker
John Harbison |
Pre-concert lecture by composer John
Harbison:
2:00 p.m. in NEC's Keller Room. Seating is limited and not reserved;
early arrival is recommended. |
| John Harbison |
But Mary Stood: Sacred Symphony
for Soprano, Chorus and Strings
(World Premiere, commissioned by the
Cantata Singers)
Karyl Ryczek, soprano |
| J.S. Bach |
Lobet den Herrn BWV
230
Jesu, meine Freude BWV 227 |
| Heinrich Schütz |
Komm, Heiliger Geist, Herre Gott,
SWV 417
Mein Sohn, warum hast du uns das getan?, SWV 401
Siehe, dieser wird gesetzt zu einem Fall, SWV 410
from Symphoniae Sacrae III (1650) |
What a thrill – and
a privilege – it is to be present at the birth of a new
work. The Cantata Singers has commissioned John Harbison, one
of the world’s most distinguished composers and one of
our closest musical friends, to compose music in honor of David
Rockefeller, Jr., long-time passionate member of the Cantata
Singers family. The world premiere of the Harbison commission
continues to affirm our undying dedication to presenting music
of our time. But Mary Stood bears a message of faith,
hope and charity, and finds its spiritual partners in two of
Bach’s most brilliant and beloved motets.
Program notes
Program notes: John Harbison |
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Friday, May 12 at 7:30 pm (Please
note early start time)
Click
here for directions
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| Pre-concert speaker:
Donald Teeters, Music Director of The Boston Cecilia and noted authority on Handel oratorios. His talk takes place at 6:30 p.m. in NEC's Keller Room. Seating is limited and not reserved; early arrival is recommended. |
| George Frideric Handel |
Belshazzar |
Let the feast begin! From Jephtha to The
Rake’s Progress and Bach Passions, the Cantata Singers
have proven time and again that they can serve up more than
just a stellar musical performance. Their unique talent for
unleashing the music’s exhilarating drama turns every
concert into much more than just a concert. And when Handel’s Belshazzar is
the main course, the heart-pumping excitement is sure to lift
you from your seat. Babylonians riot, Persian soldiers and
ill-fated revelers battle, and the hand begins writing on the
wall: there are timeless political and moral dilemmas to be
faced. With an intensity and fervor of the most compelling
theatrical drama, Belshazzar captivates, devastates
and resonates as few works of art can.
Program notes
Synopsis of Belshazzar
Belshazzar Text
All Main Series concerts take place at New
England Conservatory's Jordan Hall, 30 Gainsborough St., Boston. |
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CHAMBER
SERIES 2005-2006
Kayo Iwama, Music Director and Pianist
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Sunday, December
11 at 1:30 pm
A Holiday Collage: German and British Songs of the Season
There’s always a good reason to visit the stunning
Gardner Museum, and this December, there happens to be a very good
reason. The Cantata Singers Chamber Series brings to the
Museum’s gorgeous Tapestry Room a dazzling holiday
program with songs from Germany and the British Isles including
Brahms’s Viola Songs, excerpts from Vaughan
Williams’s Folksongs of the Four Seasons,
and songs of Wolf, Schumann, and Britten. Kayo Iwama’s
concerts in this series are far too special to be missed. Presented
by the IsabellaStewartGardnerMuseum Sunday
Concert Series.
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© Ghetto Museum,
Terezín. Reprinted with permission. |
Sunday, April 23 at 3 pm
Monday, April 24 at 7:30 pm
Brundibár: A Children's
Opera by Hans Krása
Lynn Torgove, Stage
Director
Featuring members of PALS Children’s
Chorus
Johanna
Hill-Simpson, Music Director
Schedule some quality time with the
children in your life. This moving, bittersweet children’s
opera tells of two children whose efforts to raise money
to buy milk for their sick mother are thwarted by Brundibár,
an evil organ-grinder. With the help of some friendly animals,
the children outwit their nemesis in this uplifting tale
of heroism and triumph over evil. Written in 1938 by Czech
composer Hans Krása, Brundibár became
known as an emblem of courage, justice, and symbolic victory
over brutal Nazi oppression for the inhabitants of the concentration
camp Terezín, where the composer was imprisoned in
1942.
More
information about this concert.
Directions to the Leventhal-Sidman
JCC
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December concert in the Tapestry
Room of the Isabella Stewart Gardner Museum, 280 The Fenway, Boston.
Brundibár performances at the Media
Arts Center at Roxbury Community College, 1234 Columbus
Avenue, Roxbury; and the Leventhal-Sidman
Jewish Community Center Theatre, 333 Nahanton Street, Newton Center
Programs and dates subject to change.
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