CANTATA SINGERS MAIN SERIES 2005–2006
David Hoose, Music Director
 
Photo by Susan Wilson

Friday, November 11 at 8 pm and
Sunday, November 13 at 3 pm

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Pre-concert speaker
Marc Mandel
The pre-concert talks take place Friday at 7:00 p.m. and Sunday at 2:00 p.m. in the St. Botolph Hall, Room 118, located at 241 St. Botolph Street (across from Jordan Hall). Seating is limited and not reserved; early arrival is recommended.
Giuseppe Verdi Messa da Requiem

Barbara Quintiliani, soprano
Janna Baty, mezzo-soprano
Yeghishe Manucharyan, tenor
Robert Honeysucker, bass

The must-hear event of the season! At long last, Cantata Singers pairs its extraordinary musical forces with Verdi’s spectacular Requiem Mass – a beloved masterpiece that expresses the essence of humanity through the trial of death and the hope for peace and consolation. In the grandest operatic fashion, Verdi’s tour de force of dramatic solo and choral writing, overwhelming orchestral colors, and vivid engagement with the text will grip you from beginning to end. Acclaimed soloists Barbara Quintiliani, Janna Baty, Yeghishe Manucharyan, and Robert Honeysucker bring their exquisite voices to this unforgettable Cantata Singers & Ensemble production.

Program Notes


Friday, January 20 at 8 pm

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Pre-concert speaker
Mark DeVoto
Pre-concert lecture by Mark DeVoto: composer, writer, musicologist and Professor of Music, Emeritus, Tufts University. 7:00 p.m. in NEC’s Keller Room. Seating is limited and not reserved; early arrival is recommended.
Francis Poulenc Un soir de neige
Pierre Boulez Sur incises
Igor Stravinsky Les noces

Susan Narucki, soprano
Gloria Raymond, mezzo-soprano
Rockland Osgood, tenor
Anton Belov, bass

Hold on to your invitation! Stravinsky’s raucous, radiant wedding cantata teeters on the edge of jazz and swings between the pull of tradition and the brazen seduction of the avant-garde. Les noces embraces the cherished customs and complexities of this age-old ritual that is at once emotional and intellectual, silly and profound. The surreal also weaves through Poulenc’s Un soir de neige, his piercingly beautiful a cappella setting of four wintry poems by Paul Eluard. The sonically shattering Sur incises by the ever stunning Pierre Boulez takes its three pianos, three harps, and three keyboard percussion and sets them spinning, leaving them ringing wildly in the ear and imagination.

Program Notes


Sunday, March 19 at 3 pm

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Pre-concert speaker
John Harbison
Pre-concert lecture by composer John Harbison: 2:00 p.m. in NEC's Keller Room. Seating is limited and not reserved; early arrival is recommended.
John Harbison But Mary Stood: Sacred Symphony for Soprano, Chorus and Strings
(World Premiere, commissioned by the Cantata Singers)
Karyl Ryczek, soprano
J.S. Bach Lobet den Herrn BWV 230
Jesu, meine Freude
BWV 227
Heinrich Schütz Komm, Heiliger Geist, Herre Gott, SWV 417
Mein Sohn, warum hast du uns das getan?, SWV 401
Siehe, dieser wird gesetzt zu einem Fall, SWV 410
from Symphoniae Sacrae III (1650)


What a thrill – and a privilege – it is to be present at the birth of a new work. The Cantata Singers has commissioned John Harbison, one of the world’s most distinguished composers and one of our closest musical friends, to compose music in honor of David Rockefeller, Jr., long-time passionate member of the Cantata Singers family. The world premiere of the Harbison commission continues to affirm our undying dedication to presenting music of our time. But Mary Stood bears a message of faith, hope and charity, and finds its spiritual partners in two of Bach’s most brilliant and beloved motets.

Program notes
Program notes: John Harbison


Friday, May 12 at 7:30 pm (Please note early start time)

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Pre-concert speaker: Donald Teeters, Music Director of The Boston Cecilia and noted authority on Handel oratorios. His talk takes place at 6:30 p.m. in NEC's Keller Room. Seating is limited and not reserved; early arrival is recommended.
George Frideric Handel Belshazzar


Let the feast begin! From Jephtha to The Rake’s Progress and Bach Passions, the Cantata Singers have proven time and again that they can serve up more than just a stellar musical performance. Their unique talent for unleashing the music’s exhilarating drama turns every concert into much more than just a concert. And when Handel’s Belshazzar is the main course, the heart-pumping excitement is sure to lift you from your seat. Babylonians riot, Persian soldiers and ill-fated revelers battle, and the hand begins writing on the wall: there are timeless political and moral dilemmas to be faced. With an intensity and fervor of the most compelling theatrical drama, Belshazzar captivates, devastates and resonates as few works of art can.

Program notes
Synopsis of Belshazzar
Belshazzar Text

All Main Series concerts take place at New England Conservatory's Jordan Hall, 30 Gainsborough St., Boston.

 

CHAMBER SERIES 2005-2006
Kayo Iwama, Music Director and Pianist


Photo by Lynn McCann


Sunday, December 11 at 1:30 pm
A Holiday Collage: German and British Songs of the Season

There’s always a good reason to visit the stunning Gardner Museum, and this December, there happens to be a very good reason. The Cantata Singers Chamber Series brings to the Museum’s gorgeous Tapestry Room a dazzling holiday program with songs from Germany and the British Isles including Brahms’s Viola Songs, excerpts from Vaughan Williams’s Folksongs of the Four Seasons, and songs of Wolf, Schumann, and Britten. Kayo Iwama’s concerts in this series are far too special to be missed. Presented by the IsabellaStewartGardnerMuseum Sunday Concert Series.



© Ghetto Museum, Terezín.  Reprinted with permission.

Sunday, April 23 at 3 pm
Monday, April 24 at 7:30 pm
Brundibár: A Children's Opera by Hans Krása

Lynn Torgove, Stage Director
Featuring members of PALS Children’s Chorus
Johanna Hill-Simpson, Music Director

Schedule some quality time with the children in your life. This moving, bittersweet children’s opera tells of two children whose efforts to raise money to buy milk for their sick mother are thwarted by Brundibár, an evil organ-grinder. With the help of some friendly animals, the children outwit their nemesis in this uplifting tale of heroism and triumph over evil. Written in 1938 by Czech composer Hans Krása, Brundibár became known as an emblem of courage, justice, and symbolic victory over brutal Nazi oppression for the inhabitants of the concentration camp Terezín, where the composer was imprisoned in 1942.

More information about this concert.

Directions to the Leventhal-Sidman JCC

December concert in the Tapestry Room of the Isabella Stewart Gardner Museum, 280 The Fenway, Boston.

Brundibár performances at the Media Arts Center at Roxbury Community College, 1234 Columbus Avenue, Roxbury; and the Leventhal-Sidman Jewish Community Center Theatre, 333 Nahanton Street, Newton Center

Programs and dates subject to change.


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©2005 Cantata Singers